m_ra_zra
Joined Sep 2009
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Ratings26
m_ra_zra's rating
Reviews5
m_ra_zra's rating
This film was my first one during the Berlinale 2014. 30 minutes before the screening I entered Cinemaxx 7. I sat on jury's right. I was annoyed by a few young ladies, row behind me, who could not control their emotions. I focused on the title of the film to distract myself from them. I tried to guess from what angle the movie would meets its title. I could not imagine literally and was thinking of 'being calm' or 'without any counter attack'.
It is easier for me to tell what I disliked more than I liked. Locations were chosen perfectly and shots were aesthetic. Young actress was lovely like her hilarious readings. Narratively the viewers has been tried to confuse but although the idea was great, it did not worked out or maybe worse, it was ineffective. One of the jury members had to show his dissatisfaction by leaning forwardly.
I would describe 'Kuzu' emotionally as 'The Stoning of Soraya' in which the leading actress 'accepts' her faith but now suddenly in the final scene she has an successful escape plan which we as viewers have never been fed about.
For the greater part the focus was on the antagonist while the protagonist was calm and in the end we as viewers put on the wrong track of her counter attack.
The young ladies behind me were disappointed because no one from the production crew were there for the q&a part after the screening.
P.S. If you do not like Tamora in Shakespeare's Titus Andronicus then you will not like this movie.
It is easier for me to tell what I disliked more than I liked. Locations were chosen perfectly and shots were aesthetic. Young actress was lovely like her hilarious readings. Narratively the viewers has been tried to confuse but although the idea was great, it did not worked out or maybe worse, it was ineffective. One of the jury members had to show his dissatisfaction by leaning forwardly.
I would describe 'Kuzu' emotionally as 'The Stoning of Soraya' in which the leading actress 'accepts' her faith but now suddenly in the final scene she has an successful escape plan which we as viewers have never been fed about.
For the greater part the focus was on the antagonist while the protagonist was calm and in the end we as viewers put on the wrong track of her counter attack.
The young ladies behind me were disappointed because no one from the production crew were there for the q&a part after the screening.
P.S. If you do not like Tamora in Shakespeare's Titus Andronicus then you will not like this movie.
I was surprised when I saw Gulcin Santircioglu in this film. This was the third time. First time was for few moments in 'Yumurta'. It was like you fell in love with someone and want to know more about her. This happened in the second film I saw Iki Cizgi. There she was more a diva, a little bit spoilt. This film, Turev, made my amorousness complete.
Turev is attractive because its comparison with reality shows. It is hard to distinguish whether they act or just being themselves. It is about an idea of a game, playing that game, ending that game, game comes reality ... but in the end they all lose.
The director is unfair in the way how he ends this film. All characters are living by following their minds and because all hearts are broken they give up everything what is important for them at that moment. It is uneasy to do that.
Turev is attractive because its comparison with reality shows. It is hard to distinguish whether they act or just being themselves. It is about an idea of a game, playing that game, ending that game, game comes reality ... but in the end they all lose.
The director is unfair in the way how he ends this film. All characters are living by following their minds and because all hearts are broken they give up everything what is important for them at that moment. It is uneasy to do that.
