HB Studios Faculty & Alumni

Noted stage actress who has also done limited work in TV and film. Born in Germany and raised in Madison, Wisconsin, she studied at the Royal Academy of Dramatic Arts in London. Her Broadway debut was in "The Seagull" in 1938. She won her first Tony (and other awards) in 1950 for Clifford Odets "The Country Girl". Her second Tony was for the role of Martha in Edward Albee's "Who's Afraid of Virginia Woolf?".

She later became a highly influential acting teacher at New York's HB Studio (founded by Herbert Berghof in 1945) and authored best-selling acting texts, Respect for Acting, with Haskel Frankel, and A Challenge for the Actor. Her most substantial contributions to theater pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeni Vakhtangov.

She was elected to the American Theatre Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999.

Herbert Berghof was born on 13 September 1909 in Vienna, Austria-Hungary [now Austria]. He was an actor, known for Cleopatra (1963), Harry and Tonto (1974) and Red Planet Mars (1952). He was married to Uta Hagen and Alice Hermes. He died on 5 November 1990 in New York City, New York, USA.

Devon Abner is known for The Office (2005), A Little Crazy (2003) and Wild Horses (2015). He has been married to Hallie Foote since 16 November 1994.

Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.

Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).

Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.

In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.

After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.

Deborah Kaye Allen was born in Houston, Texas, to African-American parents, Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Debbie, her older brother, Andrew (called Tex), and her older sister, actress Phylicia Rashad, lived in Mexico to escape US racism. Their mother decided to live there to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Debbie and Phylicia are fluent in Spanish.

Debbie graduated from Jack Yates Senior High School in Houston, TX in 1967. She graduated cum laude from Howard University in 1971 with a BFA in Classical Greek Literature, Speech, and Theater from Howard University. She used her experiences from attending Historically Black College Howard to inform her production and direction of the TV show A Different World (1987).

Although her parents divorced, Debbie remained extremely close to her father until his death. With Phylicia she has production company "D.A.D." which stood for "Doctor Allen's Daughters". Her Pulitzer-nominated poet mother Vivian is, the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Allen as a performer.

The actress, singer and stage director Rae Allen was born Raffaella Julia Theresa Abruzzo in Brooklyn, New York, to Joseph and Julia Abruzzo (née Riccio). She attended New York University and later studied drama at the Herbert Berghof Studio in Greenwich Village and at the American Academy of Dramatic Arts from which she graduated in 1947. Rae made her theatrical debut on Broadway the following year as a singer and understudy in Where's Charley?, then co-starred alongside Ethel Merman in Call Me Madam and with Gwen Verdon in the original Broadway production of Damn Yankees (a Tony Award-nominated role she later reprised for the film adaptation). In 1971, she won the Tony as Best Featured Actress for her role as Fleur Stein in the darkly comedic play And Miss Reardon Drinks a Little.

On screen from 1958, Rae made sporadic guest appearances in serial television, including in The Untouchables (1959), Car 54, Where Are You? (1961), Soap (1977), Lou Grant (1977) and Hill Street Blues (1981). Perhaps her most memorable recurring role was that of Quintina Blundetto, mother of one Tony (Steve Buscemi) and aunt to another (James Gandolfini) in The Sopranos (1999). Her infrequent forays to the big screen included Stargate (1994) (as research scientist Barbara Shore) and A League of Their Own (1992) (as the mother of aspiring baseball players, portrayed by Geena Davis and Lori Petty). Dividing her time equally between stage and screen, the energetic performer was also busy as a theatrical director from 1972 to 1979, notably at Stage West in Springfield, Massachusetts. Rae Allen was twice married and divorced. She passed away at the venerable age of 95 on April 6 2022.

Mary Anthony is known for Losin' It (1982).

