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Chris Huo's "The Comeback" is a Hong Kong crime action flick that had me dozing off a few times. The plot centers on Uncle Hua, a well-respected guy in his community, who finds himself in hot water when the local Qinglong Gang starts tearing down the old street for real estate. Things take a turn when Uncle Hua discovers six bodies, seven passports, and some guns hidden in the walls of his antique shop, which leads to him being chased by a shadowy group run by Ajie.

The storyline feels pretty tangled and all over the place, making it hard for viewers to really get into it. The characters, including Uncle Hua, don't have much depth, which makes it tough to feel any real connection with them.

The action scenes are nicely choreographed, but they don't really bring anything fresh to the table. The cinematography and editing are visually appealing with bright colors, but the pacing of the film is pretty uneven.

While it might entertain die-hard fans of the genre, it probably won't stick with you for long.

"1000 Years Witness of the Light" is a decent documentary directed by Ilija 'Iko' Karov, particularly appealing to those with an interest in Orthodox Christianity. It offers an in-depth look at the profound history and spiritual journey of the Bigorski Monastery, highlighting themes of monastic life, love, spirituality, and the concept of eternal beauty. The film's universal themes have clearly resonated with audiences, as evidenced by its translation into various languages, allowing it to connect with individuals from diverse cultural backgrounds.

A particularly notable element of the documentary is its use of a rare flower that blooms once every thousand years at the Bigorski Monastery, serving as a powerful metaphor for timeless beauty. The film's exploration of faith, tradition, and aesthetic appreciation transcends geographical and cultural divides, fostering a shared understanding of life's deeper meanings and spiritual experiences.

With its modern technical excecution and an impressive musical score, "1000 Years Witness of the Light" stands as a good example of storytelling that enlightens and inspires but it's sometimes in the odds with the subject it explores. Its potential for expanding viewership is evident, and it has certainly made a noteworthy contribution to the realm of spiritual and cultural documentaries. However, I found the critique of past authorities during Macedonia's time in socialist Yugoslavia to be somewhat harsh. Having witnessed significant investments in the monastery's renovations, which is recognized as a site of historical and cultural heritage, I felt that blaming the government for the lack of monks overlooked the Church's role in attracting youth to monastic life. Additionally, some aspects of the documentary had a slightly touristy feel, with certain "cheesy" elements aimed at drawing in more viewers.

Nonetheless, I thoroughly enjoyed the experience!

"Return to Seoul" is an extraordinary film that gradually reveals the touching journey of Freddie, a 25-year-old French woman born in South Korea and later adopted and raised in France. She is full with sadness that is so packed into everything she does that is just waiting for the moment to erupt - and burns everything and everyone around! The movie thoughtfully explores the fleeting nature of our identities, relationships, and the world around us, emphasizing that change is the only true constant in life. As Freddie embarks on her quest to learn about her biological parents at the Hammond Adoption Center, she opens herself up to the possibility of reconnecting with them. Throughout her journey, she reflects quietly on the person she might have become had she remained in South Korea, and how her life would have unfolded differently without the people she has encountered. The film highlights how, in our desire for clear resolutions and the comfort of permanence, we often overlook the reality that human life is about pausing and starting anew, forgetting and remembering, experiencing pain and finding forgiveness, as well as learning and moving on.