Reviews (114)

  • Coup de chance is another masterpiece by Woody, the master of cinema. The cast (Lou de Laâge, Melvin Poupaud, Niels Schneider, and Valérie Lemercier) is absolutely great, the script (Woody) is brilliant, the cinematography (Vittorio Storaro) is gorgeous, and the direction (Woody) is, as always, impecable. This is a movie about love, betrayal, control, and luck. Amazingly written and beautifully shot. A masterpiece (in French) with a flavour of the great French cinema from last century (Truffaut, Lelouch, Godard), with a bit of Hitchcock (you can actually spot a Hitchcock book lying on a shelf in one scene), and with a wonderful soundtrack (jazz from the 60s: Herbie Hancock's "Cantaloupe Island" and Nat Adderley). No explosions, plastic people or a 200MM budget; just absolutely pure excellent cinema. Bravo, Woody. You are the best! 10/10.
  • The Survivor just came to the Spanish cinemas last week. The movie is truly a masterpiece! How is it possible that this film, being as brilliant as it is, and dealing with such a an important human catastrophe (the Holocaust), didn't receive 1,000 accolades? Ben Foster's performance is absolutely astonishing and breathtaking; the cinematography (George Steel) is brilliant, and the direction (Barry Levinson) is impecable. I loved that the Germans speak/bark in German (and not in English) in the movie. I would have loved that the brothers spoke Yiddish/Polish between themselves. The Kaddish scene is heartbreaking (it made me cry). The monstruous Auschwitz complex had three main camps (Stammlager, Birkenau and Monowitz-Buna, and 45 subcamps: most of the Holocaust scenes occur in one of the subcamps located in Jaworzno, called Neu-Dachs). I just read that the USC Shoah Foundation worked closely with the movie team, and that historical accuracy can be felt in the movie. The Survivor is a crude and necessary movie that masterfully deals with horror, cruelty, guilt, and survivor. A must-see. 10/10.
  • Oppenheimer is a masterpiece brilliantly directed by Nolan, with a breathtaking performance by Cillian Murphy. But it could have been better. Personally, I found that there were some unnecessary scenes (you will know which ones), and that the film missed more minutes of female performances (the movie is 99% male), especially having a wonderful actress as Emily Blunt, which Nolan gave her maybe 10 minutes tops in 3 hours (and 2 minutes speaking). The two main women who appear (both brilliant in real life): Kitty Oppenheimer (who was a biologist and a botanist) and Jean Tatlock (a psychiatrist) appear respectively as a hysterical drunken, and a pure object. And that's a pity. I also think that Nolan could have add some images about the Holocaust too (or, at least, of WWII, both very relevant to the movie). There are some annoying anachronisms: Germans in the 40s were no "Nazis", but "Germans" (the Germans were trying to build an atomic bomb, not the "Nazis"; the USA was at war with Germany, not with the "Nazis"; the allies were at war with Germany, Italy and Japan; period). All the quantum mechanics parts in the movie are truly fascinating; still, you don't learn anything, and that's a missed opportunity. As I mentioned, Cillian Murphy's performance is absolutely outstanding. Robert Downey Jr. Is surprisingly brilliant. The music of the film (Ludwig Goränsson -not Hans Zimmer this time) is absolutely gorgeous, and Nolan's imprint is everywhere. If you like Nolan, you will love this movie. 9/10.
  • I was extremely disappointed at this movie. This is not a mystery story, but a horror one. I went with my three children to the cinema and none of us could enjoy the film. We are fans of the Hercule Poirot's movies by Kenneth Branagh, but this one is a downer. It's far too scary, dark, and not fun at all. There is no humor at all and the plot and scenery are too chilling. My children are big Agatha Christie fans, have read almost all her books, and this movie is not Agatha Christie at all, but purely Stephen King. Pity. A missed opportunity.

