Jewish Actors

Everett Sloane, the actor most known for playing Mr. Bernstein in Orson Welles classic Citizen Kane (1941) as a member of Welles' Mercury Players, was born in New York, New York on October 1, 1909. Sloane was bitten by the acting bug quite early, and first went on-stage when he was seven years old. After high school, he attended the University of Pennsylvania but soon dropped out to pursue an acting career, joining a theatrical stock company. However, he was discouraged by poor personal reviews and returned to New York City, where he worked as a runner on Wall Street.

After the Stock Market Crash of October 1929, Sloane turned to radio for employment as an actor. His voice won him steady work, and he even became the voice of Adolf Hitler on "The March of Time" serials. He made his Broadway debut in 1935 as part of George Abbott's company, in "Boy Meets Girl," which was followed by another play for Abbott, "All That Glitters" in 1938. Eventually, he joined Welles' Mercury Theatre, appearing in the 1941 stage production of Richard Wright's "Native Son," directed by Welles. However, before that Broadway landmark, Welles had cast Sloane as Mr. Bernstein in his first feature film, which ensured Sloane's immortality in the cinema. (Sloane would remain a Mercury Player until 1947, when he appeared as Bannister in Welles' The Lady from Shanghai (1947).)

Outside his two memorable supporting roles for Welles, Sloane's reputation rests on his portrayal Walter Ramsey, a ruthless corporate executive trying to crush another executive, in the TV and screen versions of Rod Serling's Patterns (1956). According to Jack Gould's January 17, 1955, "New York Times" review of the TV program, which debuted on Ponds Theater (1953): "In the role of Ramsey, Mr. Sloane was extraordinary. He made a part that easily might have been only a stereotyped 'menace' a figure of dimension, almost of stature. His interpretation of the closing confrontation speech was acting of rare insight and depth." Sloane was nominated for an Emmy in 1956 for the performance.

In addition to his movie work, Sloane appeared extensively on TV as an actor, directed several episodic-TV programs, and did voice over work for the cartoon series The Dick Tracy Show (1961) and Jonny Quest (1964). Plagued with failing eye sight, a depressed Sloane quit acting and eventually took his life at the age of 55.

Robert Smigel is an American actor, humorist, comedian, writer and director known for his Saturday Night Live "TV Funhouse" cartoon shorts and as the puppeteer and voice behind Triumph, the Insult Comic Dog.

Smigel's most famous creation, however, would be the foul-mouthed puppet Triumph, the Insult Comic Dog, who mercilessly mocks celebrities and others in the style of a Borscht Belt comedian. This character debuted on Late Night with Conan O'Brien in February 1997.

He also co-wrote the Hotel Transylvania films and You Don't Mess with the Zohan, both starring Adam Sandler.

His film debut as a director was The Week Of (2018).

Paul L. Smith was born on 24 June 1936 in Everett, Massachusetts, USA. He was an actor and director, known for Maverick (1994), Popeye (1980) and Dune (1984). He was married to Eve Smith. He died on 25 April 2012 in Ra'anana, Israel.

Jussie Smollett was born in Santa Rosa, California, USA. He is an actor and producer, known for Empire (2015), The Mighty Ducks (1992) and Alien: Covenant (2017).

Alex Solowitz was born on 15 December 1979 in San Fernando Valley, Los Angeles, California, USA. He is an actor and producer, known for Ghost World (2001), Dark Ride (2006) and Wolfenstein II: The New Colossus (2017).

Peter Spears is an actor and filmmaker, best known for winning an Oscar for producing "Nomadland" (2021) at the 93rd Academy Awards. The film also won the BAFTA, Golden Globe, PGA Award, and the Golden Lion at the 2021 Venice Film Festival. Spears also produced the critically acclaimed film "Call Me By Your Name" (2017), and was nominated for the Academy Award for Best Picture. He directed the underground cult-favorite short film "Ernest and Bertram", and developed the television series "Nightmare Café" and "John from Cincinnati".

As an actor, Spears has appeared in films such as "Call Me By Your Name", "Something's Gotta Give", "The Opposite of Sex", and "Father of the Bride Part II", as well as several television series, including "Friends" and "E.R". He was most recently seen in the film "Sublet", directed by Eytan Fox.

In 2020, Spears founded his own production company, Cor Cordium. The company has multiple projects in development across film and television, including the upcoming "Bones and All", which reunites Spears with filmmaker Luca Guadagnino and Timothée Chalamet.

Randy Spelling is son of legendary late Hollywood producer Aaron Spelling and his wife, Candy Spelling. He and his sister, actress Tori Spelling, grew up in Beverly Hills, CA where he attended Montclair College Prep.

Randy made his television debut in 1992 on the Fox prime time series Beverly Hills, 90210 (1990) and later held a recurring role on the popular program. Randy went on to star in the NBC series Malibu Shores (1996) and NBC's hit soap opera Sunset Beach (1997). He also guest-starred on the WB series 7th Heaven (1996).

After starring for three and a half years on Sunset Beach (1997), Randy transitioned into the record business and formed his own record label called Spellbound/Vocab Records. As CEO, he oversaw operations of A&R as well as the production, promotion, marketing and distribution departments. Spellbound/Vocab Records released albums for a number of platinum artists.

While continuing his work in the music business, Randy made his feature film debut in the thriller Held for Ransom (2000) (Emmet/Furla Films) opposite Dennis Hopper and Zachery Ty Bryan. He went on to co-star in the indie cult hit Dorm Daze (2003) and also held a co-starring role in Pledge This! (2006) opposite Paris Hilton, Simon Rex, Paula Garcés, Sarah Carter and Carmen Electra.

