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In 2015 Supermassive Games released Until Dawn and brought a new level of interactive horror to gamers. With the release of The Quarry, the company has taken the genre to a new level thanks in large part to the power of the new generation of gaming systems and graphic cards.

Unlike Until Dawn which was a PS4 exclusive, The Quarry is available on multiple platforms.

Using the same motion capture and a star-laden cast of Until Dawn, players are introduced to a group of councilors who have just seen their campers head home at the end of the summer.

Eager to get home and on with their college plans and lives, things take an unexpected turn when Jacob (Zach Tinker) decides to disable their van in the hopes that by staying an extra night he can convince Emma (Halston Sage), to not end their relationship which she viewed as a summer fling and with four states between them for school, something that cannot be maintained.

Despite the warnings of camp owner Chris (David Arquette) to stay inside with the doors locked, the kids decide to hold one more party and this is when things start to unravel. Players will take control of various players at random points of the story and this enables players to explore, gather clues, interact with objects and use weapons in rare instances.

The story is told over 10 chapters mainly set in one evening and the dangers that lurk are brutal and graphic when they arrive which means that stumbling around in the dark as the game often requires can have deadly results.

Players will have the option to make choices at several points during their gameplay and they can range from the tone used to answer a question or if they wish to run or hide from danger. There are other options as well as the intensity rises which all will change how the story unfolds as the game is based on branching storylines where who lives and who dies can change with each time through the story.

While there were elements where it seemed that I was stumbling in the dark trying to find where I was supposed to go and that large segments at times left me with little to do but watch the action and only occasionally pick a response when I had to move and make some rapid choices on directions and hotkeys, the game really drew me in.

The cast is strong and features Ariel Winter, Ted Raimi, Miles Robbins, Brenda Song, and Lance Henriksen amongst others and aside from one character who delivered his lines in an annoying monotone which sounded like they were delivered through a clenched jaw with a head cold, the voice acting is solid and above what one might expect in a game of this sort.

Graphically the game shined on a PS5 and being able to really enjoy the character animations helped me immerse myself in the story.

Since death is a part of the game, players are given three lives which will allow them to rewind the game and try to save the character. While it usually goes just before their passing, one did back me up a full chapter which I had to replay in order to get back to the next which also had to be replayed only to have the same fate befall the character.

In the end, The Quarry is a triumph of interactive storytelling and is an engaging and compelling tale with a strong cast. It will be interesting to see what Supermassive will do next but The Quarry is a game well worth your time.

4 stars out of 5.

Has finally arrived on the big screen.

The movie is based on the hit Playstation series of games by Naughty Dog and stars Tom Holland as Nathan Drake, a young man who is as adept at history as he is with pickpocketing which he uses to offset his income from Bartending.

Nathan's brother fled the law years earlier and aside from Postcards has had no contact with him over the years. Things change when Victor Sullivan (Mark Wahlberg) arrives and recruits Nathan by showing him that he used to work with his brother. Despite misgivings and unresolved feelings; Nathan joins with Victor and finds himself in a daring caper to steal a valuable object that could unlock the key to a gold supply that has been lost for over five hundred years.

Naturally, there are others who want the money, and Nathan, Victory, and their dubious partner Chloe (Sophia Ali); as they rush around the world in one adventure after another to solve the ancient puzzles and stay one step ahead of some very deadly individuals.

The movie has elements of "National Treasure" and "Raiders of the Lost Ark" in terms of the quests to find ancient treasures mixed with action but keeps things in a simpler context. The focus is not on plot development, character development, or plausibility but considering the film is based on a video game, it does a good job with the source material.

There has been some controversy about the casting of Holland as Nathan is older in the game series, but he goes all-in with his performance even when the acrobatic action sequences does offer many reminders of his Spider-man role.

The action in the game is fun and over-the-top and more than once I thought I should be pushing my X and Square button to help him make the moves necessary to complete the task and survive.

The post-credit scenes offer some great possibilities for future adventures and those would be more than welcome for those looking for some no-brainer escapist entertainment.

3.5 stars out of 5.

Liam Neeson is back in "Blacklight" and continues his recent trend of action-oriented roles

Neeson plays Travis Block; a fixer who works off the books for his old Army friend Gabriel Robinson (Aidan Quinn); who is currently the head of the F. B. I.

