Malette
Lifetime Total
1+
IMDb Member
23 years
Reviews
Gideon's Crossing (2000)
Too good to last
Sadly this series was doomed from the start. Great cast, good writing and an uplifting message with only a hint of preaching! Andre Braugher is as good in this, or maybe better, than his role in Homicide (Life on the Street).
Network TV was simply not ready for this, and if you take it to cable, the tendency is to spice it so much it can become offensive. Like I said, doomed from the get go.
The ensemble was also being used well, without the "stock character" prejudices and clichés. I suspect had this been given a really good run it would have been possible to flesh out the interns and residents as well as the nursing staff to the point of developing some outstanding story lines.
This is one of a long line of shows submarined by its refusal to seek mediocrity.
Network TV was simply not ready for this, and if you take it to cable, the tendency is to spice it so much it can become offensive. Like I said, doomed from the get go.
The ensemble was also being used well, without the "stock character" prejudices and clichés. I suspect had this been given a really good run it would have been possible to flesh out the interns and residents as well as the nursing staff to the point of developing some outstanding story lines.
This is one of a long line of shows submarined by its refusal to seek mediocrity.
An Awfully Big Adventure (1995)
A convoluted but cogent look at theatre and actors
The real hub around which this movie moves is not Hugh Grant or Alan Rickman but Georgina Cates as Stella, an unpaid sixteen year old student who is not only stagestruck but enamored of Meredith Potter (Hugh Grant), the cruel and thoughtless director who is more interested in boys.
Stella, ignorant of most of life, is unaware of his predilictions and so ill-informed she is afraid she might have a venereal disease from touching a man with her hand. Having been abandoned by her mother (who is the voice on the phone giving the time), she is being raised by her aunt and uncle, well-meaning people who love her but have no idea of what to do with her or tell her. Eventually she is seduced by P.L. O'Hara (Alan Rickman), who has come to Liverpool to play Captain Hook but also to once again look for the woman who bore him a child many years before. He imagines he has a son and that belief allows him to continue, despite his lack of self worth.
He eventually succumbs to his own predilictions when he pursues Stella. She, having no idea of sex other than as something to be done to her, is a slow learner but eventually says that like "learning a ukelele, it takes practice." The Grant character is so thoroughly despicable it proves once and for all that Hugh Grant can, in fact, act. Rickman gives a well done, mostly underplayed performance, not even having a line in the first four scenes he is in. Georgina Cates is the real jewel here, with a combination of naivete and boldness, along with a girlish charm which makes Stella believable as well as pathetic. Not the greatest movie made but a well done, well cast piece of work by professionals with a sense of purpose. See it! But not for the children.
Stella, ignorant of most of life, is unaware of his predilictions and so ill-informed she is afraid she might have a venereal disease from touching a man with her hand. Having been abandoned by her mother (who is the voice on the phone giving the time), she is being raised by her aunt and uncle, well-meaning people who love her but have no idea of what to do with her or tell her. Eventually she is seduced by P.L. O'Hara (Alan Rickman), who has come to Liverpool to play Captain Hook but also to once again look for the woman who bore him a child many years before. He imagines he has a son and that belief allows him to continue, despite his lack of self worth.
He eventually succumbs to his own predilictions when he pursues Stella. She, having no idea of sex other than as something to be done to her, is a slow learner but eventually says that like "learning a ukelele, it takes practice." The Grant character is so thoroughly despicable it proves once and for all that Hugh Grant can, in fact, act. Rickman gives a well done, mostly underplayed performance, not even having a line in the first four scenes he is in. Georgina Cates is the real jewel here, with a combination of naivete and boldness, along with a girlish charm which makes Stella believable as well as pathetic. Not the greatest movie made but a well done, well cast piece of work by professionals with a sense of purpose. See it! But not for the children.