Randy next played a role in the soon-to-be released indie horror flick Dimples (2008) opposite Ashley Peldon and Madeline Zima and co-starred in the gritty indie horror Hoboken Hollow (2006) opposite C. Thomas Howell, Michael Madsen, Dennis Hopper, Lin Shaye and Jason Connery. Randy also starred in Michael Damian's critically-acclaimed directorial debut Hot Tamale (2006) co-starring Carmen Electra, Diora Baird, [error], Harland Williams and Jason Priestley, which won the Indie Spirit Best Picture Award at the 2006 Boston International Film Festival.

Randy recently wrapped production on the environmentally-friendly independent feature Cosmic Radio (2007), due out in 2007, in which he co-stars with Michael Madsen, Rider Strong and Wes Studi.

Following in his father's footsteps, Randy wrote a pilot for Paramount Television last year and is currently in development on a number of film and television projects that he will produce in 2007 and beyond. Randy is a producer on A&E's forthcoming (April) real-life series Sons of Hollywood (2006).

One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.

Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.

Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.

The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.

As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).

Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.

Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.

Kevin Spirtas started his career as a stage actor on Broadway, and then worked his way into film and television. Starting in 1995, he began using the name Kevin Spirtas professionally. He is known for starring in the films Friday the 13th: The New Blood (1988), as Nick, and The Hills Have Eyes Part II (1984), as Roy, and for his runs on Days of Our Lives (1965) and Winterthorne (2015). He co-created and stars in a web soap opera called "After Forever", where he plays a gay character, something that feels right for the openly gay actor.

Lionel Stander, the movie character actor with the great gravelly voice, was born on January 11th, 1908 in The Bronx borough of New York City. Stander's acting career was derailed when he was blacklisted during the 1950s after being exposed as a Communist Party member during the House Un-American Activities Committee hearings. In his own HUAC testimony in May 1953, Stander denounced HUAC's use of informers, particularly those with mental problems.

Stander specialized in playing lovable hoodlums and henchmen and assorted acerbic, hard-boiled types. His physique was burly and brutish, and his head featured a square-jaw beneath a coarse-featured pan that was lightened by his charm. But it was his gruff, foghorn voice that made his fortune.

Stander attended the University of North Carolina, but after making his stage debut at the age of 19, he decided to give up college for acting. Along with a successful stage career, his unusual voice made him ideal for radio. His movie screen debut was in the comedy short Salt Water Daffy (1933) with Jack Haley and Shemp Howard. He went on to star in a number of two-reel comedy shorts produced at Vitaphone's Brooklyn studio before moving to Hollywood in 1935, where he appeared as a character actor in many A-list features such as Nothing Sacred (1937).

John Howard Lawson, the screenwriter who was one of the Hollywood Ten and who served as the Communist Party's cultural commissar in Hollywood, held up Stander as the model of a committed communist actor who enhanced the class struggle through his performances. In the movie No Time to Marry (1938), which had been written by Party member Paul Jarrico, Stander had whistled a few bars of the "Internationale" while waiting for an elevator.

Stander thought that the scene would be cut from the movie, but it remained in the picture because "they were so apolitical in Hollywood at the time that nobody recognized the tune".

Stander had a long history of supporting left-wing causes. He was an active member of the Popular Front from 1936-39, a broad grouping of left-wing organizations dedicated to fighting reactionaries at home and fascism abroad. Stander wrote of the time, "We fought on every front because we realized that the forces of reaction and Faciscm fight democracy on every front. We, too, have been forced, therefore, to organize in order to combat them on every front: politically through such organizations as the Motion Picture Democratic Committee; economically through our guilds and unions; socially, and culturally through such organizations as the Hollywood Anti-Nazi League."

The Front disintegrated when the U.S.S.R. signed a non-aggression pact with Nazi Germany, which engendered World War II by giving the Nazis the get-go to invade Poland (with the Soviet Union invading from the East). The Communist Party-USA dropped out of the Front and from anti-Nazi activities, and during the early days of the War, before Germany invaded the U.S.S.R. in June 1941, it tried to hamper US support for the UK under the aegis of supporting "peace," including calling strikes in defense plants. Many communists, such as Elia Kazan, dropped out of the Party after this development, but many others stayed. These were the Stalinists that the American non-communist left grew to despise, and eventually joined with the right to destroy, though much of their antipathy after 1947-48 was generated by a desire to save themselves from the tightening noose of reaction.

Melvyn Douglas, a prominent liberal whose wife Helen Gahagan Douglas would later be a U.S. Representative from California (and would lose her bid for the Senate to a young Congressman named Richard Nixon, who red-baited her as "The Pink Lady"), had resisted Stander's attempts to recruit him to the Party. "One night, Lionel Stander kept me up until dawn trying to sell me the Russian brand of Marxism and to recruit me for the Communist Party. I resisted. I had always been condemnatory of totalitarianism and I made continual, critical references to the U.S.S.R. in my speeches. Members of the Anti-Nazi League would urge me to delete these references and several conflicts ensued."

Douglas, his wife, and other liberals were not adverse to cooperating with Party members and fellow travelers under the aegis of the MPDC, working to oppose fascism and organize relief for the Spanish Republic. They believed that they could minimize Communist Party influence, and were heartened by the fact that the Communists had joined the liberal, patriotic, anti-fascist bandwagon. Their tolerance of Communists lasted until the Soviet-Nazi Pact of August 1939. That, and the invasion of Poland by the Nazis and the USSR shattered the Popular Front.

