List of guest stars who were on The Love Boat!

Reginald Jackson is known for Hairspray (2007), Dreamgirls (2006) and Norbit (2007).

After decades in show business, character actor Conrad Janis came to prominence as Mindy's father on TV's Mork & Mindy (1978). Manhattan-born Janis was the son of renowned art dealer and clothing manufacturer Sidney Janis (1886-1989), and his wife Harriet (Grossman), who wrote books about jazz. He began acting as a 13 year old with a travelling stock company. Subsequently working as a radio actor, he went on to provide assorted voices, ranging from teens to middle aged men. He also had a small role in the 1945 Broadway play Dark of the Moon which was noticed by a Hollywood talent scout and paved the way to some freelance work in motion pictures, where he was featured as juvenile leads. In the early 50s, Janis segued into television while pursuing a separate career as a jazz trombonist, inspired by the music of Kid Ory. Having perfected his skills by studying under Cab Calloway alumni Tyree Glenn and Herbie Nichols, Janis fronted his own Dixieland/trad combo (Conrad Janis and His Tailgate Five) in the early 50s. By the late '70s, he had formed the Beverly Hills Unlisted Jazz Band which performed in many festivals and was often showcased on David Letterman's and Johnny Carson's late shows.

Janis acted in anthology TV dramas from as early as 1950, according to his account ultimately racking up some 700 appearances (many of them not recorded or otherwise lost to posterity). He toiled away in fairly minor parts until his breakout role as music store owner Fred McConnell in Mork & Mindy. In addition to numerous guest appearances, the balding Janis was also seen as a regular in the short-lived sitcom Quark (1977) (as philistine bureaucrat Otto Bob Palindrome) and in recurring roles on Murder, She Wrote (1984) and Frasier (1993). True to his roots, he remained involved with the art world and with music education throughout his life.

Ann Jillian was born on January 29, 1950 in Cambridge, Massachusetts, USA as Ann Jura Nauseda to Lithuanian immigrant parents. Her career began as a child actress in the 1960s. She is possibly best known for her role as Cassie Cranston on the 1980s sitcom It's a Living (1980). She is also known for her work on Mae West (1982), Babes in Toyland (1961), and Gypsy (1962). She has been married to Andy Murcia since March 27, 1977. They have one child.

Arte Johnson was born on 20 January 1929 in Benton Harbor, Michigan, USA. He was an actor and writer, known for Rowan & Martin's Laugh-In (1967), Love at First Bite (1979) and Baggy Pants & the Nitwits (1977). He was married to Gisela Johnson and Texie Waterman. He died on 3 July 2019 in Los Angeles, California, USA.

Bayn Johnson was born on 4 November 1958 in New Orleans, Louisiana, USA. She is an actress, known for Switch (1975), Police Woman (1974) and The Electric Company (1971).

Van Johnson was the fresh-faced, well-mannered nice guy on screen you always wanted your daughter to marry! This fair, freckled and invariably friendly-looking MGM song-and-dance star of the 40s emerged a box office favorite (1944-1946) and second only to heartthrob Frank Sinatra during what gossip monger Hedda Hopper dubbed the "Bobby-soxer Blitz" era. Johnson's musical timing proved just as adroit as his legit career timing for he was able to court WWII stardom as a regimented MGM symbol of the war effort with an impressive parade of earnest soldiers. He may have been a second tier musical star behind the likes of Fred Astaire and Gene Kelly, but his easy smile, wholesome, boy-next-door appeal and strawberry-blond good looks made him a solid box-office attraction while MGM's "big boys" were off to war.

Born Charles Van Dell Johnson in Newport, Rhode Island, on August 25, 1916, Van was the only child of Loretta (Snyder) and Charles E. Johnson. His paternal grandparents were Swedish, and his mother was of German, and a small amount of Irish, ancestry. Johnson endured a lonely and unhappy childhood as the sole offspring of an extremely aloof father (who was both a plumber and real estate agent by trade) and an absentee mother (she abandoned the family when he was three, the victim of alcoholism). A paternal grandmother helped in raising the young lad. Happier times were spent drifting into the fantasy world of movies, and he developed an ardent passion to entertain. Taking singing, dancing and violin lessons during his high school years, he disregarded his father's wish to become a lawyer and instead left home following graduation to try his luck in New York.

Early experiences included chorus lines in revues, at hotels and in various small shows around town. A couple of minor breaks occurred with his 40-week stint in the "New Faces of 1936" revue (making his Broadway debut) and in a vaudeville club act (based around star Mary Martin) called "Eight Young Men of Manhattan" that played the Rainbow Room. He served as understudy to the three male leads of Rodgers and Hart's popular musical "Too Many Girls" in October of 1939 and eventually replaced one of them (actor Richard Kollmar left the show to marry reporter Dorothy Kilgallen.) He also formed a lifelong and career-igniting friendship with one of the other leads, Desi Arnaz.

