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Just like the earlier movies of Siddharth Anand, there isn't anything unique about Fighter's plot. The initial forty minutes or so is used for the intro of characters, and then the conflict point is brought in. It is followed by solid aerial action blocks. The aerial stunt sequences deserve all the applause. They are done well. What helps Fighter maintain its pace is the lead hero Hrithik Roshan, who reminds us what makes him a true-blue Bollywood superstar. His wittiness, dialogue delivery, subtle acting, and charm help the movie big time. Deepika Padukone delivers in both the action and emotional scenes. Rishabh Sawhney sure looks all buffed up but doesn't really send chills down our spines as a ruthless villain.

The songs and background score of Fighter are a letdown. Except for the Vandemataram track, the background score isn't great. The romance between the lead actors is half baked and reaches a convenient conclusion.

It's an easy breezy action film cut with a oodles of patriotism and is buoyed by bankable performances.

The film is based on the fictional American music band Archies, and hence, the idea of setting the story in an Anglo-Indian town is good. The writers have transplanted the story to the experiences of the Anglo-Indian community in the 1960s. We get a mix of accents, hairstyles and personal histories. The Archies is a musical film and hence, it is essential that the songs must be good. Rightly so, the film has a beautiful album. Every song is superbly composed and presented on the screen.

However, the main flaw of 'The Archies' lies in its central conflict. On paper, the gang uniting to rescue 'Green Park,' threatened by development, seemed promising. Yet, in execution, it falls short of expectations.

Coming to the star-kids, they are okay at the best. They don't really shine through but their characters are flat too and not the most emotive. Suhana Khan does appear to fit the bill of the rich diva, Veronica, as does Khushi Kapoor of the nice and kind Betty Cooper. Agastya Nanda is the happy-go-lucky Archie who is in love with both Veronica and Betty. The one person who does shine in the cohort is Vedang Raina. Vedang truly steals the show with his remarkable screen presence.

The Archies can make for a cozy Christmas watch, easy on the eyes and heart. The world is on fire right now and watching beautiful people dancing around in beautiful clothes is exactly what we all need.

Attack on Titan is the most intricate and well-crafted piece I have ever come across. Its first season serves as a blueprint for creating a complex, meticulously planned series. Attack on Titan is a masterpiece that takes you on an emotional roller-coaster. From the thrilling plot twists to the intricately crafted characters. It'll have you on the edge of your seat from the very first episode. Set in a world where mankind is locked inside walls to protect themselves from towering human-eating giants, the colossal walls that serve as humanity's last line of defense against the Titans are a constant reminder of how precarious their existence is. The visual depictions of these towering giants - with their grotesque facial features and eerie movements - add to the dark and suspenseful atmosphere of the series, drawing you into its world.

As the narrative progresses, the secrets of the Titans' origins and the world's true nature begin to reveal themselves, creating an atmosphere of intrigue that leaves viewers wanting more. Careful pacing ensures that each plot point is well-executed, allowing the story to gradually unfold toward an explosive conclusion. Animation and visual design Attack on Titan is a delight to behold. The animation captures the characters' movements perfectly, especially during those heart-stopping vertical battles. From the city within the walls to the lush forest outside to the eerie scenes of the Titan encounters, everything is beautifully animated.

The characters are a big part of what makes it so great. They all feel super real, even the minor ones who don't stick around long. But Eren? He's probably my favorite protagonist ever. No, - he's my favorite character, period. There's something about his journey, his determination, and how he evolves that just resonates with me. Alongside Eren, his childhood friend Mikasa and Armin bring warmth and companionship to the table. Attack on Titan's character development is one of the show's strengths. Of course other than that trio, you have Zeke, Reiner, Annie , Levi, Erwin.. I could go on and on. They each have their place in the show and they perfect the role. Fantastic characters to commend a fantastic show.

The ending of Attack on Titan is perfect because of humanity's imperfections. Humans are complicated and conflicted. There is either simply no reason or explanation as to why people do the things they do. How do you get over the ending of the show you love the most? You don't. The loneliness and emptiness swell up within you, and you find yourself wondering how you will fill the hole that this show left you with. The answer, however, is to keep moving forward.

In the cinematic landscape of the past 5 to 7 years, this movie stands as a beacon of originality amidst a sea of formulaic productions. Breaking free from the recycled narratives, it's a refreshing sip of new wine in an industry often pouring old ones into new bottles. Amidst the exceptions like Bahubali and KGF, this film emerges as a paragon of authenticity. Witnessing moments of emotional intensity, it could be deemed one of the most emotionally charged films to date. The film's pacing is a tale of two halves, with the first delivering entertainment and intensity, while the second gains fervor upon Bobby Deol's entry. Sandeep Reddy Vanga's audacious storytelling steals the spotlight, cementing "Animal" as a standout in this year's cinematic landscape. The amount of violence in this movie is overwhelming in a good way, the blood and gore is not for the faint hearted, definitely a benchmark.

