The Best Actors Ever - 1950s

A Corsicana native, Rex (Clifford) Ingram was the son of Mack and Mamie Ingram. He graduated from Northwestern University with a degree in medicine before launching a brilliant acting career which spanned 50 years. Ingram made his screen debut during the silent era in Tarzan of the Apes (1918). He won widespread acclaim for his portrayal of De Lawd in The Green Pastures (1936), Ingram also appeared on the Broadway stage and in television productions, bringing skill and dignity to every performance. Actor probably best remembered for his portrayal of Jim, the fugitive slave, opposite Mickey Rooney in The Adventures of Huckleberry Finn (1939). He died September 19, 1969 and was buried in California.

Square-jawed, intense, no-nonsense Frank Lovejoy played a succession of detectives, street cops, reporters, soldiers and such over his career. Born in the Bronx, New York, in 1912, he worked on Wall Street as a teenager, but the Great Stock Market Crash of 1929 cost him his job, and to make ends meet he got into acting. He played in touring companies throughout the Northeast before making his Broadway debut in 1934. His gritty, authoritative voice was perfect for radio, and he became a staple on such shows as "Gangbusters", "Night Beat" and "Damon Runyon Theater". Making his film debut in 1948, he worked steadily, mainly in supporting parts but also as a first or second lead (one of his best roles was as one of the hunters kidnapped by murderous psychopath William Talman in the classic The Hitch-Hiker (1953), directed by Ida Lupino). He played soldiers in such war pictures as Breakthrough (1950) and Retreat, Hell! (1952) and even showed up in a western or two. During the 1950s he starred in his own TV shows, Man Against Crime (1956) and The Adventures of McGraw (1957). He died of a heart attack in New York City in 1962.

Lautaro Murúa was one of the best actors in the Argentinean cinema. He was born in Chile and he resided in Argentina at the beginning of the fifties. He participated of the called renovation The Generation of the '60 acting in movies of Leopoldo Torre Nilsson, Rodolfo Khun, Manuel Antín, David José Khon and Leonardo Favio. He was also devoted to direct movies of social topics: Shunko, Alias Gardelito and The Raulito, among others. He left to live to Spain for political reasons in the seventies, and then he returned to Argentina to film several movies until sickness set in and he died in Spain when he worked in that country.

Carlos Navarro was born on 24 February 1921 in Mexico, D.F., Mexico. He was an actor, known for Doña Perfecta (1951), Corazón salvaje (1956) and No quiero lágrimas (1967). He died on 12 February 1969 in Mexico D.F., Mexico.

Fernando Soto was born on 15 April 1911 in Puebla, Puebla, Mexico. He was an actor, known for Campeón sin corona (1946), El rayo de Jalisco (1962) and Extraña cita (1947). He was married to Olga Ochoa Zambrano and Elisa Chávez. He died on 11 May 1980 in Mexico City, Distrito Federal, Mexico.

His mother was the French Lady Comynyplatt Henrietta de Gacher, his father was the British Lieutenant William Graham Niven, who died in the war when David was six years old. Niven was considered a difficult child to educate and had to change schools often until he finally went to Sandhurst Military Academy. He came to Malta as a soldier, left the army here and went to Canada, where he worked as a lumberjack, bridge builder, journalist and whiskey salesman. After detours via New York and Cuba, Niven settled in California in 1934, where he had his first roles as an extra. He appeared in smaller films until the Second World War and then had to go to war for the British army.

In between, he also starred in propaganda films. Niven fought on the British front at Dunkirk and was promoted to colonel in 1944. General Eisenhower decorated him with the medals of the American Legion of Merit. From his first marriage to Primula Rollo, whom he married in 1940, Niven had two sons, David and Jamie. After his wife died in an accident in 1946, he married the Swede Hjordis Tersmeden in 1948, and his daughters Kristine and Fiona came from this marriage. In 1952, Niven founded the television production "Four Star TV" with Charles Boyer and other colleagues and starred in the self-produced series "The David Niven Show" and "Rogues Against Crooks". He had already been successful as an actor for a long time.