Travis is tasked with bringing in an agent named Dusty (Taylor John Smith) who is looking to bring his knowledge of his work; especially a project named "Unity" to the media.

Robinson cannot allow what Dusty knows to become public knowledge and orders him to be silenced. This causes Travis to rethink his career and decides he wants to try to spend more time with his Granddaughter and estranged daughter.

Naturally, a valuable resource like Travis will not be able to just walk away and when his family vanishes without a trace; Travis uses all of his skills while working with a Journalist named Mira (Emmy Raver- Lampman) to bring the truth to light and the guilty to justice.

"Blacklight" has a very interesting premise but after spending the first ¾ of the film setting up the characters and the scenarios; goes rapidly off the rails and takes a very safe and conflicting path to conclusion.

After an engaging action sequence that started well but came off as anti-climactic; the film rushes to a conclusion when there were numerous other scenarios that were likely to follow. The final confrontation is underwhelming and the final outcome contradicts earlier events.

One fact that the film drives home is how Travis's work is a concern for his family and has caused him mental issues. This is all magically resolved in the final moments of the film seemingly overnight and without explanation and is a marked contrast from how things had been portrayed throughout the film.

In the end, "Blacklight" fails to capture the potential that the premise and star offered and instead disappoints.

It is hard to believe it has been 25 years since "Scream" premiered and in doing so; brought new life into the slasher genre which had become stale due to an abundance of direct to DVD and cable releases combined with many uninspired and stale theatrical releases.

The movie was a massive success and launched a very successful trilogy and made the Ghostface killer and many moments from the series Pop Culture mainstays.

After a hiatus; "Scream 4" arrived and continued the series and in 2022; "Scream" has arrived which continues the story to the eager anticipation of fans.

When a young girl named Tara (Jenna Ortega); is brutally attacked in a fashion very similar to the Ghostface Killer; her sister Sam (Melissa Barrera); returns to Woodsboro to be by her side while Tara recuperates.

Sam is joined by her boyfriend Richie (Jack Quaid), who has no idea about the history of Woodsboro nor the popular "Stab" film series that is based on the events of the murders that have plagued the town.

Sam's past troubles makes her return difficult and when Ghostface strikes again; she and Richie seek the help of Dewey (David Arquette); who has fallen on hard times and has split from Gayle (Courtney Cox). Despite his reluctance; Dewey gets involved and tells Sam the "rules" which would indicate the killer might be someone she knows and soon everyone in her and Tara's circle becomes suspect even as the deaths start to increase.

This allows for some of the best moments of the film as the characters make references to several other modern and past horror franchises and discuss things from online Trolls, rabid fans, and other Pop Culture references which provides some tongue in cheek humor about the series and also establishes the world of "Scream" as one where people are well-versed in horror films old and new and have modified the rules based on sequel, prequel, and "Requel" rules for films.

As tensions and body count mounts; Gayle, Dewey, and Sidney (Neve Campbell) must face their fears to stop Ghostface before it is too late.

While the final act of the film is very over the top and at times absurd; it does provide plenty of the elements that fans have come to expect from the series. I was able to accurately see and predict almost all of the twists very early in the film and did not have many surprises as the film unfolded; I think many will still find enough enjoyment watching the tale unfold as after four films I have a pretty good idea of the formula for the series and also have many years of this as I saw the twists in "The Sixth Sense" and "The Village" very early in the films so I just seem to have a knack for this sort of thing.

While it does not break much in the way of new ground; the film does deliver what fans have come to expect and I did find in more enjoyable than "Scream 3" and there was more than enough to keep me entertained. There have been rumors that a sixth film has already been planned and if so: I will be more than ready for more.

3.5 out of 5.

Set in the San Fernando Valley of 1973; Writer/Director Paul Thomas Anderson has created a loving and nostalgia-filled look at that era with his new film "Licorice Pizza". The film focuses on a teenaged Gary (Cooper Hoffman) who becomes intrigued by an older photographer assistant named Alana (Alana Haim); during his school photo sessions.

Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.

When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.

What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.

While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.

In many ways, the film plays out like a teenaged boy's fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.

What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with "Boogie Nights"; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.

Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.

