Perez-Reverte's take on women vying for power. I am currently engrossed in another of Perez-Reverte's takes on women fighting for power in a male-dominated sector, in the English version of Queen of the South. As in the above film, the Ninth Gate, a woman is fighting to hold sway and power over her husband in a near epic battle not of good-versus-evil, but of women fighting against men to hold scepter in a violent and, in the case of this movie above, to be first in a Satanic dimension and clique (combined).
Not wanting to write any "spoiler" without making an alert, I only think of a comparison with the Ninth Gate and Queen of the South in a complex battle of male-versus-female in a male dominated system. Since the current showing of Queen of the South in the English version has not been completed, I do not know if the wife will conquer the husband in this epic battle of symbolic proportion in the TV series, but this is a recurring theme in these two Perez- Reverte film/TV series adaptations.
The Ninth Gate is special for the artistic rendering produced by Polansky, just as the casting of the lead protagonist actor is a Satanic perfect match. I watch this film, however, only to compare and contrast the Perez-Reverte version of this wife/husband female versus male power struggle, and how it plays out in the power struggles in a corrupt system where all claws are exposed and there is no moral guidepost to lead the struggling contenders. Pure power machinations are thus employed, and it does lend to a powerful power contest but mostly put into criminal and other dark force realms.
The Ninth Gate,as well as The Queen of the South, are powerful feminist statements as well, but as for the Ninth Gate, it appears that as far as the Satanic realm of covens and empowerment goes, oppressive Patriarchy surmounts the struggle with full support of the material and dark spiritual- dimension where these struggles are also carried out.
I still have to wait and see if The Queen of the South carries out the success of patriarchy over a matriarchal power play or not, I hope Perez-Reverte has gained a different perspective or more of a leaning towards women achieving success outside of marriage, in a - pseudo-feminist approach to this dilemma, written by a man in a male-dominated genre of movie and entertainment corporate structure,than in The Ninth Gate which has offered the usual male- dominated hierarchical theme.