Stander had been subpoenaed by the very first House Un-American Activities Committee inquisition in Hollywood, in 1940, when it was headed by Texas Congressman Martin Dies. The Dies Committee had succeeded in abolishing the Federal Theatre Project of the Works Progress Administration as a left-wing menace in 1939 (the FTP had put on a revival of Lawson's play about the exploitation of miners, "Prcessional," that year in New York). The attack on the FTP had been opposed by many liberals in Hollywood. Stung by the criticisms of Hollywood, the Dies Committee decided to turn its attention on Hollywood itself.

Sending investigators to Hollywood, Dies' HUAC compiled a long-list of subversives, including Melvyn Douglas. John L. Leech, a police agent who had infiltrated the Communist Party before being expelled in 1937, presented a list of real and suspected communists to a Los Angeles County grand jury, which also subpoenaed Stander. The testimony was leaked, and the newspapers reported that Stander, along with such prominent Hollywood liberals as James Cagney, Humphrey Bogart, Frederic March and Francot Tone, had been identified as communists.

Committee chairman Dies offered all of the people named as communists the opportunity to clear themselves if they would cooperate with him in executive session. Only one of the named people did not appear, and Stander was the only one to appear who was not cleared. Subsequently, he was fired by his studio, Republic Pictures.

Stander was then subpoenaed to testify before the California Assembly's Committee on Un-American Activities, along with John Howard Lawson, the union leader John Sorrell and others. During the strike led by Sorrell's militant Conference of Student Unions against the studios in 1945, Stander was the head of a group of progressives in the Screen Actors Guild who supported the CSU and lobbied the guild to honor its picket lines. They were outvoted by the more conservative faction headed by Robert Montgomery, George Murphy and Ronald Reagan. The SAG membership voted 3,029 to 88 to cross the CSU picket-line.

Stander continued to work after being fired by Republic. He appeared in Hangmen Also Die! (1943), a film about the Nazi Reinhard Heydrich, who was assassinated by anti-fascists. After the bitter CSU strike, which was smeared as being communist-inspired by the studios, HUAC once again turned its gaze towards Hollywood, starting two cycles of inquisitions in 1947 and 1951. The screenwriter Martin Berkeley, who set a record by naming 155 names before the the second round of Committee hearings, testified that Stander had introduced him to the militant labor union leader Harry Bridges, long suspected of being a communist, whom Stander called "comrade".

After being blacklisted, Stander worked as a broker on Wall Street and appeared on the stage as a journeyman actor. He returned to the movies in Tony Richardson's The Loved One (1965), and he began his career anew as a character actor, appearing in many films, including Roman Polanski's Cul-de-sac (1966) and Martin Scorsese's New York, New York (1977). Other movies he appeared in included Promise Her Anything (1966), The Black Bird (1975), The Cassandra Crossing (1976), 1941 (1979), Cookie (1989) and The Last Good Time (1994), his final theatrical film.

Stander is best remembered for playing Max on TV's Hart to Hart (1979) (1979-84) with Robert Wagner and Stefanie Powers, a role he reprised in a series of "Hart to Hart" TV movies. Stander also appeared on Wagner's earlier TV series It Takes a Thief (1968) and on the HBO series Dream On (1990).

Lionel Stander died of lung cancer on November 30, 1994 in Los Angeles, California. He was 86 years old.

A show-stopping comic for decades, the inimitable Arnold Stang, with the trademark Runyonesque voice and thick, black glasses, started out famously on radio before branching out to include Broadway, films and especially TV. Born on September 28, 1918, in New York City (for decades he himself perpetuated the myth of being born in 1925 in Chelsea, Massachusetts), he was the son of a lawyer. Following the 1929 stock market crash, his father was forced to look elsewhere for work and managed a living as a salesman. The scrawny kid from Manhattan grew up in Brooklyn and attended New Utrecht High School.

During his teen years (early 1930s) he auditioned for and won roles on radio's "Horn and Hardart's Children's Hour," a variety show, and the kiddie program "Let's Pretend," which set off a two-decade stint as one of radio's most popular vocal personalities. His squawky, unmistakable voice was heard as Jughead in the "Archie Andrews" series and as neighbor Seymour Fingerhood on the beloved, Bronx-styled Gertrude Berg classic "The Goldbergs," among others. He even appeared in radio soap operas and mysteries on occasion, often providing comedy relief. A reliable and feisty second banana, he traded quips with the best of them: Eddie Cantor; Jack Benny; Fred Allen; Fanny Brice; Milton Berle, you name it.

In between radio work Stang could sometimes be seen on the stage, his first legitimate play being on Broadway with the short-lived "All In Favour" (1942). This was followed by "You'll See Stars" at the end of that same year. He subsequently moved from radio to TV with the help of Milton Berle in the late 1940s and eventually found a very comfortable niche in comedy as a foil to the big stars. On the satirical Henry Morgan's Great Talent Hunt (1951), he was a regular member of Henry Morgan's stock company as a nerdy teen named Gerard. Plain, plucky but rather sad-sack, his puny-looking nerd types (5'3" and not much over 100 pounds) seemed to beg to have sand kicked in their faces. Yet, as much as they could be pushed around, they often displayed stubborn, delinquent-like streaks and could be mighty pesky in nature and irritating to the nth degree.

Stang also lent his vocal talents quite successfully to cartoon voiceovers beginning with Popeye the Sailor's pal Shorty. He later moved into a lengthy hitch as "Hoiman" the mouse in Paramount's popular "Herman and Katnip" series, but his best known animal character, of course, came later with the title role in Joseph Barbera - William Hanna 1961 classic cartoon series Top Cat (1961). His playing of "T.C", the slick, smart-alecky, Brooklynesque mastermind behind a gang of alley cats, was very reminiscent of Phil Silvers' Sgt. Bilko character from The Phil Silvers Show (1955).

