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Whether you've been watching X-Files since the first ep or have never even heard of it, it's an AMAZING film. I think returning to Vancouver was the key to returning X-Files to its core roots.

First off: it was DARK. I don't mean mentally dark – I mean literally. Shooting X-Files in LA was so many levels of wrong. That bright sunny LA feel never worked for the show. It was always those dark Vancouver days for seasons 1-5 that made X-Files just LOOK right. "I Want to Believe" just LOOKED RIGHT.

This was the finale that the series never was. It was a tribute back to the early day of the series where it was about a weekly creature or spooky phenomenon, where the event was about the reaction from Mulder and Scully.

This isn't to say I didn't love the mythology of the series – I, in fact, thought it was one of the best part in the series, but as it got more and more and more complicated to the point where it just didn't even make any sense, added with the move to LA, the loss of Mulder and the downplaying of Scully by season nine, and it just wasn't that show I started watching in 1993.

"I Want to Believe" is like watching the Mulder and Scully relationship from season nine if you put them back into a season one type of situation. It's a 'phenomenon of the week', which "X-Files" always succeeded at. Some of the most meaningful and powerful episodes of "X-Files" were the ones that stood alone because they explored the human condition rather than the conspiracy.

"I Want to Believe" questions most strongly faith, love, hope and commitment. It deals in human monsters, real monsters, while the phenomenon element is not part of the evil human deeds. It hearkens back to episodes like "Lazarus", "Young at Heart" , "Unruthe" "Revelations", and one of my all time favourites, "Irresistible".

The movie works for someone who has never even heard of "The X-Files", but for fans there's nods and winks scattered through the film. As soon as I saw the pencils stuck in the ceiling, I knew all the real fans in the audience by who was laughing. And I also knew the movie was going to be a full of nods like this.

All in all, this is what I wanted from the series finale. The finale was a huge let down after 9 years of dedicated viewing. It was too 'technical', never resolved the mythology in a way that satisfied, and, even worse, it offered no closure with these characters who had been a part of my life for all this time. "I Want to Believe", in the end, was a final good-bye to the fans – right down to the hidden scene in the middle of the end credits (which was more the actors than their characters).

One of the first things that should be said about "Reflections" is the uniqueness of the concept itself. Carol looks into any reflective surface, and she sees the worst thing that surface has seen or will see. Anywhere she looks, she is assaulted by horrors. Mark Garbett has managed to find a new spin on the 'cursed by a gift' theme, and presents it in a manner that hits the viewer instantly and brings them into Carol's struggle.

Beautifully executed by director Barry Caldwell, "Reflections" is haunting, touching, and thrilling, delivering a powerful film that takes the viewer into Carol's pain, while also delivering a surprise thriller. It's easy to see how easily this film will develop into a feature, even more fleshed out and powerful.

It's also impossible to not love a movie that delivers an unexpected ending, which is always a rare treat.

The film is carried further with a stellar cast. Adrienne Wilkinson plays Carol, reflecting the character's entire journey in her eyes. Adrienne possesses the ability to tell Carol's entire story in her eyes - everything is there without needing a single word.

Every actor is worth noting for what they brought to their roles, regardless of the size of the role. The cast elevates the already amazing work of the crew.

"Reflections" is most certainly worth making the effort to see - several times! An exceptional film.

Though not the strongest choice for the pilot episode, "One" does do a good job of introducing the audience to the characters of "As If". You get all their personalities and conflicts, though, often you can't help wonder why these people are friends… The women are much stronger than the male cast, with the exception of Derek Hughes, who plays Jamie (and it among the funnier cast members – though it's easy to be funny when you're playing the guy who calls himself "Cobra").

"One" does establish the 'style' of "As If" from the very opening shots; paced more like a music video than a TV show, "As If" shots rarely hold on anything for more than a second or two.

Sooz's character who came across as far too cold to be even remotely likable in the pilot episode was, thankfully, given the second episode of the series in order to be given some depth. Without the insight into her character this episode provided, she could easily have been a hated character, as she comes across as very harsh.

To hear her monologues, Sooz instead becomes the loner and outcast character, that many people can relate too, especially people in her age bracket or younger.

This was a start of showing the depths the show would have touched on as it went on, but, sadly, the series was cancelled after this episode aired.

