The Best Actresses Ever - 1970s

Julie Gholson was born on 4 June 1958 in Birmingham, Alabama, USA. She is an actress, known for Where the Lilies Bloom (1974) and The Bob Braun Show (1967).

One of four girls, Smithers was raised in the comfortable San Fernando Valley suburb of Woodland Hills just north of Los Angeles, CA. Her father was an attorney. While studying art at Taft High School, Smithers swerved her automobile to avoid hitting another driver and ran into a telephone pole. The accident left a permanent scar on her chin. A couple of years later, Smithers was interviewed by Newsweek reporter David Moberg for a story about typical American teenagers in the 1960s. She was photographed happily riding on the back of a friend's motorcycle by Julian Wasser. That carefree looking shot made the cover of the March 21, 1966 issue of the magazine. The shot led to work in commercials while she was continuing her art studies at California Institute of the Arts in Valencia.

After a few years as a working actress, she won the role of pretty but shy Bailey Quarters in WKRP in Cincinnati (1978), a CBS sitcom about a Midwestern radio station. After the show ended its run, she worked on occasion and in 1987, married actor James Brolin. She became a stepmother to his two sons and had a daughter with Brolin. Her marriage to Brolin ended in 1995.

Sudie Bond was born on 13 July 1923 in Louisville, Kentucky, USA. She was an actress, known for Johnny Dangerously (1984), Love Story (1970) and Silkwood (1983). She was married to Cornelius 'Neil' Massini Noland. She died on 10 November 1984 in New York City, New York, USA.

Evgeniya Simonova was born on 1 June 1955 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia]. She is an actress, known for Mnogotochie (2006), Deti Arbata (2004) and Frenchman (1988).

Jo Van Fleet was born on December 29, 1915 in Oakland, California. She established herself as a notable dramatic actress on Broadway over several years, winning a Tony Award in 1954 for her skill in a difficult role, playing an unsympathetic, even abusive character, in Horton Foote's "The Trip to Bountiful" with Lillian Gish and Eva Marie Saint. Her first film role was playing the estranged mother of James Dean's character in East of Eden (1955). This debut performance earned Van Fleet an Academy Award for Best Supporting Actress. Her subsequent film work was steady through 1960, then very sporadic, and include such films as The Rose Tattoo (1955), I'll Cry Tomorrow (1955), The King and Four Queens (1956), Gunfight at the O.K. Corral (1957) and Cool Hand Luke (1967).

In 1958, Van Fleet was nominated for a Tony Award for Best Performance by a Leading Actress in a Play for her performance in "Look Homeward, Angel" on Broadway. Other films include Wild River (1960), Rodgers and Hammerstein's Cinderella (1965) and I Love You, Alice B. Toklas! (1968). Her television work include Alfred Hitchcock Presents (1955), Bonanza (1959), Thriller (1960) and The Wild Wild West (1965).

Jo Van Fleet died at age 80 of undisclosed causes on June 10, 1996 in Queens, New York City.

Hélène Loiselle was born on 17 March 1928 in Montréal, Québec, Canada. She was an actress, known for Doux aveux (1982), La bouteille (2000) and La maudite galette (1972). She was married to Lionel Villeneuve. She died on 8 August 2013 in Québec, Canada.

It came as no surprise to film aficionados when, in 1999, Entertainment Weekly named Jill Clayburgh on its list of Hollywood's 25 Greatest Actresses. For decades, she delivered stellar performances in a wide variety of roles.