Life for Peter Parker (Tom Holland) is complicated thanks to his dual life as Spider-Man and the challenges of being in High School. Unfortunately for him; his best intentions are about to make things much worse in "Spider-Man: No Way Home".

Taking place where "Spider-Man: Far From Home" ended; Peter must deal with his secret identity being leaked by Tabloid Journalist J. Jonah Jameson (J. K. Simmons); and the throngs of people, helicopters, and protestors who follow his every move and camp outside his home.

As if this was not bad enough; being accused of being a murderer has drawn the attention of the authorities which further complicates his life as does returning to a school where everyone knows his identity.

Desperate to get away from the constant scrutiny and observation; Peter seeks out Doctor Strange (Benedict Cumberbatch), and asks him to cast a spell that would make the world forget that Peter Parker is Spider-Man.

Strange agrees but mid-spell Peter requests that there are some exemptions from the spell which include his Girlfriend MJ (Zendaya); his Aunt May (Marisa Tomei); and his friend Ned (Jacob Batalon).

Strange agrees but in doing so; complications arise which allows entrants from other dimensions to enter their realm. Soon Peter is accosted by villains whom he does not know but seem to know him; that is until he is unmasked and they have no idea who this Peter Parker is before them.

As more villains arrive; Peter learns of their fates in their natural dimension and is determined to save them and give them a second chance which puts him at odds with Doctor Strange who says they must go back to whatever fate they had.

What follows is a descent into humor and darkness as Peter despite his best intentions sees the situation go from bad to worse and he must fight to stay true to himself and save the day.

The film is a difficult one to review in the fact that there are so many surprise guests, twists, and turns that it is challenging to not reveal anything but suffice it to say that fans should absolutely enjoy it.

The film takes its time getting to the action as it has a very slow and deliberate climb and Director Jon Watts is confident enough in the characters and premise that he allows ample time for the characters and setting to build and be established before he gets to the action.

While there is considerable fan service in the film; it never once seems like it is pandering and it all fits very well within the story and the MCU and opens up numerous possibilities for the future.

There is a mid-credit scene and a post-credit scene which is basically a trailer and both are very engaging in terms of the possibilities as Marvel has again shown that their plan of interwoven stories and characters continues to deliver and that Spider-Man still remains as popular and engaging as ever.

"Sing 2" is a charming and enjoyable follow up to the 2016 "Sing" and in many ways is the rare sequel that surpasses the original. The new film finds Buster Moon (Matthew McConaughey) and his performers enjoying a run of sod out shows in his theater.

Unwilling to settle for success in a regional locale; Buster and crew set off for the big city to produce and perform a show for Bigshot Jimmy Crystal (Bobby Cannavale); who is as ruthless as they come. After conning his way into an audition; Buster claims their new show will feature the return of reclusive Rock Icon Clay Calloway (Bono); who has been a recluse for the past fifteen years.

Jimmy is intrigued and gives Buster a chance and inserts his daughter Porsha (Halsey) into the show despite the fact that while she is a gifted singer; her acting is cringe worthy.

What follows is a madcap tale filled with music and humor as the crew desperately try to get the show ready and stay away from the very dangerous Jimmy Crystal.

The music is very good and the cast is as enjoyable as ever. I would have liked to have seen Seth Mac Farlane return but the performances from Taron Egerton, Reese Witherspoon, Scarlett Johansson, and the ensemble more than deliver.

For those who enjoyed the first film and are looking for some fun entertainment for the family; "Sing 2" is a winning performance.

4 stars out of 5.

Stanton Carlisle (Bradley Cooper); is a man trying to get by in late 1930s America in the new film "Nightmare Alley". Our first introduction to Stanton is less than flattering and he soon finds himself employed at a Carnival after coming upon it by chance.

The eager Stanton is given advice and tools of the trade by his boss Clem (Willem Dafoe) as well as the mystic Zeena (Toni Collette) and Stanton eagerly wants to get ahead. While striking a friendship with fellow employee Molly (Rooney Mara); Stanton learns that Zeena's older and alcoholic husband has a skill from a former act where he learns to read people and use verbal cues to appear to have the power of clairvoyance.

Eventually, Stanton seeks bigger opportunities and leaves with Molly for the city where they in time develop a successful act that offers them two shows a night at a fancy hotel and some of the finer things in life.