Film work for Stang would be very sporadic over the years providing secondary but stalwart support in such escapism as Seven Days' Leave (1942), My Sister Eileen (1942), Let's Go Steady (1945), Two Gals and a Guy (1951) and the all-star epic It's a Mad Mad Mad Mad World (1963). Stang's best featured part was a rare dramatic role opposite Frank Sinatra in the then-daring topical movie about drug addiction entitled The Man with the Golden Arm (1955). Here he played Frank Sinatra's seedy but loyal pal Sparrow, a role that easily could have influenced Dustin Hoffman when he created his Ratso Rizzo character a decade and a half later in Midnight Cowboy (1969).

From the 1950s, the bespectacled comedian would be a steadfast TV commercial spokesman pitching such products as Delco, Chunky candy ("Chunky...what a chunk o' chocolate!") and Orkin ("Stop squawkin', call Orkin!") using his own, unique style. As for the stage, a few of his later stints included the 1969 Broadway remake of "The Front Page," the role of Hysterium in a production of "A Funny Thing Happened on the Way to the Forum," and a part in Woody Allen's "Play It Again, Sam". The owlish comedian continued acting into the 90s with small roles in such movies as Ghost Dad (1990) and Dennis the Menace (1993).

Long married (since 1949) to wife JoAnn Taggart, a writer, Stang died of pneumonia at age 91 in Newton, Massachusetts, just before Christmas in 2009. He was also survived by his two children, David Donald and Deborah Jane.

Daniel Stern was born in Bethesda, Maryland, to a social worker father and a day care manager mother. He has been acting professionally since the age of seventeen. Following his high school graduation, he auditioned for the Washington Shakespeare Festival seeking a job as a lighting engineer but ended up as "a strolling player with a lute" in their production of "As You Like It." Shortly thereafter, he made his way to New York where he "took a couple of acting lessons" and began to assemble an impressive portfolio of such off-Broadway credits as "Split," "Frankie and Annie," "The Mandrake," and "The Old Glory." In addition, director Peter Yates cast him as one of the four Indiana teenagers in the highly acclaimed film Breaking Away (1979). Variety in acting roles appeals to Stern. Following "Breaking Away," he appeared in Woody Allen's Stardust Memories (1980), Claudia Weill's It's My Turn (1980) and John Schlesinger's Honky Tonk Freeway (1981) before returning to New York to appear off-Broadway in the two character play "How I Got That Story," which led to critical acclaim and a starring role in Barry Levinson's Diner (1982). Other film credits include I'm Dancing as Fast as I Can (1982), Blue Thunder (1983), Hannah and Her Sisters (1986), The Boss' Wife (1986), The Milagro Beanfield War (1988), Born in East L.A. (1987) and D.O.A. (1988) In addition to his voice-over work on the series, Stern directed several episodes of the popular and critically acclaimed television comedy, The Wonder Years (1988).

Howard Allan Stern was born on January 12, 1954, in Jackson Heights, Queens, New York, to Rae (Schiffman), an inhalation therapist, and Bernard Stern, who co-owned a cartoon/commercial production studio. His grandparents were Jewish emigrants from Poland and the Austro-Hungarian Empire.

Stern's first radio experience was at Boston University, where he volunteered at the college radio station. Along with several other students, he created an on-air show called the King Schmaltz Bagel Hour, a takeoff on the popular King Biscuit Flour Hour. Predicting his penchant for controversy, the show was canceled after its first broadcast, which included the comedy sketch "Name That Sin," a game show where contestants confessed their worst sins. Stern graduated in 1976 with a 3.8 grade-point average and a bachelor's degree in communications. During his first paying radio gig, at an understaffed 3,000-watt station in Briarcliff Manor, New York, "It dawned on me that I would never make it as a straight deejay," Stern told James S. Kunen in an interview for People (10/22/84), "so I started to mess around. It was unheard-of to mix talking on the phone with playing music. It was outrageous, It was blasphemy."

Fisher Stevens moved from his native Chicago to New York at the age of 13 to pursue an acting career. He tried, unsuccessfully, to get any kind of job and was, he recalls, even rejected as extra for a Crest commercial.

When his acting teacher, Dan Fauci, lost the lease to his teaching studio, he rented Fisher's loft and built a stage in the living room. He later studied with Uta Hagen. His first professional theatrical production was playing Tiny Tim's brother, Harry, in the musical version of Dickens' "A Christmas Carol" in the basement of an off-off-off Broadway theatre when he was 14. Since then he has performed in more than 20 stage productions including 544 performances in Harvey Fierstein's "Torch Song Triology", both on and off Broadway. He also played Eugene in Neil Simon's "Brighton Beach Memories". Most recently, he played the leads in Thomas Babe's "Carrying School Children", "Almost Romance" opposite Helen Slater and Jules Feiffer's "Little Murders" with Christine Lahti. He also sang and danced in the musicals "Miami" by Wendy Wasserstein and the late Michael Bennett's Broadway production of "Scandal" with Swoosie Kurtz and Treat Williams. He also appeared in the recent New York City Shakespeare Festival production of "A Midsummer Nights Dream".

Fisher made his motion picture debut getting his fingers chopped off in the horror film The Burning (1981) when he was 16-years-old. After that he appeared in Baby It's You (1983) and The Brother from Another Planet (1984). He co-starred with Matt Dillon in the hit comedy film The Flamingo Kid (1984) where he met the then fledgling producer Gary Foster. He appeared as sidekick to Steve Guttenberg's character in Short Circuit (1986).

