
Quinoa1984
Joined Mar 2000
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Peter is back! (He hasn't appeared since 28 Up) I know he's here in some large part to promote his band, but I'd rather have something like that where it's more creative and artistic than when John appeared in 35 just to promote his wife's charity (gosh that felt like the closest this series got to a minor scandal haha). The other great surprise here is Suzanne and Nick together (not romantically but still!) That was really wonderful to see them come together for this, and such lively and candid conversation.
Perhaps it can't be helped by the time you get to the eighth of these films, but there is so much Archival footage by this point from the previous entries that it probably does weigh the new scenes by like 40/60. That is a fairly minor complaint though given the scope of how life's changes are now about the next generations and the younger subjects do a lot to emphasize what is the same/different about the men and women who are still taking part in this (and all but like one or two are still here).
I'm also struck by something Michael Apted said to Roger Ebert in an interview back in 2006 around the time of 49 Up, which is that politics, or just points of view when it comes to how life itself and relationships have political dimensions, come out in the choices that are made about what to do with a life, financially speaking and also with a life in work or retirement (or in Jackie's case on disability).
The financial crash of 2008 also still hangs over at least a couple of the participants, and there is a comment (though think about how much Apted chose to show or leave out) about how far to the right the country has gone in the years since the 60s and 70s and you can see how a framework that keeps people working, keeps people in a system (or who are still doing manual labor like Symon) and then those who can break free of those systems make this really engaging. Even Andrew talking about global warming, though what's great is that this doesn't come with Apted pushing some agenda or something. The reality of what everyone is dealing with speaks for itself (and there's a revelation about John that... how did we not know this till now?! Dead parent!)
What's so special about these films is how much Apted has direct and simple questions that have to do with what being 56 is like, and in the scope of the series up until this point and how the personal and larger macro sense of what this series has meant is in a deeper philosophical sense. 56 Up isn't quite my favorite entry in the Ups, but that's more of a personal quibble (I also kind of wish Apted had kept to the sort of structure of who he was presenting since he stuck to showing like Tony first and Neil last and now it's sort of reversed for seemingly no good reason), but it need not matter much when the interviews are still so revealing and frank and Apted keep it being this great thoughtful gift for the audience intact.
My reaction to Peter, in other words, seems like I am reacting to a return of a comic book character in a Marvel movie, but that's the level of intimate connection that the series has done so well.
Perhaps it can't be helped by the time you get to the eighth of these films, but there is so much Archival footage by this point from the previous entries that it probably does weigh the new scenes by like 40/60. That is a fairly minor complaint though given the scope of how life's changes are now about the next generations and the younger subjects do a lot to emphasize what is the same/different about the men and women who are still taking part in this (and all but like one or two are still here).
I'm also struck by something Michael Apted said to Roger Ebert in an interview back in 2006 around the time of 49 Up, which is that politics, or just points of view when it comes to how life itself and relationships have political dimensions, come out in the choices that are made about what to do with a life, financially speaking and also with a life in work or retirement (or in Jackie's case on disability).
The financial crash of 2008 also still hangs over at least a couple of the participants, and there is a comment (though think about how much Apted chose to show or leave out) about how far to the right the country has gone in the years since the 60s and 70s and you can see how a framework that keeps people working, keeps people in a system (or who are still doing manual labor like Symon) and then those who can break free of those systems make this really engaging. Even Andrew talking about global warming, though what's great is that this doesn't come with Apted pushing some agenda or something. The reality of what everyone is dealing with speaks for itself (and there's a revelation about John that... how did we not know this till now?! Dead parent!)
What's so special about these films is how much Apted has direct and simple questions that have to do with what being 56 is like, and in the scope of the series up until this point and how the personal and larger macro sense of what this series has meant is in a deeper philosophical sense. 56 Up isn't quite my favorite entry in the Ups, but that's more of a personal quibble (I also kind of wish Apted had kept to the sort of structure of who he was presenting since he stuck to showing like Tony first and Neil last and now it's sort of reversed for seemingly no good reason), but it need not matter much when the interviews are still so revealing and frank and Apted keep it being this great thoughtful gift for the audience intact.
My reaction to Peter, in other words, seems like I am reacting to a return of a comic book character in a Marvel movie, but that's the level of intimate connection that the series has done so well.