Jill Clayburgh was born in 1944 in New York City, into a wealthy family, the daughter of Julia Louise (Dorr), an actress and secretary, and Albert Henry Clayburgh, a manufacturing executive. Her father was from a Jewish family that has lived in the United States since the 1700s, and her mother had English ancestry, also with deep American roots. Jill was educated at the finest schools, including the Brearley School and Sarah Lawrence College. It was while at Sarah Lawrence that she decided on a career in acting, and joined the famous Charles Street Repetory Theater in Boston. She moved to New York in the late 1960s and had featured roles in a number of Broadway productions, including "The Rothschilds" and "Pippin". She began her career in films in 1970 and got her first major role in Portnoy's Complaint (1972) in 1972. In 1978, she rose to screen prominence with her performance in An Unmarried Woman (1978), for which she received an Oscar nomination. She was again nominated for the Academy Award in 1979 for her role in Starting Over (1979). But after giving a riveting portrayal as a Valium addict in I'm Dancing as Fast as I Can (1982), her career went into a rapid decline, mainly because of her poor choices of scripts. She seemed destined for a comeback after appearing in Where Are the Children? (1985), with multi-talented child actress Elisabeth Harnois, but her excellent performance was largely ignored by critics, who opted to give the credit for the thriller's success to the performance of the precocious, six year old Harnois.

After the late 1980s, Jill worked mainly in television and low-budget films, and also had a leading role in the drama Never Again (2001), with Jeffrey Tambor.

Jill was married to playwright David Rabe, with whom she had two children, including actress Lily Rabe.

Jill Clayburgh died of chronic lymphocytic leukemia on November 5, 2010, in Salisbury, Connecticut.

Verna Bloom was born on 7 August 1938 in Lynn, Massachusetts, USA. She was an actress, known for High Plains Drifter (1973), National Lampoon's Animal House (1978) and After Hours (1985). She was married to Jay Cocks and Richard Collier. She died on 9 January 2019 in Bar Harbor, Maine, USA.

Her mother, Billie, was an ex chorus girl and her father was a musician who had a small part in the film Straw Dogs and she has a sister, Pam. At one time her parents owned The Court Hotel. Her first stage appearance was at 4 when she had to model a dressing gown at a hotel and fell on her face. At 6 she was doing commercials for Sugar Puffs, Fish Fingers, and Air lines. In 1961 she was at the Holy Trinity School, Cookham, Berkshire then Corona Stage School with Fraser Hines and Dennis Waterman. In 1962 when she was 11 she was at the Holy Trinity School, Cookham, Berks. then the Corona Stage School with Frazer Hines and Dennis Waterman. Later she was at London's Apollo in Shaftsbury Avenue in Country Girl with Patrick Mower. She s been in over 25 films and married Simon McCorkindale on Fiji.

Sally Kellerman arrived quite young on the late 1950s film and television scene with a fresh and distinctively weird, misfit presence. It is this same uniqueness that continued to make her such an attractively offbeat performer. The willowy, swan-necked, flaxen-haired actress shot to film comedy fame after toiling nearly a decade and a half in the business, and is still most brazenly remembered for her career-maker in the irreverent hit Korean War dramedy M*A*S*H (1970), for which she received supporting Oscar and Golden Globe nominations. From there, she went on to enjoy several other hallmark moments as both an actress and a vocalist.

California native Sally Clare Kellerman was born in Long Beach on June 2, 1937, to Edith (née Vaughn), a piano teacher, and John Helm Kellerman, a Shell Oil Company executive. Raised along with her sister in the San Fernando Valley area, Sally was attracted to the performing arts after seeing Marlon Brando star in the film Viva Zapata! (1952). Attending the renowned Hollywood High School as a teenager, she sang in musical productions while there, including a version of "Meet Me in St. Louis." Following graduation, she enrolled at Los Angeles City College but left after a year when enticed by acting guru Jeff Corey's classes.

Initially inhibited by her height (5'10"), noticeably gawky and slinky frame and wide slash of a mouth, Kellerman proved difficult to cast at first but finally found herself up for the lead role in Otto Preminger's "A"-level film Saint Joan (1957). She lost out in the end, however, when Preminger finally decided to give the role of Joan of Arc to fellow newcomer Jean Seberg. Hardly compensation, 20-year-old Sally made her film debut that same year as a girls' reformatory inmate who threatens the titular leading lady in the cult "C" juvenile delinquent drama Reform School Girl (1957) starring "good girl" Gloria Castillo and "bad guy" Edd Byrnes of "777 Sunset Strip" teen idol fame, an actor she met and was dating after attending Corey's workshops. Directed by infamous low-budget horror film Samuel Z. Arkoff, her secondary part in the film did little in the way of advancing her career.