Ranbir Kapoor's fantastic performance and transitions set this violent revenge saga on fire hands down. Ranbir Kapoor's stellar performance solidifies his position as the superstar of Indian cinema. AK is excellent in the confrontational scenes and Bobby looks menacing, but both have very little to do. Rashmika did a good job. A must-watch for those seeking a gripping and well-crafted film. Highly Recommended.

Jaane Jaan is an impressive thriller that stays close to its characters and reveals the twists as a character driven decision. The story does not beat around the bush to establish the characters' routine for too long. The critical event, the murder, happens in the very first act of the movie, and the focus is very much on the investigation done by Inspector Karan Anand. The master cinematographer Avik Mukhopadhyay (Pink, October, Sardar Udham) brings the gloomy, dreary Kalimpong to life with its fog being reminiscent of the blurriness the film's narrative portrays.

Jaideep Ahlawat, the mathematician, is the star of the film. His dialogue delivery and that soft smile are enough to make him seem mysterious. His lingo is muted yet perfect, realistic yet extraordinary. Kareena Kapoor is no doubt a terrific performer, and she brought all her experience to the table. Vijay Varma, as the flirty cop Karan, is just flowing with confidence.

Jaane Jaan is a compelling thriller which keeps you glued to the A perfect moody thriller, more like an ode to how believable and twisted crime dramas are made with simplicity and art.

This so called fast-paced thriller is a jumbled mess of clichés, with a plot so thin that it makes a sheet of paper look substantial. The film seems to cater exclusively to a younger audience, leaving older viewers scratching their heads in confusion.

It's as if the script was written by a computer program that pieced together random action sequences and dialogue from other, better films.

The pacing is relentless, but not in a good way. It's a dizzying, disorienting whirlwind that never allows the audience to catch their breath or connect with the characters. There is a solid message to the society in the movie, but it has not been told much effectively. Movie fails to live up to the hype, owing to its deficient script, disjointed narrative, and lackluster execution.

It is good to see Superstar Rajinikanth in a solid role after a long time. His characterization is well designed by Nelson. Rajinikanth underplays for the most part of the first half, and he transforms into a menacing force as the film progresses. This has been superbly shown. The story of 'Jailer' has shades of Kamal Haasan's 'Vikram'. The two films are about a father going to any lengths for their sons, even if it means taking on a criminal gang. The initial portions of Jailer have Rajinikanth attempting black comedy. While the comedy works in some parts, it also falls flat in many places.

The first half was engaging due to the humor and histrionics of Rajini, but the second half failed to carry the same momentum. Sunil's characterization and the portions involving Tamannaah don't add much value to the film.

Performances -

Rajinikanth not only portrays a role that suits his age but also delivers an exceptional performance. While the performance of Rajinikanth is an asset to 'Jailer', it is also Anirudh Ravichander, who acts as a solid pillar of support for the film. His thumping background score will make you enjoy Rajinikanth's swag. Vinayakan, as the big baddie Varma, is a fun character. All the comedy and fear comes out of him, and is written quite nicely. Jackie Shroff is wasted in a small role.

Overall, It presents a regular action drama with an impressive beginning and a lack of impact in the second half but a hitting end.

Postives -

Engaging First Half Bgm Rajinikanth's performance

Negatives -

Boring Second Half Length Wasted Actors.

Srikanth Odela is a debutant filmmaker, but he is a promising talent. With Dasara, he has built a semi-fictional world and has successfully transported us to the village of Veerapally. The power dynamics in the village of Veerapally keep you hooked. The film's cinematography is the first thing that stands out because the film is entirely set in a coal mine. The dark color palette of the color scheme works so well with Sooryan's imaginative camera work.

Nani is outstanding in his role as Dharani. His rustic makeover and massive massy transformation are major highlights of the film. Keerthy Suresh is impressive in his village belle role. Her dialogue delivery adds a realistic tone to the proceedings. Dheekshith Shetty is no lesser than the other two leads. His performance is quite natural. Malayalam actor Shine Tom Chacko gets a good role and he justifies it with his impressive performance.

Director Sameer Vidwans's screenplay moves fast in first-half and keeps the audience in splits with some tongue-in-cheek Gujju humour and dialogues mouthed by Kartik Aaryan.

