SAMTHEBESTEST
Joined Feb 2014
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SAMTHEBESTEST's rating
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Uncle Buck (1989)
Brief Review -
That's a sweet little comedy with a big, fat character. The titular character, Uncle Buck, is a big, fat guy but a sweet person, and that's my only reason to recommend this film. There are ups and downs-very typical ones-but this sweet little film is a perfect weekend time-pass flick for sure. Bob and Cindy Russell have recently moved from Indianapolis with their three children, and Cindy's father has had a heart attack. Learning this, she and Bob have to go to her father, but who will look after their three kids? Tia is a teenager in love with a guy and is suffering from an estranged relationship with her mother. The other two kids are little ones, Maizy and Miles, and they are no troublemakers. Bob calls his brother, Buck-a fat guy, with a self-satisfied loneliness that allows him to be free from responsibility-to come and look after the kids. He agrees, just when he is going through a situation in his relationship with his girlfriend. Buck gets along fine with the two little ones, but Tia gives him a hard time. He does everything to warn her, but she doesn't listen. At last, she comes to her senses, but she has already done enough damage to spoil the romantic life of Buck. Will Buck and his girlfriend see things differently now? That's some predictable stuff for you, but it's pretty enjoyable. The main reason behind this enjoyment is Buck's open-hearted and free-spirited nature. The film lacks a high dose of comedy and fails to utilize the two little ones within the narrative. More focus is on Tia, and even her realization moment isn't anything great. All thanks to Buck, aka John Candy, for a meaty character and a mighty performance that make it watchable. The rest has all the typical 80s fun, and you'll have a good time for about 95 minutes. But yes, a few things fall short of expectations. John Hughes has captured the family emotion right, which deserves to be watched at least once.
RATING - 6/10*
By - #samthebestest.
That's a sweet little comedy with a big, fat character. The titular character, Uncle Buck, is a big, fat guy but a sweet person, and that's my only reason to recommend this film. There are ups and downs-very typical ones-but this sweet little film is a perfect weekend time-pass flick for sure. Bob and Cindy Russell have recently moved from Indianapolis with their three children, and Cindy's father has had a heart attack. Learning this, she and Bob have to go to her father, but who will look after their three kids? Tia is a teenager in love with a guy and is suffering from an estranged relationship with her mother. The other two kids are little ones, Maizy and Miles, and they are no troublemakers. Bob calls his brother, Buck-a fat guy, with a self-satisfied loneliness that allows him to be free from responsibility-to come and look after the kids. He agrees, just when he is going through a situation in his relationship with his girlfriend. Buck gets along fine with the two little ones, but Tia gives him a hard time. He does everything to warn her, but she doesn't listen. At last, she comes to her senses, but she has already done enough damage to spoil the romantic life of Buck. Will Buck and his girlfriend see things differently now? That's some predictable stuff for you, but it's pretty enjoyable. The main reason behind this enjoyment is Buck's open-hearted and free-spirited nature. The film lacks a high dose of comedy and fails to utilize the two little ones within the narrative. More focus is on Tia, and even her realization moment isn't anything great. All thanks to Buck, aka John Candy, for a meaty character and a mighty performance that make it watchable. The rest has all the typical 80s fun, and you'll have a good time for about 95 minutes. But yes, a few things fall short of expectations. John Hughes has captured the family emotion right, which deserves to be watched at least once.
RATING - 6/10*
By - #samthebestest.
The Fox and the Hound (1981)
Brief Review -
Disney's familiar nostalgia in this touching tale of unlikely friendship. As many already know, The Fox and the Hound explores the bond between a fox and a hunting dog-natural enemies by design. This contrast creates a unique premise that stands out among Disney's offerings. The story follows an orphaned fox named Tod, taken in by a kind old lady. At the same time, a neighboring hunter brings home a hound puppy named Copper. Tod and Copper form a close friendship, but their happiness is short-lived. Copper is soon taken away for hunting training, and upon his return, their bond begins to fade. Tragedy strikes when an accident turns Copper against Tod. In response, the old lady releases Tod into the wild, where he meets a lady fox and begins to learn about love and the realities of being a fox. The conflict escalates when Copper and his master enter the forest to hunt Tod. What follows is a predictable yet fitting climax that reinforces the theme of friendship transcending instinct and expectation. While the film carries the emotional weight typical of Disney, it doesn't quite match the impact of the studio's golden-age classics or its modern masterpieces. Something feels missing in the emotional arc, leaving the viewer touched but not teary-eyed. Still, The Fox and the Hound is a beautifully animated, heartfelt film that teaches valuable lessons about friendship, loyalty, and growing up. It's a worthwhile watch-especially for children.
