Favorite actors

Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".

Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.

However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).

As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.

Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Elizabeth Ercy, Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.

Probably best-remembered for his turbulent personal life with Elizabeth Taylor (whom he married twice), Richard Burton was nonetheless also regarded as an often brilliant British actor of the post-WWII period.

Burton was born Richard Walter Jenkins in 1925 into a Welsh (Cymraeg)-speaking family in Pontrhydyfen to Edith Maude (Thomas) and Richard Walter Jenkins, a coal miner. The twelfth of thirteen children, his mother died while he was a toddler and his father later abandoned the family, leaving him to be raised by an elder sister, Cecilia. An avid fan of Shakespeare, poetry and reading, he once said "home is where the books are". He received a scholarship to Oxford University to study acting and made his first stage appearance in 1944.

His first film appearances were in routine British movies such as Woman of Dolwyn (1949), Waterfront Women (1950) and Green Grow the Rushes (1951). Then he started to appear in Hollywood movies such as My Cousin Rachel (1952), The Robe (1953) and Alexander the Great (1956), added to this he was also spending considerable time in stage productions, both in the UK and USA, often to splendid reviews. The late 1950s was an exciting and inventive time in UK cinema, often referred to as the "British New Wave", and Burton was right in the thick of things, and showcased a sensational performance in Look Back in Anger (1959). He also appeared with a cavalcade of international stars in the World War II magnum opus The Longest Day (1962), and then onto arguably his most "notorious" role as that of Marc Antony opposite Elizabeth Taylor in the hugely expensive Cleopatra (1963). This was, of course, the film that kick-started their fiery and passionate romance (plus two marriages), and the two of them appeared in several productions over the next few years including The V.I.P.s (1963), The Sandpiper (1965), the dynamic Who's Afraid of Virginia Woolf? (1966) and The Taming of The Shrew (1967), as well as box office flops like The Comedians (1967). Burton did better when he was off on his own giving higher caliber performances, such as those in Becket (1964), the film adaptation of the Tennessee Williams play The Night of the Iguana (1964), the brilliant espionage thriller The Spy Who Came in from the Cold (1965) and alongside Clint Eastwood in the World War II action adventure film Where Eagles Dare (1968).

His audience appeal began to decline somewhat by the end of the 1960s as fans turned to younger, more virile male stars, however Burton was superb in Anne of the Thousand Days (1969) as King Henry VIII, he put on a reasonable show in the boring Raid on Rommel (1971), was over the top in the awful Villain (1971), gave sleepwalking performances in Hammersmith Is Out (1972) and Bluebeard (1972), and was wildly miscast in the ludicrous The Assassination of Trotsky (1972).

By the early 1970s, quality male lead roles were definitely going to other stars, and Burton found himself appearing in some movies of dubious quality, just to pay the bills and support family, including Divorce His - Divorce Hers (1973) (his last on-screen appearance with Taylor), The Klansman (1974), Brief Encounter (1974), Jackpot (1974) (which was never completed) and Exorcist II: The Heretic (1977). However, he won another Oscar nomination for his excellent performance as a concerned psychiatrist in Equus (1977). He appeared with fellow acting icons Richard Harris and Roger Moore in The Wild Geese (1978) about mercenaries in South Africa. While the film had a modest initial run, over the past thirty-five years it has picked up quite a cult following. His final performances were as the wily inquisitor "O'Brien" in the most recent film version of George Orwell's dystopian 1984 (1984), in which he won good reviews, and in the TV mini series Ellis Island (1984). He passed away on August 5, 1984 in Celigny, Switzerland from a cerebral hemorrhage.

The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.

He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).

He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.

Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).

European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").

American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).

The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.

Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).

Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).

Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.

Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make.

Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.

During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.

Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.

1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.

Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).

Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.

Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).

Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).

Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.

His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.

Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.

The son of the renowned French sculptor Paul Belmondo, he studied at Conservatoire National Superieur d'Art Dramatique (CNSAD); after the minor stage performances he made his screen debut in À pied, à cheval et en voiture (1957) but the episodes with his participation were cut before release. However, the breakthrough role in Jean-Luc Godard's Breathless (1960) made him one of the key figures in the French New Wave. Since mid-60s he completely switched to commercial mainstream pictures and became a big comedy and action star in France. Following the example of Alain Delon he founded his own production company Cerito named after his grandmother's maiden name. In 1989 he was awarded Cesar for his performance in Itinerary of a Spoiled Child (1988) . Recently he returned to stage performing in the Théâtre Marigny, Paris, notably as Edmund Kean or Cyrano de Bergerac. He still appears in the movies but not so often as before preferring mostly dramatic roles. The president of France distinguished him with order of Legion of Honour. Belmondo had three children with his first spouse Elodie Constant: Patricia Belmondo ( who died in a fire in 1993), Florence Belmondo and Paul Belmondo. In 2003, he had another daughter, Stella Belmondo, with his second spouse Natty Belmondo. None of his children became actors though you could have seen his son Paul in an episodic role (the same as his father, at an earlier age) in Itinerary of a Spoiled Child (1988).

Winona Ryder was born Winona Laura Horowitz in Winona County, Minnesota, and was named after the city of Winona, Minnesota. She is the daughter of Cynthia (Istas), an author and video producer, and Michael Horowitz, a publisher and bookseller. Her father's family is Ukrainian Jewish and Romanian Jewish. She grew up in a ranch commune in Northern California which had no electricity. She is the goddaughter of Timothy Leary. Her parents were friends of Beat poet Allen Ginsberg and once edited a book called "Shaman Woman Mainline Lady", an anthology of writings on the drug experience in literature, which included one piece by Louisa May Alcott. Ryder would later play the lead role of Josephine March in the adaptation of this author's novel Little Women (1994).

Ryder moved with her parents to Petaluma, California when she was ten and enrolled in acting classes at the American Conservatory Theater. At age 13, she had a video audition to the film Desert Bloom (1986), but did not get the role. However, director David Seltzer spotted her and cast her in Lucas (1986). When telephoned to ask how she would like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder & The Detroit Wheels album was playing the background. Ryder was selected for the role of Mary Corleone in The Godfather Part III (1990), but had to drop out of the role after catching the flu from the strain of doing the films Welcome Home, Roxy Carmichael (1990) and Mermaids (1990) back-to-back. She said she did not want to let everyone down by doing a substandard performance. She later made The Age of Innocence (1993), which was directed by Martin Scorsese, whom she believes to be "the best director in the world".