The best part of the movie is its performance and the concept it touches upon through a love story. This film is hard-hitting, poignant and delivers a strong message. While doing so, the narrative often drags with scenes that don't make the best use of the talents at hand.

Kartik Aaryan and Kiara Advani are a great on-screen pair. But in 'Satyaprem Ki Katha' despite the earnestness in Kartik's eyes in many moments, Kiara steals the show from the start. Her screen presence in the film is staggering. Kiara delivers a fine performance in a complex role, by far the best of her career. Gajraj Rao and Supriya Pathak are, well, effortless and adorable all at once. The songs composed by multiple composers are mostly melodious.

Satyprem Ki Katha is driven by its need to preach and give a message. The subject does move you and leaves you with much to think about.

Khakee is a real-life inspired crime thriller written and created by Neeraj Pandey which is set in the Sheikhpura district of Bihar. The story is simple and straightforward and does not dramatise the plot too much.

The series gives a refreshing start to Karan Tacker, a well-known face in TV serials. Plus, the casting of Abhimanyu Singh in a positive role is both different and bold. But Avinash Tiwary as Chandan Mohta definitely steals the show. The actor just lived in the role and did complete justice to the show. His body language, dialogue delivery, and looks were apt. Beside the terrific star cast, the series should receive high praise for another reason; though the series is based on the gangster genre, it has almost no cuss words, and no obscenity.

There is no plot twist or surprise factor in the show, but it does deliver a simple crime vs police drama. The straightforward storytelling and powerful performances of the star cast make this web series a good watch despite its flaws.

Everyone is aware that this movie is an official remake of the Tamil blockbuster, Veeram (2014). However, the story of Kisi Ka Bhai Kisi Ki Jaan is altered a bit. The story lacks novelty, and one can easily predict the outdated script. Farhad Samji's writing is lazy and does not have strong emotions in the film. They are so many scenes that do not fit into the narrative. Looks like the script has been altered so much according to the mood of Salman Khan. The connectivity between the scenes is not established well. The climax portion is so outdated, and the director could have written and executed it better.

The only 2 people who acted better were Satish Kaushik and Pooja Hegde. They seemed like natural with their acting. Salman was over acting and boring.

Amar Kaushik, the director of Bhediya brings a fantastic novel idea to his horror universe. Amar's direction is crisp and magical, it automatically teleports you to the horror and scarier world but his touch of humour only makes it an entertaining watch. The storyline is novel but it also gave a strong social message to the audience.

VFX of the film is very important and it's done very well. The scene where Dhawan's character shapeshifts into a wolf is well executed and ups the excitement.

Varun Dhawan as Bhaskar shines in the movie. Varun plays to his strengths and does well. Kriti as Dr. Anika has a limited role, but she lives up to that. Abhishek Banerjee as JD, is phenomenal and probably the best thing to happen to Bhediya. His comic timing was bang on.

Overall, Bhediya delivers on its promise of ambition, scale while balancing the act of giving good jump scares, comical moments and messaging.

The movie begins on a good note, as the plot is established right away in the opening sequence. The characters are nicely introduced, and then we get to see their agendas too. The first hour is pretty much engaging without any dull moments, and also the proceedings are racy here.

While the first half was engrossing, the movie lost steam in the second hour. Sikander and his henchmen do not seem menacing enough for the viewer to believe that Atharv is in any real danger. The final song could have been avoided altogether. There is a heavy dosage of action without any emotion.

It is Shahid Kapoor's show all the way. The terrific actor unleashes the beast in him, and he is just spectacular in the action episodes. Ronit Roy is a scene stealer, and he proves that once again. Here, he is devilish, he is villainous, he is evil and yet there is certain likeability that you would want to see him onscreen. Rajeev Khandelwal is good as well.

Director Apoorv Singh Karki and writer Deepak wring some drama out of a small-town lawyer coming up against pompous big-city types. The problem is, it's difficult to see Solanki as an underdog. There isn't a single exchange where he doesn't come out on top, whether he's facing his townsperson Sharma (Vipin Sharma) or one of the hired guns. Sirf Ek Bandaa Kaafi Hai disappoints on multiple levels. With a poor execution and flat writing , the film fails to leave a lasting impression. The fleeting high points are like shooting stars, here one moment, gone the next.

Bandaa is a film that relies solely on Manoj Bajpayee's performance. He utilizes his screen time to give Solanki a sense of depth, as we see him being so vulnerable in the face of immeasurable danger. Vipin Sharma plays a worthy opponent to Bajpayee. It is Adrija Roy's portrayal of Nu that shines, even in front of an ace actor like Bajpayee.

