Unhappy characters in a powerful drama Spoilers: `Monster's Ball' is about racism. Sonny is a person who's respectful toward black people; but his father (played by Billy Bob Thorton) hates them as much as you can imagine. His son is sad and frustrated because of his father's behavior. On the other hand, we see Halle Berry's character with her fat child. She's also frustrated and wants the best for her child, and she sometimes beats him because he keeps on eating snacks.
The quarrel between the father and the son is somewhat disturbing and unpredictable (I never thought Sonny would shoot himself with the gun he had to kill his father). This was a heart-wrenching scene. He commits suicide just after his father tells him he hates him with his whole being. It was also very unpredictable that the fat kid would get run over by a car causing his death. After the two main characters of this story lose their family, they meet in the restaurant where Leticia works and become friends. Then they become more than that. After the tragic events Bob doesn't hate black people and wants to go out with Leticia, but finally his father finds out about it and strife between Bob and Leticia is carried out. Then they make up, and while alone in their bedroom Leticia sees a portrait that her former husband made. She's scared at first, but she finally laughs and realizes along with Bob that life has to go on!
There are some scenes that could offend people such as the son having a sex scene with a woman at the beginning and also some profanity. The Swiss director Marc Foster has made a joyless, harsh film full of blood, sweat, and tears that concerns characters who have never been happy and probably never shall be. The characters of `Monster's Ball' are unhappy, they all live daily in pain, racism, anger, despair, solitude, misery and death. These characters are miserable; they don't know what happiness means. And when they know it's near them, they are not capable of identifying, accepting, enjoying or sharing it.
The main character is named Hank Grotowsky and he works in a Georgia town as a sergeant who takes care of condemned prisoners. One of these is a black man, condemned for the murder of a policeman. He's been 11 years in jail waiting for good news and every week he's visited by his wife and his child who is terribly fat and addicted to candies. He paints as well as his father does. Grotowsky is lonely and joyless. He never smiles, he never jokes or takes vacation, or practices sports. His only entertainment is to eat a chocolate ice cream with a little plastic spoon after having some soup. He lives with his invalid father who was also a sergeant; his father is as racist and intolerant as he is. Plus, a child who follows his steps, hating black people whom they shoot at to drive them off their property.
To Grotowsky the execution of a black man in the electric chair is a normal act which he calls a `Monster's Ball,' a ball that doesn't admit the participation of others. This man is very miserable. His mother committed suicide, and his wife has left him. He hates his father because he made him a bitter person and he can't stand to take care of him. Over the course of the story we see him having his father admitted to an asylum. He hates his own son, because he reminds him of his wife, and in one of the saddest and wildest scenes, he beats him in front of his partners and when he tries to attack him in his house, he beats him, insults him and threats him with a gun.
Leticia is also unhappy because she can't afford anything, and is a waitress in a restaurant. She's always watching TV for a long time smoking, and drinking half-naked because of the hot weather, while her husband is being executed and the son is eating a lot of candies behind her back.
In this primitive atmosphere, where black people are hated, the viewer feels moved by the many tragic events that happen to the characters and the way innocent people die violently. The two characters recognize each other while suffering, because death is also manifested in the agony of sex and the characters of Thornton and Berry have one of the most unpredictable, exciting and violent love scenes on a sofa in all positions.
At first the Swiss director didn't want to cast Berry as the main character of this story, because she was too beautiful and not so dark; however, he finally accepted her for the role and he's achieved a sad, and joyless movie, that shows that the characters can't be happy, not even with the ambiguous ending in which they apparently seem to be, since sex has achieved the miracle of putting a smile on their faces. 7/10