During the same period of time, Sally pursued a singing career and earned a recording contract with Verve Records. The 1960s was an uneventful but growing period for Kellerman, finding spurts of quirky TV roles in both comedies ("Bachelor Father," "My Three Sons," "Dobie Gillis" and "Ozzie and Harriet") and dramas ("Lock Up," "Surfside 6," "Cheyenne," "The Outer Limits," "The Rogues," "Slattery's People" and the second pilot of "Star Trek"). Sally's sophomore film was just as campy as the first, but her part was even smaller. As an ill-fated victim of the Hands of a Stranger (1962), the oft-told horror story of a concert pianist whose transplanted hands become deadly, the film came and went without much fanfare.

Studying later at Los Angeles' Actors' Studio (West), Sally's roles increased toward the end of the 1960s with featured parts in more quality filming, including The Third Day (1965), The Boston Strangler (1968) (as a target for serial killer Tony Curtis) and The April Fools (1969). Sally's monumental break came, of course, via director Robert Altman when he hired her for, and she created a dusky-voiced sensation out of, the aggressively irritating character Major Margaret "'Hot Lips" Houlihan. Her highlighting naked-shower scene in the groundbreaking cinematic comedy M*A*S*H (1970) had audiences ultimately laughing and gasping at the same time. Both she and the film were a spectacular success with Sally the sole actor to earn an Oscar nomination for her marvelous work here. She lost that year to the overly spunky veteran Helen Hayes in Airport (1970).

Becoming extremely good friends with Altman during the movie shoot, Sally went on to film a couple more of the famed director's more winning and prestigious films of the 1970s, beginning with her wildly crazed "angelic" role in Brewster McCloud (1970), and finishing up brilliantly as a man-hungry real estate agent in his Welcome to L.A. (1976), directed by Alan Rudolph. Sally later regretted not taking the Karen Black singing showcase role in one of Altman's best-embraced films, Nashville (1975), when originally offered. Still pursuing her singing interests, she put out her first album, "Roll with the Feelin'" for Decca Records in 1972.

Films continued to be a priority and Sally was deemed a quirky comedy treasure in both co-star and top supporting roles of the 1970s. She was well cast neurotically opposite Alan Arkin in the Neil Simon comedy Last of the Red Hot Lovers (1972) and again alongside ex-con James Caan as a sexy but loony delight in Slither (1973), a precursor to the Coen Bros.' darkly comic films. She also co-starred and contributed a song ("Reflections") to the Burt Bacharach/Hal David soundtrack of the Utopian film Lost Horizon (1973), a musical picture that proved lifeless at the box office. More impressive work came with the movies A Little Romance (1979) as young Diane Lane's quirky mom; Foxes (1980) as Jodie Foster's confronting mother; Serial (1980), a California comedy satire starring Martin Mull; That's Life! (1986), a social comedy with Jack Lemmon and Julie Andrews; and Back to School (1986), comic Rodney Dangerfield's raucous vehicle hit.

Sally's films from the 1980s on were a mixed bag. While some, such as the low-grade Moving Violations (1985), Meatballs III: Summer Job (1986), Doppelganger (1993), American Virgin (1999) and Women of the Night (2001) were beneath her considerable talents, her presence in others were, at the very least, catchy such as her Natasha Fatale opposite Dave Thomas' Boris Badenov in Boris and Natasha (1991); director Percy Adlon's inventive Younger and Younger (1993), which reunited her with MASH co-star Donald Sutherland, and in Robert Altman's rather disjointed, ill-received all-star effort Ready to Wear (1994) in which she played a fashion magazine editor.

When her film output waned in later years, Sally lent a fine focus back to her singing career and made a musical dent as a deep-voiced blues and jazz artist. She started hitting the Los Angeles and New York club circuits with solo acts. In 2009, Kellerman released her first album since "Roll with The Feelin'" simply titled "Sally," a jazz and blues-fused album. Along those same lines, Sally played a nightclub singer in the comedy Limit Up (1989) Kellerman's seductively throaty voice has also put her in good standing as a voice-over artist of commercials, feature films, and television.

