jasperredhat
Joined Aug 2018
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Yes, this is how you make a documentary. And how you tell a crime story. Bluntly. No nonsense. Or own analyzes.
On November 30, 1957, Charles Starkweather decided to buy a teddy bear for his girlfriend. He was denied credit and therefore defeated the shop assistant Robert Colvert with a shotgun. He ripped together some banknotes from the cash register and forced Colvert out of the store and in a stolen car. In a forest grove, Starkweather stopped. When Colvert, he was executed with shots in his head.
Starkweather's defects made him the easy target for the school's bullies. But after a visit to the movies in his hometown Lincoln, Nebraska, he transformed from an uncertain boy to a rebel. The movie was "Wild Youth." Like his new idols, he now wore leather jacket, jeans and cowboy boots. He used pomada in his hair and practiced cool attitudes and looks.
Easy the hard road.
On November 30, 1957, Charles Starkweather decided to buy a teddy bear for his girlfriend. He was denied credit and therefore defeated the shop assistant Robert Colvert with a shotgun. He ripped together some banknotes from the cash register and forced Colvert out of the store and in a stolen car. In a forest grove, Starkweather stopped. When Colvert, he was executed with shots in his head.
Starkweather's defects made him the easy target for the school's bullies. But after a visit to the movies in his hometown Lincoln, Nebraska, he transformed from an uncertain boy to a rebel. The movie was "Wild Youth." Like his new idols, he now wore leather jacket, jeans and cowboy boots. He used pomada in his hair and practiced cool attitudes and looks.
Easy the hard road.
An introvert consideration or perhaps observation of images through nocturnal wanderings in the cityscape. I find this collection unsatisfactory as a work of art or internal documentary. In addition, there is a large distance between image and text that can never be bridged. In my world.
"The artist has no intention of showing the work publicly." This may be the answer to my questions.
"One day one of the clients from the shelter visited he gallery. I recognized him, because he had stayed at the shelter at several occasions. He was on drugs and dirty, but he wasn't dangerous. He's actually a really nice guy. Or he was - I think he's dead now."
"The artist has no intention of showing the work publicly." This may be the answer to my questions.
"One day one of the clients from the shelter visited he gallery. I recognized him, because he had stayed at the shelter at several occasions. He was on drugs and dirty, but he wasn't dangerous. He's actually a really nice guy. Or he was - I think he's dead now."
A work that creates a visual meeting between art, body and scrap metal. And has offered inspiration for a large number of art projects here and there in the world. It is one of a kind. Brilliant and daring. Funny and beautiful. SU-EN first came to Skrotcentralen/The Scrap Centre in 1997. She was looking for an exciting location for a photo shoot. Since then she has worked on a variety of projects and a large number of works have been created inspired by this amazing place. What was fascinating about the place was the fact that the body became so small in comparison to these piles of metal. At the same time, there was a thundering cycle and a fantastic recycling cycle like no other! She wanted to be part of this cycle. Scrap Bodies also became this video film Skrotliv/Scrap Life.