The Worst Parody of Itself ! This is a superhero action movie, produced by 175 million dollars, and stars an ensemble cast. It managed to be a hit, even made it be the tenth-highest-grossing movie of 2016. However, when I watched it, I didn't find one good SECOND in it!
It pushed me to ask: How do movies like this get made?! Well, today's Hollywood is all about dumb producers, with great deal of money. Their everyday job is giving hundreds of millions of dollars to pretentious moviemakers, who hate their society uncreatively, to make exhaustingly dark movies that have no entertainment, no message, and no brain!
It has one of the junkiest scripts ever. The movie's director, David Ayer, wrote it to be a dictionary of writing deficiencies. Review with me that mountain of mistakes, follies and unanswered questions: If Superman isn't available, then where are Batman, The Flash, and the rest of the Justice League members (some of them already appear here!). Why Deadshot dreamed of killing Batman? He's supposed to dream of his daughter's education! Katana has her dead husband in her sword (Huh?!). Before the bar scene, why did Flag want to quit the mission?! And if El Diablo can get bigger in size, why he didn't do it since the start?!
If Enchantress became evil, then why she hated the whole humanity, wanting to exterminate it?! Who is her bother? From where did he come?! And what's their agenda after the world's end?! If the government has Enchantress's heart in its possession, then who is the owner of the heart that was taken out of her eventually?! Let's say that it's the heart of Dr. June Moone, who Enchantress possessed her body earlier. But even if, how come that after taking it out, Dr. Moone is still alive?!
Just think a little: what are Harley Quinn's super abilities? NOTHING! She's an imbecile, who has a 7-year-old mentality, and some evil. So how come she's chosen in a "meta-human" squad?! The thing is there are similar questions about other characters too. E.g., what's the genius superpower of Captain Boomerang?! And wasn't Killer Croc painfully useless? What did he do other than walking with the leads?! He's here only to swim in the sewer near the end, which is a mission that anybody else could do!
I loathed the joker's flashbacks. He became someone other than himself, and weaker. The only remaining aspect of him was his laugh. In one shot, he sleeps in the middle of many knives. I believe the joker sleeps in the middle of damaged children's toys, or deformed masks, or anything of which mirrors his character as a sick clown. However, that movie is lazier than creating details like these. Speaking about laziness, the joker threw his love into some liquid, to make her crazy violent, so what is that liquid? The movie doesn't tell us. So whether the script forgot to give us the answer, or forgot to make up an answer in the first place, and both ways this is utter stupidity! Moreover, what's the meaning of the joker rescuing Quinn in the end? Why that's the movie's finale?! Obviously it isn't a romantic film. The end should have been about new mission, where the joker would be the enemy.. sorry, don't mind my dissipated dreams!
There are some of the most idiotic tricks: Slipknot is killed just to assure that the implanted bombs are true. Whoever wrote this didn't attend even one cheap course of writing scripts. Because there were many, more rational, ways to assure that. For instance, the bombs can be heated in the leads' necks, as a pre-exploding alarm, proofing that they're controlled, or working anyway, instead of fabricating a character in one minute, just to kill it off in the next!
Amanda Waller, the intelligence officer, is so dumb to use Enchantress since the start. At one moment, Waller kills all of her men??, then in the end, she shows up simply in front of the squad?! (Basically, how come that she, and the joker, didn't die?!). And when she said: "I see everything", I laughed hysterically! She's extraordinarily confident and sullen, despite her massive dumbness, exactly like this movie, or most of DC movies, and that's the secret of the horrendous absurdity and artistic failure!
The dialogue isn't funny because we're in a realistic movie, aren't we? No, the dialogue isn't funny because Mr. Ayer doesn't have the talent to write a funny dialogue, or else. Listen to a line like "I like her, she seems nice". It's said by Quinn about Tanaka, then it's said again by Croc about Waller. It's how repetition and idiocy torment the viewer. The goal was to end every scene with a cool line anyway, however by miserable writing. Though, there was a good line that said: "He looked like a monster. So they treated him like a monster. Then he became a monster". The sole good line in 2 hours movie!
The tedium was too heavy to stand. Some moments should have been shortened, or deleted. Introducing the major characters was too long. The songs at first were too many, till the soundtrack got unhealthily stuffed. The scene of Enchantress becoming evil was played 2 times unnecessarily (why repeating yourself? It's more of a comedy this way!). The bar scene was sleep-inducing. But nothing needed deleting more than these highly pretentious dialogues between the leads!
What was director Ayer's aim when he made the image too dark to watch? Even during the climactic action sequence, you won't be able to see anything. This is the top of naivety indeed. Moreover, there is misplaced mammoth seriousness and melancholy. It's the effect of the 2000's franchises: Harry Potter, Batman, and James Bond. They as if brought the dark factor to dye big part of Hollywood movies thereafter. But it's a problem. Because 1) This way, the viewer escapes from his dark world, to another dark world! 2) This round, the subject matter is too trivial to be that dark, and it wasn't re-created to fit into that. 3) All of that so-called renovation was done superficially, since there is no analyzing for the characters, reflecting important issues in society.. etc, etc. OH GOD, it became agonizing pure pretentiousness (and I thought that Zack Snyder is the ugliest moviemaker when it comes to superhero movies!).
Plus, 2 points I can't hold: the make-up is laughable sometimes, and Enchantress's fast-motion dance is a riot!
And as if all of that low quality isn't enough, the movie finds a new way to be more provocative. Look at Deadshot's daughter. She's so proud that her father is a killer?! What kind of a deformed twisted-mind generation does a movie like this raise?! Accordingly, the little girls will dream of being killers too! Since the role models in movies and TV shows become fewer and fewer recently, how can any conscience get satisfied by showing criminals as heroes?!
Then, Rick Flag, the military leader of the operation, looks like a heroin addict. You can say that again about Captain Boomerang. It's sick, real sick. When you give us heroes like these, then it's frankly disturbing. So, in the end, if I ask: who does this movie magnify? I think the answer is clear!
The commercial success was strange. But mostly it has a lot to do with the publicity, the fans of the original Suicide Squad comics, or the Seven Samurai formula. Or, simply, the Americans want these movies, even if they are that bad. To tell you the truth, all the superhero movies lately is an evidence of some disruption in the American society. Here's a society that feels how helpless it is, and doesn't want to face its reality, so it deceives itself by those movies, which try to look like reality, or approach its sullenness, melancholy, and violence. However, they're - in fact - so far from all of that, and don't present a moral message, or any real seriousness. The pressing urge to the superpowers is a sign of weakness that hits the Americans badly; they desperately need this above normal abilities to compensate for their above normal inabilities. These movies' abundance and success declare a dangerous rift in such a society, where anesthesia becomes super!
Usually, in some foolish movies, we say "it's the best parody of itself". This time, Suicide Squad couldn't have that honor. It's the worst parody of itself, with nothing right on nearly all the levels. It's like a Jim Wynorski movie, yet produced by astronomical budget. But you know what could be worse than a bad expensive movie? A bad expensive movie that takes itself so seriously!