Unwilling to be content with what he has; Stanton becomes involved with a Psychologist named Lilith (Cate Blanchett) and uses her knowledge to set up higher-profile marks who will pay well for his supposed abilities and in doing so; sets a dangerous chain of events into motion.

The film is based on the 1946 book of the same name and an earlier 1947 film, and while it does an amazing job with the visuals and moody atmosphere of the era; it is a very long and slowly-paced film. The movie is over 2.5 hours long and comes across as overly long and self-indulgent as Director Guillermo del Toro could easily have shaved 30-45 minutes from the film and told the story without losing much.

The cast and performances are very good but a slow-paced and dour film is not an ideal way to spend 2.5 hours at the movies no matter how much it has going for it. The movie does have some good points but I think it will do much better on streaming and home video where audiences can pause and take a break.

If you are a fan of the Noir style of old; then this may be just what you are looking for, but I think it should have been so much more.

3.5 stars out of 5.

Back in 1984 when big hair and neon were the norms; a movie appeared that soon became a cultural phenomenon. The movie involved a team of unlikely Paranormal Investigators and the mix of comedy, FX, and Ghosts turned the movie into a smash hit and a Pop Culture mainstay. The abundance of products that followed and the inescapable theme song and tagline soon gave rise to a sequel which while a success; did not resonate the way the original film had and thus the "Ghostbusters" film franchise became dormant.

While a successful video game and merchandise line kept the franchise alive; the 2016 reboot with an all-female team failed to capture the magic at the box office and again put the franchise's cinematic future in question.

Thankfully after several delays due to the Covid 19 Pandemic; "Ghostbusters Afterlife" has arrived and is the worthy sequel that does justice to the original film and sets the stage well for future cinematic exploits.

The film follows a down on her luck mother named Callie )Carrie Coon) and her children Trevor (Finn Wolfhard); and Phoebe (Mckenna Grace), as they are forced to move to a dilapidated farm in rural Oklahoma following the passing of Callie's estranged father and her subsequent eviction.

A series of unexplained earthquakes clues the smart and precocious Phoebe that something is up and with her new friend Podcast (Logan Kim), and teacher Mr. Grooberson (Paul Rudd); help her uncover her connection to the original Ghostbusters and the abundance and significance of the gear that her Grandfather has left on the farm.

Things soon take a turn for the worse and despite skeptical locals and the emerging danger, Phoebe, Trevor, and their friends have to battle the forces of evil to save the world.

The movie takes its time getting to the action and spends plenty of time establishing the characters, their motivations, and their relationships with one another. There are abundant homages to the original film; some of which are very subtle and clever but never seem gratuitous or tacked on.

The film also does not rely on the FX to tell the tale as while there are some solid effects in the film; this is a character-driven tale and the new cast works well with some surprise guests who pop up throughout the film.

Director Jason Reitman; son of the Director of the original film; clearly knows and loves the material as he not only helped craft the story but deftly weaves a new tale into the franchise which also fits well with the first film and does not attempt to reboot but rather continue the franchise.

There are two extra scenes in the credits that you will not want to miss as not only are they great fun; but also tease of future adventures to come.

The film also has a few touching moments that caused some unexpected emotion from the audience at our Press Screening and helped establish "Ghostbusters Afterlife" as not only a winning entry into the series but also one of the most enjoyable films of the year.

4.5 stars out of 5.

When audiences last saw Eddie Brock (Tom Hardy); the journalist and his parasitic symbiote Venom; had just saved the day and cemented their unusual bond with one another.

In the new film "Venom: Let There Be Carnage"; Eddie and Venom are at the end of their Honeymoon phase as Venom is lingering to be free to eat bad people and do what is natural for him. Eddie meanwhile wants a more conservative approach feeding Venom chicken and chocolate as he knows the eyes of the authorities are still upon him and he has to convince the world that Venom is dead and no longer a threat.

At the same time; serial killer Cletus Kasady (Woody Harrelson) has selected Eddie to interview him in San Quentin and the two form an unusual connection as Cletus cryptically speaks to Eddie which underlines a deeper motivation.

With the help of Venom; Eddie is able to decipher clues found on the walls of Cletus's cell which leads authorities to several of his victims. This results in a rapid rise in status for Eddie and fast tracks Cletus for execution as his main means of leverage is now gone.

