Damsels in Distress

Ashley Victoria Benson was born on December 18, 1989 in Anaheim Hills, California, to Shannon (Harte) and Jeff Benson. She has Irish, English, and German ancestry. She has been dancing competitively since she was 2 with hip hop, jazz, ballet, tap and lyrical. She has been singing since she was about 5 and she hopes to pursue that, along with her acting. Ashley started modeling at the age of 5 for dance catalogs. Ashley was then pursued by The Ford Modeling Agency at the age of 8. She worked steadily in print and is still with the Agency. At the age of 10, she wanted to pursue acting. Ashley went on to do 35 commercials, and then on to theatrical roles. Acting was now Ashley's passion. Ashley put all her focus into acting, which left little time for modeling and dancing, anymore. Ashley's most recent role is "Hanna Marin" on ABC Family's Pretty Little Liars (2010). Ashley also had a cameo in Romeo Miller (aka Lil Romeo) and Solange's music video for the song "True Love". She did a photo shoot with Britney Spears for Vogue Magazine. She is in NLT's music video, "That Girl".

Dita Von Teese was born on 28 September 1972 in Rochester, Michigan, USA. She is an actress and producer, known for The Death of Salvador Dali (2005) and Don't Worry Darling (2022). She was previously married to Marilyn Manson.

Anna Mucha is a Polish actress and television personality. She gained early recognition for her role as Danka Dresner in the film Schindler's List (1993). She is best known for her role as Magda Marszalek in the TV series M jak milosc (2000). She won the 10th season of the Polish TV show Taniec z gwiazdami (2005) in 2009.

Kimmy Robertson began her career as a ballet dancer but her distinctive sense of humor and quirky style brought her to the attention of an agent who happened to work in the same office as her ballet company. After at first being unsure about becoming an actor, Kimmy was then hired for the first role she auditioned for in the teen comedy The Last American Virgin (1982). She then returned to ballet but appeared in the occasional film such as Honey, I Shrunk the Kids (1989) and My Mom's a Werewolf (1989) before being cast as the Sheriff's ditsy secretary, Lucy, in the groundbreaking TV series Twin Peaks (1990). Creators Mark Frost and David Lynch recognized Kimmy's comedic talent and exploited it by encouraging her to ad-lib her lines, some of which turned into the funniest moments of the series. Since then, she has appeared in such films as Disney's Beauty and the Beast (1991), Speed 2: Cruise Control (1997) and Stuart Little (1999).

Milwaukee-born Nancy Ann Olson was the daughter of Henry, a physician, and Evelyn Olson, and educated at the University of Wisconsin. Discovered on stage after transferring to California's UCLA, the pretty, peaches-and-cream blonde was quickly signed by Paramount Studios in 1948 and almost immediately handed co-starring parts after an uncredited bit part in Portrait of Jennie (1948).

After playing in the film Canadian Pacific (1949), Olson went on to win the role of script girl Betty Schaefer, who attracts never-do-well screenwriter Joe Gillis (William Holden) and irks the reclusive and increasingly deranged former film star Norma Desmond (Gloria Swanson) in the towering classic Sunset Boulevard (1950). Olson received an Oscar nomination for "Best Supporting Actress" for her role. Her pairing with Holden, in fact, went over so well, they were teamed in a succession of standard features: Union Station (1950), Force of Arms (1951), and Submarine Command (1951), none holding a candle to their "Sunset" pairing. Other male co-stars during this active period included John Wayne as Big Jim McLain (1952), Steve Forrest in So Big (1953) (one of her finer post "Sunset" roles), and Will Rogers Jr. in The Boy from Oklahoma (1954).

Her increasing status in Hollywood came to a virtual halt in the mid-1950s, after marrying renowned lyricist Alan Jay Lerner (who later wrote "On a Clear Day..." and "Camelot"). She abruptly put her acting on hold in favor of raising their two daughters and her career never fully recovered. The couple divorced in 1957 and she decided to return full-time to acting but by the late 1950s she was perceived as too mature to now play the fresh-faced, girl-next-door type for which she was so identified.

