Celebrities who are sometimes considered 'Beautiful', but are NOT. (imo)

Rhea Perlman was born on 31 March 1948 in Brooklyn, New York City, New York, USA. She is an actress and producer, known for Cheers (1982), Barbie (2023) and Matilda (1996). She has been married to Danny DeVito since 28 January 1982. They have three children.

Shirly Brener was born on 24 September 1974 in Haifa, Israel. She is an actress and producer, known for Employee of the Month (2006), The Chicago 8 (2011) and G.I. Joe: Retaliation (2013). She has been married to Bruce Rubenstein since 2004. They have two children.

Born on November 1, 1942, the eldest of three born to an Iowa general storeowner, Marcia Wallace endured a troubled childhood (alcoholism, physical abuse). Performing in high school plays as a teenager, she studied at Parsons College in Fairfield, Iowa, where she majored in English and theatre.

Marcia initially induced laughs because of a weight problem, playing plump, self-deprecating characters in such musicals as "The Music Man". She also supplemented her very modest income at the time, substitute teaching in the Bronx. Managing to drop much of her excess weight over time, she found, to her delight, that she could still make people laugh. Finding an invaluable training ground with the improvisational comedy group, "The Fourth Wall", in 1968, she appeared with the company off-Broadway for a spell. In between times, she studied with acting guru Uta Hagen.

Marcia began to flesh out her on-camera resume at first with bit roles on such shows as "The Invaders" (as a courtroom spectator), "Bewitched" (as Darrin's secretary), "The Brady Bunch" (as a saleswoman), she earned her first on-camera break with recurring appearances on The Merv Griffin Show (1962). As a direct result, she won the best role of her career as "Carol Kester", the chatty receptionist on The Bob Newhart Show (1972) after only a year or so in Hollywood. For seven years, Marcia won tons of fans as the slightly ditsy co-worker and confidante who was always looking for that "special guy" to walk through the door.

During that time and after, she guested and added fun to many popular lightweight 70's and 80's shows of the day, including "Love, American Style," "The Love Boat," "Fantasy Island," "CHiPS," "Magnium, P.I.," "Gimme a Break," "Finder of Lost Loves," "Murder, She Wrote," "Alf," "Night Court,' "Small Wonder" and "Charles in Charge." She also decorated and perked up a few TV movies -- The Castaways on Gilligan's Island (1979), Gridlock (1980), Pray TV (1980) -- and the full length features a few films Teen Witch (1989), My Mom's a Werewolf (1989) and Ghoulies Go to College (1990). She went on the enjoy regular work in commercials for over three decades (Kraft a la Carte, Crest, Taster's Choice).

Following her TV success on the "The Newhart Show," Marcia kept visible as a recurring game show panelist on such shows as "The Match Game," "Password," "The $10,000 Pyramid" and "Hollywood Squares." On the summer stock and dinner theater circuits, Marcia found engaging work in such comedies as "Plaza Suite," "Born Yesterday," "The Prisoner of Second Avenue," "The Sunshine Boys," and "Last of the Red Hot Lovers," as well as the musicals "Gypsy" and "Promises, Promises."

In 1985, Marcia was diagnosed with breast cancer. She eventually became an activist and lecturer on breast cancer awareness, educating the public about early detection. She was also the prime caretaker for her husband, hotelier Denny Hawley, when he was diagnosed with pancreatic cancer. He passed away in 1992. They adopted one child, Michael.

Marcia's career would gain a second career wind in voiceovers. Today's generations will recognize her Emmy-winning voice-work as Bart's teacher, "Mrs. Edna Krabappel" on the long-running animated series The Simpsons (1989). Her voice was also utilized on such animated projects as "Darkwing Duck," "Raw Toonage," "Camp Candy," "Batman: The Animated Series," "Aladdin," "Cow and Chicken," "The Angry Beavers" and Rugrats" as well as providing several voices for the animated film Monsters University (2013).

She has guest-hosted televised comedy clubs and talk shows, and was the actual co-host of a diet show on cable. Marcia remained on the lecture circuit and published her own 2004 memoir (Don't Look Back, We're Not Going That Way!) which gently and admirably laces her myriad of struggles with wit, humor and a positive outlook.

Into the millennium, she was seen as Maggie the housekeeper on the short-lived, irreverent TV series spoof That's My Bush! (2001) starring Timothy Bottoms. In 2009, she was seen as Annie Wilkes on the daytime soaper The Young and the Restless (1973). A few scattered films appeared on the horizon, including the comedies Forever for Now (2004), A Prueba De Hombres (2007) and Tru Loved (2008).

Marcia's lengthy battle with illness ended on October 25, 2013, when the 70-year-old actress died of breast cancer complications (pneumonia and sepsis).