Johnson made an inauspicious film debut with Arnaz in Too Many Girls (1940) when the musical was eventually lensed in Hollywood, but he was cast in a scant chorus boy part. Following a stint on Broadway in "Pal Joey" in 1940, Warner Bros. signed Van to a six-month contract. He went on to co-star with Faye Emerson in Murder in the Big House (1942), but they dropped him quickly feeling that his acting chops were lacking. It was Arnaz's wife Lucille Ball, who had recently signed with MGM, who introduced Van to Billy Grady, MGM's casting head, and instigated a successful screen test.

With the studio's top male talent off to war, Van (along with Peter Lawford) served as an earnest substitute donning fatigues in such stalwart movies as Somewhere I'll Find You (1942) The War Against Mrs. Hadley (1942) and The Human Comedy (1943). In addition, he replaced actor/war pacifist Lew Ayres in the "Dr. Kildare/Dr. Gillespie" film series after Ayres was unceremoniously dumped by the studio for his unpopular beliefs.

Stardom came, and at quite a price, for Van when he was cast yet again as a wholesome serviceman in A Guy Named Joe (1943). During the early part of filming, he was severely injured in a near-fatal car crash (he had a metal plate inserted in his skull, which instantly gave him a 4-F disqualification status for war service). Endangered of being replaced on the film, the two stars of the picture, Spencer Tracy (who became another lifelong friend) and Irene Dunne, insisted that the studio work around his convalescence or they would quit the film. The unusually kind gesture made Van a star following the film's popular release and resulting publicity. Van's career soared during the war years, making him and Lawford the resident heartthrobs not only in musicals (Two Girls and a Sailor (1944), Easy to Wed (1946)), but in airy comedies (Week-End at the Waldorf (1945)) and, of course, more war stories (Thirty Seconds Over Tokyo (1944)).

When the big stars such as Clark Gable, James Stewart and Robert Taylor returned to reclaim post-war stardom, Van willingly relinquished his "golden boy" pedestal, but he remained a high profile musical star opposite the likes of June Allyson, Esther Williams and Judy Garland. He continued to demonstrate his dramatic mettle in such well-regarded films as Command Decision (1948), State of the Union (1948), Battleground (1949), Brigadoon (1954) and The Caine Mutiny (1954) and remained a popular star for three more decades. When MGM's "golden age" phased out by the mid-1950s, Van's movie career took a sharp decline and the studio released him after he co-starred with Elizabeth Taylor in The Last Time I Saw Paris (1954).

While Van continued working as a freelancer in such as the English-made The End of the Affair (1955) with Deborah Kerr; Miracle in the Rain (1956) opposite Jane Wyman, The Bottom of the Bottle (1956) with Joseph Cotten, 23 Paces to Baker Street (1956) co-starring Vera Miles, Kelly and Me (1956) partnered with a dog, and Web of Evidence (1959), he again capitalized on his musical talents by reinventing himself as a nightclub performer and musical stage star on the regional and dinner theater circuits, including "The Music Man," "Damn Yankees," "Guys and Dolls," "Bells Are Ringing," "On a Clear Day...," "Forty Carats," "Bye Bye Birdie," "There's a Girl in My Soup" and "I Do! I Do!"

Van delved heavily into TV from the late 1960's on and served as a guest on such shows as "Laugh-In," "The Name of the Game," "The Red Skelton Show," "Nanny and the Professor," "The Virginian," "The Doris Day Show," "Love, American Style," "Maude," "Quincy," "McMillan & Wife," "The Love Boat," "Fantasy Island" and "Murder, She Wrote." He earned an Emmy nomination for his participation in the mini-series Rich Man, Poor Man (1976), and co-starred or was featured in such TV movies as Call Her Mom (1972), Superdome (1978), Black Beauty (1978), Getting Married (1978) and Three Days to a Kill (1992).

In later years, he grew larger in girth but still continued to work. He earned respectable reviews after replacing Gene Barry as Georges in the smash gay musical "La Cage Aux Folles" in 1985. His last musical role was as Cap' Andy in "Show Boat" in 1991, and his last several movies were primarily filmed overseas in Italy and Australia. Occasional featured roles on film in later years included Concorde Affaire '79 (1979), The Kidnapping of the President (1980), The Purple Rose of Cairo (1985), Killer Crocodile (1989), Delta Force Commando II: Priority Red One (1990) and Clowning Around (1992).