Disney Studios came to the rescue, however, in the early 1960s and gave her mid-career an added luster by playing Fred MacMurray's love interest in both The Absent Minded Professor (1961) and Son of Flubber (1962). Her poise, charm and ever-animated appeal was absolutely in sync with the studio's squeaky-clean image, and adding just the right amount of feisty, feminine starch for the light slapstick happenings around her. Other Disney films in which she participated included Pollyanna (1960) and Snowball Express (1972). She also made an uncredited cameo appearance in the Flubber (1997) remake starring Robin Williams.

Olson went on to find sunny work on Broadway, notably in the plays "The Tunnel of Love," "Send Me No Flowers" and "Mary, Mary". In the 1970s and 1980s, she came back with a couple of secondary parts on regular series TV, but the shows were both short-lived. She retired for all intents and purposes in the mid-1980s. Her second marriage in 1962 to record executive Alan Livingston, who also created the TV character of Bozo the Clown, was long lasting (he died in 2009) and their son, Christopher Livingston has three film credits as, variously, director, editor, cinematographer, producer and actor.

Perky, talented, blue-eyed redhead Cara Williams had acting aspirations from the get-go. She was born in Brooklyn on June 29, 1925, as Bernice Kamiat, to an Austrian Jewish father, Benjamin Kamiat, and a mother of Romanian Jewish descent, Flora (Schwartz). Cara began performing as a child and continued into her teens. After her parents' divorce, she relocated with her mother to Hollywood where she attended the Hollywood Professional School and lent her voice to both radio and animated cartoon shorts. At age 16 she was signed by 20th Century-Fox and began to play minor, often unbilled parts in drama, comedy and musicals billing herself as Bernice Kay.

Throughout WWII she was always reliable for adding a little pep and zing to her smallish roles. She played various shapely secretaries, salesgirls, girlfriends, etc. in such minor fodder as Wide Open Town (1941), Happy Land (1943), In the Meantime, Darling (1944) and Don Juan Quilligan (1945), but nothing to propel her into the front ranks.

Things started picking up in the post-war years. She made a splash on stage in a production of "Born Yesterday" and started earning notably feisty, tart-tongued roles in such films as Boomerang! (1947) and The Saxon Charm (1948). By the 1950s she showed scene-stealing potential in The Girl Next Door (1953) and The Helen Morgan Story (1957), and finally earned an Academy Award nomination for her sad, touching supporting turn as a widowed mother in the classic The Defiant Ones (1958) opposite Sidney Poitier and Tony Curtis. This led to a couple of flashy gangster moll roles in the film comedies Never Steal Anything Small (1959) and The Man from the Diners' Club (1963).

The sitcom December Bride (1954) starring Spring Byington had deadpan quipster Harry Morgan stealing many scenes griping about scatterbrained wife Gladys (who was never shown on camera). When Morgan moved into his own spinoff series, Gladys was finally revealed in the form of Cara on the initially popular Pete and Gladys (1960) TV show. The program did not last as long as it deserved (two seasons) but the dusky-voiced Cara came off well and was escorted directly into her own series The Cara Williams Show (1964) with the equally personable Frank Aletter at her side. Molded at this time by the CBS powers-that-be as the next wacky redhead to follow in the comedy heels of Lucille Ball, the plans quickly went askew following an unfavorable network power shuffle and the canceling of her sitcom after only one season. With her momentum completely gone, her career went into rapid decline. She did manage a steady role on the first season of Rhoda (1974), and an affecting dramatic turn in the ensemble film soaper Doctors' Wives (1971). By the 1980s, however, she had officially retired.

A turbulent 1950s marriage to actor John Drew Barrymore (who later became the father of actress Drew in a subsequent marriage) produced son John Blyth Barrymore who went into acting as well and appeared in a bit role in his mother's last film The One Man Jury (1978). Cara subsequently married a Beverly Hills realtor (her third husband) and later displayed a strong business acumen in interior designing and as a champion poker player. She also had one child from her first marriage.

Born Virginia Pound, Lorna Gray was discovered by an agent while modeling in a fashion show. She was given a screen test, and Columbia was impressed enough to sign her to a contract. (It was at this time that she was given the name "Lorna Gray", which she kept until 1945, when she changed it to "Adrian Booth".) She was put in the studio's B unit, occasionally loaned out to Republic or Monogram, and when not making features was used in Columbia's comedy shorts, supporting such performers as The Three Stooges and Buster Keaton, where she acquitted herself quite well. She left Columbia and began her long career with Republic Pictures in 1941, appearing in westerns, thrillers, horror pictures, and especially the serials in which the studio specialized. She married David Brian in 1948, and after making films for a few more years, retired from the screen in 1951.