The movie is mounted on a large scale which is very much evident on the screen. Each and every frame looks very rich and the makers have spent a bomb on the film. The protagonist is a bold man of great resolve who though he would be able to pull it off as a successful lead actor, in which he does partially succeed but ultimately fails due to his odd movements, when he runs or walks fast for instance. Both the female leads Geethika and Urvashi Rautela looked gorgeous and they did a fine job.

The main drawback of the film is its plot. It is very routine and predictable from the initial scene. Neither of the halves makes an impact. Nothing worked well as the execution is quite miserable.

Movie - 6 + 1(Music Album)

Early on, the film has the lightheartedness of a typical romantic comedy. The beginning is a little slow, but things pick up once Shraddha Kapoor enters the picture, and the flirtatious romance between the lead pair is entertaining. The attractive couple makes up for the often tedious monologues. What makes Tu Jhoothi Main Makkaar more enjoyable is the beautiful family drama that is woven into a love story. The movie stays true to its genre, and at the same time, a neat family emotion runs in the background. These two elements are nicely balanced in the second half, and the film runs on a faster note in this hour. The conflict point between the lead pair is relevant and throws light on modern-day relationships.

A talented actor like Ranbir Kapoor was essential to the plot. From the opening to the closing credits, he carries the entire movie on his back. Ranbir is at the top of his game and completely charming. Shraddha has appeared in her hottest avatar till date and the role perfectly suits her. The expressions, the nuances are perfectly portrayed by her. Dimple Kapadia, an elderly actress, always commands attention whenever she appears in a film. The supporting cast has also done a great job.

On the whole, Tu Jhoothi Main Makkaar is an enjoyable rom-com that also has a fine amount of emotions.

The subsequent films in the Fast and the Furious series always have more thrill and action than the preceding film. As is customary, the movie's opening sequence bursts onto the screen with the most action and tension. The first-scene action makes it possible for viewers to fixate on the screen the entire time. It was the best in the franchise so far, I was actually surprised with how much plot was in this movie and there seemed to be more importance focused on the story. The acting was better than any of the other 3. For any fast and the furious fans this is not a let down but another awesome film.

Director Anubhav Sinha has portrayed a simple story on the screen while touching the various emotional chords. There are certain barriers that our country suffers presently. Terrorism is one among them. Anubhav Sinha perfectly apprehends each string of the after effects when a family member turns wilfully into a terrorist. Mulk takes you on a journey that has sufferings and a lot of sufferings of the Muhammad family. You can feel yourself stepping into the shoes of the Muhammad family and the bigotry they face in the hands of the very people they called their own.

In a film full of Solid performers you need someone like Rishi Kapoor to lead them. His portrayal of Murad Ali Mohammed leaves you numb. He never tried too hard to be in his character, he's just there going with the flow. Pahwa as the terror-accused father of a jihadi, makes your heart melt with compassion. Rajat Kapoor adds his trademarked presence to whatever screen time he gets.

Despite earnest dedication, Mulk falls flat on the very premise that is the soul of any movie: gripping content. We can't feel the goosebumps when Aarti delivers an 'emphatic' speech in the courtroom during the climax. The drama looks more fake and stereotyped. Pannu tries hard but can't make this work.

James Gunn, in his last act at Marvel, does fan service in the most triumphal way possible. Gunn excludes this one from all the multiverse, post-Thanos chaos with no mention of anything Avengers. There's no Kang The Destroyer, thanks to the otherworldly set-up of the film in another universe.

The hilarious, badly-timed banter during life-threatening situations, sneaking in those unexpected, quiet moments of heart and profundity. The movie will make you laugh with its goofiness and leaves you in tears with some heartbreaking scenes at the same time. The worlds of OrgoCorp and Counter-Earth are unusual, and so are the people on Counter-Earth. The action sequences are well-designed.

In the role of Peter Quill, Chris Pratt continues to be in that funny zone, and the banter comedy between him and the other folks still works. Karen Gillian's Nebula has more empathetic behavior this time, and Zoe Saldana as Gamora is all the more ruthless and impulsive in this version. The performances of Dave Bautista, Pom Klementieff, Bradley Cooper(Rocket) , and Chukwudi are all enjoyable.

GOTG Vol 3 is the perfect send-off to the trilogy. James Gunn delivers a fine farewell to the series. Even though this might be the last time audience will see the Guardians together, their legacy will always live in the hearts of MCU fans.