    Nevertheless, the cast is great (I especially enjoyed Branagh and Tina Fey -we are huge fans of Only Murders in the Building), and the cinematography is gorgeous. There are big anachronisms that bother a bit, and there is one scene where one man tells a story to Italian children in English! (not in Italian, in Venezia in 1947), that's absurd and annoying; can't Americans/UK citizens read subtitles for 3 minutes? I don't get it. 5/10 (1 point for Branagh, 1 point for Tina Fey, 1 point for the cinematography, 1 point for the costumes, and 1 point for remembering the victims of Bergen-Belsen).
  • I really tried to like this movie. I managed to finish it in two days. So boring, so pretentious and so slow! If you want to tell a story, please write a plot first (and I don't have any problem with slow, philosophical or artistic movies -Bergman, Truffaut and the great Woody Allen are my favorite directors). This is a movie about a bunch of lost people idolizing a recluse, with zero interesting love life, important aspirations or anything important to say. The dialog is really painful. Ordinary people pretending to be arty-farty is the worst. Who cares if somebody wants to write a poem or a novel? That's exactly what the world needs. Make a story, please. Sigourney Weaver's performance is amazing though, even in this tedious film. None of the other actors/characters is remarkable. At one point something happens to one of the characters and you couldn't care less (that's not even a spoiler because you will not care). Painful script and bad direction. Sorry. A missed opportunity. Such a pity. 3/10 (1 point for the brilliant Sigourney Weaver, 1 point for the art direction, 1 point for the 90s).
  • Margot Robbie and Ryan Gosling are really great in their roles of Barbie and Kent. Gosling is specially hilarious. I expected a funny, cool, deep and entertaining movie, but I was highly disappointed. The movie is so terribly preachy that ends being an embarrassment. We (the audience) have brains, so, please, preach somewhere else. Furthermore, this is a movie to divide, not to unite. And I'm a woman. The script of the movie is horrendous and the direction is plain bad. There are some great actresses that have too little to say, like Emma Mackey, and that's a pity. Overall: a huge disappointment and a missed opportunity. 3/10 (1 point for Margot Robbie, 1 point for Ryan Gosling, and 1 point for the art direction (super tacky and pinky, as Barbie's world).
  • Indiana Jones and the Dial of Destiny is one of the best Indiana Jones movies (my favorites are this one and Indiana Jones and The Temple of Doom). I don't get the "critics" (how easy is to criticise when you create nothing). This sequel is super fun, entertaining, human, and cool. Absolutely gorgeous art direction, flawless special effects, and -the most important thing- a great story line. My three children and I had a terrific time. This is a movie for teenagers and for Indiana Jones lovers. I only feel that the cast could have been better (there are some anachronisms and, yes, I still find there there were too little women). Indiana Jones and the Dial of Destiny has archeology, mathematics, and history involved, so, thanks a lot to the writers for finally moving away from the "TaNaK/Bible" narrative. Harrison Ford's performance is stunning. Today (July 13) he turns 81 years old and his Indiana Jones character was flawless, human and deep. A movie for having fun, learn a bit of history, and enjoying. 9/10 (1 point for the script, 1 point for Archimedes, 1 point for Harrison Ford, 1 point for Mads Mikkelsen, 1 point for the music (John Williams), 1 point for the stunning special effects, 1 point for the fun, 1 point for the art direction and 1 point for the year 69).
  • Yesterday we went to the cinema to watch Avatar: The Way of Water. We all had a great time (the popcorn was delicious), but, sadly, this is a movie just to entertain, and really for teenagers I would say. I guess the priority here was to make money. How is it possible that a 350MM movie has such a poor story line and such a bad script? This always surprise me with American blockbusters. Couldn't they hire writers who actually can write a deep and meaningful story? Also, all the characters here were flat and one-dimensional (impossible to care for them). And some were actually annoying. Pity. 2/4 of the movie are battles, 1/4 of the movie is National Geographic with invented animals (the coolest part of the movie) and the other 1/4 is just beautiful cinematography. Where is the story line? This was a missed opportunity. Overall, 5/10 (1 point for the special effects, 1 point for the music, 1 point for the cinematography, 1 point for the invented animals, and 1 point for the fun of watching the movie in the cinema with my children).
  • I must say I was a bit disappointed with Amsterdam. The cast (Bale, Robbie, Washington, Shannon, De Niro) and the director (David O. Russell) promised a masterpiece, but the story is not so interesting and the characters are not deep enough, in my opinion. The suspense falls very short. The relationship between the characters is neither too interesting nor very well developed. Christian Bale's performance is absolutely stunning: brilliant and exquisite. The cinematography and art direction are very beautiful, but the writing and the plot feel flat and that damages the movie, which is a pity. I really wanted to love this film but I couldn't. Overall, 7/10.
  • Yesterday we watched "Wednesday" (only 1 chapter), expecting that it would be amazing, dark but fun, but I was highly disappointed, because the series is violent and not funny at all, and light years away from the original Addams family. Horror should be added to the description of the series on IMDb. That this is rated for 14 years old is very sad (and that most teenagers love blood and dismembered bodies, and that's what actually sells, is even sadder). This Wednesday doesn't have the magic and sweetness of the Wednesday of the 1991 The Addams Family (directed by Barry Sonnenfeld) played by Christina Ricci when she actually was 11 years old -not 20). This Wednesday appears like a spoiled selfish teenager. That's a pity and it's the script's fault, not the actress', who did a great job in spite of the script. Overall, too much blood, not funny, not fun either, and completely overrated. 3/10 (1 point for the music, 1 point for the cast, and 1 point for the nostalgia).
