Актеры

Aleksandr Yatsenko is a Russian theater and film actor. After school, he entered the institute of radiophysics in his native Volgograd. But he did not study for long and left for Tambov, where he entered the directing and theater department at Tambov State University named after G. Derzhavin, studied with teacher N. Belyakov. He took part in student performances. In 2000-2004 he studied at GITIS, workshop of Mark Zakharov. However, he was expelled from GITIS for fighting just four months before graduation. Since 2004, he began working at the Theater directed by Oleg Tabakov, and was involved in performances. Collaborated with the Center for Drama and Directing under the direction of Aleksey Kazantsev and Mikhail Roshchin.

Yatsenko began acting in films in 2001, making his debut in the film 'The Happiness Service'. The actor's first success came after the role of Borya Kulshan in the film Soldatskiy dekameron (2005) directed by Andrey Proshkin. The series Ottepel (2013), in which he played the main role - the young film director Egor Myachin, enjoyed great success among viewers.

Lina Braknyte was born on 19 November 1952 in Vilnius, Lithuanian SSR, USSR [now Lithuania]. She is an actress, known for The Girl and the Echo (1964), Tri tolstyaka (1966) and Dubravka (1967).

Actress Severija Janusauskaite was born in Lithuania. In 2005, she graduated from Theatre and Cinema Academy in Vilnius, Lithuania.

Worked with theatre director J. Vaitkus in Youth Theatre of State in Vilnius, then started work in cinema. There were movies in Lithuania such as Anarchy in Zirmunai (2010) by Saulius Drunga which won the best debut award in the international Moscow film festival, Honningfellen (2008) by Per-Olav Sørensen, "Two Hours" by R. Cekuolyte, "Expermen" by R. Marcinkus, "Comma" by J. Pavloff, "Violence" by V. Tinteris, "The Fortress of Sleeping Butterflies" by A. Puipa , "Chasing Solace" by E. Fulcher and many other Lithuanian and international projects.

In 2012, the actress started her work with Russian directors. She played the lead role in Anna Melikyan's movie "The Star" and won the best actress award in the open Russian film festival Kinotavr, the National Academy of Russia Golden Eagle Award for the best supporting role, was nominated as best actress and the discovery of the year by NIKA Awards and Russian Guild of Critics Awards for best acting. From 2012-2016, the actress performed the lead roles in Russian movies such as "Norwegian" by A. Zvantsova, "Godfather" by T. Alpatov, "Exact Address" by O. Aleynikova, "Poka net" by M. Dovzhenko , "DreamFish" by A. Bilzho and many others. She also appeared in "Polina" directed by Olias Barco and "Optimists" by Aleksey Popogrebskiy.

Severija Janusauskaite also works as a voice over artist and the music composer for theatre performances. She speaks in Lithuanian, English and Russian. She lives in Vilnius.

Maria Vasilevna Poezzhaeva is a Russian stage and screen actress. Her artistic life began in figure skating. In 2008 she was accepted as a student at the renowned Moscow Art Theater School, having director Kirill Serebrennikov as her special teacher and mentor. In 2010 she made her screen debut in the television series "Voices" as Liza. Two years later she graduated from Moscow Art Theater School, was offered main roles in plays by Chekhov, and made her feature film debut in "Last summer in Chulimsk" directed by Victor Dement. Several main roles in movies followed, like "Corrections Class" (2014) , "He's a Dragon" (2015) and "V Mayakovsky" (2018).

Antonina Nikolaevna Shuranova was born on April 30, 1936, in Sevastopol, Crimea, USSR (now in Crimea, Ukraine). She was one of three sisters raised by a single mother. Her father, named Nikolai Shuranov, was a Navy officer; he died when she was 3 years old. Her mother moved with three daughters to Leningrad just before the beginning of the siege of Leningrad during the Second World War. The Shuranovs were lucky because they were evacuated out of Leningrad at the very beginning of the siege. They returned to Leningrad after the end of WWII.

Young Shuranova was fond of art. She studied painting at children's studio at the Hermitage Museum in Leningrad (St. Petersburg). There she had her first acting experience at the Hermitage Theatre. During the 1950's she studied at Leningrad Horticultural College; after graduation she worked at the Leningrad Department of Parks and Gardens for three years. From 1958-1962 Shuranova studied at the Leningrad Institute of Theatre, Music, and Cinematography with professor Tatiana Soinikova, and graduated with honors as an actress.

From 1962-1988 she was a permanent member of the Bryantsev Theatre for Young Audience in St. Petersburg. There she worked with the renown theatrical director Zinovi Korogodsky. During the 1960's and 1970's she was at the height of her film career. In 1976, Shuranova left her husband, a medical doctor, and married her stage partner actor Aleksandr Khochinsky. Their home at Pokrovsky area in St. Petersburg was an informal meeting place for the St. Petersburg cultural milieu.

