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Reviews

Red One
(2024)

Review of Red One - A Dull Holiday Misfire
Red One had all the makings of a fun, zany holiday action movie, but unfortunately, it falls flat on almost every level. With a star-studded cast featuring Dwayne Johnson and Chris Evans, the expectations were high. Sadly, this film delivers neither the Christmas cheer nor the action-packed adventure we were promised. What we get instead is a confused, bloated mess that never quite figures out what it wants to be.

Story and Script: All Style, No Substance At its core, Red One tries to blend holiday spirit with a superhero-esque plot about Santa Claus, played by an unrecognizable (and largely unremarkable) Dwayne Johnson, joining forces with a former CIA operative (Chris Evans) to save Christmas. It's as if the movie couldn't decide if it wanted to be a family-friendly Christmas adventure or a darker, more mature action flick. The result is a tonally inconsistent narrative that jumps from one random scene to the next without ever giving the audience a reason to care.

The script is painfully predictable, filled with cheesy one-liners, awkward humor, and a series of forced "twists" that never land. The jokes fall flat, the dialogue feels contrived, and the plot feels like it was cobbled together during a holiday office party brainstorming session. The lack of character development also makes it hard to connect with anyone-especially when the actors are given so little to work with.

Acting: Big Stars, Little Chemistry The film's two leads, Dwayne Johnson and Chris Evans, seem like they should be a dynamic duo, but the chemistry between them is non-existent. Dwayne Johnson, usually charming and charismatic, is awkward in his role as Santa Claus. His performance is stiff, and his attempts at humor fall flat, making his version of Santa feel more like a tired caricature than a character audiences can root for.

Chris Evans, on the other hand, spends most of the movie trying to be "the cool guy," but it's hard to take him seriously when his character is written so poorly. Instead of the witty, sharp-tongued charm we know Evans can bring, he's stuck with a script that leaves him sounding like he's reading off cue cards. There's a lack of synergy between the two stars, and their banter feels more forced than fun.

Action: Mediocre at Best For a movie that was marketed as an action-comedy, Red One doesn't deliver on the action front. The fight sequences are lackluster, filled with shaky cam and uninspired choreography. There's no real tension or excitement in the action scenes-just a series of explosions, car chases, and fight scenes that feel hollow and unoriginal. Even when the film tries to introduce some "wow" moments, they're bogged down by predictable outcomes and over-the-top CGI.

The movie leans too heavily on visual spectacle, but the CGI effects feel cheesy, and the film's tone is so inconsistent that it's hard to get invested in the stakes. It's a strange mixture of cartoonish absurdity and unearned seriousness, leaving you wondering if it's trying to be Deadpool or The Santa Clause-and the answer is, neither.

Christmas Spirit: Where Is It?

For a holiday-themed movie, Red One barely delivers any of the warm, fuzzy Christmas vibes we expect. Aside from the occasional Christmas tree and some awkwardly shoehorned-in holiday references, the film doesn't feel like a Christmas movie at all. There's no heart, no magic, no wonder-just a series of uninspired scenes strung together. It feels like the filmmakers were more focused on creating a brand than actually telling a meaningful story. If you're looking for a feel-good holiday film, this isn't it.

Final Thoughts Red One is a prime example of how a star-studded cast and flashy visuals can't mask a fundamentally flawed movie. It's an incoherent, overly long, and often tedious experience, one that wastes its potential by trying to do too much and failing to do anything well. If you're hoping for a fun, action-packed Christmas adventure with heart and humor, look elsewhere. In the end, Red One is a holiday movie that forgets the most important part of the holiday: the magic. Instead, it's just a forgettable, action-heavy mess that will likely end up on the streaming service's "skipped over" list come next Christmas.

Severance
(2022)

Review of Severance (Spoilers Ahead)
Severance is a masterclass in psychological tension, blending corporate dystopia with mind-bending twists in a way that both chills and captivates. From the first episode, it's clear that this isn't just another workplace drama. It's a dark, thought-provoking exploration of identity, autonomy, and the consequences of separating the personal from the professional. If you haven't watched it yet, stop reading now-there are spoilers ahead!

The Premise: A Total Mind-Bender For those who haven't seen it, Severance is set in a mysterious company, Lumon Industries, where employees undergo a procedure that surgically divides their work and personal lives. When they're at work, they have no memory of their life outside the office, and when they leave the building, they can't remember what happens at work. This premise is deeply unsettling, especially as we start to see how it affects the characters' psyches and relationships.

A Deep Dive Into the Characters The show's brilliance is in how it explores the impact of this "severance" on the lives of its characters. Let's start with the protagonist, Mark (played by Adam Scott), who appears like a regular, somewhat tired office worker. But as the show unfolds, we learn that his decision to undergo the severance procedure was deeply tied to the trauma of his wife's death. The fact that his work-self (referred to as "Innie") and his outside-self (the "Outie") are so deeply disconnected is tragic-his work-self is stuck in a soul-sucking routine, unaware of his personal life, while his Outie is trying to process the grief and emotional complexity of his loss. The way the show allows these two versions of Mark to slowly merge, as his Innie starts to break free from the rigid work boundaries, is both heartbreaking and exhilarating.

