K_Todorov
Joined Jan 2005
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K_Todorov's rating
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K_Todorov's rating
Blood is a very important thing, I mean very important. Without it people, mammals in general, birds, fish, lizards, hell even insects tend to die. I'm afraid that is indeed true, luckily for us "Tokyo Gore Police" teaches us that an ordinary human body contains enough blood to put the entire European continent under water... under blood really. But blood can be very helpful, amazing I know, but "Tokyo Gore Police" shows us how we can use this completely ordinary not-so-interesting combination of some cells and some plasma as a stylish fashion accessory for our daily clothes. Even more, blood can help a human being fulfill one of his most ancient, ever since that video on youtube with that guy running around flapping his arms, and holy desires, namely to fly. To do so you must simply cut off or saw of your legs from the knee down and the endless gush of arterial blood will do the rest. Blood can also be used for offensive purposes, to accomplish this we must simply combine ordinary blood tissue with some brain and voila, bloody brain bullets with some nice visual and physical effect, also that way you can save some iron, some petrol, some gun powder thus ending the Financial crisis.
But "Tokyo Gore Police" teaches us so much more. Here are some short descriptions of the wisdom and brilliance director Yoshihiro Nishimura and writers Kengo Kaji and Sayako Nakoshi demonstrate in this film, in no particular order: - don't ever get on the wrong side with a woman who has jaws for legs. - on that same note, sex really hurts. - I mean really really hurts. - The worst thing that can happen to you if you're a policeman wearing a modern samurai armor is your friend, comrade and colleague trying to kill you with his penis. - having four katanas instead of four limbs looks kind of awesome. - having four machineguns instead of four limbs looks kind of awesome. - if you're planning on doing a chainsaw duel with a friend, don't do it in a crowded area, people might get hurt, oh, what am I saying. - don't ever buy one of those fist firing miniguns, pretty useless stuff.
And if that's not all, "Tokyo Gore Police" continually mocks itself, in a way, satirizing the whole violence-obsessed media by means of mock commercials, much in the same ways as Paul Verhoven did in his classic "Starship Troopers".
And if you seriously think "Tokyo Gore Police" is more cynical than some random action blockbuster just because it shows actual violence on screen, you need to rethink your moral values.
Seriously now, it's a wonderful splice of pure Japanese splatter, that doesn't takes itself seriously, but is actually pretty smart and inventive monster of a film. And running at 2 hours long it never bores with its head-on, full throttle pace, the only thing you could wish for is a sequel. Yoshihiro Nishimura, Kengo Kaji, Sayako Nakoshi a tip my hat off to you sirs, because this is a film worthy of the title: bloody brilliant.
But "Tokyo Gore Police" teaches us so much more. Here are some short descriptions of the wisdom and brilliance director Yoshihiro Nishimura and writers Kengo Kaji and Sayako Nakoshi demonstrate in this film, in no particular order: - don't ever get on the wrong side with a woman who has jaws for legs. - on that same note, sex really hurts. - I mean really really hurts. - The worst thing that can happen to you if you're a policeman wearing a modern samurai armor is your friend, comrade and colleague trying to kill you with his penis. - having four katanas instead of four limbs looks kind of awesome. - having four machineguns instead of four limbs looks kind of awesome. - if you're planning on doing a chainsaw duel with a friend, don't do it in a crowded area, people might get hurt, oh, what am I saying. - don't ever buy one of those fist firing miniguns, pretty useless stuff.
And if that's not all, "Tokyo Gore Police" continually mocks itself, in a way, satirizing the whole violence-obsessed media by means of mock commercials, much in the same ways as Paul Verhoven did in his classic "Starship Troopers".
And if you seriously think "Tokyo Gore Police" is more cynical than some random action blockbuster just because it shows actual violence on screen, you need to rethink your moral values.
Seriously now, it's a wonderful splice of pure Japanese splatter, that doesn't takes itself seriously, but is actually pretty smart and inventive monster of a film. And running at 2 hours long it never bores with its head-on, full throttle pace, the only thing you could wish for is a sequel. Yoshihiro Nishimura, Kengo Kaji, Sayako Nakoshi a tip my hat off to you sirs, because this is a film worthy of the title: bloody brilliant.