Warren Oates was an American character actor of the 1960s and 1970s and early 1980s whose distinctive style and intensity brought him to offbeat leading roles.

Oates was born in Depoy, a very small Kentucky town. He was the son of Sarah Alice (Mercer) and Bayless Earle Oates, a general store owner. He attended high school in Louisville, continuing on to the University of Louisville and military service with the U.S. Marines.

In college he became interested in the theatre and in 1954 headed for New York to make his mark as an actor. However, his first real job in television was, as it had been for James Dean before him, testing the contest gags on the game show Beat the Clock (1950). He did numerous menial jobs while auditioning, including serving as the hat-check man at the nightclub "21".

By 1957 he had begun appearing in live dramas such as Studio One (1948), but Oates' rural drawl seemed more fitted for the Westerns that were proliferating on the big screen at the time, so he moved to Hollywood and immediately stared getting steady work as an increasingly prominent supporting player, often as either craven or vicious types. With his role as one of the Hammond brothers in the Sam Peckinpah masterpiece Ride the High Country (1962), Oates found a niche both as an actor and as a colleague of one of the most distinguished and distinctive directors of the period. Peckinpah used Oates repeatedly, and Oates, in large part due to the prominence given him by Peckinpah, became one of those rare character actors whose name and face is as familiar as those of many leading stars. He began to play roles which, while still character parts, were also leads, particularly in cult hits like Two-Lane Blacktop (1971) and Bring Me the Head of Alfredo Garcia (1974).

Although never destined to be a traditional leading man, Oates remained one of Hollywood's most valued and in-demand character players up until his sudden death from a heart attack on April 3, 1982 at the age of 53. His final two films, Tough Enough (1983) (filmed in early 1981) and Blue Thunder (1983) (filmed in late 1981), were released over one year after his death and were dedicated to his memory.

Alan Arkin was an Academy Award-winning American actor who was also an acclaimed director, producer, author, singer and composer.

He was born Alan Wolf Arkin on March 26, 1934, in Brooklyn, New York. His family were Jewish emigrants from Russia and Germany. In 1946, the Arkins moved from Brooklyn to Los Angeles, California. His father, David I. Arkin, was an artist and writer, who worked as a teacher, and lost his job for merely refusing to answer questions about his political affiliation during the 1950s Red Scare. His father challenged the politically biased dismissal and eventually prevailed, but unfortunately it was after his death. His mother, Beatrice (Wortis) Arkin, a teacher, shared his father's views. Young Arkin was fond of music and acting, he was taking various acting classes from the age of 10. He attended Franklin High School, in Los Angeles, then Los Angeles City College from 1951 - 1953, and Bennington College in Vermont from 1953 - 1954. He sang in a college folk-band, and was involved in a drama class. He dropped out of college to form the folk music group The Tarriers, in which Arkin was the lead singer and played guitar. He co-wrote the 1956 hit "The Banana Boat Song" - a Jamaican calypso folk song, which became better known as Harry Belafonte's popular version, and reached #4 on the Billboard chart. At that time Arkin was a struggling young actor who played bit parts on television and on stage, and made a living as a delivery boy, repairman, pot washer and baby sitter. From 1958 - 1968 he performed and recorded with the children's folk group, The Babysitters. He has also recorded an entire album for the Elektra label titled "Folksongs - Once Over Lightly."

In 1957 Arkin made his first big screen appearance as a lead singer with The Tarriers in Calypso Heat Wave (1957). Then he made his Off-Broadway debut as a singer in "Heloise" (1958). Next year he joined the Compass Theatre in St. Louis, Missouri. There he caught the eye of stage director Bob Sills and became the original member of the "Second City" troupe in Chicago. In 1961 Arkin made his Broadway debut in musical "From the Second City", for which he wrote lyrics and sketches, then starred as David Kolowitz in the Broadway comedy "Enter Laughing" (1963), for which he won a Tony Award. He starred in a Broadway musical "From the Second City production, then returned to Broadway as Harry Berlin in "Luv" (1964). Arkin made his directorial debut with an Off-Broadway hit called "Eh?" (1966), which introduced the young actor, named Dustin Hoffman. He won a Drama Desk Award for his direction of the Off-Broadway production of "Little Murders" (1969), and another Drama Desk Award for "The White House Murder Case" (1970). He also directed the original version of Neil Simon's hilarious smash, "The Sunshine Boys" (1972), which ran over 500 performances.

Arkin earned his first Academy Award nomination as Best Actor for his feature acting debut in a comedy The Russians Are Coming the Russians Are Coming (1966), by director Norman Jewison, co-starring as Lt. Rozanov, a Soviet submariner who is mistaken for a spy after his boat accidentally wrecks aground in New England. Arkin demonstrated his dramatic range as the psychopathic killer Roat in suspense film Wait Until Dark (1967), opposite Audrey Hepburn. He reinvented himself as the sensitive deaf-mute in The Heart Is a Lonely Hunter (1968), for which he received his second Academy Award Nomination as Best Actor in the Leading role. He followed with what remained his best known role as Captain Yossarian in Catch-22 (1970), directed by Mike Nichols and based on the eponymous anti-war novel by Joseph Heller. In it Arkin arguably gave his strongest performance, however, his career suffered because the film initially did not live up to expectations. After a few years of directorial work on television, Arkin made a comeback with an impressive portrayal of doctor Sigmund Freud in The Seven-Per-Cent Solution (1976). In the early 1980s he acted in three movies that were family affairs, written by his wife, Barbara Dana, and co-starring his son, Adam Arkin.

During the 1990s he turned out several notable performances, such as a bitter former baseball player in TNT's Cooperstown (1993), and as a hilarious psychiatrist opposite John Cusack in Grosse Pointe Blank (1997). He won raves for his portrayal of a divorced father who struggles to keep his kids enrolled in the Beverly Hills school system in Slums of Beverly Hills (1998). Arkin gave a brilliant performance opposite Robin Williams in Jakob the Liar (1999), a film about the Nazi occupation of Poland. He also returned to the New York stage co-starring with his son, Tony Arkin and Elaine May in "Power Plays", which he also co-authored. His most recent comeback as a heroin-snorting, sex-crazed, foul-mouthed grandfather in Little Miss Sunshine (2006), earned him his third Academy Award nomination for Best Performance by an Actor in a Supporting Role, and his first Academy Award.

