When Clyde Bruckman devised the scenario for FRIGHT NIGHT, it featured Curly Howard's character since he was still one of the Three Stooges. By the time filming began, he had left the team due to illness and Shemp Howard replaced him. There's no indication in the resulting film, however, that Shemp was shoehorned in at the last minute. Without trying to imitate his brother Curly, he asserts himself as a Stooge, his buffoonery smoothly meshing with Moe Howard's browbeating and Larry Fine's flakiness. It's no surprise that Shemp effortlessly interacts with his partners as if he's been with them for years. After all, he had been with the team before Curly stepped in.
In FRIGHT NIGHT, the Stooges are fight managers who try to elude gangsters. Director Edward Bernds deftly executes the slapstick without resorting to tasteless violence. The short is peppered with funny gags, particularly a sequence where Moe manipulates an unconscious thug like a puppet to distract a pursuing thug. FRIGHT NIGHT also benefits from a well constructed and evenly paced storyline that generates suspense as well as humor.
All the Stooges perform admirably, but Shemp dominates the film. He is a comedic dynamo, conveying a delirious energy that belies his middle age. His broad mugging may not appeal to everyone, but those who enjoy this kind of comedy (like me) will find Shemp's performance highly adroit and diverting.
Overall, FRIGHT NIGHT is an enjoyable short that showcases the Three Stooges's comedy to good advantage and provides an impressive debut for Shemp Howard as a member of the team.
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