In television he has performed in ABC's Ryan's Hope (1975), Showtime's Tall Tales & Legends (1985) and CBS' Early Edition (1996).

Despite having lived in New York City for more than a decade, where, with some other actors, Stevens has started an off-off-off Broadway theatre company called Naked Angels, he insists that he is still a fan of the Chicago Cubs.

Esteemed character actor Paul Stewart had a pair of the coldest orbs in town and made his living for decades playing dark, callous, shiftless villains, including a vast number of mobsters. Not a well-known name per se, he was nevertheless a reliable actor who seemed to have been born for the film noir and gangland crime drama genre with his premature silvery hair, dark thick brows and probing, deep-set eyes, all accentuated by a tough and penetrating Brooklyn accent.

Born in New York City on March 13, 1908, Stewart developed an interest for acting in his teens, making his Broadway debut with "Two Seconds" in 1931, following graduation from Columbia University. He had played a few more stage roles in New York when he met and made an impression on Orson Welles. As a result he became a founding member of the Mercury Theatre and a founding member of AFTRA when it was just a radio union.

Stewart's tough, guttural voice became a familiar sound on the 1930s airwaves and he was among the cast in the infamous Welles broadcast "The War of the Worlds." He married band singer/actress Peg La Centra (1910-1996) in 1939 and over the years they appeared together on many radio programs. She also provided singing voices for such stars as Susan Hayward on celluloid. Welles next put Stewart in his films, with the classic Citizen Kane (1941) as Raymond, Kane's wily valet, and Stewart found himself in demand as an untrustworthy character player.

Paul went on to essay a number of stark, sinister types to perfection, with roles in such films as Johnny Eager (1941), Mr. Lucky (1943), Champion (1949), Illegal Entry (1949), Twelve O'Clock High (1949), Carbine Williams (1952), The Bad and the Beautiful (1952) and Kiss Me Deadly (1955).

On TV, Paul became a regular on a couple of short-lived series -- Top Secret (1954) and The Man Who Never Was (1966). In the 1950s Stewart turned to stage and TV directing as well, helming a number of popular crimers such as Peter Gunn (1958), Michael Shayne (1960), It Takes a Thief (1968), Hawaii Five-O (1968) and Remington Steele (1982). His voice also fit the bill for cartoons in the 1960s.

In 1974 Stewart suffered a heart attack while on location in New Mexico for Bite the Bullet (1975), but he returned sporadically to films, including the role of impresario Florenz Ziegfeld in W.C. Fields and Me (1976). He suffered a second and fatal heart attack in 1986 at age 77.

Corey Stoll is well known for his portrayal of 'Congressman Russo' in David Fincher's "House of Cards" (Golden Globe nomination) and for his performance in Woody Allen's "Midnight in Paris", in which he portrayed 'Ernest Hemingway' (Independent Spirit Award nomination.) He has appeared in many other films and series including "Ant-Man", "The Strain," and "Girls."

Born and raised in New York, theater is his first love. Highlights have included playing the title role in Macbeth at the Classic Stage Company, 'Iago' in Othello and 'Brutus' in Julius Caesar at the Public Theater, and creating the role of 'Mr. Marks' in Lynn Nottage's breakthrough play Intimate Apparel opposite Viola Davis (Drama Desk Award nomination.)

Recently, Stoll joined the cast of Showtime's "Billions" as billionaire Mike Prince. He also recently appeared in the Sopranos prequel film "The Many Saints of Newark", and on television in "Scenes from a Marriage" on HBO, Ryan Murphy's "Ratched" on Netflix, and David Simon's "The Deuce" on HBO. He will next be seen in Steven Spielberg's re-make of "West Side Story".

An an actor, producer, director, writer, teacher and lecturer who covered all of the important mediums in one way or another during his lifetime, Ezra Stone will still be forever known for introducing quintessential late 30s and 40s teen Henry Aldrich to both radio and the stage. Stone's pitchy, cracking voice would become a familiar sound in living rooms for well over a decade.

He was born Ezra Chaim Feinstone on December 2, 1917, in New Bedford, Massachusetts. The son of Solomon Feinstone, a chemist, teacher and philanthropist, and the former Rose Meadow, Stone made his debut at age 6 in a play entitled "Phosphorus and Suppressed Desires" for the YMHA players in Philadelphia. He later went on to tour with the National Junior Theatre of Washington, DC, in 1931-1932 before graduating from the Oak Lane Country Day School of Temple University in 1934.

Stone studied for the stage at the American Academy of Dramatic Arts and made his New York debut playing seven roles in the musical revue "Parade" in 1935. Although the ebullient teen built up his young marquee name with such popular comedies as "Room Service," "Three Men on a Horse" and "Brother Rat," he found his pot of gold winning the stage role of Henry Aldrich in "What a Life" in 1938. More riches came his way on Broadway with the role of Dromio in "The Boys from Syracuse" and as Arthur Lee in "See My Lawyer."

Twenty years old at the time he started playing the teenage Henry on radio, Stone enjoyed a healthy 13 years (1939-1953) as the disaster-prone youth who was summoned into millions of homes to the eternal lament of his long-suffering mother: "Hen-reeee! Henry Aldrich!" -- which was invariably followed by Henry's anguished reply: "Coming Mother!" By 1941 "The Aldrich Family" was rated among the "top ten" programs alongside Jack Benny and Bob Hope's popular shows.

As for films, Stone never got it into gear. He can only be witnessed in a support role in the "B" movie Those Were the Days! (1940) as Allie Bang. He also played a cameo as himself, Sgt. Ezra Stone, in This Is the Army (1943), the feature film version of the hit Broadway play he appeared in the year before.