Shuranova shot to fame in 1966 after her film debut as Princess Mariya opposite Anatoli Ktorov in War and Peace (1965) by director Sergey Bondarchuk. She made a remarkable performance as Nadezhda von Mekk opposite Innokentiy Smoktunovskiy in _Chaikovskiy (1969)_. Shuranova was designated the title of People's Artist of Russia (1980). She was awarded the "Golden Seashell" for her role in Unfinished Piece for the Player Piano (1977). She played over 20 roles in film and television, and also played over 50 roles on stage.

From 1995-2003 Shuranova was a permanent member of the troupe at Theatre of Satire on Vasilevsky in St. Petersburg. Her last work on stage was her remarkable performance in the role of Vassa Zheleznova in the eponymous play by Maxim Gorky. Antonina Shuranova died on February 5, 2003, in St. Petersburg, Russia and was laid to rest in Serafimovskoe Cemetery in st. Petersburg, Russia.

Grigory Dobrygin was born on 17 February 1986 in Rybachiy, Vilyuchinsk, Kamchatskaya oblast, RSFSR, USSR [now Kamchatskiy kray, Russia]. He is an actor and producer, known for A Most Wanted Man (2014), Black Sea (2014) and An Affair (2013).

Richard Widmark established himself as an icon of American cinema with his debut in the 1947 film noir Kiss of Death (1947), in which he won a Best Supporting Actor Academy Award nomination as the killer Tommy Udo. Kiss of Death (1947) and other noir thrillers established Widmark as part of a new generation of American movie actors who became stars in the post-World War II era. With fellow post-War stars Kirk Douglas and Robert Mitchum, Widmark brought a new kind of character to the screen in his character leads and supporting parts: a hard-boiled type who does not actively court the sympathy of the audience. Widmark was not afraid to play deeply troubled, deeply conflicted, or just downright deeply corrupt characters.

After his debut, Widmark would work steadily until he retired at the age of 76 in 1990, primarily as a character lead. His stardom would peak around the time he played the U.S. prosecutor in Judgment at Nuremberg (1961) as the 1950s segued into the 1960s, but he would continue to act for another 30 years.

Richard Weedt Widmark was born in Sunrise Township, Minnesota, to Ethel Mae (Barr) and Carl Henry Widmark. His father was of Swedish descent and his mother of English and Scottish ancestry. He has said that he loved the movies from his boyhood, claiming, "I've been a movie bug since I was 4. My grandmother used to take me". The teenaged Widmark continued to go to the movies and was thrilled by Dracula (1931) and Frankenstein (1931). "I thought Boris Karloff was great", Widmark said. Although he loved the movies and excelled at public speaking while attending high school, Widmark attended Lake Forest College with the idea of becoming a lawyer. However, he won the lead role in a college production of, fittingly enough, the play "Counsellor-at-Law", and the acting bug bit deep. After taking his bachelor of arts degree in 1936, he stayed on at Lake Forest as the Assistant Director of Speech and Drama. However, he soon quit the job and moved to New York to become an actor, and by 1938 he was appearing on radio in "Aunt Jenny's Real Life Stories". He made his Broadway debut in 1943 in the play "Kiss and Tell" and continued to appear on stage in roles that were light-years away from the tough cookies he would play in his early movies.

After World War II, he was signed by 20th Century-Fox to a seven-year contract. After seeing his screen test for the role of Tommy Udo, 20th Century-Fox boss Darryl F. Zanuck insisted that the slight, blonde Widmark - no one's idea of a heavy, particularly after his stage work - be cast as the psychopath in Kiss of Death (1947), which had been prepared as a Victor Mature vehicle. Even though the role was small, Widmark stole the picture. The publicity department at 20th Century-Fox recommended that exhibitors market the film by concentrating on thumping the tub for their new antihero. "Sell Richard Widmark" advised the studio's publicity manual that an alert 20th Century-Fox sent to theater owners. The manual told local exhibitors to engage a job printer to have "wanted" posters featuring Widmark's face printed and pasted up. He won a Golden Globe and an Oscar nod for the part, which led to an early bout with typecasting at the studio. Widmark played psychotics in The Street with No Name (1948) and Road House (1948) and held his own against new Fox superstar Gregory Peck in the William A. Wellman western Yellow Sky (1948), playing the villain, of course. When his pressuring the studio to let him play other parts paid off, his appearance as a sailor in Down to the Sea in Ships (1949) made headlines: Life magazine's March 28, 1949, issue featured a three-page spread of the movie headlined "Widmark the Movie Villain Goes Straight". He was popular, having captured the public imagination, and before the decade was out, his hand- and footprints were immortalized in concrete in the court outside Grauman's Chinese Theatre in Hollywood.