At last! A Sasha episode so one may truly enjoy the great work of Tracie Thoms, who had been sorely underused in the series before this point.

Even better – the episode involved a lot of scenes with Thoms and Wilkinson, as Nikki tried to help Sasha get Rob back. These two were the strongest acting forces on the series, and it was always enjoyable to see them in a scene together.

I'm still completely in love with the unique editing style of the series. I thought the music video, fast pace of how it was shot and edited created a unique feel and look to the series that has never been done in a comedy series before, nor after.

I was disappointed that the series did a second Jamie episode before it did an episode for each of the main characters. Only on episode four, and already the series doing a second Jamie episode when Nikki, Sasha and Rob had yet to have one.

Also, it's yet another episode that shows how horrible Jamie is at dating, and leaves the poor guy alone and sad again – which was the ending they used for "One". It's unfortunate that the series felt the need to repeat itself already when the episodes that would follow this one would finally start to take the series in a much more interesting direction.

Despite the failure to do something more original, the episode was still made enjoyable by the cast, especially Derek Hughes, who was so completely submerged into his character from the very first episode that he tends to bring in the most comedy.

It's interesting that it took three episodes to reveal that the character of Alex was gay, as there was nothing in earlier episodes to suggest it.

But it was a lot of fun to see Nikki being the dating master as she gave him a make-over and dating tips (which she would also do in later episodes for other characters).

I much prefer the light and funny Nikki to the careless one that was introduced to us in the first episode. Though her character would continue to have issues with standing by her friends, when they did keep her focused on them it made for a much more enjoyable episode as it allowed Adrienne Wilkinson to show off the playful side – and isn't that the whole point of a comedy?

It's unfortunate that UPN never gave "As If" a chance. Though the series had a slow start, with "Five", the show took a serious turn.

Even though it's a comedy, no story can be told without creating characters we can care about and putting them in situations that aren't always light and fluffy – this is true even of a comedy. In any successful comedy series, while every episode will have the required humour, there is also always a dramatic event and personal growth for one or more character.

This episode was Niki focused, which allowed the series to put in some needed drama with one of the two powerhouse actors on the series, Adrienne Wilkinson (the other being Tracie Thoms).

"Seven" was the first episode of "As If" that really had me laughing my head off – thanks to grouping together the three female leads and having Nikki trying to teach Sooz the tricks of how to get a man.

This led to a lot of truly hilarious scenes, like them catching the eyes of an older man in the bar and then running away when he came over to them.

And when Nikki's training pays off, she then teaches Sooz the tricks to being on a date. Okay, sure it's a typical make over the 'ugly' duckling sort of story, but the actresses and the writing sold it completely. The series had found a stride, and, sadly, UPN never gave it a chance to get there.

If you have to do a clip show, you have to look to "Xena" for the best way to do it. "Xena" always succeeded in making clip shows are interesting or as funny as any other episode – not something other series are able to pull off.

Completely unique and a fun wink to the fans, "Send in the Clones" knows how to walk the line of mocking fans in a way we enjoy, without being insulting.

Lucy Lawless is brilliant when it comes to drama, but when she does comedy on "Xena", it's something special. She's laugh out loud, fall over hilarious as the clone Xena. And Xena's opinion on guns was one of the best lines in the episode.

And, for sure, you can't miss with an episode that guest stars Claire Stansfield and Alison Wall.

"Pomegranate" is a beautiful and moving film, written and directed by Kraig Kuzirian. It's a moving story about family – that no matter what issues a family may face, that a family can come together in a time of need, even if they've been apart for a long time.

The movie also deals with faith as one of the main characters is a priest in Beirut, who must deal with the loss of his family in a bombing. He journeys to the States to reunite with his family, in particular his cousin, a Hollywood director, in order to deal with his loss.

Michael Gorjain plays the director, who has lost his love of his family and his culture, but rediscovers them through his cousin, the priest.

The film has a lot of personality and avoids being completely bleak and dramatic by having eccentric family members to lighten the mood so the movie doesn't become overly heavy.

Faith is probably one of the best characters ever created for a TV series. Her journey from hero, to villain, to a woman trying to find redemption is a powerful one. Faith's guilt and self loathing, especially in this episode, make her a powerful character and one you want to see reach a happy ending to her journey.