A veteran of stage and screen, award-winning actress Miriam Margolyes has achieved success on both sides of the Atlantic. Winner of the BAFTA Best Supporting Actress award in 1993 for The Age of Innocence (1993), she received Best Supporting Actress at the 1989 LA Critics Circle Awards for her role in Little Dorrit (1987) and a Sony Radio Award for Best Actress in 1993. She voiced "Fly, the dog" in Babe (1995).

Major credits include Yentl (1983), Little Shop of Horrors (1986), I Love You to Death (1990), End of Days (1999), Sunshine (1999), Cold Comfort Farm (1995), Cats & Dogs (2001), and Magnolia (1999). She played "Prof. Sprout" in Harry Potter and the Chamber of Secrets (2002). More recently, she appeared in Stephen Hopkins', The Life and Death of Peter Sellers (2004), Modigliani (2004), István Szabó's Being Julia (2004) and Ladies in Lavender (2004) (with Dames Maggie Smith and Judi Dench).

Memorable television credits include Old Flames (1990), Freud (1984), The Life and Loves of a She-Devil (1986), Blackadder (1982), The Girls of Slender Means (1975), Oliver Twist (1985), The History Man (1981), Vanity Fair (2004), and Supply & Demand (1997).

Stage credits include Peter Hall's Los Angeles production of "Romeo & Juliet"; "She Stoops to Conquer" and "Orpheus Descending" (both also for Peter Hall); "The Threepenny Opera" (directed by Tony Richardson); "The White Devil" at The Old Vic (for Michael Lindsay-Hogg); the Bristol Old Vic production of "The Canterbury Tales"; and her own award-winning one-woman show, "Dickens' Woman".

In the 2002 Queen's New Years Honours List, Queen Elizabeth II awarded her the OBE for her services to Drama.

Helen Slater was born in Bethpage, New York, to Alice Joan (Citrin), a lawyer and peace activist, and Gerald Slater, a television executive. She was raised in Massapequa, Long Island, New York, and is of Eastern European Jewish descent. Appearing in many shows as a child, she attended the New York High School of Performing Arts, graduating in 1982. Having made her acting debut in Amy & the Angel (1982), co-starring with James Earl Jones and Matthew Modine. Helen took her career very seriously. Within months of her graduation, she attended auditions for the upcoming spin-off of the famous Superman (1978) franchise, Supergirl (1984). It was to be shot in England at Pinewood Studios, where the first "Superman" movies were filmed. Slater even spoke to Christopher Reeve about playing a superhero to assure herself she could do it. After being the first to present herself for audition, she was cast as the lead in the film and her career took off. Although Supergirl (1984) received mixed reviews, most critics were impressed with Helen's abilities. In fact, the critics' consensus was that she did a better job at keeping a secret identity (a mousy schoolgirl) than Reeve did as Clark Kent. In her next film, she was cast as a modern-day "Joan of Arc" in The Legend of Billie Jean (1985) with Yeardley Smith and Peter Coyote. The film, though not particularly successful, has managed to attract a somewhat cult following. She next appeared in one of her best-received roles, that of the female half of the bumbling husband-and-wife team that kidnaps Bette Midler in the comic blockbuster, Ruthless People (1986), and scored again in the hit The Secret of My Success (1987). Both roles helped to cement her status as an actress of note. Next, she and her friend, Melanie Mayron, starred in the feminist comedy, Sticky Fingers (1988), a critical but not financial success. It was in this film and her next, Happy Together (1989), that she was able to prove that she could do comedy as well as drama. She went on to do more feature films such as City Slickers (1991), A House in the Hills (1993) and Lassie (1994), before making regular appearances on television. Her regional stage credits include appearances in such plays as "Grease" and "Shakespeare and Friends". On Broadway, she starred in "Responsible Parties" and "Almost Romance". She also attended classes at both NYU and UCLA, trying to broaden her acting abilities. On television, she has appeared in Caroline in the City (1995), as well as many others. She also became a spokeswoman for Preference by L'Oreal in both TV and print ads. She is an accomplished pianist and now has an album out called "One of These Days". She co-founded the New York theater group, The Naked Angels, with her friend Gina Gershon. In 1990, she married award-winning editor Robert Watzke and they have a daughter, born in 1995. She stepped out of the limelight for a couple of years, appearing mainly in the occasional TV show, but came back strong in 2003, showing moviegoers and TV audiences how great an entertainer she really is.