  • Emancipation is a masterpiece about slavery, courage, dignity, love, irrational hate, and survival. Will Smith's performance is absolutely breathtaking: brilliant, exquisite, and full of sorrow and depth. The rest of the cast, especially Charmaine Bingwa, is great too. The cinematography (Robert Richardson: who is also the cinematographer of Inglorious Basterds, Django Unchained, Once Upon a Time in...Hollywood) is fantastic, and the direction (Antoine Fuqua) is brilliant. There are some very cruel and very hard scenes to watch, and I missed a bit of depth in some of the characters, but overall this is a brilliant film about one of the most horrific injustices and cruelties that human beings have produced. A must see. Bravo to all. 10/10.
  • Fernando León de Aranoa (El buen patrón, Loving Pablo, A Perfect Day, Amador, Princesas, Los lunes al sol, Barrio Familia) has succeed again in creating a wonderful documentary (watch his stunning documentary "Buenas noches Ouma", Invisibles). Joaquín Sabina is, I would say, the Spanish Leonard Cohen: he's a poet as much as a musician. Sintiéndolo mucho is honest, raw and poetic, and shows us Sabina without his bowler hat (Sabina says: "Tengo un problema con el tipo del bombín que se sube al escenario; por eso no me he puesto bombín hoy" ("I have a problem with the guy who wears the bowler hat and goes on stage; that's why today I'm not wearing one"), and laughs. I'm afraid that one has to know the Spanish culture in order to properly enjoy this film. I personally missed a bit more of his personal life (for instance, his two daughters don't appear in the documentary), but, overall, it's a very beautiful documentary (10-15 years on the making), sincere and genuine. The new song (Sintiéndolo mucho) is both delightful and sad, and reflects, as well as the documentary, on the musical, poetic and human trajectory of Sabina. Bravo, Fernando. 10/10.
  • Yesterday we went to the cinema to see Lyle, Lyle, Crocodile here in Spain (in original language, English, of course) and we had a great amazing magical time. Everybody (children and adults) clapped at the end. Javier Bardem is absolutely stunning, brilliant and funny as Hector P. Valenti. The special effects are great and the cinematography is gorgeous. Lyle & Loretta are super cute, the music is fantastic, and the movie is absolutely sweet. No guns, scary monsters, horrific cruel people or super fast flashes needed, only a story about friendship, love and family with real human beings (not superheroes) -and with a lovely singing crocodile that children & parents will adore. 10/10.
  • Only Murders in the Building is one of the best shows ever! My children & I have waited anxiously every Tuesday for the next chapter, have thought about the plot all week long, all the different possibilities, and have really "lived" this show. We can't wait for season 3! The cast is all excellent, brilliant, funny, cool, and the writing is absolutely superb. Suspense, friendship, Manhattan, murder (of course), family, theatre, art, different generations, romance, many interestingly well-written characters, a fantastic plot, and wonderful music: all in one terrific awesome show. Bravo to all! Thanks a lot for this masterpiece! Please make 100 more seasons.
  • As a Marilyn's fan and as a woman I felt terribly disgusted and ofended by this movie. What was that? A complete morbid fiction film about a real human being. Marilyn is portrayed here as a weak, stupid, never-ending abused, hysterical woman, when in fact she was deeply courageous (as Arthur Miller said once), intelligent, bright, elegant, and a superb great wonderful actress. Marilyn was a vivid reader, something not very common in American culture, and she had a personal library of 400 books, but, surprise surprise, the movie never shows her reading one single book but keeps portraying her like a stupid non-capable-of-making-her-own-choices abused object. The film is another exploitation of Norma Jean: lots of nudes (which Marilyn would have surely refused -and that Ana de Armas happily agreed to do -poor her, well, that's sadly where the money and the fame goes nowadays). We all know that Marilyn had a terrible terrible terrible childhood, but the facts in the film are all changed and many are invented (it looks like the director took pleasure in Norma's suffering as a child and enjoyed making a horror movie from her childhood). That obsession with a "father" who was never ever presence in Norma's life is just something morbid and nonsense in the film. Ana de Armas' performance is great, but her accent is not and, that, in a movie about a real person, so famous and known as Marilyn, is a real pity (but since the whole movie is invented, it doesn't really matter that Marilyn speaks English with an Spanish accent). What we actually see in the movie is Ana trying to portray Marilyn, but never Marilyn. Adrien Brody was magnificent as Arthur Miller, great accent, brilliant performance, but he doesn't appear much in the movie. There are many graphic scenes completely unnecessary. The revolting scene with JFK tries to show a Marilyn without any personality and any choice: that scene is really an insult to Marilyn. Portraying women as objects is something that always made me puke. Blonde could have been a really good movie if it were actually based on Norma Jean's and Marilyn Monroe's life and if the director & (horrific) writer would have had an inch of respect and admiration for Marilyn as a woman, human being and actress; instead, this is a twisted, dirty, and dark horror film, the ultimately spit to the great and brilliant Norma Jean & Marilyn Monroe. 2/10 (1 point for Adrien Brody; 1 point for cinematography).
  • I am a big fan of Burton's and Nolan's Batman. But this Batman was too dark, too depressing and far too violent. This movie is only for adults, not teenagers. There are scenes that will give you pain in your stomach if you are a bit sensitive. The whole movie is super depressing. There is no chemistry at all between Batman and the Catwoman (apart from being two creatures who are both depressed, sad and angry the whole movie).