Among her offbeat output in millennium films were prime/featured roles in the soft-core thriller Women of the Night (2001), written and director by Zalman King, in which she played a lady deejay (she also gets to sing); the real estate musical Open House (2004) in which she played an agent (who gets to sing again); the Florida senior citizens' romantic comedy Boynton Beach Club (2005); the comedy Night Club (2011) where friends and residents start a club in a retirement home; the social dramas A Place for Heroes (2014) and A Timeless Love (2016); and the family dramedy The Remake (2016).

Divorced from Rick Edelstein, Kellerman married Jonathan D. Krane in 1980 and the couple adopted twins, Jack and Hanna. Sally was also the adoptive mother of her niece, Claire Graham. Her husband died unexpectedly in August 2016; less than three months later, daughter Hanna died from heroin and methamphetamine use. Sally died on February 24, 2022 in Los Angeles.

When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".

Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".

Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.

Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.

Diana Bracho's father is Julio Bracho who along with Emilio 'Indio' Fernández is considered the best director of the Golden Age of the Mexican Cinema (1940-1950). As a kid, Diana played bit parts in two or three of his father's films. She studied acting in England, and got her first major role in an Arturo Ripstein film "El Castillo de la Pureza" (The Castle of Purity) in 1972, when she was around 18 years old. Then she became a famous actress and played important roles in movies like "Chin Chin El Teporocho", "Las Poquianchis", she also did "El Santo Oficio" and "La Tia Alejandra" for Arturo Ripstein and in the early 80's she stopped acting in films and decided to act in TV series. And she did the right thing, since the crisis in movie industry was terrible, she got a major role in what is considered the second best Mexican TV serie/ soap opera of all time: "Cuna de Lobos" (1986), where she played a noble, suffering woman (she got lots of awards for this role), and then in 1991 finally her biggest role came in, she played for the first time an evil woman, bittered, furious, a psychopath, and she did it in a superb way: the role was Aunt Evangelina in the tv serie: "Cadenas De Amargura"; every possible award for best actress she got it that year. Since then, the name Diana Bracho has a meaning of superb characterization and is considered one of Mexico's finest talents. In 1992 she returned to the movies with "Serpientes y Escaleras", and finally in 1995 she starred in what some people consider her best performance in a film, the formerly play (she starred also and got Mexico's Association of National Theatre best actress award in 1994):"Entre Pancho Villa y Una Mujer Desnuda", which promises to be a great film, soon to open in Mexico.

Julieta Serrano was born on 2 January 1933 in Barcelona, Barcelona, Catalonia, Spain. She is an actress, known for Women on the Verge of a Nervous Breakdown (1988), Pain and Glory (2019) and Dark Habits (1983).

Jane Birkin was born on 14 December 1946 in London, England, UK. She was an actress and director, known for Evil Under the Sun (1982), Blow-Up (1966) and Death on the Nile (1978). She was married to John Barry. She died on 16 July 2023 in Paris, France.

Lee Meredith was born on 22 October 1947 in River Edge, New Jersey, USA. She is an actress, known for The Producers (1967), Great Performances (1971) and The Sunshine Boys (1975). She has been married to Bert Stratford since 1969. They have two children.

Nastassja Kinski was born Nastassja Aglaia Nakszynski on January 24, 1961 in Berlin, Germany, the daughter of German actor Klaus Kinski. In 1976, she met director Roman Polanski, who urged her to study method acting with Lee Strasberg in the United States. Kinski starred in the Italian romantic drama Stay as You Are (1978) with Marcello Mastroianni, gaining her recognition in the United States after the film's release on December 21, 1979. She played the title character in Polanski's romantic drama Tess (1979), an adaptation of Thomas Hardy's novel "Tess of the d'Urbervilles" (1891).