Matthew Arkin's television credits include Get Shorty (recurring), Rescue Me (recurring), 100 Centre Street (recurring), NCIS, Aquarius, Switched at Birth, Harry's Law, the PBS pilot Copshop, Medium, Third Watch, Hack, The Education of Max Bickford, Ed, Law and Order, Law and Order: Criminal Intent, Law and Order: SVU, Kojak, and All My Children. Film credits include indies Margot at the Wedding, Second Best, Raising Flagg, The Curse, and Bittersweet Place, as well as Death to Smoochy, Liar, Liar, North, An Unmarried Woman, and Chu Chu and the Philly Flash. Broadway credits include Neil Simon's The Sunshine Boys, with Jack Klugman and Tony Randall, Mr. Simon's Laughter on the 23rd Floor, and Manhattan Theater Club's Losing Louie. Other New York credits include originating the role of Gabe in Donald Margulies' Pulitzer Prize-winning Dinner with Friends (Drama Desk nomination), Moonlight and Magnolias at MTC, Rounding Third and War in Paramus. Regional Theater includes The Sisters Rosenswieg, The Siegel, All the Way, The Whale, The Prince of Atlantis, and Our Mother's Brief Affair, all at South Coast Rep, Surf Report at La Jolla Playhouse, The Scene at Hartford Stage Company, Around the World in 80 Days at the Cape Playhouse, Rounding Third at Chicago's Northlight Theatre, Talley's Folly at The Bay Street Theatre, Guys and Dolls at Seattle's 5th Avenue Theater, and Sight Unseen at The George Street Playhouse. He is Director of the Acting Intensive Program at South Coast Repertory, is an adjunct professor at Dodge College of Film and Media Arts at Chapman University, and has taught at HB Studio in New York City. He is also the author of the suspense thriller In the Country of the Blind.

Kerry Armstrong was born on 3 January 1958 in Melbourne, Victoria, Australia. She is an actress and producer, known for Lantana (2001), SeaChange (1998) and Razzle Dazzle (2007).

Rose Arrick was born on 16 May 1928 in Hazleton, Pennsylvania, USA. She was an actress, known for A New Leaf (1971), Margaret (2011) and Mikey and Nicky (1976). She died on 21 November 2008 in New York City, New York, USA.

Blanche Baker is an actress of stage, screen and television. Born Blanche Garfein in New York, her mother is actress Carroll Baker, who won a Best Actress Oscar nomination for Baby Doll (1956), several months after baby Blanche arrived. Her father was stage director Jack Garfein, who later went on to direct movies and teach acting.

After attending Wellesley College, she took her mother's surname and made her television debut in the miniseries Holocaust (1978), for which she won an Emmy Award. Baker made her movie debut in The Seduction of Joe Tynan (1979), an A-List production featuring Alan Alda at the height of his popularity and another "Holocaust" co-star at the start of her career, Meryl Streep. She then appeared as the Holy Mother in the TV movie, Mary and Joseph: A Story of Faith (1979).

Then came "Lolita."

In 1980-81, the 24-year-old Baker originated the role of the preteen "nymphet" loved by a pedophile in Edward Albee's stage adaption of Nabokov's classic novel. The show was picketed during out-of-town tryouts and in New York by feminists outraged by the show's depiction of pedophilia. More importantly, the show was pilloried by outraged critics in its out-of-town tryouts, giving "Lolita" a bad word of mouth.

After 31 previews, the troubled production opened on Broadway on March 19, 1981 and closed after only 12 performances.

She never appeared on Broadway again, despite critics calling her performance "breathtaking" and "beguiling."

Blanche Baker has continued to work steadily in television and on the silver screen but has never again approached the heights she did in her early twenties.

Carroll Baker was born on May 28, 1931 in Johnstown, Pennsylvania, the daughter of a traveling salesman, William W. Baker. She attended community college for a year and then worked as a dancer and magician's assistant. After a brief marriage, she had a small part in Easy to Love (1953), did TV commercials, and had a bit part on Broadway. She studied at the Actors Studio and was married to director Jack Garfein (one daughter, Blanche Baker). Warner Brothers, sensing a future Marilyn Monroe, cast her in Giant (1956), Baby Doll (1956) (Oscar nomination for her thumb-sucking role), The Carpetbaggers (1964) and Harlow (1965) (title role). Moving to Italy, she made films there and in England, Germany, Mexico and Spain . After returning to American films, she married Donald Burton in 1982 and resided in Hampstead, London in the 1980s. They remained together until Burton's death from emphysema in their home in Cathedral City, California in 2007.

Bob Balaban was born on 16 August 1945 in Chicago, Illinois, USA. He is an actor and director, known for Gosford Park (2001), A Mighty Wind (2003) and Close Encounters of the Third Kind (1977). He has been married to Lynn Grossman since 1 April 1977. They have two children.

Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.