It was inevitable that Nona Gaye would become a singer - she is the granddaughter of Cuban jazz great Slim Gaillard, the niece of R&B singer/songwriter Frankie Gaye and the daughter of soul legend Marvin Gaye. Signed to Third/Stone Atlantic at 14, Nona released "Love for the Future" in 1992, which included the top 20 hit "I'm Overjoyed". But it was acting that give Nona a name of her own. With no acting experience and her agents warning her not to get her hopes up, she won the role of Khalilah Camacho Ali in Ali (2001)opposite Academy Award-nominee Will Smith. Nona went on to play Zee in the "Matrix" sequels, replacing singer Aaliyah after her sudden death in a plane crash. In 2004, Nona provided the voice for Hero Girl in The Polar Express (2004), which also starred Tom Hanks. Nona has plans to return to the music studio as well as the silver screen. "My music will always reflect upon my family's legacy or people's expectations," Nona told Interview Magazine in 2001. "But acting's all mine."

Doris Roberts was born in St. Louis, Missouri, to Ann (Meltzer) and Larry Green. She was raised in New York, and took her stepfather's surname. Roberts was a 20-year veteran of the Broadway stage before she began appearing steadily in character roles in film and on television during the 1970s. A versatile player with an inescapably "mom-like" presence, she was adept at playing sympathetic roles but made her most memorable mark as hard-boiled dames, gossips, and nags who were often too savvy of the ways of the world to be fooled by anyone. Roberts built up some face recognition with regular appearances in the sitcoms Mary Hartman, Mary Hartman (1976) (syndicated) and Angie (1979) (ABC), but truly came into her own as a widely known comedienne when she was cast as the meddling, strong-willed family matriarch on Everybody Loves Raymond (1996) (CBS). The show became of the best-loved sitcoms in history, and Roberts earned seven Emmy nominations and four wins for her colorful characterization. Well past the common age of retirement and well past the show's celebrated end, Roberts maintained a reputation as one of the big and small screen's most iconic mothers, and she continued to be a welcome sight as a television guest star and film player.

Multi Grammy Award-winning singer/comedienne/author Bette Midler has also proven herself to be a very capable actress in a string of both dramatic and comedic roles. Midler was born in Honolulu, Hawaii, on December 1, 1945. She is the daughter of Ruth (Schindel), a seamstress, and Fred Midler, a painter. Her parents, originally from New Jersey, were both from Jewish families (from Russia, Poland, and the Austro-Hungarian Empire).

Midler studied drama at the University of Hawaii and got her musical career started by performing in gay bathhouses with piano accompaniment from Barry Manilow. Her first album was "The Divine Miss M" released in November 1972, followed by the self-titled "Bette Midler" released in November 1973, both of which took off up the music charts, and Bette's popularity swiftly escalated from there.

After minor roles in several film/TV productions, she surprised all with her knockout performance of a hard-living rock-and-roll singer (loosely based on the life of Janis Joplin) in The Rose (1979), for which she received an Academy Award nomination for Best Actress. In 1986, director Paul Mazursky cast Midler opposite Nick Nolte and Richard Dreyfuss in the hilarious Down and Out in Beverly Hills (1986), and so began a string of very funny comedic film roles. She played an obnoxious wife who was the victim of a kidnap plot by her scoundrel husband, played by Danny DeVito, in Ruthless People (1986), was pursued by CIA and KGB spies in Outrageous Fortune (1987), played mismatched twins with Lily Tomlin in Big Business (1988) and shone in the tear-jerker Beaches (1988).

Bette matched feisty James Caan in the WWII drama For the Boys (1991), made a dynamic trio with Goldie Hawn and Diane Keaton in The First Wives Club (1996), was back on screen with DeVito for the tepid comedy Drowning Mona (2000) and turned up in the glossy remake of The Stepford Wives (2004). Apart from her four Grammy awards, Bette Midler has also won four Golden Globes, one Tony Award, and three Emmy Awards, plus she has sold in excess of 15 million albums worldwide. Most recently, she toured with her sassy "Kiss My Brass" show, and is promoting her album "Bette Midler Sings the Rosemary Clooney Songbook".

Keshia Knight Pulliam was born on 9 April 1979 in Newark, New Jersey, USA. She is an actress and director, known for The Cosby Show (1984), House of Payne (2006) and Madea Goes to Jail (2009). She has been married to Brad James since 25 September 2021. They have one child. She was previously married to Ed Hartwell.

Bonnie Franklin, of the freckled, fair-skinned, hazel-eyed, rosy-cheeked, carrot-haired variety, could light up a room with her buoyant, folksy personality, but she could be quite serious in a take-charge manner when it came to purposeful acting work. It took Norman Lear and a highly popular TV sitcom to finally make the 31-year-old performer a household star in the mid-1970s.