Rating - 6/10*
By - #samthebestest.
Disney's familiar nostalgia in this touching tale of unlikely friendship. As many already know, The Fox and the Hound explores the bond between a fox and a hunting dog-natural enemies by design. This contrast creates a unique premise that stands out among Disney's offerings. The story follows an orphaned fox named Tod, taken in by a kind old lady. At the same time, a neighboring hunter brings home a hound puppy named Copper. Tod and Copper form a close friendship, but their happiness is short-lived. Copper is soon taken away for hunting training, and upon his return, their bond begins to fade. Tragedy strikes when an accident turns Copper against Tod. In response, the old lady releases Tod into the wild, where he meets a lady fox and begins to learn about love and the realities of being a fox. The conflict escalates when Copper and his master enter the forest to hunt Tod. What follows is a predictable yet fitting climax that reinforces the theme of friendship transcending instinct and expectation. While the film carries the emotional weight typical of Disney, it doesn't quite match the impact of the studio's golden-age classics or its modern masterpieces. Something feels missing in the emotional arc, leaving the viewer touched but not teary-eyed. Still, The Fox and the Hound is a beautifully animated, heartfelt film that teaches valuable lessons about friendship, loyalty, and growing up. It's a worthwhile watch-especially for children.
Rating - 6/10*
By - #samthebestest.
Final Destination Bloodlines (2025) :
Movie Review -
I still recall watching Final Destination (2000) during my childhood and how deeply it affected me. For days, I was scared to touch things, observe my surroundings, or even trust small coincidences. Nearly 25 years later and five films down, the franchise continues to grip its fans tightly. Final Destination Bloodlines is another satisfying treat for long-time followers, and this time, death feels even more horrifying. With cutting-edge visual effects and wickedly clever death designs, the franchise ups the ante-making death not just inevitable, but terrifyingly inventive. Let me say this loud and clear: the game of death has evolved into something more gruesome and will have you screaming your lungs out as you leave the theatre.
The film opens in 1968 with young Iris (Brec Bassinger), who begins experiencing chilling premonitions. What follows is a massacre of unforgettable intensity. Cut-to the present day-Stefani (Kaitlyn Santa Juana) is haunted by vivid nightmares from the same 1968 tragedy. Soon, it's uncovered that she's Iris's granddaughter, and Iris had miraculously survived the fatal disaster. Having once cheated death, Iris has been eluding it ever since, but now, death wants what it was once denied. Iris (now played by Gabrielle Rose) is forced to break her long silence and confront Stefani with the truth. Her own sudden, gruesome demise forces Stefani to believe-and she must now do everything in her power to protect her family from death's unrelenting return. Can she stop what's already begun?
Final Destination Bloodlines delivers one of the most jaw-dropping openings seen in recent horror. What starts as a tender love story suddenly mutates into a blood-soaked carnage. Erik's death scene in the parlor, teased in trailers, is just the beginning-it's a trap that conceals even more brutal sequences later. Erik and Bobby share one of the most visually captivating and deadly sequences in the climax, while a handful of other death scenes will shake you to your core. Iris, both in her youth and later life, is part of two incredibly disturbing moments that linger long after. The jump scares are plentiful, and the close-up camerawork adds an extra layer of horror. Sit tight, feel the dread build, clap, scream, and get fully immersed for 100 chilling minutes. You may skip over the slower investigative scenes, but when the death cues start coming, don't blink-you'll regret missing even a second. Yes, the narrative and dialogue may falter in places, but the relentless and ingenious death chases more than make up for it.
When it comes to performances, Kaitlyn Santa Juana is decent, though not outstanding. Brec Bassinger charms as young Iris, while Gabrielle Rose brings weight to her brief but crucial appearance as old Iris. Richard Harmon may irk you at first, but he grows on you and becomes a highlight. Owen Patrick Joyner and Teo Briones were serviceable given their limited roles, and Rya Kihlstedt was just about okay, though clearly trying. Supporting actors like Anna Lore, Tony Todd, Tinpo Lee, Alex Zahara, and April Telek were decent in their short appearances.