This leads to a rift where Eddie and Venom split and each has to struggle to adjust to life without one another.

At this point, the film has mainly been odd bits of whimsy between Venom and Eddie around the establishment of the plot and threat. However, things go into chaos mode when Cletus becomes infected with a Symbiote and turns into a destruction spewing death machine known as "Carnage".

Cletus and Carnage both have their own agendas and Cletus uses Carnage to exact his revenge as well as locate a figure from his past that is as big a danger as he is.

As any fan of films of this genre knows; this scenario leads to a showdown between the central characters which are awash in abundant CGI, loud noises, and destruction. While this is not a bad thing and certainly one of the main reasons I enjoy films of this type; the film never seemed to fully click for me and as such was not as good as I thought it could have been.

In many ways, the film reminded me of how comic-based films were done before Marvel started their own studios and their phenomenal run of hits based on their work.

There have been multiple attempts to adapt comics into films over the last few decades and many of them have not lived up to expectations or failed outright. One of the biggest reasons is in my opinion is that those behind the projects were hindered by the studio, wanted to put their own spin on the material and strayed from the source; or failed to show the attributes that made the characters so appealing to fans.

What we often get is action sequences and CGI galore but without stories or characters that fully draw in the audience and fail to capture the essence of the comics.

Director Andy Serkis has done a great job with the visuals of the film but the tone seems off. The early part of the film is filled with comedic moments that are either hit or miss. Some of which was almost to the point where I wondered if it was supposed to be a parody.

The plot is fairly linear with nothing unexpected as it is simply bad guys get loose; bad guys cause death and destruction, can the heroes stop them. The climactic scene lacks any "wow" moments for me as it was mainly CGI characters rapidly moving around causing damage to one another and their environment. There was no real tension for me and the ultimate resolution seemed a bit anti-climactic.

For me the best moment of the film was a mid-credits scene that really popped as it sets up all sorts of interesting options and indicates that Venom may be about to graduate to bigger and better things.

For now; the cast is solid as is the CGI; I just wish the story was more engaging as it had the potential to be so much more.

3 stars out of 5.

Picking up a few months after part 1 concluded, Batman: The Long Halloween Part 2 opens with Poison Ivy (Katee Sackhoff) controlling Bruce Wayne (Jensen Ackles) in an effort to get him to sign over significant portions of his assets to Falcone. When Catwoman (Naya Rivera) breaks up Ivy's plans; the focus soon turns to taking on the killer known as Holiday as the upcoming Holidays approach.

Part 2 of the story expands on enemies batman faces as the returning cast from part one is joined by The Mad Hatter (John DiMaggio); and The Scarecrow (Robin Atkins Downes) amongst others making for some dangerous encounters for Batman to overcome.

The film introduces some new characters as well along the way and also gives a very enjoyable origin story for Two Face (Josh Duhamel); which is in keeping with the comic that inspired it as well as classic Batman lore.

The film does deviate somewhat from the source material but does offer a new and refreshing conclusion to the story which will be interesting to see how fans react to.

The animation is top-notch and the voice cast does a great job with their characters which makes the two parts of the film some of the best-animated adaptations to date. The film carries an R rating so it does not hold back at times but does not go overboard as well.

This has been one of my favorite adaptations to date and I cannot wait to see what they come up with next.

Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.

Since attractions ranging from "Pirates of the Caribbean", "The Haunted Mansion" and "The Tower of Terror" have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.

When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.

With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.

Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.

In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.

The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.

Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?

In reality, the film is a combination of all of the above. I had flashes of "The African Queen", "Romancing the Stone", "Raiders of the Lost Ark", "Pirates of The Caribbean", and "The Mummy" during the film.

While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.

The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.

While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.

4 stars out of 5.

The latest film in the G. I. Joe cinematic universe has arrived with "Snake Eyes: GI Joe Origins". The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic.

The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding)

His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father.

Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him "Fish Boy".

When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge.

Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes.

The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way.

While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension.

The biggest issue is that the G. I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action.

Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G. I. Joe representation.

Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations.

The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters.

While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line.

3 stars out of 5.

After a delay lasting 19 months; the Marvel Cinematic Universe (MCU) has returned to the big screen with "Black Widow". The film takes place between "Captain America: Civil War" and "Avengers: Infinity War"; audiences get more of the backstory of Natasha Romanoff (Scarlett Johansson), as we are introduced to her early life before the Red Room.

