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I saw "The People" on TV when it first came out, 1) to see if it really was based on my favorite Zenna Henderson stories, and 2) because William Shatner played Dr. Curtis. As another reviewer has said, Shatner wasn't his usual hammy self, and did well by the character. Kim Darby would not have been my choice for Melodye, but wasn't bad. I was pleasantly surprised here to see that Francis Ford Coppola was in charge of the project, which is most likely why it turned out well.

I don't think that any TV movie could really cover the depth and reach of Ms. Henderson's "People" stories due to time limits. And the reason a lot of viewers think the movie was silly is because they haven't read the stories and don't have the background those of us who have read them do. Still, Mr. Coppola did a good job, and the cast portrayed Ms. Henderson's "People" fairly well. I think I will have to get a copy of "The People" and relive a bit of my youth.

I was very sorry when "Quark" was taken off the air. The writing was brilliant, and ahead of its time. This is no wonder, with Buck Henry in charge. After all, Henry is the man that brought us "Get Smart", among others.

Richard Benjamin was very good as the idealistic galactic sanitation worker, Adam Quark, and Tim Thomerson, often seen as a heavy, was hilarious as "Gene/Jean", the male-female crewperson. Patricia and Cyb Barnstable carried on ably as the brainless blonds, Bettys I and II, arguing the question of which was the clone and which was the original. Bobby Porter as "Andy the Android", Conrad Janis as "Otto Palindrome", and Alan Caillou as "The Head" were very good in their roles. My favorite was Richard Kelton as "Ficus Panderata", the highly evolved plant man, a Vegaton. I would swear that his was the character in mind when they created the character of Data for Star Trek:TNG.

This show was witty, bright, and more than a bit sarcastic and cheesy. I have read in another comment that a winter storm that knocked out power in the Midwest was responsible for the demise of "Quark", but in my never-to-be-humble opinion, it was that the majority of viewers simply couldn't deal with the fact that it was so different from anything else on TV at that time.

Considering some of the stuff out on DVD today, I don't see why Rhino can't put "Quark" out for us, "Quark"'s small, loyal fan following.

I won't bother to list the cast, as others have done that. I will say that the cast was excellent, and did their jobs admirably.

I have not read "The Book", so I can't compare. The series as it stood, though, was rather good. That is, it had promise. I understand that the original intent was to make a full series but for reasons unknown it was cut short. The ending leaves much to be desired as it causes more questions than it answers. I would very much like to see a continuation of "Golden Years" to see where Mr. King intended to go with the story. I wish the Sci Fi channel would pick this show up and run it again. I have not seen it since the summer the Sci Fi channel premiered and they ran a number of short run shows.

Usually this type of TV movie is hazardous to one's health, as they are syrupy enough to cause diabetes, but this one was a pleasant surprise. Steven Weber is Calvin, a type-A businessman who has alienated most of his family in his drive to build up the family business. In his determination he has forgotten the true meaning of Christmas until he is "killed" by various means and forced to search his life and soul to find himself and his family. He has twelve days to accomplish this, aided by Angie (Molly Shannon), a nurse/angel who is determined to help him succeed.

Weber and Shannon work well together and have a nice, rather caustic relationship. The mood of the movie goes from the comic to the introspective as Calvin begins to find his way. Patricia Velasquez adds to the mix as Isobel, the Portugese visitor whom Calvin is trying to impress, but who has her own way to find, we see at the end. Teryl Rothery is under-utilized as Marilyn, Calvin's ex-wife.

If you are in the mood for a nice, pleasant holiday movie and are tired of the usual fare, I would recommend this one. It's not great theatre, but an enjoyable couple of hours.

This light-hearted romantic comedy. Wayne had not yet developed into the man we would know as "Duke", but he definitely had presence. There are signs, though. Near the end of the movie, where "Dick" confronts his father about the woman he married, we see a hint of what is to become.

