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- There is a place in Roubaix, the Compagnie de l'Oiseau Mouche, which deals with and trains handicapped workers/actors. I mean people who are declared and identified as such. Friends. Who work. Thirty-five hours a week. This company based in the place known as "le Garage" produces shows with these actors. And it hosts some, too. These actors are the protagonists of the film. For us, it involved envisaging a trace in images and sound of a workshop that started a year previously.
- With its uncompromising script as powerful as the questions it raises, this film bears the imprint of meticulous attention. Our world, complete with factories, advertising, roads and public transport, is expressed here with dignified clarity.
- We see people who, together, are looking for something. What they are looking for, they aren't quite sure. But they know that it is important. And not only for themselves, but also for others, somewhere else in other places. This thing, they are tempted to name it. But for the moment, the important thing is to first make it exist, between themselves. For that purpose, they decided to make a movie based on a play, The Tempest by Shakespeare. They could have done something else, but they decided to do this. So what they are showing, is them playing Shakespeare and talking about what performing Shakespeare in Aulnay-sous-Bois means to them. And meanwhile, something starts appearing. Invisible to itself, but obvious in the tone of voices, the tension of bodies, and in their way of being together.