Van was married only once but it was the constant source of tabloid news. Typically in the closet as a high-ranking actor of the 1940s, he was extremely close friends with fellow MGM actor Keenan Wynn and his wife. Shockingly, Van wound up marrying Wynn's ex-wife, one-time stage actress Evie Wynn Johnson, immediately after the Wynn's divorced in 1947. Van and Eve went on to have one child, daughter Schuyler, in 1948, and were a popular Hollywood couple before separating after fifteen years of marriage. The marriage ended acrimoniously in 1968 and decades later Eve published a statement (after her death in 2004) confirming suspicions that MGM had engineered their marriage to cover up Johnson's homosexuality. In declining health, Van, who was estranged from his only child, died at age 92 on December 12, 2008, at a senior living facility in Nyack, New York.

Allan Jones was born Theodore Allen Jones in Old Forge, Pennsylvania. A coal miner's son, he worked in the mines until 1926. At that point in time, he received a scholarship from Syracuse University, but chose instead to study music at New York University with Claude Warford and then with Felix Leroux in Paris and Sir Henry Wood in London.

Classically trained in opera, the handsome Jones worked on Broadway and in operettas until 1935. At that point, Jones was signed by MGM Grand. He is best remembered for his roles in the two Marx Brothers movies A Night at the Opera (1935) and A Day at the Races (1937), and for his costarring role in Show Boat (1936). The movie The Firefly (1937) produced the song "Donkey Serenade", which became Jones's signature song. Jones was relegated to minor roles at MGM after this. He moved to Universal Studios in 1940, and he starred or appeared in several B musicals there and at Paramount.

During the war years, Jones was one of the first entertainers to volunteer to sing for the troops overseas. In 1945, Jones left Hollywood and toured Great Britain for two years. He returned to the stage and toured with several off-Broadway musicals. Over the next twenty years, he worked the nightclub circuit, appeared in summer-stock and off-Broadway productions, and recorded extensively, including several short "songfests", meant to be fillers in the early days of TV.

In the mid 1960s the busy Jones managed to fit a few appearances on television and in movies into his busy theater, nightclub, and recording career. In 1971, he took on the role of Don Quixote in "Man of La Mancha", a role he would perform off and on for the next eight years. He also was very successful on the lecture circuit.

In 1982, the 75-year-old Jones cut yet another LP, his voice belying his age: as clear and vibrant as singers a third his age.

Jones continued to work for the remainder of his life, finishing a successful tour of Australia a few weeks before his death, at 84, in 1992.

Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).

In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.

She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"

She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.

Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.

As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).

The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.

She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.

Jack Jones is known for Nettlecatfish (2011).

Named after child star Shirley Temple, Shirley Jones started singing at the age of six. She started formal training at the age of 12 and would dream of singing with her idol, Gordon MacRae. Upon graduating from high school, Shirley went to New York to audition for the casting director of Rodgers & Hammerstein. Taken by Shirley's beautifully trained voice, Shirley was signed as a nurse in the Broadway production of "South Pacific". Within a year, she would be in Hollywood to appear in her first film Oklahoma! (1955) as Laurey, the farm girl in love with cowboy Gordon MacRae. Oklahoma! (1955) would be filmed in CinemaScope and Todd-AO wide-screen and would take a year to shoot. After that, Shirley returned to Broadway for the stage production of "Oklahoma!" before returning to Hollywood for Carousel (1956). But by this time, musicals were a dying art and she would have a few lean years. She would work on television in programs like Playhouse 90 (1956). With a screen image comparable to peaches-n-cream, Shirley wanted a darker role to change her image. In 1960, she would be cast as the vengeful prostitute in the Richard Brooks dramatic film Elmer Gantry (1960). With a brilliant performance against an equally brilliant Burt Lancaster, Shirley would win the Oscar for Supporting Actress. But the public wanted the good Shirley so she was cast as "Marion", the librarian, in the successful musical The Music Man (1962). Robert Preston had played the role on Broadway and his performance along with Shirley was magic. Shirley would again work with little Ron Howard in The Courtship of Eddie's Father (1963). But the movies changed in the 60's and Shirley's image did not fit so she would see her movie career stop in 1965. There were always nightclubs, but Shirley would be remembered by another generation as "Shirley Partridge" in the television series The Partridge Family (1970). While the success of the show would do more for her stepson, teen idol David Cassidy, it would keep her name and face in the public view for the four years that the series ran. The show still plays in reruns. After the show ended, Shirley would spend the rest of the 70's in the land of television movies. The television movie The Lives of Jenny Dolan (1975) would be made as a pilot for a series that was not picked up. In 1979, Shirley appeared in a comedy show called Shirley (1979), but the show lasted only one season. Shirley would appear infrequently in the 80's and in video's extolling fitness and beauty at the end of the decade.