Actor, writer, director, producer, teacher, and coach Susan Batson has been called a "technician of the spirit" by the New Yorker. In private consultation on film sets all over the world, and in her New York- and Hollywood- based Black Nexxus acting studios, Susan Batson has enjoyed the privilege of working with Nicole Kidman, Juliette Binoche, Tom Cruise, Jennifer Lopez, Chris Rock, Jamie Foxx, Sean 'Diddy' Combs, Liv Tyler, Jennifer Connelly, and countless other actors searching for truthful connections between themselves and the characters that they play. Nicole Kidman, who has worked closely with Susan for more than twelve years, hails her as a uniquely insightful acting coach with "a hell of a lot of pure talent," while Oscar winner Juliet Binoche praises Susan's ability to "shake you like a tree and get the fruits down." Susan Batson was publicly thanked by Kidman during Kidman's post-Oscar-win press conference for The Hours (2002), and by Tom Cruise in his Golden Globes acceptance speech for Magnolia (1999).

Born in Roxbury, Massachusetts, Batson began her lifelong excursion into the art of acting at Adele Thane's Boston Children's Theater. She graduated from Emerson College's Theater Arts Program and received a John Hay Whitney Fellowship to study with Lee Strasberg, Uta Hagen, and Herbert Berghof in New York. She was in the original cast of Hair and became a protégé of theater legends Joseph Papp and Harold Clurman, a member of the Actor's Studio, and a recipient of a New York Drama Critics Award, an LA Drama Critics Award, and an Obie. She has consulted with writer/director Spike Lee on several of his films and was a producer of the hugely successful Broadway revival and television production of _Raisin in the Sun, A (2007) (TV)_, starring Sean Combs.

Batson's mother, the late Ruth M. Batson, a tenured professor of psychiatry at Boston University, headed the Massachusetts NAACP in the sixties and was the first black woman appointed to the Democratic National Committee and an architect of Boston's pioneering school desegregation initiative. In the spirit of equal opportunity and advancement through education that her mother personified, Black Nexxus (jointly operated with Susan's son Carl Ford), remains open 365 days a year, and Susan Batson remains available to her legion of loyal clients twenty-four hours a day.

Susan Batson is the author of the book "Truth: Personas, Needs, and Flaws In The Art of Building Actors and Creating Characters" and has been profiled in the New Yorker, the New York Times, Variety, the Hollywood Reporter, and Backstage.

Orson Bean, the American actor, television personality and author, was born Dallas Frederick Burrows on July 22, 1928 in Burlington, Vermont to George Frederick Burrows, a policeman who later went on to become the chief of campus police at Harvard University, and the former Marion Ainsworth Pollard. He was of Irish, Scottish, and English descent. Through the latter, the newborn Dallas Burrows was a first cousin, twice removed, to Calvin Coolidge, who was President of the United States at the time of his birth. The young Dallas, an amateur magician with a taste for the limelight, graduated from Boston's prestigious Latin School in 1946. Too young to see military service during World War II, the future Orson Bean did a hitch in the U.S. Army (1946-47) in occupied Japan.

After the war, he launched himself onto the nightclub circuit with his new moniker, the "Orson" borrowed from reigning enfant terrible Orson Welles. His comedy act premiered at New York City's Blue Angel nightclub, and the momentum from his act launched him into the orbit of the legitimate theater. He made his Broadway debut on April 30, 1954 in Stalag 17 (1953) producer Richard Condon's only Broadway production as a playwright, "Men of Distinction", along with Robert Preston and Martin Ritt. The play flopped and ran only four appearances.

The following year was to prove kinder: he hosted a summer-replacement television series produced at the Blue Angel, and won a Theatre World Award for his work in the 1954 music revue "John Murray Anderson's Almanac", which co-starred Harry Belafonte, Polly Bergen, Hermione Gingold and Carleton Carpenter. It was a hit that ran for 229 performances. He followed this up with an even bigger hit, the leading role in "Will Success Spoil Rock Hunter". Next up was a succès d'estime as the leading man in Herman Wouk's comic play "Nature's Way", which co-starred Bea Arthur, Sorrell Booke and Godfrey Cambridge. Though the play lasted but 67 performances, Orson Bean had established himself on the Broadway stage.