Richard (Dick) Wallace is a playboy whose father wants him to straighten up and join the family business, but Dick only wants to have a good time. He meets Marion and falls in love with her. He trades his car for a gas station in order to stay in the town she lives in to be near her, and convinces her to marry him. But, his father will not be convinced that Marion is not a gold digger. She sets out to prove to the old man that she is different, and does. Dick, however, has not yet changed, and suffers the consequences of his folly.

The movie is a bit choppy, and the plot is weak in places. Some of the supporting roles could have been stronger. Never-the-less, it is fun to watch John Wayne as the ne'er-do-well son of a rich man, and get his come-uppance at the hands of the preacher's granddaughter.

One night I was looking for a TV show I could watch with my two small daughters, and found "The Wizard". Simon McKay (David Rappaport) was a small man with a giant heart and immense intelligence, Tillie Russell (Fran Ryan) was his gruff yet kindly housekeeper, and Alex Jagger (Doug Barr) was the FBI agent that had to keep up with them, and protect Simon. Someone else has compared "The Wizard" to "MacGyver", and I suppose that is fairly accurate. Simon had developed weapons for the government, then decided that he couldn't do that any more, and disappeared for several years. Once he returned, he created wonderful toys. Of course, there would always be a bad guy, and Simon would use his toys to defeat him without guns or violence. My daughters and I remember this show with great fondness.

I, too, regret that I never wrote to David Rappaport to tell him how much we enjoyed this lovely, gentle show and the characters they created.

I remember when I was a small girl, coming in afternoons to watch Liberace on TV. As another poster has mentioned, there was no glitter or fountains, just Liberace, his piano, and his music. Beautiful, wonderful music played by a master musician. I think that was the beginning of my love for music. People these days tend only to remember the glittery costumes and forget that Liberace was indeed a master pianist. To them he was just the man in the funny clothes with a candelabra on the piano.

Even now, some 40 years later, I love listening to Liberace on DVD. The purity and beauty of the music and his talent come through even in recordings. The only thing I regret is that I never got to see him play in person.

I was cleaning my workroom this afternoon, and the movie I had put on finished, and "Another Woman" came on. Not usually watching TV movies, I thought of changing channels, but I was busy. Imagine my surprise when I realized that, for a Harlequin movie, it was well-scripted and the cast quite good. Justine Bateman and Peter Outerbridge play the main characters without descending into syrupiness and Amy Stewart was very good as the teenager who has been hurt and strikes back without being bratty. The supporting cast manages to support well and avoid being bland. Of course, we all know they will live happily-ever-after. I mean, it is based on a Harlequin novel. Still, the script was well-written and the characters well-developed. What's that, you say? The medical information was not accurate? Not to worry. This is an escapism movie, not a medical school biology class. Grab the pop corn, a comfy pillow, and kick back for a relaxing few hours.

If you've never seen the original Iron Chef, this version will keep you happy. But, having seen the original, one and only Chairman Kaga and his Invincible Iron Chefs, I can't quite grasp the idea of William Shatner as Chairman. He just doesn't have the class and dignity Kaga does. Mr. Shatner is a bit too hammy. Plus, Kaga has the flair to carry off the wonderful costumes, where Shatner just looks stuffed into his.

As to the show itself, part of the charm of the original show is the campy voiceovers. Then there's Ota, Fukui-san, and Dr. Hattori, plus the panel of tasters, some new, some regulars. Watching them taste the dishes offered and hearing their comments is always amusing. And, of course, the chefs and competitors. We learned the quirks of the chefs and watched the competitors try to keep up.

Finally, there is the marvelous theme music. There is just something about a Japanese gong orchestra that sends chills up the spine.

All in all, the US version is not bad, but it will never quite measure up to the original. Chairman Kaga and his Iron Chefs will always reign supreme.

Of course, the book is usually better. The author has time to develope the characters, while the film makers do not. That having been said, "The Cracker Factory" is a very good movie. I was pleasantly surprised. Natalie Wood did a remarkably good job of bringing Joyce Burditt's "Cassie" to life. The supporting cast was also good, especially Juliet Mills as Tinkerbell, the night nurse. A good book to read, a good movie to watch, either way, you won't feel let down.