This 1930s model and magazine cover-girl was employed, as often as not, as a beautiful "living statue" in early 1940s Hollywood Technicolor films, strictly to prettify a movie set while hardly saying a word. However, she did play talking characters such as "Nyoka the Jungle Girl" in 1940s black-and-white "B" serials.

Joan Taylor's mother, Amelia Berky, was a vaudeville singing-dancing star in the 1920s. Her father was a prop man in Hollywood during that same period, but, after Joan's birth, the family moved to Lake Forest, Illinois, where her father managed a movie theater. She developed a love of movies from watching so many at her father's theater, and she graduated from the Chicago National Association of Dancing Masters. Heading to Hollywood in 1946, she enrolled at the Pasadena Playhouse. Victor Jory arranged an interview for her with producer Nat Holt, and she made her film debut in the Randolph Scott western Fighting Man of the Plains (1949). She appeared in quite a few films over the next several years, many of them westerns. She also made many appearances on TV series, and had a recurring role in The Rifleman (1958), but it's for two sci-fi films that she is fondly remembered by 1950s movie audiences: Earth vs. the Flying Saucers (1956) and 20 Million Miles to Earth (1957). After her two-year stint on "The Rifleman", however, she decided to retire from films, and did so in 1963.

Provocative and ever the temptress in her prime, the dark-maned, gorgeous Lana Wood was born Svetlana Gurdin on March 1, 1946, in Santa Monica, California, to Nick Gurdin (né Nikolai Zacharenko) and Maria Gurdin (known by countless aliases, usually Mary Zoudilova), émigrés of Ukrainian and Russian descent. Both her parents' families fled their Russian homeland following the Communist takeover and the couple met and married in San Francisco. Lana's more famous acting sister was christened Natalia eight years earlier and the eldest girl in the family was an Armenian half-sister named Olga Tatuloff, their mother's child from a 1920s marriage.

Young Natalia (renamed Natalie Wood, out of respect to director Sam Wood) became a child star in the late 1940s, with such classics as Miracle on 34th Street (1947), and younger sis Lana would inevitably be drawn into films as a result of Natalie's overwhelming success. She made her "debut" as a baby in Natalie's "B" film Driftwood (1947) only to have her cute bit cut from the picture. Her first screen credit actually came with the John Ford classic The Searchers (1956) as a younger version of Natalie's character, and she was off and running.

In an effort to break away from her sister's looming shadow and find her own place in Hollywood, Lana set out to secure TV roles and did quite well on such popular programs as Playhouse 90 (1956), Have Gun - Will Travel (1957), Dr. Kildare (1961) and The Fugitive (1963), while continuing her minor appearances in such films as Marjorie Morningstar (1958) (again with Natalie), Five Finger Exercise (1962) and the The Girls on the Beach (1965).

In 1965 she earned a contract at Twentieth Century-Fox and was cast in her first television series, The Long, Hot Summer (1965), playing the Southern belle role Lee Remick had played in the 1958 film (The Long, Hot Summer (1958)). Better yet was her 1966 breakthrough role as hash-slinging waitress "Sandy Webber" on the original prime-time soap opera smash Peyton Place (1964), which she played for two seasons. Unlike the glamorous and refined Natalie, Lana developed an earthier "bad girl" persona. Her character femmes bore typical hard-luck stories--tarnished girls from the wrong side of the tracks who were often more trouble than they were worth. Off-screen, she married Peyton Place (1964) co-star Steve Oliver, who played her abusive husband and jailbird "Lee Webber." The marriage lasted approximately one month.

After Peyton Place (1964), Lana continued to exude sex appeal in such films as For Singles Only (1968) and Scream Free! (1969), a drug tale that reunited Natalie's West Side Story (1961) co-stars Richard Beymer and Russ Tamblyn. She kept her name alive on TV as well, making the guest rounds on The Wild Wild West (1965), Bonanza (1959), The Felony Squad (1966) and Rowan & Martin's Laugh-In (1967).

In April 1971, Lana posed for Playboy in an attempt to gain added exposure. It worked. A major career boost presented itself in the form of producer Albert R. Broccoli (nicknamed "Cubby"), who caught the spread and offered her the role of Bondian femme fatale "Plenty O'Toole" in Diamonds Are Forever (1971) opposite Sean Connery. Following all this sexy publicity, Lana somehow nabbed an unexpected role in the Disney romp Justin Morgan Had a Horse (1972).