Alan Arkin had been a modern Renaissance man. In addition to his achievements as an actor, director, and producer, he made his mark as a singer-songwriter with his popular-song compositions "Banana Boat Song", "Cuddle Bug," "That's Me," and "Best Time of the Year." Arkin also authored several books, including science-fiction and some children's stories, such as "The Clearing", "The Lemming Condition" and "Cassie Loves Beethoven" among his other publications. He was a father of three sons, Adam Arkin, Matthew Arkin, and Anthony Arkin, and a grandfather of Molly Arkin.

Alan Arkin was a strong supporter of an organic way of living and also a proponent for preservation of the environment and natural habitat. He avoided the show-biz-milieu and was known as an actor who does not really care about prestigious awards, but values having a good job and being acknowledged by his peers. In Arkin's own words he wanted to "Stay home for three months. Living as quietly as humanly possible." Arkin was given an Indian name, Grey Wolf, by his Native American friends in New Mexico.

Alan Arkin died in California on June 29, 2023 at the age of 89. He is survived by his three sons - Adam, Matthew, and Anthony Dana Arkin, and with Dana, Alan Arkin is survived by third wife, Suzanne Newlander Arkin, whom he married in 1999.

Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.

In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).

Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.

After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in Le Samouraï (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.

George Segal was born on February 13, 1934 in New York City, New York, to Fannie Blanche (Bodkin) and George Segal Sr., a malt and hop agent. All of his grandparents were Russian Jewish immigrants. After a stint in the military, he made his bones as a stage actor before being cast in his first meaty film role in The Young Doctors (1961). His turns in Ship of Fools (1965) and the eponymous King Rat (1965) heralded the arrival of a major talent. He followed this up with his Oscar-nominated performance in Who's Afraid of Virginia Woolf? (1966), in which he more than held his own against Richard Burton and Elizabeth Taylor. Who's Afraid of Virginia Woolf? (1966) was a cultural phenomenon, the film that wrecked the MPDDA censorship code that had been in place since 1934, and a huge box office success to boot.

By the early 1970s, appearances in such films as The Owl and the Pussycat (1970), Blume in Love (1973), Born to Win (1971) and The Hot Rock (1972) had made him a major star with an enviable reputation, just under the heights of the superstar status enjoyed by the likes of Paul Newman. He followed up A Touch of Class (1973) (a hit film for which his co-star Glenda Jackson won an Oscar) with his brilliant performance as the out-of-control gambler in Robert Altman's California Split (1974).

At one time in the early 1970s, it seemed like George Segal would have a career like that enjoyed by his contemporary Jack Nicholson, that of an actor's actor equally adept at comedy and drama. Segal never made the leap to superstar status, and surprisingly, has never won a major acting award, the latter phenomenon being particularly surprising when viewed from the period 1973-74, when he reached the height of his career. It was at this point that Segal's career went awry, when he priced himself as a superstar with a seven-figure salary, but failed to come through at the box office. For example, The Black Bird (1975) was a failure, although his subsequent starring turn opposite Jane Fonda in Fun with Dick and Jane (1977) was a big hit that revitalized her career.

The thriller Rollercoaster (1977) became a modest hit even during a summer which saw it competing with Star Wars: Episode IV - A New Hope (1977), and he gave a adroit comic performance in Who Is Killing the Great Chefs of Europe? (1978) with Jacqueline Bisset and Robert Morley, which proved another box office success. For all practical purposes, even after the failures of The Black Bird (1975), and The Duchess and the Dirtwater Fox (1976), it seemed like Segal, with a few deft career choices, could reorient his career and deliver on the promise of his early period.

At the end of the decade, he dropped out of a movie that would have burnished his tarnished lustre as a star: Blake Edwards' 10 (1979). 10 (1979) made Dudley Moore a star, while Arthur (1981) made him a superstar in the 1980s, a lost decade for Segal. It was an example of a career burnout usually associated with the "Oscar curse" (his No Way to Treat a Lady (1968) co-star Rod Steiger, for example, was a great character actor whose career was run off the rails by the expectations raised by the Academy Award). George Segal has never won an Oscar, but more surprisingly, has only been nominated once, for Best Supporting Actor of 1966 for his role as Nick in Who's Afraid of Virginia Woolf? (1966).

That he didn't return to the promise of the early 1970s may be the unintended consequence of his focusing on comedy to the detriment of drama. The comedy A Touch of Class (1973) made him a million dollar-per-film movie star, and that's what he concentrated on. Segal began relying on his considerable charm to pull off movies that had little going for them other than their star, and it backfired on him. These films weren't infused with the outrageously funny, subversive comedy of Where's Poppa? (1970), a success from his first period that he enjoyed along with co-star Ruth Gordon and director Carl Reiner.

When Segal first made it in the mid-1960s, he established his serious actor bona fides with a deal he cut with ABC-TV that featured him in TV adaptations of Broadway plays. He also played a very memorable Biff Loman in Death of a Salesman (1966), shining in performance in counterpoint to the vital presence that was Lee J. Cobb's Willy Loman. It was a good life for an actor, and he took time to show off his banjo-playing skills by fronting the Beverly Hills Unlisted Jazz Band, with which he cut several records.

While the 1980s were mostly a career wasteland for Segal, with no starring roles in hit films, he remained a popular figure on television, and appeared regularly on The Tonight Show Starring Johnny Carson (1962), where he would routinely sing and play the banjo during interviews. After a major role in the surprise hit Look Who's Talking (1989), he co-starred with Bette Midler and James Caan in For the Boys (1991), leading to a career revival in the 1990s, using his flair for comedy as part of the ensemble cast of Just Shoot Me! (1997). In the 2010s, he co-starred as the eccentric but lovable grandfather on the hit sitcom The Goldbergs (2013). On February 14, 2017, he received a star on the Hollywood Walk of Fame for Television on his 83rd birthday. George Segal died at age 87 of complication from bypass surgery on March 23, 2021 in Santa Rosa, California.

Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.

Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Fist of Fury (1972) (aka "The Chinese Connection"), and the Warner Bros. production Enter the Dragon (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.

Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shaolin Wooden Men (1976), To Kill with Intrigue (1977), Half a Loaf of Kung Fu (1978) and Magnificent Bodyguards (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Drunken Master (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with The Young Master (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!

Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Winners & Sinners (1983), Project A (1983), Wheels on Meals (1984), My Lucky Stars (1985) (aka "Winners & Sinners 2"), Twinkle Twinkle Lucky Stars (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Police Story (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!

This was quickly followed up with the Raiders of the Lost Ark (1981)-influenced Armour of God (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Project A 2 (1987), Police Story 2 (1988), Miracles: The Canton Godfather (1989) (aka "Mr. Canton and Lady Rose)", Armour of God 2: Operation Condor (1991) (aka "Armour of God 2") and Supercop (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Rumble in the Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.

Jackie did not waste any time and went to work on First Strike (1996) (aka "Police Story 4"), Mr. Nice Guy (1997), Who Am I? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Rush Hour (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Shanghai Noon (2000) and its sequel, Shanghai Knights (2003), and re-teamed with Tucker in Rush Hour 2 (2001), as well as starring in The Tuxedo (2002), The Medallion (2003) and the delightful Around the World in 80 Days (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with New Police Story (2004) and The Myth (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.

Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.

Blue-eyed and well-built Italian actor in international cinema, Franco Nero, was a painting photographer when he was discovered as an actor by director John Huston. He has since appeared in more than 200 movies around the world, working with Europe's top directors, such as Luis Buñuel, Rainer Werner Fassbinder, Claude Chabrol, Sergey Bondarchuk, Michael Cacoyannis, Elio Petri, Marco Bellocchio, Enzo G. Castellari, among many others.

Nero was born in Parma (Northern Italy), in the family of a strict police sergeant. His inclination for acting had already become obvious in his teenage years, when he began organizing and participating in student plays. After a short stint at a leading theater school, he moved to Rome, where he joined a small group of friends for the purpose of making documentaries. Still unsure of his ultimate vocation, he worked various jobs on the crew. He studied economics and trade in Milan University, and appeared in popular Italian photo-novels. This gave him a chance to gain a little role in Carlo Lizzani's La Celestina P... R... (1965).

A year later, the handsome face of Nero was noticed by Huston, who chose him for the role of "Abel" in The Bible in the Beginning... (1966) (aka La Bibbia). But success came after he got the role of the lonely gunfighter, dragging a coffin, in one of the best spaghetti-westerns; Sergio Corbucci's Django (1966). Nero then filmed a few other westerns of that style as Ferdinando Baldi's Texas, Adios (1966) and Lucio Fulci's Massacre Time (1966).

In 1967, Joshua Logan cast him in the film version of the musical Camelot (1967) (Warner Bros.), opposite Vanessa Redgrave, for which he was nominated for a Golden Globe award. During filming of Camelot, he met actress Vanessa Redgrave, who become his long-time partner (they married decades later). He played with Catherine Deneuve in Luis Buñuel's Tristana (1970) and was directed by Sergey Bondarchuk in the war drama The Battle of Neretva (1969). Later, director Bondarchuk cast Nero for the role of famous American reporter "John Reed" in two-part "Krasnye kolokola II" (1982). In the late 60s and during the 70s, Nero played many different roles, but most of them connected with political and criminal genre, which criticized the Italian justice system.

In the early 80s, Nero was chosen for the role of the white ninja, "Cole", in Enter the Ninja (1981) and in 1990 as terrorist "Gen. Esperanza", opposite Bruce Willis, in Renny Harlin's Die Hard 2 (1990). He has also payed the roles of leading national heroes, such as "Garibaldi" (Italy), "Arpad" (Hungary), and "Banovic Strahinja" (Yugoslavia). In the USA, he has been in successful mini-series, such as "The Pirate" (Warner Bros), "The Last Days of Pompeii" (CBS), "Young Catherine" (TNT), "Bella Mafia" (CBS), "The Painted Lady", "Saint Augustine", and movies such as "The Legend of Valentino", "21 Hours to Munich", "Force 10 from Navarone", "Enter the Ninja", "The Versace Murder", and Letters to Juliet (2010).

He worked with the top European directors from Carlo Lizzani, Damiano Damiani, Luigi Zampa, Luis Buñuel, Elio Petri, Michael Cacoyannis, Rainer Werner Fassbinder, Claude Chabrol, 'Vatroslav Mimica', Marco Bellocchio, etc. At the beginning of the 80s, he also began producing, writing and directing. Between films, he participates in various theatrical events.

Apart from his cinematographic work, Nero also works for charitable organizations. Over the last 45 years, he has been a benefactor of the Don Bosco orphanage in Tivoli. He has received many awards and, in 1992 for his artistic merits, a knighthood of the Italian Republic was bestowed on him by the President of Italy. In 2011, he was honored by Brunel University of London with the honorary degree of doctor of Letters honoris causa and, in Toronto, with a star on the Walk of Fame.

One of the greatest actors of all time, Robert De Niro was born in 1943, in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr.. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).

De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999), and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995), and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.

As of 2024, De Niro is 81 years-old. He has never retired from acting, and continues to work regularly in mostly film.

Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."

Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.

He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).

Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).

At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).

The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.

He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.

Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.

Born in Airdrie, Lanarkshire he was the only son of a solicitor and was educated at an English public school and served as a corporal in the army. He launched his career at Dublin's Gate Theatre then went to the Royal Shakespeare Company starting as a spear carrier. By the late 50's he'd established himself as a leading young stage actor and soon graduated to leading roles notably appearing opposite Vanessa Redgrave in As You Like It. The West End followed with A View From the Bridge, The Iceman Cometh and Long Days Journey Into Night in which he starred. In the 60's he was one of the most sought after character actors and worked with John Huston, Orson Welles and James Stewart. He won an Oscar nomination for The Flight of the Phoenix in which he was a plane crash survivor. He was once a drinking companion of Peter O'Toole and Richard Burton but had to give up due to hepatitis. In 1996 his career was recognised by BAFTA with a lifetime achievement award. He was 48 when he married Marilyn Salisbury, a former Ministry of Agriculture assistant, after she'd persuaded a cousin to take her to see him in Hamlet at Stratford and unknowingly parked in his reserved space and couldn't start her car again when he appeared. They became friends for 17 years before they married. He was killed in a crash in Scotland which over turned his car on November 3rd 1999. He was on a break from filming the provisionally titled Strictly Sinatra. His wife, who had to be cut free had slight injuries.