Elisa Dushku is brilliant as Faith, her best role to date, mostly due to the wide range this character has afforded her to play.

The journey of both Faith and Angelus through Angel's past was very well written and a great way to give Faith the strength to continue with her own journey, to fight the good fight again rather than merely rotting in jail.

A very powerful, well written, beautifully directed episode of "Angel".

Anorexia is a serious health condition, far too often used as a cheap joke. "The Right Thing" addressed anorexia compassionately and with all the seriousness such a topic deserves.

The make-up team did a fabulous job with making Adrienne Wilkinson look like she was suffering from the disorder. With dark circles, gaunt cheeks, baggy clothes and stringy hair, she looked the part. Most shows would just cast a small actress and leave it at that, but anorexia has physical signs, and so this helps people understand what to look out for with this disorder.

Though it has the typical 'after school special' to it with everything wrapped up in the end, it is aimed at a younger audience and it is important to teach them that it's better to have your friend be angry with you because you told someone they have a problem, rather than to let the problem continue.

The story of the guying inviting two girls on a date has been done a million times over – there's nothing new that can be done with this story. You would think that TV shows would just put this story line to bed.

And yet, "Suddenly Ryan" at least added the new twist of having Ryan make the choice because he was upset about his girlfriend leaving and he didn't really know what he wanted. Sure, he was still a jerk to do it, but it was a slightly new spin, rather than just being about him wanting to have all the women he could.

Another interesting take was having him invite three girls out rather than only two.

Rachel's departure didn't just affect Ryan, but also Liz, who has to deal with Maria and Katie constantly trying to compare her to Rachel.

Reggie loves chocolate. Sadly for him, this leads to a major cavity issue, and his dentist is telling him it's all the chocolate he eats. Interestingly, this storyline involves his friends confronting him about his 'chocolate addiction' – which was a very original way to spin teaching kids about addictions. Rather than using the same old method of "Drugs are bad", the show approaches the concept with a metaphor – a subtle suggestion.

Generally any show that's aimed at younger audiences feels obligated to tell the "Don't do drugs" episode. They are preachy and don't really have success in steering kids clear of drugs. This is why sending the message with a metaphor was such a unique idea.

The episode also deals with fame when Todd has a report written about him for "Headline America", but Todd has the jitters. Jess meanwhile is very eager to be on TV and Todd has to ask her sister, Liz, for assistance with the whole thing.

This was among one of the coolest movies/documentaries I've ever seen. It certainly makes me want to bow down and worship the female stunt double.

The documentary follows Zoe Bell, stunt double for Lucy Lawless on "Xena: Warrior Princess" and Jeannie Epper, stunt double for Lynda Carter on "Wonder Woman" and the work they did as doubles for these series. It follows them as they meet for the first time, careers for female stunt doubles, Epper's attempts to get work as a stunt coordinator and Bell's 'audition' for "Kill Bill".

The documentary interviews those Bell and Epper have worked with, including Lucy Lawless and Lynda Carter.

Anyone interested in stunt work, "Xena" or "Wonder Woman" should most certainly watch this documentary.

"Let's Talk Puberty for Girls" and "Let's Talk Puberty for Boys" are a set of animated educational films put out by Disney that was initially created in Ireland. The films were designed to be shown in classrooms for kids ages 9-13 and addresses physical changes, healthy eating and even how to talk with parents.

Simple and non-threatening, the fact that the movies deal with talking to parents is one of the strongest features. Too often young kids are influenced not to talk to adults. They fear what will happen if they try to discuss serious issues with their parents, when, in fact, the best thing they can do in most cases is to speak with an adult for proper guidance.

The messages in the movies are important for kids to hear, and they are delivered in a great manner for kids, especially with using an animated medium.

"Let's Talk Puberty for Girls" and "Let's Talk Puberty for Boys" are a set of animated educational films put out by Disney that was initially created in Ireland. The films were designed to be shown in classrooms for kids ages 9-13 and addresses physical changes, healthy eating and even how to talk with parents.

Simple and non-threatening, the fact that the movies deal with talking to parents is one of the strongest features. Too often young kids are influenced not to talk to adults. They fear what will happen if they try to discuss serious issues with their parents, when, in fact, the best thing they can do in most cases is to speak with an adult for proper guidance.