This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her "family" as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.

Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.

Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.

Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha's insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.

With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former "Father" the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.

What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.

Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.

While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.

"Black Widow" fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.

From the moment the Marvel intro and music appeared on the screen until the very end; "Black Widow" was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.

4 stars out of 5.

In what is being billed as the final Purge movie; "The Forever Purge" has arrived and like elements of the prior films; gains traction from current events which have only made elements of the film more chilling seeing how the film was originally planned for July of 2020.

Following the abolition of the Purge at the end of the "Purge Election Year"; the Holiday where all crime is legal for twelve hours is restored due to radical elements fueling fears of illegal immigration and the increase in crime immigrants will bring to the largely crime-free country.

It is not made clear what happened with the new President who was a staunch critic of the Purge and only that it has been restored so citizens prepare for its return by arming up, barricading themselves, or paying for armed security in a fortified locale.

It is against this backdrop that Adela (Ana de Reguera) has come to America fleeing the violence in her country as she enters illegally and finds work. Dylan Tucker (Josh Lucas) is a wealthy Rancher who along with his family hires friends and family of Adela though having some disdain for them and what they stand for.

The Purge comes and goes with the main cast unaffected and as they prepare to resume their lives; roving bands of armed gangs have continued to Purge in violation of the law similar to those who took to the street in protest of the election and plans to eliminate the Purge years prior.

This new group is well organized and has no issues taking on law enforcement and the military forcing Dylan, Adela, and their family and friends to flee for their lives. As the terror spreads, their only safety is to try to make it to Mexico who along with Canada has agreed to a six hour window to allow people to cross to escape the violence.

As the danger mounts, the severity of the movement is known as the authorities seem powerless to control and stop what is called The Forever Purge.

The film uses a slightly different formula than the prior films which focused mainly on a group of people trying to survive the night and the terrors that come with Purge Night. There is a greater emphasis on racism and Xenophobia this time around directed more towards foreigners than minorities and poverty-stricken individuals but the underlying message is the same.

This time around we are given a longer timeframe of terror and more social commentary as there are elements from the film which seem eerily inspired by headlines past and present which makes the film even more chilling.

While the story is rather bare and the characters do not get much development; the movie should give fans of the series what they look forward to although it lacks the dramatic tension of the previous films.

In the end "The Forever Purge" is an interesting new chapter in the series but not one of the stronger entries and serves as an effective finale to the series should this turn out to be the final film.

3 stars out of 5 Skewed and Reviewed.

After being delayed from a summer 2020 release by the Pandemic; Universal has released the latest film in the Fast and The Furious franchise to fans eager for some adrenaline-fueled summer action.

"F9 The Fast Saga" has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U. S. and other markets.

The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom's son.

When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom's past.

As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.

While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.

Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.

Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.

In the end "F9 The Fast Saga" gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.

Last year we had a screening for "A Quiet Place Part II" scheduled and eagerly awaited the follow-up to the suspenseful and popular original film. Sadly we all know what happened soon after as a two-week lockdown grew and cinemas around the world were closed.

As cinemas re-open with growing but limited capacity; the film is set for release and will be a great indicator as to if the public is ready to return to cinemas in significant numbers or will they sit it out and opt to see the film down the line on Paramount+.

The film opens with a look at the day things changed for the world as Lee (John Krasinski); does some shopping while news reports come in of an explosion in Shanghai. Enjoying the weather; he joins his family at a Little League game and talks with his friend Emmett (Cillian Murphy) when the game is interrupted by the appearance of a large fireball in the sky.

As they head home; the city falls under attack by deadly creatures and Lee and his family narrowly escape. The film then jumps forward immediately following the conclusion of the first film and Evelyn (Emily Blunt); attempts to lead her newborn son, daughter Regan ( Millicent Simmons), and son Marcus (Noah Jupe) to a safer locale.

When Marcus is injured along the way; Evelyn takes refuge with Emmett who is not happy to have to care for others after the loss of his wife and despite a secure locale in a foundry; demands the family leave the following day.

When an unexpected radio signal appears; Regan is determined to leave and find the source as she knows the frequency of her Cochlear Implant is a weapon against the creatures and she figures if that can be broadcasted and the information revealed; then humanity has a chance to fight back and win.

