brunningtonmakayla
Joined Jan 2025
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The Room Is A Cult Classic For A Reason.
Tommy Wiseau's The Room is widely considered one of the most hilarious films ever made, and while it's far from a masterpiece, there's a certain charm in its chaotic, awkward energy that's hard to ignore. I love it! The plot, which revolves around a love triangle and the friendships, is melodramatic and overly simplistic, but that's part of the fun. The dialogue is only hindered by Wiseau's accent but hell, we're not all Brad Pitt!
It's the perfect movie for a movie night, offering laughs and awkward moments that bring a smile to your face. Watch this right away!
Tommy Wiseau's The Room is widely considered one of the most hilarious films ever made, and while it's far from a masterpiece, there's a certain charm in its chaotic, awkward energy that's hard to ignore. I love it! The plot, which revolves around a love triangle and the friendships, is melodramatic and overly simplistic, but that's part of the fun. The dialogue is only hindered by Wiseau's accent but hell, we're not all Brad Pitt!
It's the perfect movie for a movie night, offering laughs and awkward moments that bring a smile to your face. Watch this right away!
After the somewhat underwhelming success of Dune: Part One, I had hoped that Dune: Part Two would find its footing, delivering a more coherent and satisfying experience. Unfortunately, I was wrong.
I've been on a trend of seeing bad films, both feature and short, but this takes the cake. The pacing is painfully slow, with long, drawn-out scenes that fail to build meaningful tension. The world of Arrakis, while still fascinating, becomes overwhelming at times, NOT CLOSE TO THE BOOK!
Timothée Chalamet's portrayal of Paul Atreides continues to feel WRONG WRONG WRONG, and Zendaya's character, remains an afterthought to Florence Pugh despite being a central part of the story. The performances, are hindered by a script that fails to engage or connect with the audience on a deeper level. Another thing that seems to be wrong will Denis Villeneuve's movies.
I've been on a trend of seeing bad films, both feature and short, but this takes the cake. The pacing is painfully slow, with long, drawn-out scenes that fail to build meaningful tension. The world of Arrakis, while still fascinating, becomes overwhelming at times, NOT CLOSE TO THE BOOK!
Timothée Chalamet's portrayal of Paul Atreides continues to feel WRONG WRONG WRONG, and Zendaya's character, remains an afterthought to Florence Pugh despite being a central part of the story. The performances, are hindered by a script that fails to engage or connect with the audience on a deeper level. Another thing that seems to be wrong will Denis Villeneuve's movies.
Nothing, Except Everything is a breathtaking cinematic masterpiece that defies conventional storytelling and invites the viewer into a realm of pure artistry and profound introspection. The film, a stunning fusion of visual poetry and narrative abstraction, takes you on a transformative journey that feels at once deeply personal and universally resonant.
From the first frame to the last, the film captivates with its minimalist approach, drawing on silence and subtlety to evoke a wide range of emotions. The cinematography is nothing short of exquisite, each shot carefully composed to maximize impact with an almost meditative attention to detail. Every visual element-light, shadow, color, texture-feels deliberate and imbued with meaning, creating an atmosphere of reflection and wonder.
From the first frame to the last, the film captivates with its minimalist approach, drawing on silence and subtlety to evoke a wide range of emotions. The cinematography is nothing short of exquisite, each shot carefully composed to maximize impact with an almost meditative attention to detail. Every visual element-light, shadow, color, texture-feels deliberate and imbued with meaning, creating an atmosphere of reflection and wonder.