Elaine Joyce was the lead in the Broadway musical "Sugar" from 1972 to closing with Tony Roberts and Robert Morse. A mainstay on TV game shows in the early 1970s, often appearing with her first husband, Bobby Van.

The marriage of Bobby and Elaine ran a difficult course - an announcement was made On October 30, 1967 (Daily News, Oct. 30, 1967) that they had wed, but they had not. Then in November, a blurb in a Hollywood column (The El Dorado Times, Nov 29, 1967) stated that Bobby said he and Joyce planned to marry on December 2, 1967, but her brother, Frank Pinchot had chosen that date to marry his wife, so they would choose another date). In February of 1968, it was announced they would marry in Los Angeles on March 21. Bobby and Elaine were married in Las Vegas on May 1, 1968 (Clark County marriage license and New Castle News, Pennsylvania, May 13, 1968).

One week later, Van filed for an annulment (Los Angeles Times, May 7, 1968 and Independent Long Beach, May 7, 1968) stating "fraud, non-consummation and that the "24 year old actress told him she wanted to have children but this was only to induce him into marriage". An article states that Bobby said that Elaine felt "so unhappy and insecure (about marrying), that it's the only way." (New Castle News, Pennsylvania, May 13, 1968) (She would later state on Tattletales that she "tried to run away"). There is a preliminary divorce filed in 1968 for Elaine Joyce and Bobby Van in the CA Divorce index. Elaine is listed as Elaine J Pinchot, year of birth 1943. It appears that it was never finalized, and they went on to have a 12 year marriage.

Married John Levoff in 1985. They divorced in 1992.

In 1999, she married playwright Neil Simon until his death in 2018.

Has two children: Taylor Joyce Van (with Bobby Van, 1967) and Michael Francis Levoff (with John Levoff) in 1986.

The burly character actor Gordon Jump will probably be best remembered for the role of the radio station manager Arthur Carlson in the TV sitcom WKRP in Cincinnati (1978). This is coincidental since, in the first part of his working life, he was found either behind a microphone or camera in stints with radio and TV stations in the Midwest, including producing jobs at stations in Kansas and Ohio.

Moving to Los Angeles in 1963, he quickly became involved in stage productions with Nathan Hale and Ruth Hale, a couple who had opened a small theater in Glendale, California, several years earlier, in order to make ends meet. The Hales preferred the stage to film, and they abandoned Hollywood film hopes when their theater was successful. Others developing their acting talents with the Hales included Mike Farrell and Connie Stevens. Jump always credited Ruth Hale for the real start of his career as an actor, and it has been said that Jump remained most passionate about acting in live theater.

He soon started appearing in numerous TV series, including Daniel Boone (1964), Get Smart (1965), and Green Acres (1965). Through his association with the Hale clan, he became a member of The Church of Jesus Christ of Latter-Day Saints, which led to appearances in educational and religious short films produced and directed by Judge Whitaker at Brigham Young University in the 1960s. He played a Mormon bishop in "You Make the Difference", a thoughtful husband in Marriage: What Kind for You? (1967), and even the Apostle Peter in Mormon Temple Film (1969). Ruth was instrumental in getting Jump to give up smoking, and she also admonished him to turn down offers to do beer commercials. To the end of his life, he took his membership in his faith seriously, including its health codes. He also was in other LDS church films including When Thou Art Converted 1967, What about Thad? 1969, The Guilty 1978 and Families are Forever 1982.

Gordon remained predominantly a television actor throughout a long career in the arts, but he did appear in some small parts in feature films such as Conquest of the Planet of the Apes (1972). He also had a cameo appearance in The Singles Ward (2002), a comedy involving young Latter-Day Saint cultural experiences, which was written and directed by Kurt Hale, the grandson of Ruth and Nathan.

Beyond his acting career, Gordon produced The Tony Randall Show (1976) and directed an episode of WKRP in Cincinnati (1978). In the last years of his life, he was readily recognizable as the lonely Maytag Washer repairman in commercials that ran on television for several years starting in 1989. He effectively portrayed Ol' Lonely until retiring from the role just before his death. (The repairman was lonely because the machines never broke down.) As is often the case for actors with a flair for comedy, he was also adept at playing dramatic roles. As is also often the case with character actors, his face is recognizable to many who never knew his name.

Gabe Kaplan was born on 31 March 1944 in Brooklyn, New York, USA. He is a writer and actor, known for Welcome Back, Kotter (1975), Lewis & Clark (1981) and Fast Break (1979).