What follows is a very gripping and intense story as Regan and Emmett attempt to complete the mission while Evelyn and her family endure all manner of threats as they try to survive.

The film builds upon what made the first film so great in that there are strong and relatable characters and some very tense situations. The screening we attended was so quiet you could tell that audience members were so enthralled that they were afraid to make any noise.

The film ups the action and expands upon the universe without losing any of the strong character-driven elements or relying too much upon CGI to carry the film.

John Krasinski writes, directed, and produced the film, and while he has less screen time than he did in the original; the film is the rare sequel that holds its own and actually improves upon the original.

My only issue with the film was that the ending was rather abrupt and left me with several unanswered questions. While this would be more than fine if we were assured of a third film to resolve unanswered elements; word is that a spin-off is in development so hopefully this will resolve the issues I had or at the least co-exist with a third part of the series.

For now; "A Quiet Place Part II" drives home why we need the cinematic experience as from the large screen to the Dolby Atmos sound; the film is a sensory experience that needs to be enjoyed in a communal setting with maximum sensory input.

The film sets the tension meter to the max and never disappoints and I urge you to experience this film the way it was intended.

4.5 stars out of 5.

Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.

Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated "Cruella" for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.

The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.

Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.

The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.

When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.

Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.

With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.

The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.

Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella's life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.

While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.

The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.

It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.

4 stars out of 5.

Detective Zeke Banks (Chris Rock); is a man under stress. His decision to report a corrupt cop has made him enemies within his precinct and set him at odds with his father Marcus (Samuel L. Jackson); who also happens to be the former Chief of Police.

This tension has caused Zeke to be shot in the line of duty when fellow officers refused to respond to his calls for backup which even further inflamed a tense situation and made Zeke a Lone Wolf who is hesitant to work with others and has cost him his marriage.

Unfortunately for Zeke; a grisly murder happens and he is assigned a new partner named William Schenk (Max Minghella); to investigate what appears to be a copycat of the long-dead Jigsaw.

The fact that the victim is a fellow cop inflames the office and when Zeke is sent a package from the killer which promises more killings to follow as the corruption within his department needs to be stopped.

As the victims begin to mount; Zeke and William find themselves in a race against time to discover the identity of the killer and stop the killings.

"Spiral: From The Book Of SAW"; is an interesting new entry into the franchise and in keeping with "Jigsaw:' was more engaging than several of the last films in the main franchise as it gives audiences deeper characters and scenarios than normally shown in the series.

While the traps are as clever and gruesome as fans of the series would expect; the decision to target cops is an interesting choice and in many ways reflects the growing cries for reforming the Police but does it in an extreme way and balances out that there are good cops in the mix who serve and protect.

Chris Rock also served as a Producer was good in the role and it was refreshing to see him play a darker and more dramatic character. While he still has moments of clever riffs; they are appropriately placed within the film and do not take away from the fact that Zeke is a troubled and driven individual.

The supporting cast is solid and while I was able to identify the individual behind the killings fairly early; there were enough Red Herrings along the way that may keep audiences guessing.

Director Darren Lynn Bousman who directed the second to the fourth film in the series has made a solid return to the franchise and keeps the dark and dirty look of the film's trap sequences and while they are gory; there is a cleverness to them that should delight fans of the series.

In the end "Spiral" has enough of what fans of the franchise expect and infuses some interesting new characters and scenarios to make one of the more complete and enjoyable entries in the series.

Mortal Kombat Gives Fans Of The Franchise The Brutal Live-Action Version They Deserve Fans of the Mortal Kombat series have known that the path to bringing the violent and controversial game to live-action formats has been a mixed bag. While the first film in 1995 was a decent hit; the follow-up in 1997 disappointed fans who had grown weary of the PG-13 take on the series.

Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.

An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.

The latest offering in the series "Mortal Kombat"; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.

Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.

What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.

While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.

While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.

The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; "Mortal Kombat" gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.

3.5 stars out of 5.

Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time.

The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.

As such it makes adaptations such as "Chaos Walking" a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other's thoughts by a process known as "Noise".

Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.

When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.

The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.

Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.

The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.

There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.

Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.

One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.

Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story' as an introduction to the series it does enough to peak the interests for more.

