A low budget indie film that is more finely put together than it has any right to be, Alessio Micieli's star Cristiano Rolando does not fit anyone's idea of a leading man, and certainly not, at first glance, someone who could carry a whole movie. The opening scene of him in prison establishes the tone, one of a charismatic individual, uneducated and unskilled for normal society but certainly in possession of the requisite street smarts to navigate the most challenging social circumstances. Once out of prison, he encounters exaggerated characters and situations throughout the film- bumbling police detectives at the local precinct and working class but good-natured fools, like the one who picks him up while hitchhiking and who he eventually befriends. But along the way he also touches on more serious issues, such as agricultural purveyors keen on exploiting the most exploitable, like African migrants. When arriving back to his dilapidated country house, he discovers a squatter-a victim of the sex trade. He accommodates her, first out of pity, then, because of his own limited options in romantic prospects, out of sheer solitude(and convenience). This relationship is the weakest link of the script-the female protagonist is not given much personality and not much to say, she is attractive but also easy to take advantage of, and despite his charm and good intentions, or maybe because of them, Rolando succumbs to the predictable outcome(though this plot hole is redeemed towards the end). The actor playing Angelica is clearly a non-professional, and the local language-deficient character suits her amateur status. A side plot involving his relationship with a "cool" priest whom he confides in is too on the nose, but Micieli can be forgiven for showing us that Rolando wears his heart on his sleeve. The plot starts to heat up as he gets involved with a local mobster, due mainly to fatigue resulting from the lack of regular employment opportunities. The most clever aspect of the film is how this angle is played out. We're given hints as to the potential danger Rolando may be involved in, filtered through the comically performed police POV. Drugs are probably involved, and Rolando eventually gets in way over his head regarding the shady activities his new employer is dealing in, always minding, and fearing, a potential return to prison. When he discovers, too late, just what kind of trade he's facilitating, his conscience gets the better of him and concocts a way to bail himself and others involved, which requires sacrificing his own relationships. An unexpected ending reminds the viewer that the charm, frequent comical asides and light-heartedness displayed throughout the movie disguises its ingenious plot construction and character arc-Cristiano, in the end, despite his record and missteps in life, maintains a clean conscience, and he lands, with a thud, back on square one. The cinematography, editing and camera work are curiously top-notch, with fine performances all around. An endearing, mini-masterpiece.