Caren Kaye was born on 12 March 1951 in New York City, New York, USA. She is an actress, known for Teen Witch (1989), Satan's Princess (1989) and Murder, She Wrote (1984). She has been married to Renny Temple since 15 November 1980. They have two children. She was previously married to Jeffrey Sandor Orling.

Howard Keel was the Errol Flynn and Clark Gable of "golden age" movie musicals back in the 1950s. With a barrel-chested swagger and cocky, confident air, the 6'4" brawny baritone Keel had MGM's loveliest songbirds swooning helplessly for over a decade in what were some of the finest musical films ever produced.

Born Harry (or Harold) Clifford Keel in Gillespie, Illinois, in 1919 to Homer Charles Keel and Grace (Osterkamp) Keel, and the brother of Frederick William Keel, his childhood was unhappy, his father being a hard-drinking coal miner and his mother a stern, repressed Methodist homemaker. When Keel was 11 his father died, and the family moved to California. He later earned his living as a car mechanic, then found work during WWII at Douglas Aircraft in Los Angeles. His naturally untrained voice was discovered by the staff of his aircraft company and soon he was performing at various entertainments for the company's clients. He was inspired to sing professionally one day while attending a Hollywood Bowl concert, and quickly advanced through the musical ranks from singing waiter to music festival contest winner to guest recitalist.

Oscar Hammerstein II discovered Keel in 1946 during John Raitt's understudy auditions for the role of Billy Bigelow in Broadway's popular musical "Carousel." He was cast on sight and the die was cast. Keel managed to understudy Alfred Drake as Curly in "Oklahoma!" as well, and in 1947 took over the rustic lead in the London production, earning great success. British audiences took to the charismatic singer and he remained there as a concert singer while making a non-singing film debut in the British crime drama The Hideout (1948) (aka "The Small Voice"). MGM was looking for an answer to Warner Bros.' Gordon MacRae when they came upon Keel in England. They made a great pitch for him and he returned to the US, changing his stage moniker to Howard Keel. He became a star with his very first musical, playing sharpshooter Frank Butler opposite brassy Betty Hutton's Annie Oakley in the film version of the Broadway musical Annie Get Your Gun (1950). From then on Keel was showcased in several of MGM's biggest extravaganzas, with Show Boat (1951), Calamity Jane (1953), Kiss Me Kate (1953) and (reportedly his favorite) Seven Brides for Seven Brothers (1954) at the top of the list. Kismet (1955) opposite Ann Blyth would be his last, as the passion for movie musicals ran its course.

Keel managed to move into rugged (if routine) action fare, appearing in such 1960s films as Armored Command (1961), Waco (1966), Red Tomahawk (1966) and The War Wagon (1967), the last one starring John Wayne and featuring Keel as a wisecracking Indian, of all things. In the 1970s Keel kept his singing voice alive by returning full force to his musical roots. Some of his summer stock and touring productions, which included "Camelot," "South Pacific", "Seven Brides for Seven Brothers", "Man of La Mancha", and "Show Boat", often reunited him with his former MGM leading ladies, including Kathryn Grayson and Jane Powell. He also worked up a Las Vegas nightclub act with Grayson in the 1970s.

Keel became an unexpected TV household name when he replaced Jim Davis as the upstanding family patriarch of the nighttime soap drama Dallas (1978) after Davis' untimely death. As Clayton Farlow, Miss Ellie's second husband, he enjoyed a decade of steady work. In later years he continued to appear in concerts. As a result of this renewed fame on TV, Keel landed his first solo recording contract with "And I Love You So" in 1983. Married three times, he died in 2004 of colon cancer, survived immediately by his third wife, three daughters and one son.

Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.

Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.

Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.

Patsy Kelly was born Bridget Sarah Veronica Rose Kelly on January 12, 1910, in Brooklyn, New York. She began performing in vaudeville when she was just twelve years old. Patsy worked with comedian Frank Fay and starred in several Broadway shows. She was discovered by producer Hal Roach, who paired her with Thelma Todd in a series of comedy shorts. They became a popular onscreen team and made thirty-five films together including Top Flat (1935) and Done in Oil (1934). Although Patsy never became an A-list star she continued to work throughout the 1930s. She had supporting roles in Pigskin Parade (1936), Merrily We Live (1938), and Topper Returns (1941). Patsy was a lesbian and she was always open with the press about her sexuality. She had a long-term relationship with actress Wilma Cox. By the early 1940s Patsy was drinking heavily and making headlines for her erratic behavior. She decided to quit show business and moved to New York City. She started dating Tallulah Bankhead and worked as her secretary. Eventually, Patsy went back to acting and appeared on numerous television shows. She also had small roles in the films Rosemary's Baby (1968) and Freaky Friday (1976). Patsy won a Tony award in 1971 for her performance in No No Nanette. After suffering a stroke she moved into a nursing home. She died from pneumonia on September 24, 1981. Patsy is buried at Calvary Cemetery in Queens, New York.