    This movie is too childish for adults and too violent for kids. PG-13? This movie should be R (too violent!). I went to see it with my son (he's 13) and, although we had a great time, we were horrified by the psycho/violent scenes.

    1 point for the music (superb), 1 point for the art production and 1 point for the cast. 3/10.
  • I really can't understand how films like this are being made today, after the Holocaust, Auschwitz, and the Einsatzgruppen. Maybe for Estonia the war was a problem of independence, but to fight in the German side (meaning: the Nazi side) doesn't have any excuse. Today we know that there were 21 battalions of Estonian Schutzmannschaft who helped the German Einsatzgruppe to massacre 1,400,000 Jewish men, women and children. All the "nice" men who we see in the movie are stinky pro-German Nazis, (actually they are Estonian Waffen-SS, ew!) and the only nice thing about this film is to watch them die. The Nazis appear in the film like nice men who save children, and the Soviets appear like monsters. Horrible movie. Twisted and biased. Never forget. We remember. 0/10.
  • After all the awards and nominations that this movie has got, I had great expectations for Drive My Car. Such a disappointment! This movie is pretentious and boring, filled with unnecessary graphic sex scenes and annoying characters. What was that? We were 10 people in the cinema yesterday (in Madrid, Spain) and three left in the middle. I almost left, but I have never ever left in the middle of a movie because I always think that the movie will get better, but it didn't. I love slow movies (Bergman is one of my favorite directors) and I love long movies (I love David Lean's Doctor Zhivago and Tarantino's Once Upon a Time in Hollywood), but this was too much because the movie feels empty and pretentious.

    All the characters (with the exception of the one who plays Sonya in the play) are unsympathetic, so it's very difficult to feel for them. The parts from Chekhov's play are brilliant (but that's Chekhov, not Murakami and not Hamaguchi). Drive My Car is an Ode to theatre (bravo), to sex (meh) and to infidelity (ew!).

    I cannot believe that this movie has got 4 Oscar nominations and masterpieces like El buen patrón (The Good Boss) didn't get nominated. That says a lot about the decline and the want-to-be artistic of the Oscars.

