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Red, White & Royal Blue is a romantic comedy film directed by Matthew Lopez from a screenplay by Lopez and Ted Malawer. The Prime Video original film is based on a book of the same name by Casey McQuiston and it follows the love story of Alex Claremont-Diaz (Taylor Zakhar Perez), the son of the first female President of the United States Ellen Claremont (Uma Thurman) and Prince Henry (Nicholas Galitzine), a British Prince. The romantic comedy film sees our protagonists pulled between love and duty while having some carefree fun. So, if you loved Red, White & Royal Blue here are some similar movies you could watch next.

Maurice (Prime Video Add-On) Credit – Enterprise Pictures Limited

Synopsis: Set against the stifling conformity of pre-World War I English society, E.M. Forster’s Maurice is a story of coming to terms with one’s sexuality and identity in the face of disapproval and misunderstanding.

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“Small Town, Big Drama”

By Raymond Benson

James Jones is mostly known for his debut novel, From Here to Eternity. His second novel, published in 1958, was Some Came Running, a 1,200-page potboiler that blows the lid off small town America. It was a more adult Peyton Place, if that was possible for the time. Colorful, sometimes sordid, characters populate the book, and it didn’t do as well as that classic first publication. Nevertheless, MGM immediately scooped it up and managed to turn it into a motion picture by the end of the same year.

Frank Sinatra found the material appealing, and he saw himself as the story’s lead, Dave Hirsh, a prodigal son of sorts from fictional Parkman, Indiana. Discharged from the army, Hirsh arrives in town with a hangover and a party girl he picked up in Chicago, Ginny Moorehead (Shirley MacLaine). His brother,...

Though New York moviegoing is (sort of) getting back to normal, we’ve only now filled one of the biggest spots: Metrograph have announced a return of their theater and commissary on October 1, while Metrograph At Home programming will continue through their site and Metrograph TV app.

The lineup, currently handled by new programmer-at-large Nellie Killian, doesn’t seem to have missed a step: there’s the cool factor of Żuławski’s Possession restored in 4K, the auteurist cred of a four-film Eastwood series, new releases like Bulletproof and Labyrinth of Cinema, the high art of an Amos Vogel tribute—precisely what we’ve missed for, God help us, 18 months.

Health and safety guidelines can be found here, and a highlight of October programming below.

Opens October 1

Possession (1981)

New 4K Restoration of Andrzej Żuławski’s Hallucinatory Masterpiece

Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of...

By Lee Peiffer

Actor John Saxon, who specialized in playing celluloid tough guys, has died from pneumonia at age 83. Saxon grew up on the (then) mean streets of his native Brooklyn and became a model at age 17. He segued into feature films and television, winning acclaim for his performances. Saxon had the ability to use his charisma and good looks to portray both heroes and villains on screen, and did both convincingly. Major stardom never materialized for him but he had a long career as a popular supporting actor. Among his more notable films: "The Reluctant Debutante", "War Hunt", "The Electric Horseman", "The Unforgiven", "Joe Kidd", the original "Nightmare on Elm Street" and two sequels, "From Dusk Till Dawn", "Black Christmas", "Wrong is Right", "Mr. Hobbs Takes a Vacation" and "Battle Beyond the Stars". One of his most popular films was "Enter the Dragon", the final movie of Bruce Lee.

John Saxon, character actor known for his roles in Westerns and horror films, died Saturday. His career spanned more than sixty years tallying more than 200 film credits. He co-starred with Bruce Lee in Enter The Dragon and starred in Wes Craven’s A Nightmare on Elm Street in 1984. He was 83.

His wife stated he passed from pneumonia in his Murfreesboro, Tennessee in a statement to THR.

Saxon was born as Carmine Orrico in Brooklyn, New York in 1935. After graduating high school he studied with famous acting coach Stella Adler. Soon after Universal Studios contracted him and requested he be renamed to John Saxon. He was also notably skilled in judo and karate.