WWII intervened in 1942 but Stone managed to incorporate his life's passion into his military duties by directing and appearing in a number of US Army Special Services productions. On October 5, 1942, Ezra married actress/director/teacher Sara Seegar. They went on to have two children, Josef and Francine.

Following the war Stone focused on writing and directing. During TV's "Golden Age" he not only wrote sketches for the sitcom The Aldrich Family (1949), which ran for four seasons, but also for shows that starred some of TV's funniest: Danny Thomas, Milton Berle, Fred Allen and Martha Raye. At around the same time he directed a number of Broadway productions including "Me and Molly," the farcical "At War with the Army," which also featured wife Sara, and "Wake Up, Darling." In the 1960s Stone started directed TV sitcoms and adventures, making the rounds on such sets as Petticoat Junction (1963), The Munsters (1964), Lost in Space (1965) and The Flying Nun (1967).

Ezra and Sara were married for 48 years until her death in 1990. Four years later, the icon of "old-time" radio was fatally injured in a one-vehicle road accident in New Jersey at age 76.

A minor prototype of the "Runyon-esque" character for more than three decades, Polish-born actor George E. Stone (né Gerschon Lichtenstein, on May 18, 1903) was, in actuality, a close friend of writer Damon Runyan and would play scores of colorful "dees, dem and dos" cronies throughout the 1920s, '30s, and '40s. With great names such as Johnnie the Shiek, Boots Burnett, Ice Box Hamilton, Wires Kagel, Ropes McGonigle, Society Max, and Toothpick Charlie, Stone delighted audiences in scores of crimers for decades.

A vaudeville and Broadway hoofer in the interim, the runt-sized Stone (5'3") finally scored in his first "grownup" part as the Sewer Rat in the silent drama 7th Heaven (1927) starring the once-popular romantic pair Charles Farrell and (Academy Award winner) Janet Gaynor. As "Georgie" sounded too child-like, he began billing himself as "George E. Stone." From there he was featured in a number of "tough guy" potboilers, particularly for Warner Bros. So typed was he as a henchman or thug, that he found few films outside the genre. His gunsels often possessed a yellow streak and could be both broadly comic or threatening in nature, with more than a few of them ending up on a morgue slab before film's end, including his Earl Williams on The Front Page (1931) and Otero in the classic gangster flick Little Caesar (1931).

Included in George's many films were a number of Oscar-quality pictures , including The Racket (1928), Cimarron (1931), Five Star Final (1931), 42nd Street (1933), Viva Villa! (1934), Anthony Adverse (1936), North West Mounted Police (1940), Pickup on South Street (1953), The Robe (1953), Broken Lance (1954), The Man with the Golden Arm (1955), Guys and Dolls (1955), Some Came Running (1958), Some Like It Hot (1959), Pocketful of Miracles (1961). Arguably, Stone's most popular, if not prolific, role was when he replaced Charles Wagenheim as The Runt in the second of the "Boston Blackie" film series, Confessions of Boston Blackie (1941) that starred Chester Morris as the title detective. The series lasted eight years.

Suffering from failing eyesight in later years, George was virtually blind by the late 1950s but, thanks to friends, managed to secure sporadic film and TV work. From 1958 on, Stone could be glimpsed in a recurring role on the popular courtroom series Perry Mason (1957) as a court clerk. Married to second wife Marjorie Ramey in 1946, 64-year-old George died following a stroke on May 26, 1967 in Woodland Hills, California, and was survived by two sisters.

Matthew Stone is a Jewish-American actor, writer, director, musician and animator who frequently collaborates with Trey Parker. They created and voiced in the South Park franchise. Matt voiced Kyle Broflovski, Kenny McCormick, Butters Stotch and other characters. He and Parker also worked on The Book of Mormon, Baseketball, Cannibal the Musical, Team America: World Police and Orgazmo.

As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian.

The 5'8" actor was born on January 8, 1923, in New York City, the son of a realtor and telephone operator. Although he attended DeWitt Clinton High School in the Bronx, he never graduated, earning money as a stand-up comic. Larry's gift as an impressionist paid off early during those teen years in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show.

Larry received his biggest break on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. He not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.

Moving to the small screen, a summer hosting replacement on the TV variety show Cavalcade of Stars (1949) was followed by Larry's own variety series, The Larry Storch Show (1953). In musical revues from the early 1950s with such showcases as "Red, Hot and Blue" and "Curtain Going Up," he also became a fixture on the nightclub circuit. He made a leap into legit acting with the musical "You Never Know" (1955) and comedies "The Tender Trap" (1956) and "Who Was that Lady I Saw You With?" (1958), in which he played a hyper Russian spy.

A long-lasting friendship with Tony Curtis that formulated during his Navy days paid off in spades. Curtis started finding work for his buddy in his films, beginning with an unbilled bit in the Universal costumer The Prince Who Was a Thief (1951). When Larry's career was going through a noticeable lull in the early 1960s, Curtis again came to the rescue by giving him top supporting roles in some of his prime cinematic fluff--Who Was That Lady? (1960) (in which he recreated his stage role), 40 Pounds of Trouble (1962), Sex and the Single Girl (1964) and Wild and Wonderful (1964).

TV audiences soon started seeing his manic-looking mug regularly on episodic TV, including The Phil Silvers Show (1955) and Car 54, Where Are You? (1961). Larry's biggest claim to fame would come via his Emmy-nominated role as Forrest Tucker's loyal but not particularly bright sidekick Cpl. Randolph Agarn in the western comedy F Troop (1965).