Although she stayed fairly active throughout the next decade or so with such TV movies as Black Water Gold (1970), QB VII (1974) and Nightmare in Badham County (1976), and the films Grayeagle (1977) and Demon Rage (1982), her star began to diminish.

Marriages during the 1970s included a union with actor/co-star Richard Smedley, whom she met on the set of A Place Called Today (1972). They produced her only child, daughter Evan, in 1974. She later married producer Allan Balter after meeting him during the filming of Captain America (1979). Six marriages would come and go before 1980.

In the mid-'80s she appeared for a time on the daytime soap opera Capitol (1982) but made a decision to move away from the acting arena after this period. Following the tragic drowning death of sister Natalie in 1981, Lana penned the controversial tell-all book "Natalie, A Memoir by Her Sister". What was meant as a candid, caring and cathartic expose on Lana's part was denounced by both critics and family alike as self-serving and hurtful. Later years included behind-the-camera work as a producer, which included co-producing the ABC-TV special The Mystery of Natalie Wood (2004). She also had her own casting company at one point.

After an extended absence, Lana was seen again on the screen into the millennium. Independent features include Deadly Renovations (2010), Donors (2014), Bestseller (2015), Killing Poe (2016), Subconscious Reality (2016), Wild Faith (2018) and The Marshal (2019). A devoted animal lover, the still-stunning grandmother-of-three occasionally appears at celebrity conventions and continues to work in films.

Jenessa Grant is known for With Truelove Showers (2013), Far Cry 5 (2018) and Cracked (2013).

Fair-skin Addie Juniper was born in "The Sunshine State" of Florida. Her career migration into the fetish world occurred after she considered a suggestion from a friend to start her own solo website. Motivated by her dislike for typical "9 to 5" jobs, the 5'6" Juniper decided she would give the solo website a try. While not an instant success, the attempt did not deter her from seeking out other work in the adult media field. She started working in fetish, art, glamour niches. She created her own stage name of Addie Juniper and went forward from there. She debuted in 2006 around age 22. Since then, she has worked for studios and websites including Brainwash Productions, Lakeview Entertainment, Candy Girl Video, Girlfriends Films, among others. In a 2011 interview, she stated if she had not made her career change into the fetish film industry, likely she would have completed college, with studies and qualifications in IT, or possibly opened her own non-adult business. In 2015, she started her own film and distribution business called Juniper Movies. She also debuted in 2015 as a director, with films produced and released through her studio.

Chloe Bennet is an American actress and singer. She is best known for ABC's Agents of S.H.I.E.L.D. (2013).

Bennet was born Chloe Wang in Chicago, Illinois. Her father is Han Chinese and her mother is Caucasian American.

At 15, she moved to China to pursue a singing career under her birth name, Chloe Wang. While in China, Bennet lived with her paternal grandmother in Beijing, and studied Mandarin. She performed as a singer and then moved to Los Angeles, California. Her first on-screen appearance was as a host for the short-lived TeenNick summer dance series The Nightlife.

While pursuing an acting career in Hollywood, she changed her professional name to "Chloe Bennet", after having trouble booking gigs with her last name. According to Bennet, using her father's first name rather than his last name avoids difficulties being cast as an ethnic Asian American while respecting her father.

From 2012-2013, she played a recurring supporting role in the ABC drama series Nashville as Hailey. In December 2012, she was cast as a series regular on Agents of S.H.I.E.L.D.

Valerie Perez is known for The Adventures of Paula Peril (2014), Paula Peril: Trapped in the Flames (2007) and Paula Peril: The Invisible Evil (2010).

Allene Roberts was born on 1 September 1928 in Birmingham, Alabama, USA. She was an actress, known for The Red House (1947), Knock on Any Door (1949) and Bomba on Panther Island (1949). She was married to Ralph Cochran. She died on 9 May 2019 in Huntsville, Alabama, USA.