Niven starred in the 1946 English production of Error in the Afterlife and then returned to Hollywood. He celebrated successes with "The Virgin on the Roof", "Bonjour Tristesse", "The Guns of Navarone", "55 Days in Peking", "The Pink Panther", "Lady L." and with "Casino Royale". In 1959 he reached the peak of his success when he was honored with the Oscar for Best Actor for Separated from Table and Bed. His most beautiful film role was that of "Phileas Fogg" in the Jules Verne film adaptation "Around the World in 80 Days". Niven later demonstrated his enormous skills in many other films. In the 1970s and 1980s he starred in "Vampira", "A Corpse for Dessert", "Death on the Nile", "The Lion Shows its Claws" and in "Grandpa Seldom Comes Alone".

In 1982 and 1983 he had his last two roles in "The Pink Panther is Hunted" and "The Curse of the Pink Panther". Niven retired and lived on the Cote d'Azur and in Switzerland.

David Niven died on July 29, 1983 in Switzerland as a result of the nervous disease ALS. He made part of his inheritance available to medical research.

One of the great stars of American Westerns, and a very popular leading man in non-Westerns as well. He was born and raised in the surroundings of Hollywood and as a boy became interested in the movies that were being made all around. He studied acting at Pomona College and got some stage experience at the Pasadena Community Playhouse, where other future stars such as Randolph Scott, Robert Young, and Victor Mature would also get their first experience. He worked as an extra after graduation from the University of Southern California in 1928 and did some stunt work. In a rare case of an extra being chosen from the crowd to play a major role, McCrea was given a part in The Jazz Age. A contract at MGM followed, and then a better contract at RKO. Will Rogers took a liking to the young man (they shared a love of ranching and roping) and did much to elevate McCrea's career. His wholesome good looks and quiet manner were soon in demand, primarily in romantic dramas and comedies, and he became an increasingly popular leading man. He hoped to concentrate on Westerns, but several years passed before he could convince the studio heads to cast him in one. When he proved successful in that genre, more and more Westerns came his way. But he continued to make a mark in other kinds of pictures, and proved himself particularly adept at the light comedy of Preston Sturges, for whom he made several films. By the late Forties, his concentration focused on Westerns, and he made few non-Westerns thereafter. He was immensely popular in them, and most of them still hold up well today. He and Randolph Scott, whose career strongly resembles McCrea's, came out of retirement to make a classic of the genre, Sam Peckinpah's Ride the High Country (1962). Scott stayed retired thereafter; McCrea made a couple of appearances in small films afterwards, but was primarily content to maintain his life as a gentleman rancher. He was married for fifty-seven years to actress Frances Dee, who survived him.

Comedian Bob Hope was born Leslie Townes Hope in Eltham, London, England, the fifth of seven sons of Avis (Townes), light opera singer, and William Henry Hope, a stonemason from Weston-super-Mare, Somerset. His maternal grandmother was Welsh. Hope moved to Bristol before emigrating with his parents to the USA in 1908. After some years onstage as a dancer and comedian, he made his first film appearance in The Big Broadcast of 1938 (1938) singing "Thanks for the Memory", which became his signature tune.

In partnership with Bing Crosby and Dorothy Lamour, he appeared in the highly successful "Road to ..." comedies (1940-52), and in many others until the early 1970s. During World War II and the Korean and Vietnam wars he spent much time entertaining the troops in the field. For these activities and for his continued contributions to the industry he received five honorary Academy Awards.