While continuing to make an "impression" in nightclubs, Larry found a lucrative outlet in animation, too, giving vocal life to four decades' worth of cartoons, including the series Tennessee Tuxedo and His Tales (1963), Underdog (1964), The Pink Panther Show (1969) and Scooby Doo, Where Are You! (1969). He also provided the voice of Koko the Clown in the syndicated cartoon show Out of the Inkwell (1962).

Beginning in the 1980s Storch made a comic resurgence of sorts under the theater lights with a healthy run opposite Jean Stapleton and Marion Ross in "Arsenic and Old Lace" from 1986-1988, and in the musicals "Oklahoma!" (1990) and "Annie Get Your Gun" (2000), the latter as Chief Sitting Bull. He also appeared with his friend Curtis again, this time in a musical stage version of Curtis' classic film Some Like It Hot (1959).

Larry went on to appear in typical oddball form in such films as Airport 1975 (1974), The Happy Hooker Goes to Washington (1977), Record City (1977), Without Warning (1980) (as a scoutmaster), S.O.B. (1981) (as a guru), Fake-Out (1982), Sweet Sixteen (1983), A Fine Mess (1986), The Perils of P.K. (1986), The Silence of the Hams (1994), Funny Valentine (2005) and Bittersweet Place (2005). TV guest appearances included "The Fall Guy," "Knight Rider," "Out of This World," "Married ... with Children," "Days of Our Lives," and his last, a 2010 appearance on "Medium Rare."

He was married to actress Norma Storch from 1961 until her death from cancer in 2003.

Famed acting teacher Lee Strasberg was born Israel Strassberg in Budzanov, Austria-Hungary (now Budanov, Ukraine). Brought to America as a child, he had a brief acting career, before becoming one of the founders of the Group Theatre in 1931, directing a number of plays there. His greatest influence, however, was through the Actors Studio, where he became director in 1950. A proponent of "method" acting, which he adapted from the "system" brought to America by Konstantin Stanislavski's disciple--and Marlon Brando's mentor--Stella Adler, he influenced several generations of actors, from James Dean to Dustin Hoffman. Film audiences would know him best as gangster Hyman Roth in The Godfather Part II (1974).

Danny Strong started his career as an actor in numerous classic films and TV shows such as Buffy The Vampire Slayer and Gilmore Girls, then transitioned into screenwriting, exploding onto the scene with his 2007 script Recount which was #1 on the Hollywood Blacklist and became an award winning HBO Film. Since then he has become a prolific film and TV writer, director and producer, garnering numerous awards for various projects, including two Emmys, a Golden Globe, two WGA awards, a PGA Award, and the Peabody Award.

Through out his career he has shown a wide range and versatility moving between mediums and genres with films like the political docudramas Recount and Game Change, the civil rights epic The Butler and the big budget action blockbusters Hunger Games: Mockingjay (Part I and II). He co-created the smash hit TV show Empire which won him the NAACP Image Award and he produced the civil rights drama The Best of Enemies starring Taraji P. Henson and Sam Rockwell. He has also written numerous theater projects having made his theatrical debut with a new book to the musical Chess that premiered at the Kennedy Center.

Strong transitioned into directing with several episodes of Empire. He made his feature directorial debut with Rebel in the Rye that premiered at the Sundance Film Festival and was distributed by IFC Films. Over the years he has continued his acting career with recurring roles in many highly acclaimed TV shows including Mad Men, Girls, Justified, Billions and The Right Stuff. He grew up in Manhattan Beach, California and attended the USC School of Dramatic Arts.

Jason Stuart is a prolific character actor & stand-up comic. Born in the Bronx and raised in the Fairfax district of Los Angeles, and now residing in Palm Springs and lives next door to his 85 year old Jewish mother Gloria, but does not live with her! Stuart is a self-described insecure Jewish kid who turned to theatre and performing to mask his emerging sexual identity. He confesses, "Barbra Streisand in "Funny Girl" saved my life". Streisand inspired him in such a deep way that was indescribable, and like many other gay men of a certain age...ironically found himself attracted to Omar Sharif. He has concurred type casting by playing "Joseph Randall" a heterosexual, Christian, plantation owner in 1831. A major supporting role in one of the most talked about films in recent history in "The Birth Of A Nation" from filmmaker Nate Parker. The drama reflected the prejudice he's fought against his entire life and gave him the kinda confidence that he has today. Stuart, a LGBTQ rights advocate through his subtle characterizations, reflects his enlightenment to his life's calling by combining his humanitarian beliefs with his mastery of the craft of acting. As a teenager he played Santa Claus in a play. Wearing a fat suit afforded him the insight that being a Jewish and closeted gay teenager was like wearing a Santa fat suit. Being a huge fan of "I Love Lucy," Stuart saw Ms. Ball got the biggest laughs when she was pregnant. He realized the key to great acting is doing the unexpected, and performed the role as if he was "Lucy" pregnant! A formula that's worked for him, and he hasn't looked back since.

Hollywood began to take notice by casting him in films like "Kindergarten Cop," "Vegas Vacation," and TV shows like "The Closer" and "My Wife & Kids." Frustrated by years of living in the closet, Jason chose to come out publicly on an infamous episode of Geraldo Rivera focused on "Unconventional Comedians." He went on to guesting on shows as "Goliath" opposite JK Simons, "Love" from comedy guru Judd Apatow, and indie films like "Tangerine" from filmmaker Sean Baker and "Love is Strange" opposite John Lithgow and Alfred Molina. But Stuart hit comedy gold with his co-star & co-creator Mitch Hara for their Amazon comedy series "Smothered" for which won the Indie Series Awards for Best Actor In A Comedy, which lead to a wave of interest for Stuart & Hara as "Content Creators", hitting a nerve in the zeitgeist and giving his them new material, energy, and a purpose. Their motto is "we do not wait for permission to create". They are now in post production on season 2 which will drop in the fall.