She was born Bonnie Gail Franklin in Santa Monica, California on January 6, 1944, the daughter of Samuel Benjamin, an investment banker, and Claire (née Hersch) Franklin, both of Jewish descent. She was thrust onto the stage at a very young age as a child tap dancer and became the protégé of consummate tapper Donald O'Connor. At age 9, she performed with O'Connor on NBC's The Colgate Comedy Hour (1950). A year later, she performed as one of the Cratchit daughters in the Shower of Stars (1954) TV version of "A Christmas Carol", starring Fredric March and Basil Rathbone as "Scrooge" and "Marley", respectively. The young girl then appeared, unbilled on film, playing sweet young things in the rural comedy, The Kettles in the Ozarks (1956), Alfred Hitchcock's The Wrong Man (1956) and the Sandra Dee/Troy Donahue's box office tearjerker, A Summer Place (1959).

At age 13, the family moved from Santa Monica to upper-scale Beverly Hills. Graduating from Beverly Hills High School in 1961, Bonnie studied at Smith College for a time where the freshman co-ed acted in an Amherst College production of "Good News". She then transferred to UCLA and majored in English. Following her studies, she returned to TV and appeared in lightweight comedies that welcomed her perky, pixie-like presence. These included mid-to-late 1960s episodes of Mr. Novak (1963), Gidget (1965), The Man from U.N.C.L.E. (1964), Please Don't Eat the Daisies (1965) and The Munsters (1964). In 1967, she married Ronald Sossi, a playwright best-known for his writing/producing chores on the TV series, The Rat Patrol (1966). The marriage, however, was short-lived and ended in 1970.

It was on the musical stage that Bonnie found breakthrough success. Following diligent work in "Drat the Cat!" (1965), "Your Own Thing" (1968), "George M.!" (1969) and "Dames at Sea" (1969), she took her first Broadway curtain call in "Applause", the well-received 1970 musical version of All About Eve (1950), starring Lauren Bacall. Bonnie played a theater "gypsy", named "Bonnie", who sings and dances to the title song backed by her "band of gypsies". Bonnie won the Outer Critics and Theatre World awards and a 1970 Tony nomination for her effort here. She continued on the stage with prime roles in "A Thousand Clowns" (1971), the title role in "Peter Pan" (1973), and the revue "Oh, Coward!" (1975).

It wasn't until Bonnie was handed the prime role of "Ann Romano", a divorced mom raising two daughters (Mackenzie Phillips and Valerie Bertinelli) on One Day at a Time (1975), did she become a viable star. Although her contagious cheerfulness and beaming smile was part of her value on the comedy show, Franklin desired to focus on taboo TV subjects such as divorce, birth control, sexual harassment and suicide, as well as getting laughs. While the program didn't match the ground-breaking importance or success of an All in the Family (1971), the show did command consistent and respectable ratings ("Top 20" for seven of its nine years) and lasted on CBS until 1984. Bonnie received one Emmy nomination and two Golden Globe nominations during the sitcom's run, and managed to find time to squeeze in a few other TV-movie projects as well -- A Guide for the Married Woman (1978), Breaking Up Is Hard to Do (1979), the title role in Portrait of a Rebel: The Remarkable Mrs. Sanger (1980) and Your Place... or Mine (1983). Bonnie also directed episodes of One Day at a Time (1975), Karen's Song (1987) Charles in Charge (1984) and The Munsters Today (1988).

Following the show's demise, Bonnie seemed to keep a lower profile on camera, focusing instead on theatre roles and in several humanitarian efforts. Sporadic guest roles on Burke's Law (1994) (revived), Almost Perfect (1995) and Touched by an Angel (1994) was highlighted by a 2005 TV reunion with her One Day at a Time (1975) TV family, The One Day at a Time Reunion (2005). Her return to the theatre, after a break of 14 years, included roles in a variety of plays: "Happy Birthday and Other Humiliations" (1987), "Annie Get Your Gun" (1988) (as "Annie Oakley"), "Frankie and Johnny in the Clair de Lune" (1988), "Love and Guilt and the Meaning of Life" (1990), "Grace & Glorie" (1996), "All I Need to Know I Learned in Kindergarten" (1997), "Who's Afraid of Virginia Woolf?" (1999), "Same Time, Next Year" (2000), "Dancing at Lughnasa" (2003), "A Touch of the Poet" (2005), "A Delicate Balance" (2007) and as crotchety "Ouisar" in "Steel Magnolias" (2011). In addition, she put together and toured in her own cabaret act and appeared in nearly a dozen staged readings with Los Angeles' Classic and Contemporary American Playwrights.

Bonnie was a tireless activist for a variety of charities and civic-oriented issues, among them AIDS care and research and the Stroke Association of Southern California. More recently, Bonnie reunited with "One Day at a Time" daughter Valerie Bertinelli in a 2011 episode of Bertinelli's sitcom, Hot in Cleveland (2010), and, a year later, played a recurring nun in the daytime The Young and the Restless (1973).