American character actor who specialized in none-too-bright pals of the lead, though his range included villains and ethnic types. A native of New York City, he began acting at 15. He studied at the Neighborhood Playhouse and played on Broadway with the Theatre Guild, and with the Provincetown Players. He came to Hollywood in the late Thirties and quickly became a fixture in films of all genres, primarily at Warner Bros. He was a frequent foil for James Cagney and played everything from comedies to dramas and musicals. In the 1960s, he achieved greater fame as the long-suffering neighbor Abner Kravitz on the hit TV show Bewitched (1964). He retired in 1972. He died of cancer a decade later.

Alan Hale decided on a film career after his attempt at becoming an opera singer didn't pan out. He quickly became much in demand as a supporting actor, starred in several films for Cecil B. DeMille and directed others for him. With the advent of sound, Hale played leads in a few films but soon settled down into a career as one of the busiest character actors in the business. He was one of the featured members of what became known as the "Warner Brothers Stock Co.", a corps of character actors and actresses who appeared in scores of Warner Bros. films of the 1930s and 1940s. Hale's best-known role is probably in The Adventures of Robin Hood (1938), one of several films he made with his friend Errol Flynn, in which he played Little John, a role he played in two other films: Robin Hood (1922) and Rogues of Sherwood Forest (1950).

By the time that he was 20, Lewis Stone had turned prematurely grey. He enlisted to fight in the Spanish American War and when he returned, he returned to be a writer. This turned to acting and he began to appear in films during the middle teens. His career was again interrupted by war as he served in the cavalry during World War I. After the war, he returned to films and quickly graduated to lead roles. With his distinguished look and grey hair, he was able to play the roles of well mannered romantic men. In 1921, Lewis starred in Don't Neglect Your Wife (1921). In the next year, he starred with Alice Terry, who played the heroine, and Ramon Novarro in The Prisoner of Zenda (1922) and Scaramouche (1923). In 1924, Metro merged into the new MGM where Lewis remained for the rest of his career. He was busy over the next few years and garnered an Academy Award nomination for The Patriot (1928). In 1928, he appeared in the first of a series of pictures with Greta Garbo. In A Woman of Affairs (1928) he played the older doctor, a friend of the family. But two years later in Romance (1930), he played her lover.

Lewis made the transition from silent to sound with The Trial of Mary Dugan (1929), which starred Norma Shearer. Sound did not cause Lewis any problems and he continued to be busy with his roles as the distinguished lead. The Big House (1930) was highly successful for MGM and he appeared in other popular movies such as The Phantom of Paris (1931) with John Gilbert and Red-Headed Woman (1932) with Jean Harlow. He appeared with Garbo in Inspiration (1931), Mata Hari (1931), Grand Hotel (1932) and Queen Christina (1933). In the late 30s he took on a role for which he was long remembered - the role of Judge James Hardy who had a son named Andy. Judge Hardy was the father audiences wanted in the late 30s early 40s. He was kind, intellectual, fair and as patient as he had to be with Andy, played by Mickey Rooney. This series occupied most of his screen time until it ended and he did slow down during the late 40s. In the 50s he continued to appear in a number of pictures including remakes of the two he had made 30 years before with Alice Terry. He suffered a heart attack and died in 1953 after appearing in over 200 films.

An imposing Austrian import-turned-matinée idol on the silent screen, Hollywood actor Joseph Schildkraut went on to conquer talking films as well -- with Oscar-winning results. Inclined towards smooth, cunning villainy, his Oscar came instead for his sympathetic portrayal of Captain Alfred Dreyfus in The Life of Emile Zola (1937). His most touching role on both stage and screen would come as the Jewish father-in-hiding, Otto Frank, in The Diary of Anne Frank (1959).

Born on March 22, 1895, in Vienna, Austria, Joseph was the son of famed European/Yiddish stage actor Rudolph Schildkraut and his wife, the former Erna Weinstein. Nicknamed "Pepi" as a boy, the affectionate tag remained with him throughout his life. The family moved to Hamburg, Germany, when Joseph was 4. Joseph studied the piano and violin and grew inspired with his father's profession. On stage (with his father) from age 6, the family again relocated to Berlin where his father built a strong association with famed theatrical director Max Reinhardt.