He enjoyed his greatest personal success on Broadway in the 1961-62 season, in the Betty Comden and Adolph Green musical "Subways are for Sleeping", which was directed and choreographed by Michael Kidd and featured music by Jule Styne. Bean received a Tony Award nomination for Best Featured Actor in a Musical (his co-star Phyllis Newman won a Tony Award as Best Featured Actress in a Musical). The following season, he was in a bigger hit, the comedy "Never Too Late", which would go on to play for 1,007 performances. After appearing in the flop comedy "I Was Dancing" in November 1964, Bean made his last Broadway appearance in the musical "Illya Darling" in 1967 with Melina Mercouri, directed by fellow blacklister Jules Dassin; it played 320 performances. He also toured in the Neil Simon-Burt Bacharach musical "Promises, Promises".

Bean made an impression as the Army psychiatrist in Otto Preminger's Anatomy of a Murder (1959). But it was as a television personality that he made his biggest inroads into the popular consciousness, as well as the popular culture. He appeared in numerous quiz and talk shows, becoming a familiar face in homes as a regular panelist on To Tell the Truth (1956). He also appeared on Norman Lear's cult favorite Mary Hartman, Mary Hartman (1976) and its sequel, Forever Fernwood (1977), as "Reverend Brim", and as store owner "Loren Bray" on Dr. Quinn, Medicine Woman (1993). Much of his role as 105-year-old "Dr. Lester" in the cult film Being John Malkovich (1999) wound up the cutting room floor, but audiences and critics welcomed back his familiar presence.

The native New Yorker was born Bonnie Bedelia Culkin on March 25, 1948, the daughter of Phillip Harley Culkin, a journalist, and Marian Ethel Wagner Culkin, a writer and editor. Trained in ballet, her parents guided all of the children at one time or another into acting (which included Kit Culkin, Terry Culkin and Candace Culkin). Bonnie herself attended Quintano School for Young Professionals in New York at one point and Bonnie and Kit went on to appear on the local stage and TV. Brother Kit would later be known more for siring a handful of talented child actors and/or stars (Macaulay Culkin, Kieran Culkin, and the rest).

It was Bonnie who was first spotted among the other acting siblings by a talent scout who happened to catch her in a school production of "Tom Sawyer", and encouraged her. She made her professional debut at age 9 in a 1957 North Jersey Playhouse production of "Dr. Praetorius" and then was handed a full scholarship to study at George Balanchine's New York City Ballet. But the acting bug had bitten and after dancing in only four productions (including playing the role of Clara in "The Nutcracker"), she decided to hang up her ballet slippers. She proceeded to study at both the HB Studio and Actors Studio in New York.

Bonnie nabbed a five-year role as young teen "Sandy Porter" in the New York-based daytime soap Love of Life (1951) starting in 1961. During that time, she took her first Broadway bow in "Isle of Children", a show that lasted but a week in March of 1962. She was also a replacement in the established hit comedy "Enter Laughing", a year later. After appearing in the stage play "The Playroom" in 1965, she earned strong reviews for her touching performance in "My Sweet Charlie", for which she won the 1967 Theatre World Award for "promising new artist". In it, she played a pregnant young Southern girl on the lam with a black lawyer. Patty Duke recreated the role a few years later on TV and captured an Emmy.

Films beckoned at this point and Bonnie made her debut lending topnotch support in The Gypsy Moths (1969) which reunited From Here to Eternity (1953) stars Burt Lancaster and Deborah Kerr. She earned even better marks in her next two films, one performance simply haunting and the other one hilarious. Once again playing pregnant and once again delivering a touching pathos, she played the dirt-poor marathon dancer who pitches songs for pennies and the almost-mother of Bruce Dern's child in the superb, award-winning, Depression-era drama They Shoot Horses, Don't They? (1969). On the other end of the acting spectrum, she played the lovable bride-to-be in the side-splitting comedy classic Lovers and Other Strangers (1970).

By this time, Bonnie had started concentrating on family values. She married scriptwriter Ken Luber on April 24, 1969, and bore him a son, Yuri, the following year. The time off to focus on motherhood (she had second son, Jonah Luber, in 1976) proved detrimental to her rising star. The remaining decade was uneventful at best, despite some fine showings in a splattering of TV-movies. Her big comeback came again on the movie trail in the early 1980s when she absolutely nailed the role of race car driver Shirley Muldowney in Heart Like a Wheel (1983). She was surprisingly overlooked at Oscar time, however, despite the praise she received. Despite respected work in subsequent movies such as Violets Are Blue... (1986), The Prince of Pennsylvania (1988), Presumed Innocent (1990) and a running role as Bruce Willis's put-upon wife in Die Hard (1988) and its sequel, she found better and more frequent parts on TV. She found her niche in TV-movies with social themes and tugged at more hearts in Switched at Birth (1991), A Mother's Right: The Elizabeth Morgan Story (1992), Any Mother's Son (1997) and To Live Again (1998).