Roz Kelly was born on 29 July 1943 in Mount Vernon, New York, USA. She is an actress, known for New Year's Evil (1980), Happy Days (1974) and Curse of the Black Widow (1977).

George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.

A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).

The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.

The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).

Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.

George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.

Joanna Kerns was born on 12 February 1953 in San Francisco, California, USA. Joanna is an actor and director, known for Girl, Interrupted (1999), Knocked Up (2007) and Growing Pains (1985). Joanna has been married to Marc Appleton since 30 September 1994. Joanna was previously married to Richard M. Kerns.

No shrinking violet this one, but despite her talent, vivacity and sheer drive, lovely and alluring blonde Evelyn Keyes would remain for the most part typed as a "B" girl on the silver screen. In spite of her ripe contributions to such superior pictures as Here Comes Mr. Jordan (1941), The Jolson Story (1946), Mrs. Mike (1949), The Prowler (1951) and 99 River Street (1953), she received no significant awards during her career. In fact, film-goers seem to remember her best not for one of these exceptional co-starring parts, but for her bit role as Scarlett O'Hara's kid sister in Gone with the Wind (1939), American's most beloved epic film. Evelyn also kept Hollywood alive and kicking with two sensationalistic memoirs that chronicled her four dicey marriages, numerous affairs with the rich and famous, and negative takes on the Hollywood studio system.

Evelyn Louise Keyes was born in Port Arthur, Texas, on November 20, 1916 (for decades she would deceive the public as to her real age). Her father died when she was two, and she and her only brother and three sisters grew up living with her mother and her grandmother in Atlanta, Georgia. Taking voice, dance and piano lessons, she was hopeful of becoming a ballerina. Instead, she entered a beauty pageant or two and worked as a chorus girl before relocating to California at age 20. Shortly after her arrival in Los Angeles, a chance meeting with the legendary Cecil B. DeMille led to a Paramount Pictures contract. Stories differ as to how she met De Mille. Hollywood folklore has it that she was "discovered" by a talent scout in true Lana Turner fashion while eating at a restaurant. Another, more believable story has it that she hooked up with one of De Mille's former writers, which led to an introduction.

Nevertheless, she was groomed as a starlet and initially placed in bit and/or unbilled roles. De Mille first gave her a small part in his pirate epic The Buccaneer (1938), then placed her rather obscurely in his sprawling railroad saga Union Pacific (1939). It was David O. Selznick who gave her the bit part of whiny, bratty Suellen O'Hara, who loses her beau to the more calculating Scarlett in "Gone with the Wind". This led directly to her signing with Columbia Pictures. In 1938, just prior to the filming of GWTW, she married businessman Barton Bainbridge, her first of four. The marriage soured within a year or so, however, after she took up with Budapest-born director Charles Vidor, who directed three of her pictures: The Lady in Question (1940) (her first at Columbia), Ladies in Retirement (1941) and The Desperadoes (1943). This second marriage lasted about as long as the first (1943-1945), supposedly due to Vidor's infidelities.

At Columbia Evelyn hit pin-up status and sparked a number of war-era pictures. She played Boris Karloff's daughter in the crime horror Before I Hang (1940) and a blind woman who befriends the hideously scarred Peter Lorre in the excellent The Face Behind the Mask (1941). Still, she could not rise above her secondary status. For every one nifty "B" picture that could propel her into the higher ranks, such as Dangerous Blondes (1943), there was always a low-caliber western (Beyond the Sacramento (1940)), adventure (A Thousand and One Nights (1945)) or musical (The Thrill of Brazil (1946)) lurking about to keep her humble.

In the post-war years, a third tempestuous but highly adventurous marriage (1946-1950) to Hollywood titan John Huston made the tabloid papers practically on a weekly basis. They divorced after four years. She did some of her best work during this period, particularly as the wife of Al Jolson opposite Larry Parks' splendid impersonation. She also showed she had a strong range and earned snappy notices alongside Dick Powell in the film noir Johnny O'Clock (1947) as well as the title comedy character in The Mating of Millie (1948) co-starring Glenn Ford.

Her last (and just as questionable) marriage was to another "father figure" type, musician Artie Shaw, a womanizer if ever there was one who had already had been discarded by trophy wives Ava Gardner and Lana Turner (and five others) by the time he and Evelyn married in 1957. She had pretty much put her career on the back burner by this point. Surprisingly, this marriage lasted longer than any of their previous ones. The couple separated in the 1970s but did not divorce until 1985.