The messages in the movies are important for kids to hear, and they are delivered in a great manner for kids, especially with using an animated medium.

Another prime example of under-using a great guest star. Adrienne Wilkinson guest starred as Linda Browning, a music producer who was brought in as a potential love interest for Brady by his grandfather, Victor, and yet, she was mostly just used as a background character at a party. She totally should have been brought back for future episodes.

Setting Linda up as one who looks like Chloe and can progress Brady's career, she would have been a perfect character to bring back for several episodes to create conflict. Even if Brady never actually tried to date her, she would work as a threat to Chloe.

It was short sighted to not expand such a role that would have created a simple, but convincing conflict for Brady and Chloe.

The first "Inceptor Force" was a horrible movie. I'm shocked anyone even discussed making a sequel, let alone made one. Olivier Gruner is perhaps one of the worst actors alive. He has no business being in the business, let alone to star in a film.

Thankfully he does have a good supporting cast behind him, which does help to salvage the movie. I enjoyed Elizabeth Gracen's performance, despite the film's need to take the tough female soldier and have her be the one who breaks down and stars to freak out. It made no sense to make this hardened soldier be the one to freak out when the movie had a built in character who could logically freak out, Dawn DeSilvia, the scientist, brilliant played by Adrienne Wilkinson, though, I will admit, it was less predictable to have the scientist get to be one of the most collected characters.

A unique student film from writer/director Cameron Pearson that deals with existence and death, but from the point of view of a small child, who, interestingly enough, engages in this conversation with a ghost.

Taking a child's point of view always brings a special kind of perspective to any topic as a child's views are pure and uncorrupted. It is often the best way to look at life; to force yourself to see things with a fresh pair of eyes and challenges you to re-think your views, which I firmly believe is the mark of a good movie. If a movie doesn't make you think, then it's simply mindless entertainment. But a movie that makes you walk away deep in thought is a gift.

Ah, the 'classic' story of a boy and a girl, each who is hopeless when it comes to relationships. In this case, both are users of the opposite gender. So, of course there has to be some 'crazy' set-up that gets them to spend time with each other. This will set them up to try to use each other, which eventually results in them learning an important lesson about love and they end up together. Aw.

The only redeeming factor was this episode guest starred Adrienne Wilkinson. Wilkinson has the skill to take any script, regardless of quality, and make something special of her role. It's a skill that very few actors can achieve, as it requires immersing oneself so into a character that the words they might say don't matter as much as how they deliver them.

Ah, the 'classic' story of a boy and a girl, each who is hopeless when it comes to relationships. In this case, both are users of the opposite gender. So, of course there has to be some 'crazy' set-up that gets them to spend time with each other. This will set them up to try to use each other, which eventually results in them learning an important lesson about love and they end up together. Aw.

The only redeeming factor was this episode guest starred Adrienne Wilkinson. Wilkinson has the skill to take any script, regardless of quality, and make something special of her role. It's a skill that very few actors can achieve, as it requires immersing oneself so into a character that the words they might say don't matter as much as how they deliver them.

Ah, the 'classic' story of a boy and a girl, each who is hopeless when it comes to relationships. In this case, both are users of the opposite gender. So, of course there has to be some 'crazy' set-up that gets them to spend time with each other. This will set them up to try to use each other, which eventually results in them learning an important lesson about love and they end up together. Aw.

The only redeeming factor was this episode guest starred Adrienne Wilkinson. Wilkinson has the skill to take any script, regardless of quality, and make something special of her role. It's a skill that very few actors can achieve, as it requires immersing oneself so into a character that the words they might say don't matter as much as how they deliver them.

Ah, the 'classic' story of a boy and a girl, each who is hopeless when it comes to relationships. In this case, both are users of the opposite gender. So, of course there has to be some 'crazy' set-up that gets them to spend time with each other. This will set them up to try to use each other, which eventually results in them learning an important lesson about love and they end up together. Aw.

The only redeeming factor was this episode guest starred Adrienne Wilkinson. Wilkinson has the skill to take any script, regardless of quality, and make something special of her role. It's a skill that very few actors can achieve, as it requires immersing oneself so into a character that the words they might say don't matter as much as how they deliver them.