In a change of pace, Bonnie joined the ensemble cast of the low-budget cult comedy Sordid Lives (2000), as "Latrelle", a homophobic woman dealing with her mother's death, the imprisonment of her gay brother and her own son's "coming out". The movie evolved into the TV series Sordid Lives: The Series (2008) which reunited her with original cast members Leslie Jordan and Olivia Newton-John. She repeated her role again in still another film -- A Very Sordid Wedding (2017).

More recent independent movie credits include Berkeley (2005), Her Secret Sessions (2016), The Scent of Rain & Lightning (2017), A Stone in the Water (2019). She also managed a few regular TV series roles: The Division (2001) as a police captain, and Parenthood (2010) as a family matriarch opposite Craig T. Nelson.

Divorced from the father of her two children, she is presently married to third husband (or fourth, depending on your source of reference) actor Michael MacRae, whom she married in 1995.

Joy Behar was born on 7 October 1942 in Brooklyn, New York City, New York, USA. She is an actress and writer, known for Ice Age: Continental Drift (2012), Hall Pass (2011) and Manhattan Murder Mystery (1993). She has been married to Steve Janowitz since 11 August 2011. She was previously married to Joseph Behar.

Olga Bellin was born on 17 August 1933 in Milwaukee, Wisconsin, USA. She was an actress, known for Tomorrow (1972), The Equalizer (1985) and Another World (1964). She was married to Paul Roebling. She died on 8 November 1987 in New York City, New York, USA.

One cool, eternally classy lady, Candice Bergen was elegantly poised for trendy "ice princess" stardom when she first arrived on the '60s screen, but she gradually reshaped that débutante image in the '70s, both on- and off-camera. A staunch, outspoken feminist with a decisive edge, she went on to take a sizable portion of those contradicting qualities to film and, most particularly, to late 1980s TV.

The daughter of famed ventriloquist Edgar Bergen and former actress and "Chesterfield Girl" model Frances Bergen (née Westerman), Candice Patricia Bergen was born in Beverly Hills, California, of Swedish, German, and English descent. At the age of six, she made her radio debut on her father's show. She attended Westlake School for Girls in Los Angeles, the Cathedral School in Washington D.C. and then went abroad to the Montesano (finishing) School in Switzerland. Although she began taking art history and creative drawing at the University of Pennsylvania, she did not complete her studies.

In between she also worked as a Ford model in order to buy cameras for her new passion--photography. Her Grace Kelly-like glacial beauty deemed her an ideal candidate for Ivy League patrician roles, and Candice made an auspicious film debut while still a college student portraying the Vassar-styled lesbian member of Sidney Lumet's The Group (1966) in an ensemble that included the debuts of other lovely up-and-comers including Kathleen Widdoes, Carrie Nye, Joan Hackett and Joanna Pettet.

Film offers started coming her way, both here and abroad (spurred by her love for travel). Other than her top-notch roles as the co-ed who comes between Jack Nicholson and Art Garfunkel in Carnal Knowledge (1971) and her prim American lady kidnapped by Moroccan sheik Sean Connery in The Wind and the Lion (1975), her performances were deemed a bit too aloof to really stand out among the crowd. During this time, she found a passionate second career as a photographer and photojournalist. A number of her works went on to appear in an assortment of magazines including Life, Playboy and Esquire.

Most of Candice's 1970s films were dismissible and unworthy of her talents, including the campus comedy Getting Straight (1970) opposite the hip counterculture star of the era -- Elliott Gould; the disturbingly violent Soldier Blue (1970); the epic-sized bomb The Adventurers (1970); T.R. Baskin (1971); Bite the Bullet (1975); The Domino Principle (1977), Lina Wertmüller's long-winded and notoriously long-titled Italian drama A Night Full of Rain (1978); and the inferior sequel to the huge box-office soaper Love Story (1970), entitled Oliver's Story (1978) alongside original star Ryan O'Neal. Things picked up toward the second half of the decade, however, when the seemingly humorless Candice made a clever swipe at comedy. She made history as the first female guest host of Saturday Night Live (1975) and then showed an equally amusing side of her in the dramedy Starting Over (1979) as Burt Reynolds' tone-deaf ex-wife, enjoying a "best supporting actress" Oscar nomination in the process. She and Jacqueline Bisset also worked well as a team in George Cukor's Rich and Famous (1981), in which her mother Frances could be glimpsed in a Malibu party scene.