In September of 2012, Bonnie was diagnosed with pancreatic cancer and died several months later on March 1, 2013. Her second husband of 29 years, TV/film producer Marvin Minoff, who produced Bonnie's TV movie, Portrait of a Rebel: The Remarkable Mrs. Sanger (1980), as well as the film, Patch Adams (1998), died in 2009.

Margaret Hamilton was born December 9, 1902 in Cleveland, Ohio, to Jennie (Adams) and Walter Hamilton. She later attended Hathaway Brown School in Shaker Heights, Ohio, and practiced acting doing children's theater while a Junior League of Cleveland member. Margaret had already built her resume with several performances in film before she came to her most memorable and astronomically successful role, Almira Gulch / The Wicked Witch of the West in The Wizard of Oz (1939). The character is considered to be one of the screen's greatest and most memorable villains of all time.

Angel Coulby is an English actress. She made her television debut in the BBC comedy 'Orrible. She is best known for portraying the character of Guinevere "Gwen" in the BBC fantasy series Merlin.

Angel grew up in north London, Finsbury Park, but moved to Edinburgh to attend the Queen Margaret University where she studied acting. Angel has always been a fan of the fantasy genre; she counts Labyrinth and The Wizard of Oz among her favorite films. Some of the filming for Merlin takes place in France and Angel loves filming there.

Talia Rose Shire is an American actress who played roles as Connie Corleone in The Godfather films and Adrian Balboa in the Rocky series. For her work in The Godfather Part II and Rocky, Shire was nominated for Academy Awards for Best Supporting Actress and Best Actress, respectively, and for the Golden Globe Award for Best Actress in a Drama for her role in Rocky.

Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).

Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.

By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")

Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.

Reed began her on-screen acting career appearing as a cast regular on the CBS drama series The Andros Targets (1977), and with minor roles in the films The Long Riders (1980), and Melvin and Howard (1980). Shortly after, New York Times awarded her positive reviews for her work in the poorly received, yet entertaining film The Clan of the Cave Bear (1986); in the film, Reed is Iza, a formidable neanderthal woman who is descended from a line of renowned medicine women. Later, Robert Altman awarded Reed with a role in his HBO political mockumentary miniseries Tanner '88 (1988). Her performance as T.J Cavanaugh, a fictional presidential campaign manager, earned her an ACE Award for Actress in a Dramatic Series. It was in the box office smash Kindergarten Cop (1990) that Reed received much-deserved exposure with the comedic role of Phoebe, Arnold Schwarzenegger's hypoglycemic police partner. Reed continues to appear in film and television projects; however is more often found on stage; a well-reputed stage actress, her performances have earned two Drama Desk Awards, Featured Actress - Play (1978, 1979), and an Obie Award, Sustained Excellence - Performance (1984).

Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.

After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.

In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.

In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.

Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.

She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.

She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.

In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.

Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.

Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.

Lauren Marie Socha is an actress, known for her role in Misfits (2009).

She born June 9, 1990, in Derby, Derbyshire, England, to Kathleen (Lyons) and Robert Socha, and has Polish, English, Irish, and Italian ancestry. In 2010, Socha starred alongside Tim McInnerny in the short film Missing. She also had a minor role in the television mini-series Five Daughters.

Willow Smith was born on 31 October 2000 in Los Angeles, California, USA. She is a music artist and actress, known for I Am Legend (2007), Madagascar: Escape 2 Africa (2008) and Kit Kittredge: An American Girl (2008).

Born in Brooklyn and raised in Queens, New York among eight siblings, including her twin sister Lorraine, Lauren Velez dreamed of becoming an actress ever since she played a groundhog in a school play in second grade. Immediately following high school, she received a scholarship from the Alvin Ailey Dance School which led to her first job performing in the national touring company of the musical "Dreamgirls". Later she became understudy for actress Phylicia Rashad in Broadway's "Into the Woods". Her most visible role was that of "Nina Moreno" on the cop drama New York Undercover (1994). With her varied performances and Afro-Latin background and appearance, Velez's success is considered -- by fans and critics alike -- a breakthrough for Latina actresses who do not fit the stereotypical "Europeanized Hollywood" version of Latin females. As a result, Velez deservedly has a large multi-ethnic following.

