kevin_robbins

I recently rewatched Alone (2020) on Netflix. The storyline follows a woman who is kidnapped by a serial killer and taken to a remote cabin in the forest. She manages to escape, but surviving the wilderness-and her relentless pursuer-proves just as dangerous.

Directed by John Hyams (Z Nation), the film stars Jules Willcox (Deadline), Marc Menchaca (Ozark), Anthony Heald (The Silence of the Lambs), and Jonathan Rosenthal (The Abandon).

This is a bit of a frustrating film. The premise is straightforward and lacks imagination, and the buildup to the abduction and cabin scenes could have been executed with more intensity. However, the cinematography-especially the woodland sequences-is top-notch. While the story lacks twists and turns, the final showdown between the protagonist and the killer is solid and engaging.

In conclusion, Alone is a very average entry in the horror genre. It has a handful of worthwhile scenes but isn't particularly memorable. I'd score it a 5/10 and only recommend it with the right expectations.

I recently watched Steel Arena (1973) on Tubi. The storyline follows a demolition derby and stunt car driver looking for his next big stunt to catch his big break and escape the sideshow circuit. He keeps pushing the limits, hoping to be discovered-but will he take it too far?

This film is written and directed by Mark L. Lester (Commando) and stars Gene Drew (Bobbie Jo and the Outlaw), Dusty Russell, Buddy Love, and Laura Brooks.

Essentially, this is a movie about demolition derbies and the stunts that come with them. The acting and costumes are unintentionally hilarious, especially the main character. While the demolition derby scenes are entertaining, they're not strong enough to carry the film, and most of it ends up feeling pretty cheesy.

Overall, Steel Arena is a very middle-of-the-road grindhouse picture that might be worth a watch for fans of the genre. I'd rate it a 5/10.

My wife and I watched Opus (2025) in theaters last night. The storyline follows an aspiring journalist whose innovative ideas are constantly handed off to others by her company. When a world-renowned artist emerges after a 30-year hiatus, she and her boss are invited to an exclusive record release retreat-but things may not be as they seem.

This film is written and directed by Mark Anthony Green in his directorial debut and stars Ayo Edebiri (The Bear), John Malkovich (In the Line of Fire), Juliette Lewis (Cape Fear), and Tamera Tomakili (Fruitvale Station).

Opus has a distinct A24 feel (because it is), and in many ways, the storyline echoes Blink Twice with a fresh spin. The cinematography, production design, and costumes are top-tier. John Malkovich delivers an elite performance, showcasing his full range, while Ayo Edebiri brings an engaging energy to the film. However, Juliette Lewis felt somewhat miscast. The premise is intriguing and fun to watch unfold, though not entirely original. The film takes its time building tension, but once the horror elements kick in-starting with the bean bag scene-they escalate quickly, delivering some solid kills.

In conclusion, Opus has enough entertaining elements to hold your attention, but it falls short of being truly great within the genre. I'd score it a 6/10 and recommend seeing it once.