Candice made her Broadway debut in 1985 replacing Sigourney Weaver in David Rabe's black comedy "Hurlyburly". In 1980 Candice married Louis Malle, the older (by 14 years) French director. They had one child, Chloe. In the late 1980s, Candice hit a new career plateau on comedy television as the spiky title role on Murphy Brown (1988), giving great gripe as the cynical and competitive anchor/reporter of a TV magazine show. With a superlative supporting cast around her, the CBS sitcom went the distance (ten seasons) and earned Candice a whopping five Emmys and two Golden Globe awards. TV-movie roles also came her way as a result with colorful roles ranging from the evil Arthurian temptress "Morgan Le Fey" to an elite, high-classed madam -- all many moons away from her initial white-gloved debs of the late 60s.

Husband Malle's illness and subsequent death from cancer in 1995 resulted in Candice maintaining a low profile for an extended period. In time, however, she married a second time (since 2000) to Manhattan real estate developer Marshall Rose and returned to acting with a renewed vigor (or vinegar), with many of her characters enjoyable extensions of her sardonic "Murphy Brown" character. As for TV, she joined the 2005 cast of Boston Legal (2004) playing a brash, no-nonsense lawyer while trading barbs with a much less serious William Shatner, earning an Emmy nomination in the process. In 2018, Candice revisited her Murphy Brown character in a revised series form with many of the cast back on board. The show, however, was cancelled after only one season.

Candice also ventured into the romantic comedy film genre with a spray of crisp supports -- sometimes as a confidante, sometimes as a villain. Such films include Miss Congeniality (2000), Sweet Home Alabama (2002), The In-Laws (2003), Sex and the City (2008), The Women (2008), Bride Wars (2009), A Merry Friggin' Christmas (2014), Rules Don't Apply (2016), The Meyerowitz Stories (2017), Home Again (2017) and Book Club (2018).