The mid to late 50s saw Saxon work as a teen idol with credits in films Rock, Pretty Baby, Summer Love, The Reluctant Debutante, This Happy Feeling, and Cry Tough. He won a Golden Globe in 1958 as Most Promising Newcomer Male.

Vincente Minnelli took time out from expensive MGM shows like Gigi to knock off this tale about the London debutante season, a light-comedy Cinderella story without satire or social comment. Young Sandra Dee and John Saxon come off well, but the show belongs to stars Rex Harrison and especially Kay Kendall, whose comedy timing and finesse lift the tame, weightless material.

The Reluctant Debutante

Blu-ray

Warner Archive Collection

1958 / Color / 2:35 widescreen / 96 min. / Street Date May 26, 2020 / available through the WBshop / 21.99

Starring: Rex Harrison, Kay Kendall, John Saxon, Sandra Dee, Angela Lansbury, Peter Myers, Diane Clare, Charles Herbert.

Cinematography: Joseph Ruttenberg

Film Editor: Adrienne Fazan

Written by William Douglas-Home from his play

Produced by Pandro S. Berman

Directed by Vincente Minnelli

Not often mentioned as a highlight of Vincente Minnelli’s career, The Reluctant Debutante is enjoyable now for the comedy playing of Rex Harrison and Kay Kendall. Harrison hadn’t been...

It’s been 15 years since Daphne Reynolds (Amanda Bynes) had to learn to be a proper debutante in Warner Bros.' What a Girl Wants. The New York-based teen set off across the pond in order to meet and try to impress her estranged politician father (Colin Firth).

The teen comedy, based on a 1955 play called The Reluctant Debutante by William Douglas-Home, hit theaters on March 27, 2003, and earned Bynes a Kids' Choice Award in 2004 for favorite movie actress. Though Bynes hasn’t made a film in eight years, The Hollywood Reporter looks at what she and the rest of...

On January 22nd of this year I lost someone very close to me. The someone I was closest to, in fact. She was (is) my best friend, my daughter. The love of my life a lot of people say, though this someone wasn’t actually a person. She was better—she was a dog. A nearly 19-year-old Silver Dapple Dachshund named Elizabeth Alaina Freeman, Libby for short. I got her when I was 11 and going through my Queen Elizabeth I phase. I was there when she was born, was the first person she saw when she opened her eyes and the first to hold her. As fate mercifully had it, I was also the last person she saw and the last one to hold her. She died in my arms while I was sleeping. I woke to find her looking at me, eyes unmoving.Last week I turned 30. It was...

This year's poster for the Vienna International Film Festival is of a flame, and while around the world in other cinema-loving cities and at other cinema-loving festivals one might that that as a cue for a celluloid immolation and a move forever to digital, here in Austria cinema and film as film aren't burning up but rather are burning brightly.

The tributes and special programs in artistic director Hans Hurch's 2014 edition make this position clear: John Ford, Harun Farocki and 16mm, with new films by Tariq Teguia, Jean-Luc Godard, and Jean-Marie Straub accompanying older ones by the same directors. These aren't just retrospectives, they are revitalizing redoubts, inexhaustible fountains of flame, of sensitivity, of consciousness, and of intervention. With such a profound retrospective program, I hope you'll forgive me telling you very little of anything new at the festival; unless, that is, you like me count cinema revived as something always new.

She had warmth, wit and talent. But most of all, she embodied the quality of friendship, recalls the playwright

Anna Massey was for a long time acknowledged and admired as the owner of the best fictional voice on BBC radio, and if you were lucky enough to meet her in person, then you would recognise that the voice was the woman: funny, warm, intelligent and lucid, with a sharp edge which very quietly but firmly kept you in line.

She and I were friends for 40 years, and if she hadn't died so soon, we intended to be friends for a great deal longer. In fact, when I think of friendship, I think of Anna: regular phone calls, very good jokes and steadfast loyalty.