The concept is great, especially in the beginning. It's The Little Mermaid, mixed with Splash, with some thriller elements thrown in. This drama is full of entertainment, comedy, tregedy, suspense,romance ,everything. The story, I think, tried to do too much and became more convoluted, and less interesting. There are flashes into the past that are meant to make me care more about the plot, but I just became annoyed because to me it was all so predictable, and repetitive. I wasn't exactly bored by the plot however. I still enjoyed watching because the cast made it entertaining, but the story just felt like it was dragging along at times. Eventually the mystery thriller story resolved, and what aimed to be an emotional love story didn't make me tear up once. Suddenly all that great chemistry turned into two stars doing what's expected, and was more flirting than substance, and tears without emotion. The bromance was spot on! If you like bromance, then this is the drama for you. I love Joon Jae, Tae Oh, and Nam Do together. Overall, It was a fairly solid drama and I would recommend it to anyone that likes romance and fantasy elements.

Krrish 3 isn't a terrible film but it is massively disheartening and mood dampening because of its imitative premise. Except for a few VFX scenes, most of the CGI shots look very tacky. In fact, 'Krrish' has better visual effects than 'Krrish 3'. Songs are a big minus for the film. None of them succeed in making a positive impact on viewers. Cinematography is just very average. Hrithik reprises his role of Krrish with an enigmatic energy and infallible enthusiasm which is the film's sole glistening point. Kangana Ranaut is delightful as an alien. Vivek Oberoi as Kaal ensures you won't ever forget his act. Priyanka is saddled with a role that doesn't do her justice.

The story co-written by Kriplani and Neha Veena Sharma had so much potential but I never saw a point where it was tapped to create some really gripping moments. The twists come and go without much of a buzz. Needless blood and gore in a couple of scenes don't make an impact either. Meesha is said to have lost her mother to suicide and later she meets with an accident - beyond this everything else is left to be assumed. Rukmani's presence in the family, reasons for Meesha's hatred towards her father, how everything fell apart - it's all told through a wafer-thin back story, which barely sounds convincing.

Overall, Gaslight is a boring mystery thriller that lacks an engaging screenplay. Sara Ali Khan does well, and the final twist would surprise. But it is not possible to sit through the entire film just for the climax.

KGF is one such film that redefined heroism in Indian cinema. There is nothing wrong with getting inspired by such trendsetting movies, but the problem with Kabzaa is it almost looks like a replica of KGF. There must be some authentic factor to make the film appealing, but Kabzaa doesn't have one. Kabzaa never feels original in any aspect and it fails miserably to recreate the magic of KGF

The film has nearly half a dozen villain characters but not even one among them manages to impress. The film lacks any emotions, and hence we don't feel the pain of the characters. There is no redeemable quality about Kabzaa except the 'surprise' in the climax, which gives a lead to the sequel.

It's about time that Kannada cinema steps out of its KGF hangover. Perhaps, Kabzaa is the exact antidote it needs.

Trivikram Srinivas has once again took a story with family values and narrated it in his own style. Trivikram's hold on the script is evident from the first frame as he moves from one sequence to another swiftly. From start to end, Ala Vaikunthapuramlo has non stop entertainment which will please everyone completely.

Allu Arjun fits into the shoes of Bunty quite comfortably, and the character seems tailor made for him. His dances, comic timing, and performance will be a treat for everyone. Pooja Hegde looks stunning, and more importantly, she plays her part effortlessly and strikes up palpable chemistry with Allu Arjun.

The biggest letdown in the film is the villain track. The so called hero-villain moments are just about okay and do not create much. The emotional content in certain areas could have been even stronger. Rohini's side of the story is not explored a bit.

Ala Vaikunthapuramlo is a full-on solid family entertainer that ticks all the boxes right. Trivikram has a firm grip on the narrative for the most part.

Director Hari and Harish's Yashoda has a solid story at its core. With surrogacy and the use of cosmetic products being the subplots, the screenplay offers several twists. However, these twists do not land well. Subsequently, the payoffs are not impactful either. Initially, the directors use Samantha's chirpy attitude to masquerade and downplay the seriousness. The first half of 'Yashoda' is filled with several comic sequences, which often seem nonsensical.

The second half is where the actual action begins as the twists executed are very good. The directors sprinkle the narrative with plenty of clues, seemingly casual at first, but which eventually construct the big picture necessary for the thriller. For instance, Yashoda's routine of sticking her bindi on a mirror - a habit with many women - has been used smartly in this story.

Coming to the performances, it is Samantha's show all the way. She excels in carefully choreographed stunt sequences, which are a treat to watch on screen. Varalaxmi is an excellent choice for the role of a "beautiful devil."Unni Mukundan is ideal as a doctor with a hidden agenda. Murali Sharma, Rao Ramesh, Kalpika, Divya Sripada, Sampath Raj, and Shatru all have done their roles justifiably.