3.5 out of 5

In a magical land known as Kumandra; Humans and Dragons co-exist in harmony. When a threat in the form of creatures known as Druun arrives and threatens to destroy everything; the Dragons combine their power to defeat them but in doing so all but one of the Dragons remains.

In the new Disney animated film "Raya and the Last Dragon"; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.

When Raya's father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.

The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.

Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.

The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.

The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.

The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.

Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.

4 stars out of 5.

Academy Award Winners Denzel Washington, Jared Leto, and Remi Malek star in the new thriller "The Little Things" and combine to make very gripping and memorable performances.

The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.

The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.

Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.

Jim Baxter (Remi Malek) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case.

Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.

When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.

As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.

As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.

Aside from the strong performances and engaging story what makes "The Little Things" work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think is right and does not attempt to wrap things up in a nice and tidy package.

The film uses the element of doubt to not only drive the story but to help motizate the actions of the characters and underscore the elements of uncertainty exists in some investigations.

ambiguity also puts the focus on how investigations and procedures have evolved with the resources available to police.

The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.

4.5 stars out of 5

John Garrity (Gerard Butler) is a man trying to put his life in order. Despite being a successful structural engineer; he has recently moved back home with his wife Allison (Morena Baccarin), and their son Nathan (Roger Dale Floyd). John and Allison are attempting to rebuild their marriage and despite some awkwardness at first they are moving ahead. In the new film "Greenland" life is about to become far more complicated for the Garrity family in the form of a comet that is set to pass very close to earth.

The authorities have told the public there is no cause for concern but John notices a large group of military aircraft in the skies shortly before he receives an automated call from Homeland Security telling him to come to an evacuation location with his wife and son.

Not sure what to make of the message; things become abundantly clear when a "harmless fragment" strikes and destroys a city on live television. With panic setting in the Garrity family head to the evacuation site only to face complications which leave them separated and facing many dangers and obstacles as they attempt to reunite and get to safety before the big chunk hits in two days.

The film is very engaging and what really stood out for me was how the film relied on the cast versus an array of special effects and action sequences which are so common for films in the disaster genre.

Despite the circumstances the characters were very relatable and the tension of the pending impact helped shape their actions instead of being a countdown to an elaborate array of FX sequences showing cities being devastated. While there is footage of this sort; it is generally confined to news reports versus being the focal points.

Butler was very strong in a departure from his usual action oriented parts as a father trying to make things right in a world that is falling apart around him. It was also nice to hear him using his natural accent for a change as well. While some may wonder about the timing of releasing a disaster film at the end of 2020 and during the Holiday Season the film is so engaging that it did not matter to me in the slightest.

"Greenland" is a film that came in under the radar in terms of hype and expectation but has delivered an enjoyable and memorable viewing experience that is not to be missed.

4 stars out of 5

The film will arrive on Video On Demand on 12/18/20

Ray-Ray McElrathbey (Jay Reeves) is a man with a bright future. He is a gifted athlete who has accepted a Football scholarship to Clemson and is about to take the first steps towards a better future. In the new Disney + film "Safety" Ray-Ray is about to learn how complicated life as a student athlete can be.

Based on a true story; Ray-Ray struggles with adapting to the more complex defensive schemes, Freshman hazing, class and practice schedules, and adjusting to his new life. His roommate and teammate Daniel (Hunter Sansone); offers him frequent support as being a low on the depth-chart kicker has taught him a perspective on things.

Ray-Ray meets a lady named Kaycee (Corinne Foxx) and sees his life on campus start to improve until life steps in to further complicate things. His young brother Fahmarr (Thaddeus J. Mixson); has been removed from the care of his mother due to her numerous substance issues. With only his gangster relative available; Ray-Ray agrees to care for his brother rather than turn him over to the Foster systems. Unfortunately for Ray-Ray; having his brother in the dorm with him is a strict violation and his continued care of his brother and the complications it causes threaten his scholarship and very future.

The film is a very touching and engaging look at the extent a person is willing to go to care for a family member and how the politics of college sports often conflict with what appear to be sensible and worthy actions by players and coaches.

The film does not go overboard with game sequences and there is no big game moment as the focus is on the characters and their relationships. "Safety" is one of the more pleasant surprises of the year and one not to miss.

4 stars out of 5