Shelley Berman began studying acting shortly after he was honorably discharged from the US navy. He enrolled as a drama student at Chicago's Goodman Theater, where he met Sarah Herman, another aspiring thespian. They fell in love and were married in 1947. After graduating from the Goodman Theater, Shelley joined the Woodstock Players, a stock theater company in Woodstock, IL. It was here that he had the opportunity to really develop and polish his acting skills, with the support and encouragement of fellow players Geraldine Page, Betsy Palmer and Tom Bosley. Leaving Woodstock in 1949, Shelley and Sarah made their way across the country, with Shelley in search of acting work. When those jobs were scarce, he worked as a social director, a cab driver, a speech teacher, an assistant manager at a drug store and an instructor at Arthur Murray Dance Studios. While in New York Shelley found work as a sketch writer for The Steve Allen Plymouth Show (1956), and was doing well when he received an invitation to join an improvisational troupe known as The Compass Players, which took him back home to Chicago. With Compass (which later evolved into Second City) Shelley worked with soon-to-be famous performers Mike Nichols, Elaine May, Severn Darden and Barbara Harris, among others. While performing improvised sketches with the Compass Players, Shelley began developing solo pieces, employing an imaginary telephone to take the place of an onstage partner. While watching Mort Sahl perform at Mr. Kelly's in Chicago in 1957, Shelley realized he didn't necessarily have to tell traditional jokes, as other comedians of the day did, in order to work in nightclubs and went on to audition at the club, performing his one-man monologues and telephone routines with great success. Those first dates at Mr. Kelly's led to other nightclub engagements around the country, appearances on national television and a recording contract with Verve Records. "Inside Shelley Berman", released in early 1959, became the first comedy album to be awarded a gold record--for selling one million copies--and the first non-musical recording to win a Grammy Award. Shelley would eventually record a total of six albums for Verve, including "Outside Shelley Berman" and "The Edge of Shelley Berman", both of which also went gold. Shelley would go on to appear on numerous TV specials, and all of the major variety shows, including those of Ed Sullivan, Steve Allen, Jack Paar, Dinah Shore, Perry Como, Andy Williams and Dean Martin. Shelley's great success as a comedian enabled him to continue with his first love, acting. He starred on Broadway in "A Family Affair" and would continue to do stage work in productions of "The Odd Couple", "Damn Yankees", "Where's Charley?", "Fiddler On the Roof", "Two by Two", "I'm Not Rappaport", "La Cage aux Folles", "Prisoner of Second Avenue" and "Guys & Dolls", among others. Comedic and dramatic acting roles in what came to be known as "The Golden Age of Television" began to come his way, including memorable appearances on episodes of Peter Gunn (1958), The Twilight Zone (1959), Rawhide (1959), Bewitched (1964), The Man from U.N.C.L.E. (1964), The Mary Tyler Moore Show (1970), Adam-12 (1968), Emergency! (1972), CHiPs (1977), St. Elsewhere (1982), Night Court (1984), MacGyver (1985), L.A. Law (1986), Friends (1994), Arli$$ (1996), Lizzie McGuire (2001), Providence (1999), Walker, Texas Ranger (1993), The King of Queens (1998), "The Bernie Mac Show" (2001)_, "Grey's Anatomy" (2005)_ Entourage (2004) Hannah Montana (2006), CSI: NY (2004) and Boston Legal (2004), the latter of which he made numerous recurring guest -tar appearances as the hilariously semi-senile Judge Robert Sanders. Since 2002 Shelley has appeared as Nat David (Larry David's father) on HBO's Curb Your Enthusiasm (2000), a role for which he received a 2008 Emmy Award nomination. With dialogue entirely improvised by its cast, "Curb" has given Shelley the opportunity to return to his improv roots, introduced him to a new generation of TV viewers and brought him acclaim from critics and fans alike. Among Shelley's film credits are The Best Man (1964) with Henry Fonda; Divorce American Style (1967) with Dick Van Dyke and Debbie Reynolds; Every Home Should Have One (1970) with Marty Feldman; '80s cult favorite Teen Witch (1989); with 'Burt Reynolds' in The Last Producer (2000); Meet the Fockers (2004) with Robert De Niro and Ben Stiller; The Aristocrats (2005); The Holiday (2006) with Cameron Diaz, and You Don't Mess with the Zohan (2008) (with Adam Sandler). Shelley continues to do film and television work and make personal appearances across the country year-round. He has authored three books, two plays, several TV pilot scripts and numerous poems. For over 20 years he taught humor writing in the Master of Professional Writing program at USC, where he is now a Lecturer Emeritus. Shelley spends his (precious little) free time volunteering for various charitable organizations and indulging in his favorite hobby, knife collecting.

Clarice Blackburn was born on 26 February 1921 in San Francisco, California, USA. She was a writer and actress, known for All My Children (1970), Love of Life (1951) and Dark Shadows (1966). She died on 5 August 1995 in New York City, New York, USA.

Secondary to studying performing arts as American University in Washington, D.C., Aaron made her debut in motion pictures with a small part in Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since, she has built her acting career as a character actress, and continues to work with some of cinema's most significant directors; particularly, Woody Allen and Mike Nichols.

Christopher Jacob Abbott is an American actor. Abbott made his feature film debut in Martha Marcy May Marlene (2011). Abbott's other notable films include Hello I Must Be Going (2012) and The Sleepwalker (2014). In 2015, Abbott starred as the titular character in the critically acclaimed film James White. In 2017, he starred opposite Joel Edgerton in the psychological horror film It Comes at Night. In 2018, he portrayed astronaut David Scott in the film First Man, and a reporter in Vox Lux. Abbott portrayed John Yossarian as the lead role in the 2019 miniseries Catch-22 based on the Joseph Heller novel of the same name, for which he was nominated for the Golden Globe Award for Best Actor - Miniseries or Television Film. In 2020, he co-starred in the films Black Bear, Possessor and The World to Come.

Pamela Blair was born on 5 December 1949 in Bennington, Vermont, USA. She was an actress, known for Annie (1982), Mighty Aphrodite (1995) and Beavis and Butt-Head Do America (1996). She was married to Don Scardino and Alfred Anthony Feola. She died on 23 July 2023 in Mesa, Arizona, USA.