Technically, Final Destination: Bloodlines excels across most departments. The cinematography is striking-particularly the opening sequence, which is a visual feast. The editing keeps things tight, the production design is very good, and the VFX work is commendable. The climax outside the safe house and the shocking anti-climax showcase the film's clever use of its moderate budget when looked at the quality of visual effects. The only letdown might be the sound design-some screams don't hit as hard or as painfully as they should. Directed by Zach Lipovsky and Adam Stein, Final Destination Bloodlines is a hard-hitting ride, even for die-hard fans. Sure, we know death always wins, but the elaborate new patterns are absolutely brutal. The best way to enjoy this experience is on the biggest screen possible, with a group of fellow fans who relish the madness. If you've got that, you're in for a blood-soaked blockbuster ride.
RATING - 6/10*
I still recall watching Final Destination (2000) during my childhood and how deeply it affected me. For days, I was scared to touch things, observe my surroundings, or even trust small coincidences. Nearly 25 years later and five films down, the franchise continues to grip its fans tightly. Final Destination Bloodlines is another satisfying treat for long-time followers, and this time, death feels even more horrifying. With cutting-edge visual effects and wickedly clever death designs, the franchise ups the ante-making death not just inevitable, but terrifyingly inventive. Let me say this loud and clear: the game of death has evolved into something more gruesome and will have you screaming your lungs out as you leave the theatre.
The film opens in 1968 with young Iris (Brec Bassinger), who begins experiencing chilling premonitions. What follows is a massacre of unforgettable intensity. Cut-to the present day-Stefani (Kaitlyn Santa Juana) is haunted by vivid nightmares from the same 1968 tragedy. Soon, it's uncovered that she's Iris's granddaughter, and Iris had miraculously survived the fatal disaster. Having once cheated death, Iris has been eluding it ever since, but now, death wants what it was once denied. Iris (now played by Gabrielle Rose) is forced to break her long silence and confront Stefani with the truth. Her own sudden, gruesome demise forces Stefani to believe-and she must now do everything in her power to protect her family from death's unrelenting return. Can she stop what's already begun?
Final Destination Bloodlines delivers one of the most jaw-dropping openings seen in recent horror. What starts as a tender love story suddenly mutates into a blood-soaked carnage. Erik's death scene in the parlor, teased in trailers, is just the beginning-it's a trap that conceals even more brutal sequences later. Erik and Bobby share one of the most visually captivating and deadly sequences in the climax, while a handful of other death scenes will shake you to your core. Iris, both in her youth and later life, is part of two incredibly disturbing moments that linger long after. The jump scares are plentiful, and the close-up camerawork adds an extra layer of horror. Sit tight, feel the dread build, clap, scream, and get fully immersed for 100 chilling minutes. You may skip over the slower investigative scenes, but when the death cues start coming, don't blink-you'll regret missing even a second. Yes, the narrative and dialogue may falter in places, but the relentless and ingenious death chases more than make up for it.
When it comes to performances, Kaitlyn Santa Juana is decent, though not outstanding. Brec Bassinger charms as young Iris, while Gabrielle Rose brings weight to her brief but crucial appearance as old Iris. Richard Harmon may irk you at first, but he grows on you and becomes a highlight. Owen Patrick Joyner and Teo Briones were serviceable given their limited roles, and Rya Kihlstedt was just about okay, though clearly trying. Supporting actors like Anna Lore, Tony Todd, Tinpo Lee, Alex Zahara, and April Telek were decent in their short appearances.
Technically, Final Destination: Bloodlines excels across most departments. The cinematography is striking-particularly the opening sequence, which is a visual feast. The editing keeps things tight, the production design is very good, and the VFX work is commendable. The climax outside the safe house and the shocking anti-climax showcase the film's clever use of its moderate budget when looked at the quality of visual effects. The only letdown might be the sound design-some screams don't hit as hard or as painfully as they should. Directed by Zach Lipovsky and Adam Stein, Final Destination Bloodlines is a hard-hitting ride, even for die-hard fans. Sure, we know death always wins, but the elaborate new patterns are absolutely brutal. The best way to enjoy this experience is on the biggest screen possible, with a group of fellow fans who relish the madness. If you've got that, you're in for a blood-soaked blockbuster ride.
RATING - 6/10*