Then there's the incredible Patricia Clarkson as the ominous, enigmatic executive, Mrs. Cobel. She embodies the eerie, corporate "good cop" perfectly. We learn that she's got a hidden agenda, one that includes her own disturbing attachment to the severance process-she's not just an employee but a manipulator who has some deeply personal stakes in how the severance system works. Her scenes are full of quiet menace, and Clarkson's performance is chilling.

The Psychological Horror The show's real brilliance lies in its psychological horror elements. The concept of having no memory of your work life is horrific in itself, but the more we see the lives of these "severed" employees, the more it becomes clear just how sinister this procedure is. The fact that the Innie selves are essentially trapped in a never-ending workday, forced to perform meaningless tasks with no escape, is horrifying. The show asks difficult questions: What is the price of labor? What does it mean to be truly free?

The use of unsettling visuals-such as the sterile, minimalist office environment-heightens this sense of dread. It's like a corporate nightmare, a surreal prison where the employees are always on edge, never sure when their next break will come or what is even expected of them. The aesthetic of the show, with its cold lighting and monotonous halls, is perfectly matched to the dystopian tone, making the entire experience feel claustrophobic and unsettling.

The Twist: Who Is Really in Control?

Then, we get the massive twist in the finale of Season 1. The reveal that Mark's wife, Gemma, is somehow involved in the severance process was jaw-dropping. Gemma's connection to Lumon and her role in the larger conspiracy raise the stakes significantly. The implications are mind-blowing: is she working for the company? Was she trying to "help" Mark, or did she secretly want to erase him from her life? This revelation adds a personal betrayal to the show's already complex narrative, making the emotional stakes skyrocket.

The final scene-where Mark's Innie self finally learns about his wife's death-brought the emotional weight of the show into sharp focus. This moment is devastating. Mark's Innie has no memory of his personal life, and the emotional ramifications of learning the truth in such a cold, clinical way left me questioning the nature of memory and grief.

Also, let's talk about Helly (Britt Lower), whose struggle to break free from the company's clutches is a powerful thread throughout the season. Her defiance, her refusal to accept her fate, and the way she ultimately tries to "end" her life at Lumon but is manipulated back into the cycle-her character is the most tragic and the most defiant. She represents the fight against dehumanization in the workplace.

The Larger World By the end of Season 1, Severance leaves us with more questions than answers, and that's what makes it so irresistible. We don't yet know the full scope of Lumon Industries or why they're doing this to their employees. Are they trying to create a new form of labor? What is the true purpose of the severance procedure? The show paints a picture of a world where corporations have too much control over the individual, where personal freedom is sacrificed for the sake of productivity. The ultimate dystopia isn't just about robots or AI taking over; it's about humans being reduced to mere cogs in a machine, stripped of their humanity, their memories, and their will.

Final Thoughts Severance is an eerie, brilliant show that blends corporate satire with mind-bending psychological horror. It explores deeply unsettling ideas about memory, autonomy, and the human psyche. It's not just about a futuristic workplace; it's a critique of how modern corporations treat their employees as interchangeable, faceless units. The show's chilling atmosphere, complex characters, and shocking twists make it an instant classic in the realm of psychological thrillers. If you're a fan of shows that make you think, make you question everything, and make you squirm in your seat, then Severance is absolutely worth the watch.

Can't wait to see where it goes next!

The Parkers
(1999)

Review of The Parkers - A Binger's Delight
As a self-proclaimed binge-watcher, I found myself diving into The Parkers expecting a lighthearted trip down memory lane-and let me tell you, it delivered! This show is a delightful blend of humor, heart, and just the right amount of outrageousness to keep you hooked episode after episode.

The chemistry between Mo'Nique and Countess Vaughn is pure gold. Their mother-daughter dynamic, full of sass, love, and lots of laughs, made for the perfect combination. Mo'Nique as Nikki is hilarious, effortlessly balancing comedy with heartfelt moments, while Countess Vaughn's Kim brings the perfect mix of naivety and charm. The show's secondary characters, including the lovable college crew, add even more flavor to the already colorful storyline.

What makes The Parkers such a binge-worthy treat is the balance between slapstick humor and moments of genuine emotion. It never takes itself too seriously, but there's enough character growth and lighthearted drama to keep you invested. It's like the ultimate comfort food-easy to watch, funny, and always entertaining.

It's an easy watch for any fan of 90s sitcoms, and if you're looking for a feel-good, laugh-out-loud binge that'll leave you grinning, The Parkers is your show. Grab some popcorn, maybe a cozy blanket, and get ready to laugh until your cheeks hurt.

In short, it's a fun, nostalgic ride with quirky characters that never gets old, no matter how many times you watch it!

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