The one and only original! After seeing Batman Begins and leaving the theater with mixed emotions and thoughts I just desired to refresh my memory and wanted to see how Tim Burton and the original movie would look now, after the so - called Spiderman and X-men movie revolution.
I remembered myself on that time, year 1989, 50th anniversary of the Batman comics. I was just so excited that Batman will get a big screen appearance after all these years of the old Robert Lowery and John Duncan movies or the Adam West and Burt Ward serial.
I heard that Tim Burton would take charge as Batman director, and I was a bit surprised, throughout Beetlejuice was funny and entertaining I still was not convinced he is the correct choice. After that the news came out that Burton is hiring Michael Keaton as Batman, which resulted some nasty protest of Batman fans who knew Keaton only from comedies and just could not imagine him doing that role. The only thing I was sure was Jack Nicholson. I liked the most of his movies and really could see him in the role of the Joker.
And finally after seeing that movie I was impressed. And not just by Nicholson, no, more by the taste of director Tim Burton and the conceivable performance by Batman actor Micheal Keaton. Nicholson, just like the Joker in the comics radiates with natural allurement and energy, perfectly mixing up brutal insane crime and black humor. On the other side we see a more subtle and serious Bruce Wayne. Keaton created a astound charge around his appearance, although corporal not looking like the prefect Batman, he captures Bruce Waynes/Batmans mental insecurity, secrecy and his duality.
Of course I have to mention and praise Kim Basinger, who jumped in the last minute after replacing injured Sean Young and made a solid performance as Vicki Vale. The main roles are also uphold with great supporting roles and performances, especially Jack Palances(Carl Grissom) and Michael Goughs(Alfred).
The biggest objection to this movie would be the plot, always considered as not very complicated and elaborated - reporter Alexander Knox joins forces with journalist Vicki Vale to discover the secret of Gothams new night creature - the mysterious Batman! Vicki soon gets involved with Bruce Wayne and comes unknowingly close to his big secret. Batman, alias Bruce Wayne, a lone and social clumsy multimillionaire tries not only to support Gothams justice leaders Comissioner Gordon and City attorney Harvey Dent but also revenge the death of his parents who in Bruces childhood where shot in front of his eyes...Gotham City fears of terror provided by gangster and crime lord Carl Grissom who controls the town. At the same time we follow the transformation of Grissoms Nr. 1 Jack Napier into the psychopathic Joker, a contrast to Batman. After resolving Grissom, the Joker takes charge in town. More drama is added after discovering that Jack Napier, now the Joker is the killer of Bruces parents and a final fight is initiated...
But the plot is not that important, at least not in Burtons world, the master of visual effects and atmosphere. Gotham, a dark, massive, Gothic city with great exteriors as well as interiors, is the crucial element of this atmosphere, and Burtons vision. He used the comics just for basic material, adding a lot of his own imagination (and is responsible for this late confusion when it comes to who killed Bruces parents). Most people make the mistake and connect Burtons Batman with Frank Millers comics. But Burton adds his own style, or in his words:"a collective history of the character".
Scenes like the museum scene, the final confrontation at the Cathedral or the ending(last) scene exactly picture Burtons vision. Great dialogs, a magnificent combination of Danny Elfmans unforgettable main theme and cool songs by Prince, excellent costumes and design, as well as the fluent dialog and some remarkable quotes(Joker quotes like- "I've been dead once already, it's very liberating"; "Never rub another man's rhubarb"; or "Tell me something, my friend. You ever dance with the devil by the pale moonlight?" or Keatons unforgettable "I am Batman") together surpass the absence of a persuasive plot or the deflection from the original comic book material, and form one of the greatest movie icons of the early 90ties.
And now, after more then fifteen years, this movie still carries the same visual attractiveness and its irresistible and overwhelming charm! It is after all the fundamental movie, a backbone of all future coming Batman movies, the bad ones as well as the good ones. That also includes Batman Begins, impracticable without his precursor, the original 1989 Batman. It still works!