Following Joseph's graduation from Berlin's Royal Academy of Music in 1911, the family migrated to America and settled in New York in 1912. His father continued making his mark in America's Yiddish theater while Joseph was accepted into the American Academy of Dramatic Arts. Offered lucrative theatre work back in Germany, Rudolf and family returned to Europe where Joseph began to grow in stature on the stage with the help of mentor Albert Bassermann. Joseph, like his father, would become well known not only for his prodigious talents on stage, but his marriage-threatening, Lothario-like behavior off-stage.

World War I and a call to the Austrian Army could have interrupted his career but his theatrical connections helped exempt him from duty. A thriving member of the Deutsches Volkstheatre (1913-1920), work became difficult to find in the post-war years so once again the family returned to America in 1920. Now an established stage player, Joseph was handed the title role in the Guild Theatre production (and American premiere) of "Liliom" opposite his leading lady of choice Eva Le Gallienne. It made stars out of both actors and both revisited their parts together on stage many years later in 1932.

Having appeared in a few silent pictures in Germany and Austria, Joseph was handed a prime role in the silent screen classic Orphans of the Storm (1921) starring the Gish sisters. This alone established him as an exotic matinée figure along the lines of a Valentino and Navarro. Preferring the stage, he nevertheless continued making films while conquering (on screen) Hollywood's loveliest of actresses, including Norma Talmadge in The Song of Love (1923), Seena Owen in Shipwrecked (1926), Marguerite De La Motte in Meet the Prince (1926), Bessie Love in Young April (1926) (which also co-starred father Rudolf), Lya De Putti in The Heart Thief (1927), and Jetta Goudal in The Forbidden Woman (1927). Most notable was his participation in the Cecil B. DeMille epics The Road to Yesterday (1925) and The King of Kings (1927), the latter co-starring as Judas Iscariot, with father Rudolf playing the high priest Caiaphas.

Joseph met his first wife, aspiring actress Elise Bartlett, during a herald run as "Peer Gynt" (1923) on Broadway. The impulsive romantic swept her off her feet, proposed to her on the day he met her, and married her the following week. The couple separated a few years later and his first wife fell to drink, dying at a fairly young age of an alcohol-related illness. His second marriage to Marie McKay was much happier and lasted almost three decades.

The actor's sturdy voice and strong command of the stage led to an easy transition into talking films. Among others, Joseph won the role of Gaylord Ravenal in the Kern and Hammerstein musical Show Boat (1929) opposite Laura La Plante as Magnolia. Despite his preference for the theater, Depression-era finances forced him to relocate to Los Angeles for more job security. Throughout the 1930s and 1940s, Joseph evolved into one of Hollywood's most distinctive character actors.

He played Wallace Beery's nemesis, General Pascal in MGM's Viva Villa! (1934), King Herod opposite Claudette Colbert in DeMille's Cleopatra (1934), and stole scenes as the cunning and underhanded Conrad, Marquis of Montferratin, in DeMille's The Crusades (1935). Joseph received his Oscar for his portrayal of Captain Dreyfus, a proud and robust French Jew wrongly convicted of treason and subsequently exiled to Devil's Island, in the biopic The Life of Emile Zola (1937). He soon became a Hollywood fixture appearing in everything from sumptuous costumers (Marie Antoinette (1938), The Three Musketeers (1939), The Man in the Iron Mask (1939), Monsieur Beaucaire (1946)), to action adventure (Lancer Spy (1937), Suez (1938)) to potent drama (The Rains Came (1939), The Shop Around the Corner (1940)). His film output slowed down considerably at the outbreak of WWII in 1941, however; nevertheless he continued to show vitality on the stage with notable successes in "Clash by Night" (1941) with Tallulah Bankhead, "Uncle Harry" (1942) and "The Cherry Orchard" (1944) (again with Eva Le Gallienne).