Denholm Elliott was a much-loved character actor who specialized in playing slightly sleazy or slightly eccentric and often flawed upper middle class English gentlemen. His career spanned nearly 40 years, becoming a well-known face both in Britain and in the States. After being educated at the private school Malvern College, he entered RADA at the age of 17, but dropped out after a year, having hated every minute being there. He joined the RAF in 1940, trained as a gunner/radio operator, and was shot down over Germany in 1942. In the POW camp he and his fellow prisoners staged various productions in a theatre constructed out of old packing cases.

After the war he joined a London repertory company, and his career took off particularly when Laurence Olivier chose him for the starring role in Venus Observed, for which he won a Clarence Derwent award. When another Olivier production, Ring Around the Moon, transferred to New York, Elliott replaced Paul Scofield in what became a Broadway hit. Returning to Britain, he was signed to a film contract and appeared in such movies as The Cruel Sea (1953) and The Sound Barrier (1952). In the 1960s he appeared in King Rat (1965) and Alfie (1966) among others, in addition to appearing on television and making countrywide theatre tours. He won an Evening Standard Best Actor award for Nicolas Roeg's film Bad Timing: A Sensual Obsession (1980). He won a BAFTA Best Supporting Actor Award for his role as the butler in Trading Places (1983) and followed it with awards for his roles in A Private Function (1984) and Defense of the Realm (1985), as well as receiving an Academy Award nomination for A Room with a View (1985).

Multiple Emmy- and Golden Globe-winner Martin Sheen is one of America's most celebrated, colorful, and accomplished actors. Moving flawlessly between artistic mediums, Sheen's acting range is striking.

Sheen was born Ramón Antonio Gerard Estevez in Dayton, Ohio, to Mary-Ann (Phelan), an Irish immigrant (from Borrisokane, County Tipperary), and Francisco Estevez, a Spanish-born factory worker and machinery inspector (from Parderrubias, Galicia). On the big screen, Sheen has appeared in more than 65 feature films including a star turn as Army Captain Benjamin L. Willard in Francis Ford Coppola's landmark film Apocalypse Now (1979), which brought Sheen worldwide recognition. The film also starred Marlon Brando, Dennis Hopper and Robert Duvall. Other notable credits include Wall Street (1987) (with son Charlie Sheen and Michael Douglas), Academy Award-winning film Gandhi (1982) (with Sir Ben Kingsley), Catch Me If You Can (2002) (with Leonardo DiCaprio and Tom Hanks), The American President (1995) (with Michael Douglas and Annette Bening) and a Golden Globe nominated breakthrough performance as Timmy Cleary in The Subject Was Roses (1968), a role he originated on Broadway and for which he received a Tony Award nomination as Best Featured Actor.

In 2006, the actor played ill-fated cop Oliver Queenan in Martin Scorsese's Academy Award-winning film The Departed (2006) opposite Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg and Alec Baldwin.

The same year, Sheen joined another all-star ensemble cast for the highly acclaimed feature Bobby (2006), written and directed by his son, Emilio Estevez. Bobby was nominated for a Golden Globe Award and a SAG Award; and starred Anthony Hopkins, Harry Belafonte, Laurence Fishburne, Sharon Stone, William H. Macy, Elijah Wood, Demi Moore and Heather Graham.

For television audiences, Sheen is best recognized for his six-time Emmy nominated performance as President Josiah Bartlet in The West Wing (1999). Sheen won six of his eight Golden Globe nominations as well as an ALMA Award; and two individual SAG Awards; for the White House series. He won the Golden Globe Award for Best Performance by an Actor TV Series Drama in 2001.

Of his ten Primetime Emmy nominations, Sheen won for Outstanding Guest Actor in a Comedy Series on the long-running sitcom Murphy Brown (1988) (starring Candice Bergen) in 1994. In addition, he has garnered a Daytime Emmy Award for directing and another for performance.

In 2006, Sheen was again nominated for an Emmy for Outstanding Guest Actor in a Comedy Series; this time for the CBS hit comedy Two and a Half Men (2003), starring his son Charlie Sheen.

In addition to series television, Sheen has appeared in several important made-for-television movies and mini-series including playing President John F. Kennedy in the television mini-series Kennedy (1983) for which he received a Golden Globe nomination.

Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1941) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.

Robert Oliver Reed was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. His notable films include The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), Revolver (1973), portraying Athos in The Three Musketeers (1973) and The Four Musketeers (1974); the lover/stepfather in Tommy (1975), The Brood (1979), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).

Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland Heights, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.

By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.

While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.

In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.

During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.

1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.

Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.

Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.

Burt Lancaster, one of five children, was born in Manhattan, to Elizabeth (Roberts) and James Henry Lancaster, a postal worker. All his grandparents were immigrants from the north of Ireland. He was a tough street kid who took an early interest in gymnastics. He joined the circus as an acrobat and worked there until he was injured. In the Army during WWII he was introduced to the USO and to acting. His first film was The Killers (1946), and that made him a star. He was a self-taught actor who learned the business as he went along. He set up his own production company in 1948 with Harold Hecht and James Hill to direct his career. He played many different roles in pictures as varied as The Crimson Pirate (1952), From Here to Eternity (1953), Elmer Gantry (1960) and Atlantic City (1980).

His production company, Hecht-Hill-Lancaster, produced such films as Paddy Chayefsky's Marty (1955) (Oscar winner 1955) and The Catered Affair (1956). In the 1980s he appeared as a supporting player in a number of movies, such as Local Hero (1983) and Field of Dreams (1989). However, it will be the sound of his voice, the way that he laughed, and the larger-than-life characters he played that will always be remembered.

Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.

Keira Christina Knightley was born March 26, 1985 in the South West Greater London suburb of Richmond. She is the daughter of actor Will Knightley and actress turned playwright Sharman Macdonald. An older brother, Caleb Knightley, was born in 1979. Her father is English, while her Scottish-born mother is of Scottish and Welsh origin. Brought up immersed in the acting profession from both sides - writing and performing - it is little wonder that the young Keira asked for her own agent at the age of three. She was granted one at the age of six and performed in her first TV role as "Little Girl" in Royal Celebration (1993), aged seven.