Kinski starred in Francis Ford Coppola's romantic musical One from the Heart (1981), her first film made in the United States. The film became a box office bomb and was a major loss for Coppola's production company Zoetrope Studios. She also starred in the erotic horror movie Cat People (1982) with Malcolm McDowell, a remake of the 1942 classic of the same name. She appeared in Wim Wenders' drama movie Paris, Texas (1984) with Harry Dean Stanton and Dean Stockwell. One of her most acclaimed films, the film won the Palme d'Or (Golden Palm) at the Cannes Film Festival.

During the 1990s, Kinski appeared in a number of American films, including the action movie Terminal Velocity (1994) opposite Charlie Sheen, One Night Stand (1997), Your Friends and Neighbors (1998), John Landis' Susan's Plan (1998), and The Lost Son (1999). She has appeared in more than 60 films in Europe and the United States.

Susan Penhaligon was born on 3 July 1949 in Manila, Philippines. She is an actress, known for Patrick (1978), A Fine Romance (1981) and Count Dracula (1977). She was previously married to Duncan Preston, David Munro and Nicholas Loukes.

Tatiana Papamoschou was born in 1964 in Athens, Greece. She is an actress, known for Iphigenia (1977), Oi Frouroi Tis Achaias (1992) and I aithousa tou thronou (1998).

Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).

Academy Award-winning, legendary English actress - who maintained her status in the British acting elite for decades. Made a Dame of the British Empire by Queen Elizabeth II in 1956. Almost always on stage, she appeared rarely in film, her first being The Wandering Jew (1933). On stage she was cast in many a Shakespearean role, but in film she usually played sympathetic characters. She won an Oscar for A Passage to India (1984), and her last TV film was She's Been Away (1989).  She died from a stroke.

It took 30 years since it was first predicted, but Conchata Ferrell finally achieved television stardom, albeit of the supporting variety, as the housekeeper "Berta" in the situation-comedy Two and a Half Men (2003). Ferrell originally had been tipped for stardom with her turn as the prostitute "April" in the Norman Lear-produced series Hot l Baltimore (1975), in which she recreated her role in Lanford Wilson's off-Broadway hit. However, what was a hit play in New York turned out to be a flop on national TV and, though she worked steadily ever since, it took her role in support of stars Charlie Sheen and Jon Cryer in "Men" to get her the attention her talent richly deserved. For her role as "Berta", Conchata was nominated for an Emmy Award as Best Supporting Actress in a Comedy Series in both 2005 and 2007. She had three Emmy nominations in total, having previously gotten a nod in 1992 for Best Supporting Actress in a Drama Series for L.A. Law (1986).

Conchata Galen Ferrell was born on March 28, 1943 in Charleston, West Virginia, to Mescal Loraine (George) and Luther Martin Ferrell. She attended West Virginia University and Marshall University. Conchata graduated from Marshall with a degree in social studies in education. Eventually, she sought a life in the theater, and achieved success off-Broadway as a member of the Circle in the Square theatrical company in Wilson's "Hot L Baltimore". For her next off-Broadway appearance, as "Gertrude Blum" in Edward J. Moore's "The Sea Horse", Ferrell won Drama Desk, Theatre World and Obie Awards as best actress in 1974. She worked steadily in television and films ever since.

Ferrell was married to Arnie Anderson, and had one daughter.

Lilia Sofer was born on November 28, 1896, to Catholic Katharina Skala and Jewish Julius Sofer , in Vienna, Austria. Julius Sofer worked as a manufacturer's representative for the Waldes Kohinoor Company. Lilia had two sisters: Lisl (later known as renowned dance-therapy pioneer Elizabeth Polk); and Felicitas ("Lizi"--pronounced "Litzi"), an infant nurse. All three sisters adopted their mother's Gentile maiden name of "Skala" and emigrated to the United States.

Lilia Skala would become a star on two continents. In pre-World War II Austria she starred in famed Max Reinhardt's stage troupe, and in post-war America she would become a notable award-worthy matronly character star on Broadway and in films. Forced to flee her Nazi-occupied homeland with her Jewish husband, Louis Erich Pollak (who also adopted his mother-in-law's Gentile maiden name of "Skala") and two young sons in the late 1930s, Lilia and her family managed to escape (at different times) to England. In 1939, practically penniless, they emigrated to the USA, where she sought menial labor in New York's garment district. She quickly learned English and worked her way back to an acting career, this time as a sweet, delightful, thick-accented Academy Award, Golden Globe and Emmy nominee.