His Hollywood downfall happened when he signed his career away to the low budget Republic Pictures studio...for financial reasons. The films were unworthy of his participation and his roles secondary in nature to the storyline. His final Broadway appearance and greatest stage triumph would occur in 1955 as Otto Frank and he repeated his role on film but The Diary of Anne Frank (1959). In one of Hollywood's bigger missteps, he was not even nominated for an Academy Award. Sporadic appearances followed on stage and film -- his last movie role wasted on the trivial role of Nicodemus in the epic failure The Greatest Story Ever Told (1965). The film was released posthumously. On TV, however, he played Claudius to Maurice Evans' Hamlet in 1953 and filmed a memorable "Twilight Zone" episode in 1961.

Following his beloved second wife's death in 1961, he married one more time, in 1963, to a much younger woman named Leonora Rogers. Joseph died of a heart attack only months later at his New York City home on January 21, 1964, He was 68, almost the exact same age his father Rudolf was when he too suffered a fatal heart attack. Joseph was interred in the Beth Olam Mausoleum of the Hollywood Forever Cemetery in Los Angeles.

Born in Avoca, Iowa and moved with his parents to Hollywood, California in the late 1940s, Richard Beymer acted in various films while attending North Hollywood High School. He enjoys making his own films and has a film used in a PBS series on the civil rights movement.

Powerful and highly respected American actor Jason Nelson Robards, Jr. was born in Chicago, Illinois, to Hope Maxine (Glanville) and stage and film star Jason Robards Sr. He had Swedish, English, Welsh, German, and Irish ancestry. Robards was raised mostly in Los Angeles. A star athlete at Hollywood High School, he served in the U.S. Navy in World War II, where he saw combat as a radioman (though he is not listed in official rolls of Navy Cross winners, despite the claims he and his public relations personnel made. Neither was he at Pearl Harbor during the Dec. 7, 1941 attack, his ship being at sea at the time.) Returning to civilian life, he attended the American Academy of Dramatic Arts and struggled as a small-part actor in local New York theatre, TV and radio before shooting to fame on the New York stage in Eugene O'Neill's "The Iceman Cometh" as Hickey. He followed that with another masterful O'Neill portrayal, as the alcoholic Jamie Tyrone in "Long Day's Journey Into Night" on Broadway. He entered feature films in The Journey (1959) and rose rapidly to even greater fame as a film star. Robards won consecutive Academy Awards for Best Supporting Actor for All the President's Men (1976) and Julia (1977), in each case playing real-life people. He continued to work on the stage, winning continued acclaim in such O'Neill works as "Moon For the Misbegotten" and "Hughie." Robards died of lung cancer in 2000.

Born in Kansas, Max Showalter picked up the "acting bug" as a toddler when mother used to take him to the local theater where she played the piano for silent movies. He acted in 92 shows at the Pasadena Playhouse between 1935 and '38, made his Broadway debut under the aegis of Oscar Hammerstein II in "Knights of Song" and acted for two years in the cast of Irving Berlin's traveling musical "This Is the Army." In addition to his films, TV appearances (over 1000), and stage shows, Showalter was a composer, a songwriter, and pianist. In his later years he lived in an 18th-century farmhouse in the Connecticut town he fell in love with while shooting the movie It Happened to Jane (1959).

Born in Pittsburgh, Pennsylvania, Carl Betz formed a repertory theatre company while still in high school, then worked in summer stock. He served in the U.S. Army during the Second World War, then attended Carnegie Tech. Following graduation, he worked as a radio announcer. He made his Broadway debut in "The Long Watch". He was given a contract at Twentieth Century-Fox, and appeared in supporting roles in a number of films before moving into television. After a brief period working in soap operas, he was cast as Dr. Alex Stone on the popular The Donna Reed Show (1958) and spent eight years there. He followed that show with another series, Judd for the Defense (1967), in which he played a masterful attorney. He worked primarily in television, in both guest appearances and TV movies, throughout the Seventies, though he continued to work on stage around the U.S. He fought a gallant fight against early cancer and died in 1978.