Wallis was born in Houma, Louisiana, to Qulyndreia (Jackson) Wallis, a teacher, and Venjie Wallis, Sr., a truck driver. She has one sister, Qunyquekya, and two brothers, Vejon and Venjie, Jr. "Quven", the first part of her name, combines the first syllables of her parents' first names. Wallis, at age five, auditioned for her very first acting job, the starring role in Beasts of the Southern Wild, even though the minimum age to be considered was six. She eventually beat out 4,000 others for the role of Hushpuppy, the indomitable child prodigy and survivalist who lives with her dying father in the backwoods bayou squalor of Louisiana. At that time, she was just six years old during the filming. Wallis is the first person born in the 21st century to receive an Academy Award nomination. In May 2014, Wallis was named the face of Armani Junior, Giorgio Armani's line for children and teens. This makes her the first major child celebrity to be the face of a luxury brand.

From the grand old school of wisecracking, loud and lanky Mary Wickes had few peers while forging a career as a salty scene-stealer. Her abrupt, tell-it-like-it-is demeanor made her a consistent audience favorite on every medium for over six decades. She was particularly adroit in film parts that chided the super rich or exceptionally pious, and was a major chastiser in generation-gap comedies. TV holds a vault full of not-to-be-missed vignettes where she served as a brusque foil to many a top TV comic star. Case in point: who could possibly forget her merciless ballet taskmaster, Madame Lamond, putting Lucille Ball through her rigorous paces at the ballet bar in a classic I Love Lucy (1951) episode?

Unlike the working-class characters she embraced, this veteran character comedienne was actually born Mary Isabelle Wickenhauser on June 13, 1910, in St. Louis, Missouri, the daughter of a well-to-do banker. Of Irish and German heritage, she grew into a society débutante following high school and graduated from Washington University in St. Louis with a degree in political science. She forsook a law career, however, after being encouraged by a college professor to try theater, and she made her debut doing summer stock in Stockbridge, Massachusetts. The rest, as they say, is history.

Prodded on by the encouragement of stage legend Ina Claire whom she met doing summer theater, she transported herself to New York where she quickly earned a walk-on part in the Broadway play "The Farmer Takes a Wife" starring Henry Fonda in 1934. In the show she also understudied The Wizard of Oz (1939)'s "Wicked Witch" Margaret Hamilton, and earned excellent reviews when she went on in the part. Plain and hawkish in looks while noticeably tall and gawky in build, Wickes was certainly smart enough to see that comedy would become her career path and she enjoyed showing off in roles playing much older than she was. New York stage work continued to pour in, and she garnered roles in "Spring Dance" (1936), "Stage Door" (1936), "Hitch Your Wagon" (1937), "Father Malachy's Miracle (1937) and, in an unusual bit of casting, Orson Welles' Mercury Theatre production of "Danton's Death". All the while she kept fine-tuning her acting craft in summer stock.

A series of critically panned plays followed until a huge door opened for her in the form of Miss Preen, the beleaguered nurse to an acid-tongued, wheelchair-bound radio star (played by the hilarious Monty Woolley) in the George S. Kaufman/Moss Hart comedy "The Man Who Came to Dinner"; for once, it was Wickes doing the cowering. The play was the toast of Broadway for two wacky years and she went on tour with it as well. She also become a Kaufman favorite.

Hollywood took notice as well, and when Warner Bros. decided to film the play, it allowed both Wickes and Woolley to recreate their classic roles. The Man Who Came to Dinner (1941), which co-starred Bette Davis and Ann Sheridan, was a grand film hit and Wickes was now officially on board in Hollywood, given plenty of chances to freelance. At Warners she lightened up the proceedings a bit in the Bette Davis tearjerker Now, Voyager (1942) as the nurse to Gladys Cooper. Elsewhere, she traded quips with Lou Costello as a murder suspect in the amusing whodunit Who Done It? (1942); played a WAC in Private Buckaroo (1942) with The Andrews Sisters; and dished out her patented smart-alecky services in both Happy Land (1943) and My Kingdom for a Cook (1943).

Wickes returned to Broadway for a few seasons, often for Kaufman, and did some radio work as well, but returned to Hollywood and played yet another nurse in The Decision of Christopher Blake (1948), a part written especially for her. She appeared with Bette Davis for a third time in June Bride (1948), finding some fine moments playing a magazine editor. Wickes went on to perform yeoman work in On Moonlight Bay (1951) and its sequel, By the Light of the Silvery Moon (1953); I'll See You in My Dreams (1951); White Christmas (1954) and The Music Man (1962), the last as one of the "Pick-A-Little, Talk-A-Little" gossiping housewives of River City.

Television roles also began filtering in for Wickes she continued to put her cryptic comedy spin on her harried housekeepers, teachers, servants and other working commoner types. She played second banana to a queue of comedy's best known legends in the 1950s and 1960s, notably Lucille Ball (who was a long-time neighbor and pal off-screen), Danny Thomas, Red Skelton, Bob Hope, Jack Benny, Jimmy Durante, Peter Lind Hayes and Gertrude Berg. Her stellar work with Berg on The Gertrude Berg Show (1961) garnered Wickes an Emmy nomination. Among the Baby Boom generation, she may be best remembered as Miss Cathcart in Dennis the Menace (1959).

