"not with a bang but a whimper"we diffidently demur The cinematography is beauty, reality, and sensation. You are soaked, by the wind and waves of the cliffed , bouldered awesomeness of the sea and Novembral austerity of Ireland's shores circa 1918.The time had long past for passionate Rosy Ryan to solemnly ,and with sanctity, mentored by Trevor Howard [ the village priest who saw to the souls of the villagers of his flock, abetted them against worldly ills and burdens[British Occupation}and strove to salvage their eternal souls from perdition]...yes the time was long past and she was joined in the sacrament of matrimony by said Trevor Howard to the gentle, fond, man of virtue and integrity, Robert Mitchum the village schoolteacher. Rosy was dutiful and respectful to her vows and husband. The British military commander, hopes and dreams dashed by a crippling wound in France and a life and career ruined thereby does chance one day into the village pub perhaps to fleetingly assuge his despair.A paroxysm of remembered combat agony renders him helpless; lost. Rosy Ryan's most passionate impulses of love and empathy for the infinite need she sees sends him to his side and succor. There ensues a scene of tender , febrile love and passion whose intensity I have never beheld. We say to T.S.Elliot that if gravity is insufficient to recall the outermost of our distant fleeting galaxies then indeed the world will be ended, an ashen cinder here and there in the vastness. The whimper will be somewhat abated in it's forlorn desolation , by the passionate humanity in Ryan's pub.