Gérard Oury was born on 29 April 1919 in Paris, France. He was an actor and writer, known for The Sucker (1965), Don't Look Now... We're Being Shot At! (1966) and Ace of Aces (1982). He was married to Jacqueline Roman. He died on 19 July 2006 in Saint-Tropez, Var, France.

Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.

James Barton was born on 1 November 1890 in Gloucester City, New Jersey, USA. He was an actor and writer, known for The Shepherd of the Hills (1941), The Daughter of Rosie O'Grady (1950) and Yellow Sky (1948). He was married to Kathryn M. Mullin and Ottilie Regina Kleinert. He died on 19 February 1962 in Mineola, Long Island, New York, USA.

Desiderio Alberto Arnaz y de Acha III was born in Santiago, Cuba on March 2, 1917. His father was the mayor of Santiago. The 1933 revolution led by Fulgencio Batista had landed his father in jail and stripped the family of its wealth, property and power. His father was released because of the intercession of U.S. officials who believed him to be neutral during the revolt. The family fled to Miami, Florida. One of Desi's first jobs in America consisted of cleaning canary cages. However, after forming his own small band of musicians, he was hired by Xavier Cugat, the "king" of Latin music.

Desi soon left Cugat, formed his own Latin band, and literally launched the conga craze in America. He was cast in the Broadway play "Too Many Girls" and then brought to Hollywood to make the film version of the play. It was on the set of Too Many Girls (1940) that he and Lucille Ball met. They soon married and approximately 10 years later formed Desilu Productions and began the I Love Lucy (1951) shows. Desi and Lucille had two children, Lucie Arnaz and Desi Arnaz Jr.. At the end of the I Love Lucy (1951) run, which included The Lucy-Desi Comedy Hour (1957), the two divorced. Desi later wrote an autobiography entitled "A Book." In 1986 he was diagnosed with lung cancer. He died on December 2, 1986 at age 69.

Familiar and well-liked character actor of very different persona than either his father, Noah Beery, or his uncle, Wallace Beery. He attended Harvard Military Academy but managed to make a number of appearances on film and on stage with his father before adulthood. At age 19, he began playing amiable second leads and occasional leading roles, primarily in westerns, before settling into what would be the pattern for much of his career: good-natured supporting roles, usually as a pal of the hero. He kept going in such parts into his late 70s, transforming slowly into warm (or, rarely, curmudgeonly) rustic sages. In later years, he achieved great renown as the father of the James Garner character on TV's The Rockford Files (1974). He married the daughter of cowboy star Buck Jones. Their son Bucklind Beery is an actor. They also had two daughters, Muffett and Melissa. Beery died in 1994 at the age of 81.

London-born David Farrar dropped out of school at 14 and became a writer for the Morning Advertiser newspaper; but it wasn't long before he decided to change careers and become an actor. He started out on the stage in 1932, and five years later made his film debut. Appearing at first in low-budget thrillers, such as Sexton Blake and the Hooded Terror (1938),he worked his way up to more prestigious projects, such as Ealing's Went the Day Well? (1942). Farrar hit his stride in a series of films for renowned directors Michael Powell and Emeric Pressburger, most notably the classic Black Narcissus (1947).

Farrar's brooding good looks and deep, rich baritone won him legions of female fans in the US and Europe, and soon Hollywood came a-calling. He journeyed to Universal as a contract player, but the studio put him in a succession of second-tier action pictures and costume dramas as a villain. He returned to England somewhat embittered by his Hollywood experiences and determined to do better in his own country's film industry, but he couldn't regain the momentum he had before he left for Hollywood. After a small role as King Xerxes of Persia in the Greek-shot The 300 Spartans (1962), he left film acting and turned to television. When his wife died in 1976 he retired from acting altogether, and with his daughter Barbara moved to the Natal coast in South Africa, where he passed away in 1995 at age 87.