Directed by Tomoo Haraguchi "Kibakichi" is an entertaining piece of samurai goodness. Using a traditional Kurosawaesque plot, throwing some fantasy/horror elements, some decent amount of gore and you get 90 minutes of exploitation cinema with a moral. Fun stuff.
Samurai werewolf Kibakichi wonders into an old town populated by Yokai (Japanese demons) and aids them against the treacherous humans trying to destroy them. And there you have it, the plot in one sentence. Of course there's more to it, as first Kibakichi questions the morality of the Yokai(they eat humans). Must deal with some personal issues in a subplot that is left unresolved. Must be moved by the Yokai's peaceful ways (sort of) and the bond they share. Must decide to leave town. Must hear the evil human traitors arrive in town with their samurai and machine guns. Must go slaughter humans in full kill mode.
It's a fun film, a remainder of the 70s and 80s chambara flicks, where gore and fantasy elements mingled together creating some ludicrously fun action scenes. Choreography and sword play are decent enough and Haraguchi shot those scenes well enough. The gore is cheesy, blood fountains are cool, but it's the creature design that really shines. Reminiscent of the old monster movies, they are what sets Kibakichi apart and are really enjoyable in a B-movie kinda way. And did I mention machine guns? Yes I think I did, but for those of you not listening, there are machine guns here, more like mini-guns to be precise and that is so cool.
We can talk about acting, but that's not really a point in these kind of films. Yes you get this kind of in your face melodrama, but it's not all too unbearable plus the film isn't really marketed as an emotional experience. Otherwise the acting was fairly decent meaning it doesn't get all too annoying.
Although in it's core "Kibakichi" is a cheesy samurai/monster film, it does tackle the issue of racism well enough. Specifically racism in Japanese society which, let's face it, even today is obviously present with foreigners and Japanese of mixed blood living in Japan don't get always get equal treatment.
If you're in the mood for a high powered, kick ass, samurai exploitation flick, then Kibakichi is a good recommendation. Tomoo Haraguchi did well with this film, here's hoping the sequel is as good as this one
Samurai werewolf Kibakichi wonders into an old town populated by Yokai (Japanese demons) and aids them against the treacherous humans trying to destroy them. And there you have it, the plot in one sentence. Of course there's more to it, as first Kibakichi questions the morality of the Yokai(they eat humans). Must deal with some personal issues in a subplot that is left unresolved. Must be moved by the Yokai's peaceful ways (sort of) and the bond they share. Must decide to leave town. Must hear the evil human traitors arrive in town with their samurai and machine guns. Must go slaughter humans in full kill mode.
It's a fun film, a remainder of the 70s and 80s chambara flicks, where gore and fantasy elements mingled together creating some ludicrously fun action scenes. Choreography and sword play are decent enough and Haraguchi shot those scenes well enough. The gore is cheesy, blood fountains are cool, but it's the creature design that really shines. Reminiscent of the old monster movies, they are what sets Kibakichi apart and are really enjoyable in a B-movie kinda way. And did I mention machine guns? Yes I think I did, but for those of you not listening, there are machine guns here, more like mini-guns to be precise and that is so cool.
We can talk about acting, but that's not really a point in these kind of films. Yes you get this kind of in your face melodrama, but it's not all too unbearable plus the film isn't really marketed as an emotional experience. Otherwise the acting was fairly decent meaning it doesn't get all too annoying.
Although in it's core "Kibakichi" is a cheesy samurai/monster film, it does tackle the issue of racism well enough. Specifically racism in Japanese society which, let's face it, even today is obviously present with foreigners and Japanese of mixed blood living in Japan don't get always get equal treatment.
If you're in the mood for a high powered, kick ass, samurai exploitation flick, then Kibakichi is a good recommendation. Tomoo Haraguchi did well with this film, here's hoping the sequel is as good as this one