
r96sk
Joined Jan 2014
Welcome to the new profile
We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.
Ratings2.2K
r96sk's rating
Reviews1.6K
r96sk's rating
'M3GAN' works for one reason and one reason only: the robot. I could honestly do without the entirety of the scenes that are predominantly about the adults, but the Model 3 Generative Android is, surprisingly, highly entertaining to watch.
The look is good, the effects are very convincing and, unexpectedly, the dialogue really adds to the character; it is lively and amusing, which can't always be said in this genre. They could've perhaps made the robot more unsettling, though it is minorly creepy once or twice.
Allison Williams, despite my lack of overt interest in the older folk, is solid in a prominent role. She looks like Amanda Peet to me in this, I even had to check it wasn't Peet; even though I knew the years/ages totally didn't work. Violet McGraw is decent. Less said about Ronny Chieng, the better.
The only thing I knew about this before watching was the dance, which isn't featured as much as I was anticipating based on how much I saw it referenced when the film came out. On similar-ish note, I enjoyed the uses of "Titanium" and "Toy Soldiers" in this.
As a big fan of the other, I second any calls for a crossover with 'Chucky'... Don Mancini's one, obviously.
The look is good, the effects are very convincing and, unexpectedly, the dialogue really adds to the character; it is lively and amusing, which can't always be said in this genre. They could've perhaps made the robot more unsettling, though it is minorly creepy once or twice.
Allison Williams, despite my lack of overt interest in the older folk, is solid in a prominent role. She looks like Amanda Peet to me in this, I even had to check it wasn't Peet; even though I knew the years/ages totally didn't work. Violet McGraw is decent. Less said about Ronny Chieng, the better.
The only thing I knew about this before watching was the dance, which isn't featured as much as I was anticipating based on how much I saw it referenced when the film came out. On similar-ish note, I enjoyed the uses of "Titanium" and "Toy Soldiers" in this.
As a big fan of the other, I second any calls for a crossover with 'Chucky'... Don Mancini's one, obviously.
'Back in Action' is one I found to be a real mixed bag. I think I narrowly didn't like it, though it isn't one I'd explicitly say that I disliked either. Everything about it just kinda levels out at underwhelming. The respective returns of Jamie Foxx and Cameron Diaz are its selling point.
Both Foxx and Diaz are fairly good, the latter minorly the better of the two. McKenna Roberts and Rylan Jackson are decent as the youngsters, while the supporting cast of Glenn Close, Kyle Chandler, Andrew Scott and Jamie Demetriou (his character is particularly on/off) are OK (if ill-fitting?).
I think what lets this down most is story and pacing, which are the two weak elements of this 2025 release. I believe you could've told this plot much more concisely, it goes around the houses a little bit. The humour is also more miss than hit, I rate the Manchester United shoutout though!
Both Foxx and Diaz are fairly good, the latter minorly the better of the two. McKenna Roberts and Rylan Jackson are decent as the youngsters, while the supporting cast of Glenn Close, Kyle Chandler, Andrew Scott and Jamie Demetriou (his character is particularly on/off) are OK (if ill-fitting?).
I think what lets this down most is story and pacing, which are the two weak elements of this 2025 release. I believe you could've told this plot much more concisely, it goes around the houses a little bit. The humour is also more miss than hit, I rate the Manchester United shoutout though!
'Dogtooth' is certainly a Yorgos Lanthimos film! On the whole, I found this fascinating. It gets quite disturbing in parts, as you'd expect from this director, but all in all it is very good. The plot starts out difficult to read, though does quickly become clear and well portrayed.
Christos Stergioglou is a perfect fit for his role, rather intimidating and controlling. Angeliki Papoulia, Mary Tsoni and Christos Passalis bring noteworthy performances as the children, Papoulia and Tsoni particularly stand out. It's not a film that is cast reliant, but they play their part.
Looking back, it is quite a slow paced and meandering movie. However, that's basically only in retrospect because whilst watching I didn't actually feel that to be the case, which is a big positive. The film is wonderfully shot too, not that I expected any less having seen Lanthimos' most recent (similarly as great) releases.
Christos Stergioglou is a perfect fit for his role, rather intimidating and controlling. Angeliki Papoulia, Mary Tsoni and Christos Passalis bring noteworthy performances as the children, Papoulia and Tsoni particularly stand out. It's not a film that is cast reliant, but they play their part.
Looking back, it is quite a slow paced and meandering movie. However, that's basically only in retrospect because whilst watching I didn't actually feel that to be the case, which is a big positive. The film is wonderfully shot too, not that I expected any less having seen Lanthimos' most recent (similarly as great) releases.