Claire Trevor was born Claire Wemlinger in the Bensonhurst section of Brooklyn, New York, the only child of Fifth Avenue merchant-tailor Noel Wemlinger, an immigrant Frenchman from Paris who lost his business during the Depression, and his Belfast-born wife, Benjamina, known as "Betty". Young Claire's interest in acting began when she was 11 years old. She attended high school in Mamaroneck, Westchester County, New York. After starting classes at Columbia University, she spent six months at the American Academy of Dramatic Arts, also in New York. Her adult acting experience began in the late 1920s in several stock productions; she appeared with Robert Henderson's Repertory Players in Ann Arbor, Michigan in 1930. That same year, aged 20, she signed with Warner Bros. Not too far from her home haunts was Vitagraph Studios in Brooklyn, the last and best of the early sound process studios, which had been acquired by Warner Bros. in 1925 to become Vitaphone. Trevor appeared in several of the nearly 2000 shorts cranked out by the studio between 1926 and 1930. Then she was sent west to do ten weeks of stock productions with other contract players in St. Louis. In 1931 she did summer stock with the Hampton Players in Southampton, Long Island. Finally, she debuted on Broadway in 1932 in "Whistling in the Dark".

Trevor moved to the silver screen, debuting in the western Life in the Raw (1933). There would be three more films (one more western) that year and six or more through the 1930s. Although she had been typed playing gun molls and hard-case women of the world, she displayed her already considerable versatility in these early films, often playing competent, take-charge professional women as well as "shady" ladies. There was a disappointed-pout-vulnerability in her face and that famous slightly New York-burred voice that cracked with a little cry when heightened by emotion that quickly revealed an unusual and sensitive performer. Many of her early films were "B" potboilers, but she worked with Spencer Tracy on several occasions, notably Dante's Inferno (1935).

Hollywood finally took notice of her talents by nominating her for a Best Supporting Actress Oscar for her standout performance as a slum girl forced by poverty into prostitution in Dead End (1937), opposite Humphrey Bogart. That same year she did the radio drama "Big Town" with Edward G. Robinson, then teamed with he and Bogart again for the slightly hokey but entertaining The Amazing Dr. Clitterhouse (1938). Director John Ford tapped her for his first big sound Western film, Stagecoach (1939), the film that made a star of John Wayne. All her abilities to bring complexity to a character showed in her kicked-around dance hall girl "Dallas", one of the great early female roles. She and Wayne were electric, and they were paired in three more films during their careers.

In the 1940s, Trevor began appearing in the genre that brought her to true stardom: "film noir". She started in a big way as killer Ruth Dillon in Street of Chance (1942) with Burgess Meredith. She was equally convincing as the more complex but nonetheless two-faced Mrs. Grayle in the Philip Marlowe vehicle Murder, My Sweet (1944). However, she was something very different and quite extraordinary as washed-up, hopelessly alcoholic former nightclub singer and moll Gaye Dawn in Key Largo (1948), for which she won an Academy Award as Best Supporting Actress, again working with Bogart and Robinson. Her pitiful rendition of the torch song "Moanin' Low", which her character was forced to sing, humiliatingly, for the sadistic crime boss played by Robinson (to whom she is, figuratively speaking, permanently tethered) in exchange for a desperately needed drink. There were more quality movies and an additional Academy nomination (The High and the Mighty (1954)) into the 1950s,, but she also was doing work on stage and in television.

She was enthusiastic about live TV and appeared on several famous shows by the mid-1950s. She won an Emmy for Best Live Television Performance by an Actress as the flighty wife of Fredric March in NBC's Dodsworth (1956). She alternated her career among film, stage and TV roles. As she aged she easily transitioned into "distinguished matron" and mother roles, one of her most unusual ones being the murderous Ma Barker in Ma Barker and Her Boys (1959). Her final film role was as Sally Field's mother in Kiss Me Goodbye (1982).

Trevor and her third husband, producer Milton H. Bren, had long been residents of tony Newport Beach, California, to which they returned when she finally retired from screen work. However, she did maintain an active interest in stage work, and became associated with the University of California-Irvine's School of Arts. She and her husband contributed some $10 million to further its development for the visual and performing arts (that included three endowed professorships). After her passing in April 2000 at 90 years of age, the University renamed the school The Claire Trevor School of the Arts. Her presence on the UCI campus is in more than spirit alone. She donated her Oscar and her Emmy to UCI; both are on display in the arts plaza at the campus theatre that bears her name.