The great director Elia Kazan cast Widmark in his thriller Panic in the Streets (1950), not as the heavy (that role went to Jack Palance) but as the physician who tracks down Palance, who has the plague, in tandem with detective Paul Douglas. Widmark was establishing himself as a real presence in the genre that later would be hailed as film noir. Having proved he could handle other roles, Widmark didn't shy away from playing heavies in quality pictures. The soon-to-be-blacklisted director Jules Dassin cast him in one of his greatest roles, as the penny-ante hustler Harry Fabian in Night and the City (1950). Set in London, Widmark's Fabian manages to survive in the jungle of the English demimonde, but is doomed. Widmark was masterful in conveying the desperation of the criminal seeking to control his own fate but who is damned, and this performance also became an icon of film noir. In that same year, he appeared in Oscar-winning writer-director Joseph L. Mankiewicz's No Way Out (1950) as a bigot who instigates a race riot.

As the 1950s progressed, Widmark played in westerns, military vehicles, and his old stand-by genre, the thriller. He appeared with Marilyn Monroe (this time cast as the psycho) in Don't Bother to Knock (1952) and made Pickup on South Street (1953) that same year for director Samuel Fuller. His seven-year contract at Fox was expiring, and Zanuck, who would not renew the deal, cast him in the western Broken Lance (1954) in a decidedly supporting role, billed beneath not only Spencer Tracy but even Robert Wagner and Jean Peters. The film was well respected, and it won an Oscar nomination for best screenplay for the front of Hollywood 10 blacklistee Albert Maltz. Widmark left Fox for the life of a freelance, forming his own company, Heath Productions. He appeared in more westerns, adventures and social dramas and pushed himself as an actor by taking the thankless role of the Dauphin in Otto Preminger's adaptation of George Bernard Shaw's Saint Joan (1957), a notorious flop that didn't bring anyone any honors, neither Preminger, his leading lady Jean Seberg, nor Widmark. In 1960, he was appearing in another notorious production, John Wayne's ode to suicidal patriotism, The Alamo (1960), with the personally liberal Widmark playing Jim Bowie in support of the very conservative Wayne's Davy Crockett. Along with character actor Chill Wills, Widmark arguably was the best thing in the movie.

In 1961, Widmark acquitted himself quite well as the prosecutor in producer-director Stanley Kramer's Judgment at Nuremberg (1961), appearing with the Oscar-nominated Spencer Tracy and the Oscar-winning Maximilian Schell, as well as with superstar Burt Lancaster and acting genius Montgomery Clift and the legendary Judy Garland (the latter two winning Oscar nods for their small roles). Despite being showcased with all this thespian firepower, Widmark's character proved to be the axis on which the drama turned. A little later, Widmark appeared in two westerns directed by the great John Ford, with co-star James Stewart in Two Rode Together (1961) and as the top star in Ford's apologia for Indian genocide, Cheyenne Autumn (1964). On Two Rode Together (1961), Ford feuded with Jimmy Stewart over his hat. Stewart insisted on wearing the same hat he had for a decade of highly successful westerns that had made him one of the top box office stars of the 1950s. Both he and Widmark were hard-of-hearing (as well as balding and in need of help from the makeup department's wigmakers), so Ford would sit far away from them while directing scenes and then give them directions in a barely audible voice. When neither one of the stars could hear their director, Ford theatrically announced to his crew that after over 40 years in the business, he was reduced to directing two deaf toupees. It was testimony to the stature of both Stewart and Widmark as stars that this was as far as Ford's baiting went, as the great director could be extraordinarily cruel.

Widmark continued to co-star in A-pictures through the 1960s. He capped off the decade with one of his finest performances, as the amoral police detective in Don Siegel's gritty cop melodrama Madigan (1968). With Madigan, one can see Widmark's characters as a progression in the evolution of what would become the late 1960s nihilistic antihero, such as those embodied by Clint Eastwood in Siegel's later Dirty Harry (1971). In the 1970s, he continued to make his mark in movies and, beginning in 1971, in television. In movies, he appeared primarily in supporting roles, albeit in highly billed fashion, in such films as Sidney Lumet's Murder on the Orient Express (1974), Robert Aldrich's Twilight's Last Gleaming (1977), and Stanley Kramer's The Domino Principle (1977). He even came back as a heavy, playing the villainous doctor in Coma (1978).

In 1971, in search of better roles, he turned to television, starring as the President of the U.S. in the TV miniseries Vanished (1971). His performance in the role brought Widmark an Emmy nomination. He resurrected the character of Madigan for NBC in six 90-minute episodes that appeared as part of the rotation of "NBC Wednesday Mystery Movie" for the fall 1972 season. Widmark was married for 55 years to playwright Jean Hazlewood, from 1942 until her death in 1997 (they had one child, Anne, who was born in 1945). He lived quietly and avoided the press, saying in 1971, "I think a performer should do his work and then shut up". Los Angeles Times critic Kevin Thomas thought that Widmark should have won an Oscar nomination for his turn in When the Legends Die (1972) playing a former rodeo star tutoring Frederic Forrest's character.

It is surprising to think that Kiss of Death (1947) represented his sole Oscar nomination, but with the rise of respect for film noir around the time his career began tapering off in the '70s, he began to be reevaluated as an actor. Unlike Bogart, who did not live to see his reputation flourish after his death, Widmark became a cult figure well before he retired.