She broke through the Broadway barrier in 1941 with "Letters to Lucerne", followed by a featured role in the musical "Call Me Madam" with Ethel Merman. In the 1950s, she did an extensive tour in "The Diary of Anne Frank" as Mrs. Frank, and performed in a German-language production of Kurt Weill's "The Threepenny Opera". Lilia became a familiar benevolent face on TV in several early soap operas, including Claudia: The Story of a Marriage (1952).

She won her widest claim to fame, however, as the elderly chapel-building Mother Superior opposite Sidney Poitier in Lilies of the Field (1963), for which she won both Academy Award and Golden Globe nominations. That led to more character actress work in films, most notably as the dog-carrying Jewish lady in the star-studded Ship of Fools (1965) and as Jennifer Beals's elderly friend in Flashdance (1983). On TV she played Eva Gabor's Hungarian mother in Green Acres (1965) and earned an Emmy nomination for her work in the popular miniseries Eleanor and Franklin (1976)).

She continued filming into her 90th year. Her final film work, occurring in the 1980's, went on to include a touching role as Hanna Long in the hit musical Flashdance (1983), plus parts in Testament (1983), House of Games (1987) and Men of Respect (1990). A few years later, on December 18, 1994, Lilia died of natural causes in Bay Shore (Long Island), New York, a few weeks after her 98th birthday.

Carole Bouquet is a French actress and fashion model. She is best known for having played Bond girl Melina Havelock in the James Bond film For Your Eyes Only (1981).

She also starred in That Obscure Object of Desire (1977), Nemo (1984), The Bridge (1999) and Do Not Disturb (2014).

In 2017 she starred in the Mini-Series The Mantis.

In the 1980s and 1990s she was a model for Chanel.

That Obscure Object of Desire was her film debut.

Parents: Mariano Asquerino (actor) and Eloísa Muro. She debuted in theater at 13 in San Sebastián, Spain. Later, she worked in the Compañía de Teatro de la Comedia de Madrid. She debuted in the cinema in 1941. She has also worked in TV.

Kristin Griffith made her film debut as "Flyn," screen-actress sister to Diane Keaton and Mary Beth Hurt, in Woody Allen's Interiors. She was featured as "Lizzie Acton" in the Merchant Ivory film The Europeans, starring Lee Remick, and in Steven Soderbergh's King of the Hill, with Elizabeth McGovern and Spalding Gray. Other screen appearances include Rose Hill, starring Jennifer Garner, and The Long Way Home, with Jack Lemmon. She has guest-starred on the television series "Blue Bloods," with Tom Selleck, "New Amsterdam," "Third Watch" and all franchises of "Law & Order." Recently seen in the play Mary Broome at New York City's Mint Theater, she also played leading roles there in The Charity That Began at Home, Mr. Pim Passes By and The Truth About Blades. Ms. Griffith made her Broadway debut in A Texas Trilogy: The Oldest Living Graduate and LuAnn Laverty Oberlander, with Fred Gwynne and Diane Ladd. Her Off Broadway credits include Lucy Thurber's Bottom of the World and Marriage, both at the Atlantic Theater, "Lady Eastlake" in The Countess at the Beckett Theater, andThe Holy Terror, written and directed by Simon Gray at the Promenade. She has acted at regional theaters across the country in Ibsen's The Wild Duck (Bard Summerscape), Snow Falling on Cedars, An Enemy of the People and Three by Thornton Wilder (Baltimore Center Stage), Shaw's Misalliance (The Old Globe), Widower's Houses, Great Catherine and Thark (The Shaw Festival, Ontario), and was greeted with critical acclaim for her portrayal of Rose Mary Woods in Stretch: A Fantasia at the Ohio and the Living Theater. She is a member of Ensemble Studio Theatre and the Irish Repertory Theater, where she recently appeared in It's A Wonderful Life.