Wendy Richard, was born in Middlesborough to Henry and Beatrice Emmerton who moved to London when she was 5. and there they ran The Shepherds Tavern in Mayfair. Her father commited suicide due to depression when she was 11. She was educated at St Georges School in Mount Street, Mayfair, London and at a boarding school then while still in her teens became a shop assistant at Fortum and Masons but was fired on her second day for not selling anything. She then joined the Italia Conti stage school at 16 but refused elocution lessons as she didn't want to do voice exercises. Her first big break was when she did voice on the Mike Sarne record 'Come Outside' which went to number one in 1962 the charts but all she got out of it was £ 15. David Croft then cast her in the comedy series Hugh and I and nurtured her career resulting in appearances in such series as The Likely Lads, Newcomers, Up Pompeii, Dads Army and Eastenders. She had a part in the Beatles film Help but was cut out of it but survived in the comedy Bless This House. The day after her mothers funeral she married music publisher Leonard Black in May 1972 but it only lasted 5 months. Afraid of being on her own she then married advertising executive Will Thorpe but their relationship became turbulent and developed into violent abuse resulting in a divorce in 1984. Her 3rd marriage was to Paul Glorney, a carpet fitter, but they divorced in 1994. In February 1996 she met John Burns, a painter and decorator and they lived together before marrying in October 2008, In 1996 she had discovered a lump on her breast which turned out to be cancerous but she was given the all clear after an operation, There was a recurrence of it in 2002 and after further treatment she was again given a clean bill of health until in 2008 when a check up revealed that she had cancerous cells in her breast and that they had spread through her body. She made a half hour television Programme 'Wendy Richard: To Tell You the Truth' documenting the last few months of her life which was broadcast in March 2009

Coco Hjardemaal was born on 29 January 1994. She is an actress, known for Ecocide (2024), Pagten (2009) and My Good Enemy (2010).

Emily is a theater, film and television actress, singer and dancer. After beginning her career as a dancer with Boston Ballet, she spent several years performing on Broadway in the original casts of 'Hugh Jackman Back on Broadway', 'Chaplin the Musical' and 'Nice Work If You Can Get It'. She went on to play Mia Bialy in the Golden Globe nominated television series, 'Flesh and Bone'. The eight part mini-series premiered on STARZ in November 2015.

Emily joined the ensemble cast of CBS medical drama, Code Black for their 2nd and 3rd seasons. She starred as Sasha in 2019 indie horror-comedy Harpoon deeped a "sharp and stylish thriller" by the New York Times and "sharply packaged and gamely acted by three able young thesps" by Variety.

Emily's theater credits also include Cassie in A Chorus Line at Signature Theatre, Yvonne in Sunday in the Park with George at Pasadena Playhouse and Cinderella in the Guthrie Theatre's 2023 production of Into the Woods. The Star Tribune reviewed the production as fantastic and wrote "Emily Tyra soars as Cinderella, finding the heart and nuances of her modern princess and bringing down the house with her heartfelt rendition of 'On the Steps of the Palace.'"

Emily resides in Los Angeles and when not performing, enjoys making one of a kind ceramic art under the moniker RareBird.

Katie Sheridan was born on 29 December 1986. She is an actress and writer, known for The Royal Nanny (2022), Give Them Wings (2021) and Firecracker (2024).

Paulie Rojas was born in Mexico City, Distrito Federal, Mexico. She is known for Before Breakfast (2010) and Lucia no besa a nadie (2009).

Linda Leighton was born on 9 February 1917 in Oklahoma City, Oklahoma, USA. She was an actress, known for Brick Bradford (1947), Impact (1949) and The Haunted Mine (1946). She was married to Joseph Thatcher Leighton. She died on 26 December 2005 in Monarch Beach, California, USA.

Taylor Schilling (born July 27, 1984) is an American actress. She is known for her role as "Piper Chapman" on the Netflix original comedy-drama series, Orange Is the New Black (2013) (2013-present), for which she won the 2013 Satellite Award for Best Actress in a Television Series - Musical or Comedy, and was nominated for the Golden Globe Award for Best Actress - Television Series Drama and the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 2014. She made her film debut, in 2007 with Meryl Streep, in the drama, Dark Matter (2007). Schilling also starred as "Veronica Flanagan Callahan" in the short-lived NBC medical drama, Mercy (2009) (2009-10). Her other films include Atlas Shrugged: Part I (2011), the romantic drama The Lucky One (2012) and the political thriller Argo (2012).