It was discovered at an early age that Keira had severe difficulties in reading and writing. She was not officially dyslexic as she never sat the formal tests required of the British Dyslexia Association. Instead, she worked incredibly hard, encouraged by her family, until the problem had been overcome by her early teens. Her first multi-scene performance came in A Village Affair (1995), an adaptation of the lesbian love story by Joanna Trollope. This was followed by small parts in the British crime series The Bill (1984), an exiled German princess in The Treasure Seekers (1996) and a much more substantial role as the young "Judith Dunbar" in Giles Foster's adaptation of Rosamunde Pilcher's novel Coming Home (1998), alongside Peter O'Toole, Penelope Keith and Joanna Lumley. The first time Keira's name was mentioned around the world was when it was revealed (in a plot twist kept secret by director George Lucas) that she played Natalie Portman's decoy "Padme" to Portman's "Amidala" in Star Wars: Episode I - The Phantom Menace (1999). It was several years before agreement was reached over which scenes featured Keira as the queen and which featured Natalie!

Keira had no formal training as an actress and did it out of pure enjoyment. She went to an ordinary council-run school in nearby Teddington and had no idea what she wanted to do when she left. By now, she was beginning to receive far more substantial roles and was starting to turn work down as one project and her schoolwork was enough to contend with. She reappeared on British television in 1999 as "Rose Fleming" in Alan Bleasdale's faithful reworking of Charles Dickens' Oliver Twist (1999), and traveled to Romania to film her first title role in Walt Disney's Princess of Thieves (2001) in which she played Robin Hood's daughter, Gwyn. Keira's first serious boyfriend was her Princess of Thieves (2001) co-star Del Synnott, and they later co-starred in Peter Hewitt's 'work of fart' Thunderpants (2002). Nick Hamm's dark thriller The Hole (2001) kept her busy during 2000, and featured her first nude scene (15 at the time, the film was not released until she was 16 years old). In the summer of 2001, while Keira studied and sat her final school exams (she received six A's), she filmed a movie about an Asian girl's (Parminder Nagra) love for football and the prejudices she has to overcome regarding both her culture and her religion). Bend It Like Beckham (2002) was a smash hit in football-mad Britain but it had to wait until another of Keira's films propelled it to the top end of the US box office. Bend It Like Beckham (2002) cost just £3.5m to make, and nearly £1m of that came from the British Lottery. It took £11m in the UK and has since gone on to score more than US$76m worldwide.

Meanwhile, Keira had started A-levels at Esher College, studying Classics, English Literature and Political History, but continued to take acting roles which she thought would widen her experience as an actress. The story of a drug-addicted waitress and her friendship with the young son of a drug-addict, Pure (2002), occupied Keira from January to March 2002. Also at this time, Keira's first attempt at Shakespeare was filmed. She played "Helena" in a modern interpretation of a scene from "A Midsummer Night's Dream" entitled The Seasons Alter (2002). This was commissioned by the environmental organization "Futerra", of which Keira's mother is patron. Keira received no fee for this performance or for another short film, New Year's Eve (2002), by award-winning director Col Spector. But it was a chance encounter with producer Andy Harries at the London premiere of Bridget Jones's Diary (2001) which forced Keira to leave her studies and pursue acting full-time. The meeting lead to an audition for the role of "Larisa Feodorovna Guishar" - the classic heroine of Boris Pasternak's novel Doctor Zhivago (2002), played famously in the David Lean movie by Julie Christie. This was to be a big-budget TV movie with a screenplay written by Andrew Davies. Keira won the part and the mini-series was filmed throughout the Spring of 2002 in Slovakia, co-starring Sam Neill and Hans Matheson as "Yuri Zhivago". Keira rounded off 2002 with a few scenes in the first movie to be directed by Blackadder and Vicar of Dibley writer Richard Curtis. Called Love Actually (2003), Keira played "Juliet", a newlywed whose husband's Best Man is secretly besotted with her. A movie filmed after Love Actually (2003) but released before it was to make the world sit up and take notice of this beautiful fresh-faced young actress with a cute British accent. It was a movie which Keira very nearly missed out on, altogether. Auditions were held in London for a new blockbuster movie called Pirates of the Caribbean: The Curse of the Black Pearl (2003), but heavy traffic in the city forced Keira to be tagged on to the end of the day's auditions list. It helped - she got the part. Filming took place in Los Angeles and the Caribbean from October 2002 to March 2003 and was released to massive box office success and almost universal acclaim in the July of that year.

Meanwhile, a small British film called Bend It Like Beckham (2002) had sneaked onto a North American release slate and was hardly setting the box office alight. But Keira's dominance in "Pirates" had set tongues wagging and questions being asked about the actress playing "Elizabeth Swann". Almost too late, "Bend It"'s distributors realized one of its two stars was the same girl whose name was on everyone's lips due to "Pirates", and took the unusual step of re-releasing "Bend It" to 1,000 screens across the US, catapulting it from no. 26 back up to no. 12. "Pirates", meanwhile, was fighting off all contenders at the top spot, and stayed in the Top 3 for an incredible 21 weeks. It was perhaps no surprise, then, that Keira was on producer Jerry Bruckheimer's wanted list for the part of "Guinevere" in a planned accurate telling of the legend of "King Arthur". Filming took place in Ireland and Wales from June to November 2003. In July, Keira had become the celebrity face of British jeweller and luxury goods retailer, Asprey. At a photoshoot for the company on Long Island New York in August, Keira met and fell in love with Northern Irish model Jamie Dornan. King Arthur (2004) was released in July 2004 to lukewarm reviews. It seems audiences wanted the legend after all, and not necessarily the truth. Keira became the breakout star and 'one to watch in 2004' throughout the world's media at the end of 2003.