In later years her gangly figure filled out a bit as she continued to appear here and there on the small screen in both guest star and series' regular parts. Later in life she enjoyed a bit of a resurgence. Recalled earlier for her Sister Clarissa in the madcap comedy films The Trouble with Angels (1966) and its sequel, Where Angels Go Trouble Follows! (1968), both with Rosalind Russell, She donned the habit again decades later as crabby musical director Sister Mary Lazarus in the box-office smash Sister Act (1992) and its sequel, Sister Act 2: Back in the Habit (1993). She appeared in Postcards from the Edge (1990) as Meryl Streep's grandmother, and in Little Women (1994) as the matriarchal Aunt March. True to form, the last role in which she appeared was voicing the gargoyle "Laverne" in The Hunchback of Notre Dame (1996), which was released after her death.

The never-married Wickes died in 1995 after entering the hospital with respiratory problems. She suffered a broken hip from an accidental fall and complications quickly set in following surgery. She was 85 years young.

Equally at home on stage and on screen, award-winning actress Loretta Devine has created some of the most memorable roles in theatre, film and television.

Devine first captured national attention in the role of Lorrell, one of the three original "Dreamgirls" in Michael Bennett's classic award-winning Broadway musical of the same name. She followed that performance with a fiery portrayal of Lillian in Bob Fosse's critically acclaimed stage production "Big Deal." Subsequent work in George C. Wolfe's "Colored Museum" and "Lady Day at Emerson Bar and Grill," cemented Devine's status as one of the most talented and versatile stage actresses.

Film roles soon followed including a poignant turn as a single mother opposite Whitney Houston, Angela Bassett and Gregory Hines in Waiting to Exhale (1995) which earned Devine her first NAACP Image Award for 'Best Supporting Actress.' Devine also won an NAACP Image Award for Best Supporting Actress for her work in Penny Marshall's The Preacher's Wife (1996). Devine received an Independent Spirit Award nomination for Best Actress for her work in "Women Thou Art Loosed." Devine was featured in the Academy Award-winning film "Crash" and the hit movie of "Dreamgirls." Some of her additional film credits include appearances in the successful "Urban Legend" franchise, "I Am Sam" opposite Michelle Pfeiffer and Sean Penn, "Kingdom Come," "What Women Want," "Punks," "Hoodlums," "Down in the Delta" and "Stanley and Iris."

Devine's more recent film credits include co-starring roles in "This Christmas" and "First Sunday" both of which opened Number 1 at the box office. Devine voiced the character of "Delta" in Disney's "Beverly Hills Chihuahua." She appeared with Chris Rock in Sony Screen Gems remake of "Death at a Funeral" and "Lottery Ticket" for Alcon/Warner Brothers. Devine portrayed "The Woman in Green" in Tyler Perry's adaptation of Ntozake Shange's "For Colored Girls." In 2011, Devine starred in two leading roles in the film "Jumping the Broom" with Paula Patton, Laz Alonso and Angela Bassett and in the Tyler Perry directed film "Madea's Big Happy Family," both films earned top spots at the box office, respectively. Devine followed up her box office hits with a strong lineup of independent films including Robert Townsend's "In The Hive" which earned Devine a NAACP Image Award nomination for "Best Actress in a Motion Picture", "You're Not You" alongside Hilary Swank, James Franco's "The Sound and the Fury" and the Kristen Wiig dramedy, "Welcome to Me."

On television, Devine became a critical darling in her Emmy award-winning role as "Adele" on ABC's hit medical drama "Grey's Anatomy." Devine's credits include numerous series roles on shows such as "The Cosby Show" spin-off "A Different World," Eddie Murphy's stop-motion animated series "The PJs," David E Kelly's "Boston Public," ABC's "Eli Stone" and alongside Jennifer Love-Hewitt on Lifetime's "The Client List." She most recently starred on NBC's critically acclaimed sitcom "The Carmichael Show" and co-starred in the 3rd season of BET's "Being Mary Jane" as the titular character's main antagonist, "Cece." Devine continues to voice "Hallie the Hippo" on Disney Channel's Peabody Award-Winning animated series, "Doc McStuffins," and will next star in the Netflix family series, "FAMILY REUNION" which will feature an all-black cast and crew.