Evelyn returned to the acting fold every once in while. Scarcely on stage (she once played Sally Bowles in a theatrical production of "I Am a Camera" in 1953), she joined up with Don Ameche in a 1972 tour of the musical "No, No, Nanette". She also would show up on an episode of The Love Boat (1977) or Murder, She Wrote (1984) every now and then. She remained childless (there was one adopted child, Pedro, by Huston, but they were estranged).

Very much the traveler, Evelyn lived sporadically all over the world, including France, England and Mexico, and spoke Spanish and French fluently. She was also a writer and published a Hollywood-themed novel in her later years. Her GWTW association and tell-all memoirs in 1977 and 1991 kept her a point of interest right up until the end. Not surprisingly, this firecracker of a lady passed away on the 4th of July -- at age 91 of uterine cancer at an assisted-living residence in Montecito, California.

Werner Klemperer, everyone's favorite TV German Air Force colonel, was best known for his role as the bumbling Col. Wilhelm Klink on the comedy series Hogan's Heroes (1965). Although he'll forever be known as the blustering but inept German commandant of Stalag 13, Klemperer was in fact a talented dramatic actor, as evidenced by his acclaimed performance as an arrogant, unrepentant Nazi judge being tried for crimes against humanity in Judgment at Nuremberg (1961). His identification with Nazi roles notwithstanding, Klemperer was in real life the son of a Jew who fled with his family from Nazi Germany in the 1930s. He served in the U.S. Army during World War II. When he was offered the Col. Klink role, Klemperer only agreed to do it if the show's producers promised that Klink would never succeed in any of his schemes. "Col. Klink" earned Klemperer five Emmy nominations, and he took home the trophy twice, in 1968 and 1969. After the series, Klemperer carved out an impressive musical career as a conductor and also served as a narrator with many major U.S. symphony orchestras. He was an accomplished concert violinist.

Richard Kline was born on 29 April 1944 in New York City, New York, USA. He is an actor and director, known for Three's Company (1976), Jack and Jill (2011) and Beverly Hills Ninja (1997). He has been married to Beverley Osgoode since 2002. He was previously married to Sandy Molloy and Kathleen Doyle.

As a film character actor, Klugman was the epitome of the everyman. He was one of the pioneers of television acting in the 1950s, and is best remembered for his 1970s TV work as Oscar Madison on The Odd Couple (1970) and as the medical examiner on Quincy, M.E. (1976).

Once and forever a Brady! Christopher Knight met life as a child actor, starring as "Peter Brady" in the TV classic hit show The Brady Bunch (1969). A reluctant icon, Christopher has focused his adult years on interests beyond the entertainment industry, particularly the corporate world of computers and high technology.

Christopher Anton Knight was born November 7, 1957 in Manhattan, New York, the second of four children of Wilma (Stern) and actor Edward Knight (born Edward Kozumplik), who had three boys and one girl. Around the time he was three, his family moved to Los Angeles, where his father later began seeking auditions for his two oldest sons as a means of saving money for their college education. Although both Christopher and his older brother Mark tried out, only Christopher was offered parts.

At the young age of seven, he began landing appearances in commercials for companies such as Toyota, Tide, and Cheerios and in television shows such as Gunsmoke (1955) and Mannix (1967). Soon, however, he found himself involved with what would become one of the most successful television shows of all time. Partially because his dark looks matched that of Robert Reed who was already cast as the show's father, Christopher won the part of the middle brother, "Peter Brady", in The Brady Bunch (1969). Airing from September 1969 through August 1974, the show was highly popular with teenagers of that era. Although ending thirty years ago, it acquired instant syndication and has never since left the airways.

Being a reluctant icon as well as having an innate interest in science and machines led Christopher to his new career in the computer industry in 1988. Constant celebrity status from youth has provided him with people skills and has proven to be excellent preparation for life in sales and marketing. Entering the industry as an account sales manager at Martec, Inc., he logged the company's first $1 million sales order within his first eighteen months, quickly becoming Martec's top performer, and employee of the year.

In October 1989, Christopher took the responsibility of Vice President of Design System Marketing and Sales at New Image Industry, moving the company into 3D rendering/imaging technologies. Then in mid 1991, he, and a few other key employees successfully moved the software engineering staff and the 3D technologies into a new privately held company, Visual Software. As co-founder of Visual Software, Christopher was a pioneer in the consumer 3D graphics market. His efforts were responsible for enormous sales growth, moving the company from $.4 million annual sales to $4.2 million within 10 months. Visual Software was acquired by Micrografx in January.