Keira's 2004 started off in Scotland and Canada filming John Maybury's time-travelling thriller The Jacket (2005) with Oscar-winner Adrien Brody. A planned movie of Deborah Moggach's novel, "Tulip Fever", about forbidden love in 17th Century Amsterdam, was canceled in February after the British government suddenly closed tax loopholes which allowed filmmakers to claw back a large proportion of their expenditure. Due to star Keira and Jude Law in the main roles, the film remains mothballed. Instead, Keira spent her time wisely, visiting Ethiopia on behalf of the "Comic Relief" charity, and spending summer at various grandiose locations around the UK filming what promises to be a faithful adaptation of Jane Austen's classic novel Pride & Prejudice (2005), alongside Matthew Macfadyen as "Mr. Darcy", and with Donald Sutherland and Judi Dench in supporting roles. In October 2004, Keira received her first major accolade, the Hollywood Film Award for Best Breakthrough Actor - Female, and readers of Empire Magazine voted her the Sexiet Movie Star Ever. The remainder of 2004 saw Keira once again trying a completely new genre, this time the part-fact, part-fiction life story of model turned bounty hunter Domino (2005). 2005 started with the premiere of The Jacket (2005) at the Sundance Film Festival, with the US premiere in LA on February 28th. Much of the year was then spent in the Caribbean filming both sequels to Pirates Of The Caribbean. Keira's first major presenting role came in a late-night bed-in comedy clip show for Comic Relief with presenter Johnny Vaughan. In late July, promotions started for the September release of Pride & Prejudice (2005), with British fans annoyed to learn that the US version would end with a post-marriage kiss, but the European version would not. Nevertheless, when the movie opened in September on both sides of the Atlantic, Keira received her greatest praise thus far in her career, amid much talk of awards. It spent three weeks at No. 1 in the UK box office.

Domino (2005) opened well in October, overshadowed by the death of Domino Harvey earlier in the year. Keira received Variety's Personality Of The Year Award in November, topped the following month by her first Golden Globe nomination, for Pride & Prejudice (2005). KeiraWeb.com exclusively announced that Keira would play Helene Joncour in an adaptation of Alessandro Baricco's novella Silk (2007). Pride & Prejudice (2005) garnered six BAFTA nominations at the start of 2006, but not Best Actress for Keira, a fact which paled soon after by the announcement she had received her first Academy Award nomination, the third youngest Best Actress Oscar hopeful. A controversial nude Vanity Fair cover of Keira and Scarlett Johansson kept the press busy up till the Oscars, with Reese Witherspoon taking home the gold man in the Best Actress category, although Keira's Vera Wang dress got more media attention. Keira spent early summer in Europe filming Silk (2007) opposite Michael Pitt, and the rest of the summer in the UK filming Atonement (2007), in which she plays Cecilia Tallis, and promoting the new Pirates movie (her Ellen Degeneres interview became one of the year's Top 10 'viral downloads'). Pirates Of The Caribbean: Dead Man's Chest (2006) broke many box office records when it opens worldwide in July, becoming the third biggest movie ever by early September. Keira sued British newspaper The Daily Mail in early 2007 after her image in a bikini accompanied an article about a woman who blamed slim celebrities for the death of her daughter from anorexia. The case was settled and Keira matched the settlement damages and donated the total amount to an eating disorder charity. Keira filmed a movie about the life of Dylan Thomas, The Edge Of Love (2008) with a screenplay written by her mother Sharman Macdonald. Her co-star Lindsay Lohan pulled out just a week before filming began, and was replaced by Sienna Miller.

What was announced to be Keira's final Pirates movie in the franchise, Pirates Of The Caribbean: At World's End (2007), opened strongly in June, rising to all-time fifth biggest movie by July. Atonement (2007) opened the Venice Film Festival in August, and opened worldwide in September, again to superb reviews for Keira. Meanwhile, Silk (2007) opened in September on very few screens and disappeared without a trace. Keira spent the rest of the year filming The Duchess (2008), the life story of Georgiana, Duchess of Devonshire, based on Amanda Foreman's award-winning biography of the distant relation of Princess Diana. The year saw more accolades and poll-topping for Keira than ever before, including Women's Beauty Icon 2007 and gracing the covers of all the top-selling magazines. She won Best Actress for Atonement (2007) at the Variety Club Of Great Britain Showbiz Awards, and ended the year with her second Golden Globe nomination. Christmas Day saw - or rather heard - Keira on British TV screens in a new Robbie The Reindeer animated adventure, with DVD proceeds going to Comic Relief. At the start of 2008, Keira received her first BAFTA nomination - Best Actress for Atonement, and the movie wins Best Film: Drama at the Golden Globes. Seven Academy Award nominations for Atonement soon follow. Keira wins Best Actress for her role as Cecilia Tallis at the Empire Film Awards. In May, Keira's first Shakespearean role is announced, when she is confirmed to play Cordelia in a big-screen version of King Lear, alongside Naomi Watts and Gwyneth Paltrow, with Sir Anthony Hopkins as the titular monarch. After two years of rumours, it is confirmed that Keira is on the shortlist to play Eliza Doolittle in a new adaptation of My Fair Lady. The Edge Of Love opens the Edinburgh Film Festival on June 18th, and opens on limited release in the UK and US. A huge round of promotions for The Duchess occurs throughout the summer, with cast and crew trying to play down the marketers' decision to draw parallels between the duchess and Princess Diana. Keira attends the UK and US premieres and Toronto Film Festival within the first week of September. The Duchess opens strongly on both sides of the Atlantic. Two more movies were confirmed for Keira during September - a tale of adultery called Last Night (2010), and a biopic of author F Scott Fitzgerald entitled The Beautiful and the Damned.

Keira spent October on the streets of New York City filming Last Night alongside Sam Worthington and Guillaume Canet. Keira helped to promote the sixtieth anniversary of the UN's Declaration of Human Rights, by contributing to a series of short films produced to mark the occasion. In January 2009 it was announced Keira had signed to play a reclusive actress in an adaptation of Ken Bruen's novel London Boulevard (2010), co-starring Colin Farrell. Keira continues her close ties with the Comic Relief charity by helping to launch their British icons T-shirts campaign. In the same week King Lear was revealed to have been shelved, it was announced that Keira would instead star alongside her Pride & Prejudice co-star Carey Mulligan in an adaptation of Kazuo Ishiguro's novel Never Let Me Go (2010). A new short film emerges in March, recorded in the January of 2008 in which Keira plays a Fairy! The Continuing and Lamentable Saga of the Suicide Brothers (2009) was written by Keira's boyfriend Rupert Friend and actor Tom Mison. It went to be shown at the London Film Festival in October and won Best Comedy Short at the New Hampshire Film Festival. Keira continued to put her celebrity to good use in 2009 with a TV commercial for WomensAid highlighting domestic abuse against women. Unfortunately, UK censors refused to allow its broadcast and it can only be viewed on YouTube. May and June saw Keira filming Never Let Me Go (2010) and London Boulevard (2010) back-to-back. In October, a new direction for Keira's career emerged, when it was announced she would appear on the London stage in her West End debut role as Jennifer, in a reworking of Moliere's The Misanthrope, starring Damian Lewis and Tara Fitzgerald. More than $2m of ticket sales followed in the first four days, before even rehearsals had begun! The play ran from December to March at London's Comedy Theatre.

