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What makes Tales from the Crypt so fun is not the horror. Let's be honest, you can get better horror in a lot of other places. No, the bread and butter of Tales from the Crypt is its antagonists. People so awful, so ruthless, so irredeemably morally and ethically horrible, that when they finally get their comeuppance, the part of the human soul that yearns for justice rejoices. That's what always draws me back to the show. And Fitting Punishment has, for my money, the absolute most infuriatingly terrible antagonist of any episode. Moses Gunn's portrayal of the mercilessly greedy, stingy, uncaring, and vicious Ezra Thornberry, totally steals the show here, and makes for a climax that is dripping with delicious justice sauce. There are definitely episodes of Tales from Crypt that are scarier. There are ones that are funnier. There are ones that are more interesting. But if, like me, your favorite part of watching shows like this is watching awful people get what's coming to them in brutal, ironic, and often fitting ways, then this is the episode for you.

The great thing about Goon is that, when you get right down to it, it's not a sports movie. It's not even really about hockey in the sticks and skates sense of the word. Any fan of hockey can tell you, to great length, about the bizarre and unique position of the Goon, a player with minimal hockey skills, who is utilized solely to defend the more talented players, keep defenders from the opposing team honest, and beat the snot out of someone, should the need arise. It's a niche talent, yet an important one in terms of motivation, spirit, and tone of a hockey team. That's what this movie is about. It's about utilizing the gifts you were given, carving out a place in the world for you and your talents, and the basic human need to belong to something greater, a team, a romantic relationship, a family. The movie goes out of its way to tell you that protagonist Doug "The Thug" Glatt is NOT a hockey player. All Doug wants is to wear a uniform and use his talents to help the people he cares about, and I think we can all relate to that.

On a more technical note, the performances of the film are exceptional, particularly those of Seann William Scott, who gives the best performance of his career, for my money, as the simple, kind-hearted Glatt, and Liev Schreiber as another veteran Goon, Ross "The Boss" Rhea, looking to go out swinging. It also features hilarious performances from Jay Baruchel as the wisecracking best friend, and Kim Coates, Kim Coates-ing it up as the coach of Halifax. But what surprised me was how well the movie functions as both a comedy and a surprisingly sweet love story.

Long story short, don't let the title of this movie throw you off. Goon is an excellent film.

I've watched this film at least twice a year for a quarter of a century, and the last time I watched it, I realized something: this film is an anomaly. It shouldn't exist as a classic of comedic cinema yet, against all odds, it does. The story is pretty unimportant and there is almost nothing in the way of cogent plot or character development. Furthermore, it objectively fails as pretty much any formulaic type of comedy film. It fails as a romantic comedy, it fails as a coming of age story, and it fails as a class comedy despite its tagline of "the snobs against the slobs". However, like a McDonald's cheeseburger, it's greater than the sum of its parts. Taken individually, their ingredients are awful. But when you put them together, I don't know, it just works. I'm of the opinion that the reason that it remains a classic, and that countless golfers across the world chant "na-na-na-na-na-na-na-na- na-na-na" as they putt, is squarely on the shoulders of the brilliant performances of the cast. Some of the greatest comedic actors of that era, namely Bill Murray, Rodney Dangerfield, Ted Knight, and Chevy Chase, are firmly on their A Game here, and are absolutely sublime in this film. And with the help of the great Harold Ramis behind the camera, they raise these characters that should've been easily forgotten to some of the most quoted in the history of comedy. It shouldn't have worked, but it did. This film is not for everyone. If you aren't tickled by these performances, then there's very little to hold your interest. And I get that. But that's the way comedy works. It either hits you or it doesn't. And this film still makes me laugh out loud every single time. And I imagine that it probably always will.