    I give 1 point for Chekhov, 1 for the Japanese landscapes and 1 for the character who plays Sonya in the play. And I would like my money and my 3 hours back. 3/10.
  • 'Mijn beste vriendin Anne Frank' is a brilliant, touching, sad and beautiful movie about friendship, antisemitism, love, despair, evil, and hope. The performances of the two young actresses (Josephine Arendsen and Aiko Beemsterboer) are absolutely stunning. The cinematography and the music of the movie are wonderful. Films about the Holocaust are always necessary because they bring a tiny voice to all the Jewish victims who were massacred, gassed and killed. I love that the actors speak Dutch and German in the movie, but I was a bit surprised that Hanneli Goslar's character didn't speak German with her parents (who were both German -she was 5 years old when they moved to Amsterdam). Overall, 'Mijn beste vriendin Anne Frank' is a beautiful and touching movie. The little girl who plays Gabi is very cute and a great actress too. Never forget. We remember. 10/10.
  • I was so eager to see this movie. I was counting the days. I even cancelled a doctor's appointment to go to the cinema this morning because today (28 of January 2022) the movie has been released in Spain. But I must say I was a bit disappointed. The movie is really well made (Kenneth Branagh is a terrific director), but it lacks political and emotional depth. I didn't particularly like or love any of the characters and I felt that the family was very flat. Then, I was very interested on knowing more about "The Troubles" but the film really lacks political depth. Overall it is an enjoyable film, with great music by Van Morrison and a spectacular performance by Judy Dench. I wanted so much to give this movie a 10, but I can't since I felt quite detached from the characters and the story. The cinematography, nevertheless, is absolutely brilliant.
  • I loved this movie. Will Smith is phenomenal in his portrayal of the father of Venus & Serena Williams. This is a story about effort, struggle, persistence, and love. The cast is great and the music, cinematography and story line are great too. Nevertheless, being a biographical movie, there are some important inaccuracies that bothered me (therefore I give this movie a 9 and not a 10). For instance: Venus & Serena's mother had three daughters from her previous marriage (she was a widow when she met Richard Williams), but this is not really explained in the film, and if you don't know their story, you may easily think that they had together 5 daughters (I was always thinking: why Richard was only speaking of and fighting for Venus & Serena only?). The other point is that the movie tries to sell us a "perfect family" and the fact that in 2002 the parents of Venus & Serena got divorced is not even mentioned. Also, an important detail that is not even mentioned at the end is the tragic death of Venus and Serena's half sister, Yetunde Prince, shot dead in 2003 at age 31. I understand that this movie wants to be a "feel good movie" but if it's a biographical movie, the facts should be more clear. But, overall, it's a wonderful movie about dreams, effort, patience and tenacity. 9/10.
  • Don't Look Up is an absolutely brilliant film! It depicts so well the blindness of the majority. Earth's oxygen will be gone in 1 billion (1,000,000,000) years, and in a spam of 10,000 years all terrestrial and aquatic life on Earth will be extinct (except microbes). And nobody seems to care. This movie doesn't talk about climate change but the message is the same. The whole cast is stunning, but I especially enjoyed the superb performances of Leonardo DiCaprio and Meryl Streep. It's a movie that will make you laugh and also get worried about the future of our insignificant small planet. 10/10.
  • Love Gets a Room is a masterpiece about love, art, antisemitism, bravery, generosity, and beauty. A jewel that will make you think, laugh, sing, and cry. Written by Rodrigo Cortés & David Safier and directed by Rodrigo, the movie is set at the Warsaw ghetto in January 1942 (six months before the deportations to the extermination camps, mainly Treblinka -Große Aktion).

    Love Gets a Room includes a play inside the movie: excerpts (originally written in Polish, translated into English) of Jerzy Jurandot's play Milosc szuka mieszkania, which premiered at the Femina Theatre in the Warsaw ghetto either on October 29, 1941 (according to Holocaust survivor Mary Berg, see The Diary of Mary Berg. Growing Up in the Warsaw Ghetto, pp. 101-102) or on January 16, 1942 (see Barbara Engelking & Jacek Leociak, The Warsaw Ghetto: A Guide to the Perished City).

    The cinematography (Rafael García) of Love Gets a Room and the music (Víctor Reyes) will take your breath away. With a stellar cast: Clara Rugaard, Ferdia Walsh-Peelo, Henry Goodman, Anastasia Hille, Valentina Bellè, Mark Ryder, Freya Parks, Jack Roth, Magnus Krepper and our beautiful, amazing and talented Dalit as little Sarah. Bravo to all!

    Love Gets a Room is a homage to the power of art, to all the victims who perished in the Holocaust, to bravery and to love. 10/10.
  • El buen patrón (The Good Boss) is a sarcastic and brilliant tragicomedy about power, work, human relationships, submission, infidelity, dignity, injustice, and balance. Masterly written & directed by Fernando León de Aranoa, with a stunning and brilliant performance by Javier Bardem, a stellar supporting cast and great music by Zeltia Montes (with a melody that you will hum afterwards), El buen patrón will make you laugh, cry, enjoy, and reflect on the balances and imbalances of the working life, marriage, and power. 10/10.
  • Wow. I loved this episode. Fear and reality, lack of communication, a historical moment, uncertainty and hope are combined in this touching episode. The cast is stunning. I especially love Joe & Debra Winger. What a treat! Very well written and super good acting. Bravo! 10/10.
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