She appeared in my first play, Slag. It had made a fair splash at Hampstead in 1970 when I was just 23, but the following year the Royal Court...

Award-winning actor with a fastidious intelligence and a hint of inner steel

Anna Massey, who has died of cancer aged 73, made her name on the stage as a teenager in French-window froth. She then graduated, with effortless and extraordinary ease, to the classics and to the work of Samuel Beckett, Harold Pinter and David Hare. In later years, she became best known for her award-winning work in television and film. What constantly impressed was her fastidious intelligence and capacity for stillness: always the mark of a first-rate actor.

Born in Thakeham, West Sussex, she was bred into show business although, in personal terms, that proved something of a mixed blessing. Her father was Raymond Massey, a Canadian actor who achieved success in Hollywood; her mother was Adrianne Allen who had appeared in the original production of Noël Coward's Private Lives. Anna's godfather was the film director John Ford.

Since...

Anna Massey, a Tony nominee who played supporting roles in more than 40 movies, died of cancer on Sunday, July 3, in London. Massey was 73. The daughter of Academy Award nominee Raymond Massey (Abe Lincoln in Illinois) and sister of another Oscar nominee, Daniel Massey (Star!), Anna Massey began her acting career in the late '50s. She was nominated for a Tony for her performance in The Reluctant Debutante (1958), which was made into a movie that same year. Directed by Vincente Minnelli, the movie version starred Sandra Dee as an Americanized version of the role Massey had originated in the West End and on Broadway. Massey's first film appearance also took place in 1958, in John Ford's crime drama Gideon's Day, starring Jack Hawkins. Other notable film roles, invariably supporting bigger names, include those in Michael Powell's controversial Peeping Tom (photo, 1960), with Karl Böhm as a fetishistic serial killer; Otto Preminger...

Anna Massey, the member of an acting dynasty whose roles ranged from lonely spinsters to Margaret Thatcher, has died, her agent said Monday. She was 73.

Massey died Saturday after a battle with cancer, with her husband and son at her side, according to agent Pippa Markham.

The actress was born in 1937 into a performing family - her father was Canadian actor Raymond Massey and her mother British actress Adrianne Allen. Her brother Daniel Massey also became an actor, and her godfather was director John Ford.

Massey made her West End stage debut at 17 in The Reluctant Debutante and her film debut in Ford's 1958 police procedural Gideon's Day.

She had roles in films including Michael Powell's classic chiller Peeping Tom, Otto Preminger's Bunny Lake is Missing, Alfred Hitchcock's Frenzy and the 2002 adaptation of The Importance of Being Earnest, in which she played the comic governess Miss Prism.

The award-winning actor of stage and screen, who became the mainstay of the British costume drama, has died after suffering from cancer

Anna Massey, the award-winning British actor who played innocent victim for both Alfred Hitchcock and Michael Powell, has died from cancer at the age of 73. The news was confirmed in a brief statement from her agent: "Anna Massey Cbe passed away peacefully on Sunday 3rd July, with her husband and son by her side."

The daughter of the Hollywood actor Raymond Massey, Anna Massey began her career on stage, picking up a Tony nomination for her turn in The Reluctant Debutante at the age of 18. She made her screen debut in the 1958 crime drama Gideon's Day, directed by her godfather John Ford, and co-starred with Laurence Olivier on the cult 60s thriller Bunny Lake is Missing.

Yet Massey looks set to be best remembered for her roles in two of the most controversial pictures of post-war British cinema. In 1960 she played Helen, the sweet-natured friend of a serial killer in Michael Powell's notorious Peeping Tom. In 1972, she was cast as sacrificial barmaid Babs Milligan in Hitchcock's grubby, London-set thriller Frenzy. Peeping Tom found itself reviled by contemporary critics as "perverted" and "beastly", while Frenzy remains the only Hitchcock film to receive a prohibitive X-certificate in the UK. Today, both films are widely regarded as classics.