Dana Vespoli's Real Sex Diary 4
- Video
- 2015
- 2h 36m
YOUR RATING
Storyline
Featured review
Lefty taps out
Hopefully the final release in this Dana Vespoli series, the fourth edition finds Dana in her "Lefty" guise, as a boxer seen sparring as exercise in the interstitial footage between 4 sex/conversation segments.
This is self-indulgence in the extreme, admitted to by Vespoli herself, who tells us how she books her talent for the Diary videos because she wants to hump so-and-so (and gets paid for the privilege).
Her avowed purpose of giving the fans a chance to see the real people behind the porn personae is contradicted in the ultimate product. Boring chats with Shyla Jennings, Ashley Fires, Richie Calhoun and Danny Mountain is akin to inside baseball, like the talking heads on TV sports shows. We hear about previous encounters and porn shoots, gossip about the business, and the overall impression is that these sex workers/performers live an all-sex life, either having sex or thinking about it 100% of the time.
Actual sex scenes are mechanical and boring, especially since Dana is involved in all of them. Unlike her creative and sometimes brilliant narrative features as a director, this footage is ephemeral at best and stupid when she starts to philosophize about sex and human relationships, especially in her strained metaphor about boxing as representing the human condition. Tell it to Robin Givens.
This is self-indulgence in the extreme, admitted to by Vespoli herself, who tells us how she books her talent for the Diary videos because she wants to hump so-and-so (and gets paid for the privilege).
Her avowed purpose of giving the fans a chance to see the real people behind the porn personae is contradicted in the ultimate product. Boring chats with Shyla Jennings, Ashley Fires, Richie Calhoun and Danny Mountain is akin to inside baseball, like the talking heads on TV sports shows. We hear about previous encounters and porn shoots, gossip about the business, and the overall impression is that these sex workers/performers live an all-sex life, either having sex or thinking about it 100% of the time.
Actual sex scenes are mechanical and boring, especially since Dana is involved in all of them. Unlike her creative and sometimes brilliant narrative features as a director, this footage is ephemeral at best and stupid when she starts to philosophize about sex and human relationships, especially in her strained metaphor about boxing as representing the human condition. Tell it to Robin Givens.
helpful•00
- lor_
- Nov 3, 2018
Details
- Runtime2 hours 36 minutes
- Color
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