Distinguished character actor and one time matinée idol Geoffrey Toone appeared in some of London's most famous stage productions of the 20th century. A stalwart of the Old Vic Theatre since the early 1930s, he worked with stars such as Ralph Richardson and Roger Livesey, and went on to appear in John Gielgud's magisterial 1934 production of Hamlet, Romeo and Juliet (1935) with Gielgud and Laurence Olivier, and the wartime production of Lady Windemere's Fan (1945) designed by Cecil Beaton.

Toone's striking looks as a young actor made him a favourite with pre-war audiences. One critic who commented on Toone's "sculpted features" said the actor "could have stepped out of a Sargent painting."

In his later career, Toone's powerful stage presence and keen intelligence saw him emerge as a leading character actor, and he became one of television's busiest performers. He was often cast as an aristocrat or military type in series such as The Avengers (1961) and Jeeves and Wooster (1990) and became something of a household name when he played the vengeful Nazi Von Gelb in the cult ITV children's spy series Freewheelers (1968).

Toone had a prolific film career, which included such roles as Sir Edward Ramsay in The King and I (1956), Harold Hubbard in The Entertainer (1960) and several horror films including The Terror of the Tongs (1961) and Dr. Crippen (1963).

His later career was mainly spent working in television both in Britain and in America. He retired to Denville Hall, the actor's rest home in Northwood, Middlesex where he died on June 1, 2005, at 94.

For many years he had shared a house with the actor Frank Middlemass.

Robert Douglas' real last name was Finlayson - a Scots name - and perhaps it was that side of him that meant to do what he wanted to do. The males of the family had followed the military for several generations - his father and grandfather were commanders of the West Sussex regiment - but he decided on another road for his career. He was interested in acting and showed enough talent and potential to debut on stage at 16 and enter theater training for two years at the Royal Academy of Dramatic Arts in London the next year. Using his given middle name as a professional surname, in 1930 he moved up to a feature role with an all-star cast in the London revival of "A Bill of Divorcement". Other choice roles followed quickly: "Kind Lady" with Sybil Thorndike and the "Last Enemy" with Laurence Olivier. Even then Douglas was destined for a trans-Atlantic career. At the end of that same year of 1930 he came to Broadway to do the American version of "Last Enemy" with Jessica Tandy. Still he was back in London in 1931 to open yet another page in his acting career with the potential to be found in film work. With a rather rugged, squared-off good looks and purposeful acting voice, he found further work in the movies - comedies at first. But he had less than a dozen roles through 1939, for he was pursuing yet another interest - and that on the other side of the stage with producing and directing plays in the West End beginning in 1932 at age 23.

The few film roles nevertheless kept ramping up in significance. By 1937 his first lead dramatic role in Torpedoed (1937) tapped him for a real adventure. Bergfilms or mountain films, being a heroic if emotional epitomizing of Teutonic spirit against stark but beautiful nature, had been popular in Germany through the later silent era largely through the significant talents of German geologist-turned-director Arnold Fanck. His influenced on others included one of his leading men, a young Austrian World War I veteran officer of mountain troops named Luis Trenker. Trenker had already starred in two Fanck mountain films and was the first leading man (1926) of the controversial Leni Riefenstahl, Fanck's muse - of sorts. Fanck did the screenplay of a dramatic interpretation of the 1865 race between England, Switzerland, and Italy to first climb the Matterhorn in Switzerland for a 1928 film directed by Italian actor-director Mario Bonnard with Trenker as the historical Italian competitor 'Jean-Antoine Carrel'. Trencker, a gifted sort of Renaissance man of many talents, turned to being director, writer, and producer as well in 1930. After several of his own Bergfilms and other efforts he decided to once again visit the Matterhorn subject in concert with British also actor-turned-director Milton Rosmer and then expatriate Hungarian writer Emeric Pressburger to do a British version of his German rendition of the drama which he called The Mountain Calls (1938). Trenker directed and co-starred as Carrel-once again-in his version, while he co-directed as alpine action supervisor and again played Carrel in the British version The Challenge (1938). Historically, the race was won by a little known young British mountaineer, 'Edward Whymper', and Douglas with a striking theatrical resemblance to Whymper got the part. Due to Trenker's expertise as a mountaineer, the climbing sequences are very realistic and even the somewhat over dramatic dialog is stirring. Of the two films fortunately Douglas was perhaps the best remembered performer, although the German version on a whole was the more even, largely due to Trenker's considerable abilities as the go-to guy for just about anything needed to put a film in the can.