One of France's most beloved character stars from the 1950s through and including the 1980s was the Italian-born Lino Ventura. Born Angiolino Joseph Pascal Ventura to Giovanni Ventura and Luisa Borrini, on July 14, 1919, in Parma (northern) Italy, young Lino moved with his family at a young age to Paris, where he grew up. A school dropout at age eight, Lino drifted from job to job (mechanic's apprentice, etc.), unable to decide on what to do for a living. Marrying in 1942 at age 23, he and wife Odette Ventura had four children.

Lino finally found a career calling as a Greek/Roman-styled wrestler and went on to become a professional European champion in 1950. He was forced to abandon this sporting life, however, after incurring a serious injury in the ring. Looking for gangster types for his next film, director Jacques Becker gave the inexperienced 34-year-old his first acting job as bad guy support to star Jean Gabin in the crime thriller Don't Touch the Loot (1954) [Grisbi]. Gabin was impressed and did more than just encourage Lino to pursue acting as a living. Lino went on to appear with Gabin in several of the star's subsequent movies, often playing a gangster, including Razzia (1955) [Razzia], Crime and Punishment (1956), Speaking of Murder (1957) [Crime and Punishment] and Inspector Maigret (1958) [Inspector Maigret].

A tough, brutish, burly-framed presence, Lino came into his own as a tough-nut character star in the 1960s playing both sides of the moral fence. Adept in both light comedy and dark-edged drama, he appeared in scores of films now considered classic French cinema. His homely, craggy-looking mug took the form of various criminals types as in Le deuxième souffle (1966) [Second Breath] and Happy New Year (1973) [Happy New Year], as well as dogged, good-guy inspectors in The French Detective (1975) [The French Detective], Illustrious Corpses (1976) [Illustrious Corpses'], and The Grilling (1981). Lino bore a patented weight-of-the-world-on-his-shoulders countenance that audiences sympathized with, even when playing the arch-villain. Over the course of three decades he built up an impressive gallery of blue-collar protagonists. Not to be missed are his embittered, vengeful husband in Witness in the City (1959) [Witness in the City]; corrupt police chief Tiger Brown in Three Penny Opera (1963) [The Threepenny Opera]; a WWII French Resistance fighter in Army of Shadows (1969) [Army in the Shadows]; and Mafia boss Vito Genovese in Charles Bronson's The Valachi Papers (1972), among many, many others. Toward the end of his career he played Jean Valjean in a French production of Les Misérables (1982) for which he received a Cesar award nomination (i.e, the French "Oscar"). He performed practically until the time of his fatal heart attack in 1987 at age 68 in his beloved France. Survivors included his wife of 45 years and children. Daughter Mylene died in a plane crash in 1998 and wife Odette died in 2013.

First he should take over his father's inheritance. When his parents divorced, Rühmann was just 14 years old. His father then committed suicide. In 1919, after completing his schooling and completing his secondary school leaving certificate, Rühmann took acting lessons. He got his first theater role a year later in the play "Rose Bernd". Shortly afterwards, Rühmann played with Theo Lingen at the Residenztheater in Hanover. In 1923 Rühmann became a member of the Schauspielhaus Munich, from where he moved to the Munich Kammerspiele a year later. During this time he married the actress Maria Herbot. Rühmann got his major roles from 1927 in Berlin with Max Reinhardt. Among others, he played here with Marlene Dietrich and Hans Albers.

In 1930, Rühmann realized his dream and got his pilot's license. The famous film "The Three from the Gas Station" was also made during this time. The film, which was one of the first German sound films, made him the most popular actor in Germany. During the Second World War, Rühmann was indifferent to politics. He tried to come to terms with the rules of National Socialist cultural policy, which benefited his career. He was later blamed for his friendship with high-ranking members of the Nazi regime. In 1938 he divorced his wife. Shortly afterwards he married the actress Hertha Feiler, with whom he also had a son. From 1938 to 1945 Rühmann was a member of the Berlin State Theater under the direction of Gustav Gründgens. During the Second World War, Rühmann was drafted into the Wehrmacht as a pilot. The funny film "Quax, the Break Pilot" was made, which was specially commissioned from Ufa-Film in 1941 by Propaganda Minister Josef Goebbels to keep the people happy.

In 1944, Rühmann appeared in the legendary comedy "Die Feuerzangenbowle", one of the classics that was produced to calm the "home front" during the war years. The film became one of his most famous films. After the end of the war, Rühmann was "denazified" and a temporary ban on playing was lifted. He moved back to Munich with his family and founded his own film company "Comedia" here in 1947. But this didn't bring him any luck; he had several failures. It wasn't until the film "Don't Be Afraid of Big Animals" came out that things started to look up again financially. Rühmann became a respected actor in post-war German cinema. He also had great success with "The Captain of Köpenick" by Carl Zuckmayer, among others. In this film, Rühmann played a shoemaker who took advantage of the confusion of authority in the military hierarchy to put himself in the position of a captain. In the 1950s, successful entertainment films such as "When the Father and the Son", "Charley's Aunt" and "The Pauker" were made.

With the thriller "It Happened in Broad Daylight" he asserted himself in demanding roles. In 1957 Rühmann was awarded the German Film Critics' Prize. Over time, the comedian became a character actor. Rühmann made a film in Hollywood in 1965: "The Ship of Fools" alongside Vivien Leigh. "The Love Carousel" was also created in 1965 with Gert Fröbe and Curd Jürgens. In 1966 the actor received the Federal Cross of Merit and in 1972 the Federal Film Prize. In 1968 Rühmann got his first television role in the film "Death of a Salesman" by Arthur Miller. Two years later his wife died. On October 9, 1974, he married Hertha Droemer for the third time. After the film "Fondenes Fressen" was filmed, Rühmann withdrew from acting and only appeared occasionally on television.

During this time he wrote his autobiography "That was it". A final film was released in 1993: "Far away, so close" by Wim Wenders. In 1995 he was posthumously awarded the Golden Camera as "Greatest German Actor of the Century".

Heinz Rühmann died on October 3, 1994 at the age of 92 on Lake Starnberg.