really a treat. a love letter to genre. I think the negative reviews here stem from people who lack a love for, or knowledge of, classic cinema. this is truly excellent filmmaking that ebbs and flows, almost seemlessly, between the tones of late 60s-70s "conspiracy" films and Italian horror from the same era (and into the 80s). shades of Pakula/Coppola slip into Bava/Argento right before your eyes. it takes an extremely deft hand to pull something like that off, and sam esmail is a master craftsman--and an ardent student of the art form. even the score hops from brooding 50s detective mystery, to oppressive Hermann-esque drum, to almost psychadelic electronic rhythms, without warning...to stunned silence. the tonal shifts in the score are noticeable but never feel overbearing or out of place. they just...fit.
nothing about this feels slow, as other reviewers have mentioned. the pacing is deliberate and leisurely. yet taut and purposeful. even though episode runtimes are only 30 minutes, there's still time for moments to land. and this helps immensely in a high-concept mystery such as this. in similar shows which drone for 50-60 minutes there's often endless filler to pad story and runtime, making episodes tedious and boring and requiring entire episodes to shift focus away from the main story just to reach a full season order. but here every second is utilized and serves the story, or the characters, in some meaningful way.
this is great art and i wholeheartedly recommend it to anyone with a half hour to spare. just don't be surprised when you look up and find yourself three episodes in....and wanting more.