Schilling was born on July 27, 1984 in Boston, Massachusetts. She is the daughter of Patricia (née Miller), an MIT administrator, and Robert J. Schilling, a former prosecutor. She grew up in West Roxbury and Wayland, splitting time between her divorced parents. A fan of the NBC medical drama, ER (1994), during her youth, she began acting at a young age. She became active in her middle school's theatre program, when she appeared in a stage production of "Fiddler on the Roof".

After graduating from Wayland High School in 2002, Schilling attended Fordham University's campus at Lincoln Center, where she continued to take part in stage productions, before earning her Bachelor of Arts in 2006. She then entered the graduate program at New York University's Tisch School of the Arts to continue her acting studies, but left after her second year to start auditioning. While attempting to break into acting, she supported herself by working as a nanny for a Manhattan-based family.

Schilling made her feature film debut, with a supporting role in the independent film, Dark Matter (2007). In 2009, she was selected to star in the NBC medical drama, Mercy (2009), as "Nurse Veronica Flanagan Callahan", a tough Iraq War veteran and former military nurse-turned-medical practitioner. Reading for the part via videotape from New York City, she impressed the show's creator and executive producer, Liz Heldens, who then flew her out to Los Angeles to audition for the role. In Heldens' words, "she just blew the doors off the audition". The show ran for one season, from September 2009 to May 2010.

Schilling won the Emerson College Playwright's Festival Outstanding Performance Award. She portrayed "Dagny Taggart" in Atlas Shrugged: Part I (2011), and co-starred with Zac Efron in the romantic drama film, The Lucky One (2012). She currently stars as "Piper Chapman" in the Netflix original series, Orange Is the New Black (2013), based on the Piper Kerman memoir, "Orange Is the New Black: My Year in a Women's Prison". The show premiered on July 11, 2013. For her work on the show, Schilling was nominated for the Golden Globe Award for Best Actress in a Television Series - Drama and the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 2014.

Caitlin Jean Stasey is an Australian actress who is well known for her roles as Francesca Thomas in Sleepover Club (2003), Rachel Kinski in Neighbours (1985) and Ellie Linton in the film adaptation of John Marsden's best seller 'Tomorrow When the War Began'

Caitlin is from Victoria, Australia, She began taking an interest in acting/performing when she was about six years of age. She also has an active interest in writing screenplays and documentary film making.

Caitlin was featured as part of the Australian Girls Choir in a Qantas commercial, singing "I Still Call Australia Home" and traveled the world as a member of the choir to film the commercial in 2000 before the Sydney Olympics. This commercial was named the "Greatest Australian Commercial" on 20 to 1.

In Caitlin's early years she played the role of Francesca "Frankie" Thomas which made a hit in both Australia, UK and Americas Nickelodeon TV.

Her role in Tomorrow, When the War Began (2010) was highly praised by critics and won her an IF (inside film) award in 2010 for best actress. one of the most prestigious film awards in Australia

She moved to Los Angeles in 2010.

Kim Victoria Cattrall was born on August 21, 1956 in Mossley Hill, Liverpool, England to Gladys Shane (Baugh), a secretary, and Dennis Cattrall, a construction engineer. At the age of three months, her family immigrated to Canada, where a large number of her films have been made. At age 11, she returned to her native country and studied at the London Academy of Music and Dramatic Arts (LAMDA). She returned to Vancouver and, at age 16, graduated from high school and won a scholarship to study at the American Academy of Dramatic Arts (AADA) in New York City. During her final year at the Academy, she won a role in Otto Preminger's action thriller Rosebud (1975). Following her film debut, Kim returned to the theatre, first in Vancouver and then in repertory in Toronto before winning a contract at Universal Pictures in Los Angeles, California.

Kim continued to work steadily through the late 1970s, 1980s and 1990s, including roles in 1980s cult classics such as Police Academy (1984), Big Trouble in Little China (1986) and Mannequin (1987), and as Mr. Spock's protegee Lieutenant Valeris in Star Trek VI: The Undiscovered Country (1991). However, it was her portrayal of sexually liberated public relations executive Samantha Jones on the HBO sitcom Sex and the City (1998) and its two feature film follow-ups that brought her worldwide attention, and gained her five Emmy Award nominations and four Golden Globe Award nominations including winning the 2002 Golden Globe for Best Supporting Actress.