In late 1995, Christopher partnered with friend and associate Frank Paniagua, and founded Kidwise Learningware. This company proposed to design, produce and publish interactive edutainment products for children. Christopher served as Executive Producer, with duties ranging from production and design, projects management and sales strategy.

In February of 1996, he took on the responsibility of Vice President of Sales at Adesso, a Keyboard manufacturer, providing keyboards for Macintosh and PC/Win95 systems, where he oversaw a doubling of sales within his first four months.

He and Mr. Paniagua reunited again in August of 1997 at Integrated Micro Solutions (I.M.S.) which later became IXMICRO. Initially hired in the capacity of Vice President of Strategic Marketing, Christopher was promoted to Vice President of Marketing after only four months. With Mr. Paniagua, he was able to influence annual sales from less than $2 million in early 1997 to $63 million in 1998.

In late 1998, Christopher would again team up with Paniagua and another associate, David Smith, to form Eskape Labs. Knight, Smith and Paniagua had all been part of IXMICRO's executive staff when the company decided to concentrate on a path divergent from the common interests of the three. Sensing a shift in the focus of the computer technology industry beyond the personal computer to intelligent devices, Eskape Labs was born. The company's mission, to provide "on wire" digital appliances that easily plug into computers, has led Eskape to develop a number of first-to-market video devices. Eskape Labs was purchased by Hauppauge Computer Works in the summer of 2000. Hauppauge is the world's largest manufacturer of computer-based TV tuner products and, with Eskape Labs, now has a line of TV tuners compatible with the Macintosh.

Christopher continued to work for Hauppauge Computer as the head of the Eskape Labs brand until the spring of 2003, and then as a consultant to the company throughout the remainder of the year.

Mid-year 2003, he became more involved on an executive level with an investment that had taken flight and was in need of interim management. Casting Networks Inc. (doing business as LA Casting and SF Casting) is an online (web based) talent exchange. Nine months from the introduction of the service to the Los Angeles commercial casting marketplace in late 2002, LA Casting had completely revolutionized the casting process by replacing archaic and time-consuming methods of handling clients' information with a much more efficient method using the Internet.

While Christopher's career in the high tech industry has prevented much involvement in entertainment, it did not constitute a full retirement from show business; he has starred or otherwise participated in the abundance of Brady films, television movies, series, gatherings, discussions and retrospectives. Christopher also has utilized his celebrity status by serving as host and/or spokesperson for several projects. In 2003, he was asked to host a segment on the Travel Channel series' TV Road Trip (2003), starring the late John Ritter. When the series was optioned for a second cycle, Christopher was offered to "Host" the series. It was, in fact, this participation that lead to the rekindling of Christopher's interest in front and behind the camera.

Christopher was soon signed up for the celebrity version of Discovery Health Channel's "Body Challenge", which debuted in the fall of 2004 and led to his participation on VH1's The Surreal Life (2003). The explosion of popularity and "new found fame" as a result of this #1 VH1 Hit that has also lead to his high-profile romance with The Surreal Life (2003) co-star and America's Next Top Model (2003) winner, Adrianne Curry, placed Knight back in the spotlight. Grateful at this unique second opportunity at an acting career, Christopher relished the chance at experiencing celebrity as a seasoned, experienced, "well-baked" adult. In 2005, his on-screen endeavors included special guest appearances on shows such as WB's Blue Collar TV (2004) and ABC's Less Than Perfect (2002). He also starred as the lead in the independent film, Light Years Away (2006), co-starring Eric Roberts. He then worked on several projects with his then-wife, model and TV personality Adrianne Curry.

2004 marked the fourth consecutive year that he has been the spokesperson for the American Counseling Association's "Healthy Skin, Healthy Outlook" campaign, which has received the Gold Triangle Award recognizing excellence in public education of dermatology issues the past two years. In 2002-2003, Christopher also was privileged to be the spokesperson for the National Consumer League's "AD/HD Campaign to Inform the Nation," speaking in Washington D.C. at the National Press Club on the sensitive subject of AD/HD (Christopher himself was diagnosed with lifelong ADD at the age of 40). The campaign's laudable goal is to broadcast the truth about AD/HD, dispelling myths and tearing down the barriers of ignorance and stigma that prevent AD/HD sufferers from obtaining the proper diagnoses and medical treatments they need. He was also brought on as the spokesman for a popular personal fitness product, Ab Lounge XL®.

Cognizant of his celebrity status and seasoned by maturity, Christopher is ready and eager to return more fully to the industry that gave him his start and to expand his public identity, but his plan to re-establish his place in the entertainment industry is not designed to displace his interests in the corporate world.