Walk the line 2005 Johnny Cash sang like he meant business. He didn't get fancy and he didn't send his voice on missions it could not complete, but there was an urgency in his best songs that pounded them home. When he sang something, it stayed sung. James Mangold's "Walk the Line," with its dead-on performances by Joaquin Phoenix and Reese Witherspoon, helps you understand that quality. Here was a man who was blamed by his hard-drinking father for the death of his older brother, who said God "took the wrong son," who looked at Johnny's big new house and all he could say was, "Jack Benny's is bigger." In the movie you sense that the drive behind a Johnny Cash song was defiance. He was going to sing it no matter what anybody thought - especially his old man.
The movie shows John R. Cash inventing himself. He came from a hard-working Arkansas family and grew up listening to country music on the radio, especially the Carter Family. He wrote his first song while he was serving in the Air Force in Germany. When he came back to the States, he got married and got a regular job but dreamed about being a recording artist. When his first wife, Vivian, complained he was spending more time on music than on her, he referred to his "band" and she said, "your band is two mechanics who can't even hardly play."
"Walk the Line" follows the story arc of many other musicals, maybe because many core lines are the same: Hard times, obscurity, success, stardom, too much money, romantic adventures, drugs or booze, and then (if they survive) beating the addiction, finding love and reaching a more lasting stardom.
What adds boundless energy to "Walk the Line" is the performance by Reese Witherspoon as June Carter Cash. We're told in the movie that June learned to be funny onstage because she didn't think she had a good voice; by the time John meets her she's been a pro since the age of 4, and effortlessly moves back and forth between her goofy onstage persona and her real personality, which is sane and thoughtful, despite her knack for hitching up with the wrong men.
The film's most harrowing scene shows Johnny onstage after an overdose, his face distorted by pain and anger, looking almost satanic before he collapses. What is most fearsome is not even his collapse, but the force of his will, which makes him try to perform when he is clearly unable to. You would not want to get in the way of that determination. When Cash is finally busted and spends some time in jail, his father is dependably laconic: "Now you won't have to work so hard to make people think you been to jail." Although Cash's father (played with merciless aim by Robert Patrick) eventually does sober up, the family that saves him is June's. It is by now well known that Phoenix and Witherspoon perform their own vocals in the movie. It was not well known when the movie previewed - at least not by me.
The problems with this film are minor, two in particular immediately come to mind. The pace of this film is so fast you find yourself wondering at times whether you have missed something. Time flies by in this film and it is sometimes hard to keep track of what state Cash's life is in now, or how famous he is today compared with the last scene. The pace is so speedy that it gets to the point where if there was a caption which read "one year later" at the beginning of this scene, you could count on there being the same caption at the beginning of the next one.
Perhaps the most remarkable thing about Walk The Line is how average the film is at it's core. The base elements of the film are a fairly standard re-tread of virtually every rock & roll docu-drama film ever made from The Doors to infinity; drugs are used, people are hurt, lives are in chaos; all this we have seen before. What makes Walk The Line remarkable is how it takes something average and enhances just about every aspect of it to the point where you begin to forget how average the core of the film really is. The performances, the music, the cinematography, the script, all are distinctly sharper and better than any film of this kind than I have ever seen, though they had virtually nothing new to work with. I highly recommend this film. Go for the story, but stay for the outstanding performances.