For Douglas it was a busy 1939 with film work capped by his being one of the first British actors to enlist as World War II loomed. He became a Royal Navy pilot and would serve until 1946. He did one more British film and also produced, directed, and starred in "Lighten Our Darkness" on stage in London before heading over the Atlantic for good in 1947. He had been back to Broadway in 1931-32 and 1935 for two plays, the second, "Most of the Game", with his first wife, British actress Dorothy Hyson. And he had returned in 1942 for the musical "The Time, the Place, and the Girl". But now he had a Warner Bros. contract in hand and was on his way to a future in Hollywood. What followed was a few years of WB contract work that found Douglas the noble villain - and with his iron lipped scowl and a contrived harsh voice he could look any such part with a steady verve. He was first cast opposite a fast dissipating Errol Flynn, walking through the rather lackluster Adventures of Don Juan (1948). But he and Flynn got along fine and became friends and teamed again for Kim (1950), a much better film. A much more substantial role came to Douglas in the next year's The Fountainhead (1949), part of individualist Ayn Rand's corpus of heavy-handed hedonistic philosophy which amid the cast included vivacious-wholesome but downright sexy-newcomer Patricia Neal. With its dense and challenging dialog, Douglas considered it one of his favorite efforts. And there were other substantial amid many good efforts as Douglas moved into the 1950s and toward some freelance studio hopping. But certainly he was much in demand if not something of a fixture as the less than noble noble in such well known literary yarns as Ivanhoe (1952) and The Prisoner of Zenda (1952), and the concocted At Sword's Point (1952) all in one year.

By the mid 1950s he was spending half his time exploring acting on the small screen and like his now more modest movie parts as a more senior character actor. But Douglas was not one to waste time. He was noticeably absent from acting in 1956 for the very reason that he had returned to Broadway - not as an actor but as a director (and producer for one) of four original comedy plays through that year. Though he had occasional roles into the late 1970s, Douglas launched into an unusually prolific life as a TV director starting in 1960. As such he supervised the shooting of nearly 40 episodic series - a full spectrum of popular shows from his start with "Maverick" and the list of heartthrob private eye series, to TV playhouse productions, many other westerns, law and order fare, and varied dramas. In many cases he returned to do multiple episodes, and in fact he became a directorial regular (16 episodes) on the World War II drama "Twelve O'Clock High", during its sagging second and third seasons, no doubt his own air combat experience being a telling factor in his longevity. Douglas's one directorship on the big screen was for the British well regarded if economic spy thriller Night Train to Paris (1964).

Still active as a TV director in 1982, Douglas thereafter retired but continued to appear on TV, providing historical perspective of the movie past, one in particular being his remembrances of an old friend in the 1983 documentary "Errol Flynn: Portrait of a Swashbuckler". At nearly 90 years old Robert Douglas passed away after as thoroughly an engaging film life as could ever be imagined.

Philip Friend was born on 20 February 1915 in Horsham, Sussex, England, UK. He was an actor, known for Buccaneer's Girl (1950), Dick Turpin: Highwayman (1956) and The Solitary Child (1958). He was married to Eileen Erskine. He died on 1 September 1987 in Chiddingfold, Surrey, England, UK.