With a career spanning three decades, Devine has earned much praise and accolades for her work on both the big and small screen. For her work as "Adele" on "Grey's Anatomy," Devine earned both a Primetime Emmy Award and a Primetime Emmy Award nomination, a Gracie Allen Award for "Outstanding Female Actor in a Featured Role," a nomination for "Best Guest Performer in a Drama Series" from the Critics' Choice Television Awards and a NAACP Image Award and a NAACP Image Award nomination. In total, Devine has won nine NAACP Image Awards and has received a record twenty-four nominations. Devine has received Lifetime Achievement Awards from both the Pan African Film Festival and the NAACP Theatre Awards and the Thespian Award from the LA Femme International Film Festival.

Devine graduated from the University of Houston and later received a Master of Fine Arts from Brandeis University. She also received a Doctorate of Humane Letters as well as a Distinguished Alumni Award from The University of Houston.

She currently resides in Los Angeles.

Zosia Russell Mamet is an American actress and musician who has appeared in television series including Mad Men, United States of Tara and Parenthood, and played the character Shoshanna Shapiro on the HBO original series Girls. She stars as Annie Mouradian in the HBO Max original series The Flight Attendant.

Born on 13 August 1971 in Düsseldorf, Germany, as the daughter of former German national ice hockey keeper Rainer Makatsch. After studying politics and sociology at the University of Düsseldorf for two years and an apprenticeship as dressmaker, she was hired by newborn TV music channel VIVA in 1993 and hosted popular shows such as Interaktiv (1996). Also presenting the charts show Bravo TV (1985), the media considered her the prototype of a "girlie girl". Her first appearance in a movie, Jailbirds (1996), surprised the critics and slowly changed her image. In the following years, she played leading characters in successful projects such as Am I Beautiful? (1998) and Gripsholm (2000). Living in London from 1999 to 2005, she also appeared in English language movies, most prominently Love Actually (2003). After another convincing performance on Margarete Steiff (2005), she is considered a respected actress anyway. In 2009 she played the main role in 'Hilde', the biographical movie about the famous German actress/singer Hildegard Knef. Her performance was a tour de force.

Genevieve Hannelius is an actress, singer, and entrepreneur. She was most recently seen starring in Netflix's original series "American Vandal." She is perhaps best known for starring on the three-time Emmy-nominated Disney Channel series, Dog with a Blog, which premiered in October 2012, and was watched by 4.5 million viewers.

Previously, Genevieve appeared in the critically-acclaimed reboot of the landmark TV mini-series "Roots" which aired in May 2016 on the History Channel. She recently wrapped production on the independent thriller film titled DAY 13 and the independent comedy feature SID IS DEAD from producer Jeremy Garelick.

Born in Boston, Massachusetts and raised in Maine, Genevieve always had a love for entertaining, even at a very young age. She got her start in acting by participating in local theatre productions, landing the starring role as "Madeline", when she was eight-years-old in "Madeline's Rescue" and "Jenny" in "Tales of a Fourth Grade Nothing". Realizing their daughter's love for performing, Genevieve's mom and dad made the decision to come out to Los Angeles for pilot season in what may have been the worst time in history to try and break into the entertainment business; during the 2008 Writers Guild of America strike. Upon arrival, despite the current conditions of the industry, Genevieve started to book projects, immediately. Her first real job, was a commercial for the "Aquarium of the Pacific". Soon after the commercial launched, she booked a series regular role on the Bob Saget series, Surviving Suburbia, for ABC, filming 13 episodes in 2009.

Although "Surviving Suburbia" only lasted one season, 2009 would prove to be a very busy year for Genevieve. After the series wrapped, she was discovered by a Disney Channel executive who caught Hannelius on the "Aquarium of the Pacific" commercial, and sought her out for several projects in production over at Disney. Throughout the rest of 2009 to 2012, she landed roles on Disney Channel hit series, including Sonny with a Chance, Hannah Montana, I'm in the Band and Good Luck Charlie, in addition to her role in the Disney Channel original movie, Den Brother and Disney Channel's Leo Little's Big Show. She also has lent her voice to several films over the last few years, working on Disney's Treasure Buddies and Spooky Buddies as the fun-loving golden retriever, "Rosebud", and The Search for Santa Paws and Santa Paws 2: The Santa Pups, also Walt Disney Studios Home Entertainment.

Genevieve is also a tech entrepreneur. She started "Make Me Nails" in 2013, which sells customized nail wraps direct to consumers globally. She has been recognized for her entrepreneurial endeavors in Seventeen Magazine, Teen Vogue Magazine, Cosmopolitan Magazine, The Hollywood Reporter and the Huffington Post. In June 2019, Genevieve launched her eponymous nail polish line, G Polish.

In her free time, Genevieve enjoys writing music, playing the piano, singing, poetry, fencing, horseback riding, ballet, juggling and acrobatics. She is also an active supporter of "A Window Between Worlds", a nonprofit organization dedicated to using art to help end domestic violence. She has been supporting the organization for six years.