These days, Jason keeps his comedy chops polished through stand-up gigs all over the country with his recent comedy album "I'm The Daddy And I Have Candy" that's been featured on Sirius XM radio. Jason's also an in demand speaker on diversity in the workplace with his autobiography "Shut Up, I'm Talking!". In addition, he serves as the National Co-Chairman of the Sag-Aftra Lgbtq Committee, which he co-created in 2004. He's also recently completed a number of projects that are streaming with diverse roles such as the thriller "Immortal" opposite Sam Levine & starring Dylan Baker & Tony Todd, the action film "Abducted" on Showtime (playing detectives in both) and a starring role in the indie drama "Hank" from director Hongyu "Neo" Li, about a couple who consider an open relationship, which continues to earn high praise at numerous festivals, including winning the Best LGBTQ Short at The Los Angeles International Film Festival and was also nominated for Best Actor at the Glendale International Film Festival.

Stuart, one of the busiest and respected actors & stand-up comic's, always remembers the genius of Lucille Ball and the words of Viola Davis, that "My dreams had to be bigger than my fears." Stuart keeps his eye on the big prize: A substantial role in a major Hollywood feature film. But always remembers where he came from "My Dad, who passed a 10 years ago, was a Jewish immigrant who always said to me (in a thick Polish accent, "When you go to the interview, wear a tie and show them you mean business". Stuart took that to mean, "Be your best self". And that's who he strives to be.

Josh Sussman was born in Teaneck, New Jersey, USA. He is an actor and producer, known for Glee (2009), Wizards of Waverly Place (2007) and Tangerine (2015).

The son of Swedish actress Viveca Lindfors and American director Don Siegel, actor Kristoffer Tabori was born in the wealthy area of Malibu on August 4, 1952, and appeared in one of his mother's films Weddings and Babies (1958) as a youngster. His parents divorced when he was barely a year old and his mother subsequently married Hungarian writer/director George Tabori. Kristoffer would use the name "Tabori" for his own.

Kristoffer started making the theater rounds in the late 60s, taking his first official stage bow with "The Merchant of Venice" at the Berkshire Theatre Festival in 1966. In 1968, the teenager appeared off-Broadway with his mother at the Lucille Lortel Theatre in the Bertolt Brecht play 'The Guns of Carrar," which was translated by stepfather George. After a role in "A Cry of Players" that same year, he made his 1969 Broadway debut in "The Penny Wars" and followed this immediately with a part in "Henry V" starring Len Cariou. Earlier in 1970, Kristoffer was presented with the Theatre World Award for his excellent work in "How Much, How Much?"

Tabori's stage success led to progressive strides in '70s film wherein he became a product of his generation playing lean. long-haired hippies and liberal thinker types. In unbilled movie bits as a late teen (including a flower child in the musical Sweet Charity (1969)), the nascent actor also made an unbilled appearance in his father's cop action drama Coogan's Bluff (1968), one of several projects that had Don Siegel directing Clint Eastwood.

Kristoffer earned strong reviews for his very first film lead in Making It (1971) as a sex-obsessed 17-year-old who suffers a heavy, traumatic experience with his mother, played by Joyce Van Patten. While this opened doors for major roles in such offbeat films as The Sidelong Glances of a Pigeon Kicker (1970) and Journey Through Rosebud (1972), it did not pave the way to movie stardom. He started impressing on the smaller screen instead with quality TV-movies including A Memory of Two Mondays (1974), The Glass House (1972), QB VII (1974), The Lady's Not for Burning (1974), Seventh Avenue (1977), Rappaccini's Daughter (1980), London Embassy (1987), The Hound of the Baskervilles (1988) and Marilyn & Bobby: Her Final Affair (1993).

Kristoffer also racked up dozens of guest appearances on such popular TV programs as "Medical Center," "Marcus Welby," "Owen Marshall," "Cannon," "The Rookies," "Baretta," "The Rockford Files," "Trapper John," "The Facts of Life," "The (New) Twilight Zone," "21 Jump Street," "Designing Women," "Quantum Leap," "Jake and the Fatman," "Matlock" and "Murder, She Wrote." He also played a regular part as a doctor on the dramatic series Chicago Story (1982).

In the mid 1970s and into the next decade, Kristoffer turned more and more to the stage, joining, at various times, the Arena Stage theater company in Washington, D.C., Southern California's South Coast Repertory and appearing at the National Shakespeare Festival. He embellished his impressive theatre resumé with roles in "Dream of a Blacklisted Actor," "Hamlet" (title role), "Habeas Corpus" (a replacement on Broadway), "Romeo and Juliet," "Henry IV, Part I," "The Wager," "Scribes," "St. Joan," "The Trouble with Europe," "Measure for Measure" and "Boy Meets Girl." In 1980, he appeared on stage with his mother in "An Evening with Viveca Lindfors and Kristoffer Tabori."

In the 1990s, Tabori focused on directing, predominantly on TV, helming episodes for such series as "Picket Fences," "Chicago Hope," "Providence" and "Judging Amy." Shortly before his mother's death in 1995, he appeared as her son in the film Last Summer in the Hamptons (1995). Kristofffer has also lent his crisp voice to scores of video games that focused on the "Battlestar Galactica" and "Star Wars" target area.

Kristoffer married British actress Judy Geeson in 1984, appearing on stage together in "The Common Pursuit" (1986) before divorcing in 1989.