Winners of Filmfare Award for Best Actress

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

Kamini Kaushal was born on 24 February 1927 in Lahore, Punjab, British India. She is an actress and producer, known for Kabir Singh (2019), Biraj Bahu (1954) and Arzoo (1950). She is married to BS Sood .

Nutan Samarth was born on June 4 1936 to poet Kumarsen Samarth and his actress wife 'Shobhana' as the eldest of their four children (a younger sister is the actress Tanuja Samarth). Her parents separated when she was a small child. 13-year-old Nutan made her debut in K. Asif's "Hamari Beti". She was a beauty queen as well, being crowned Miss Mussorie in 1952. Success at so young an age was trying, and Nutan temporarily quit films in the 50s to move to Switzerland. She returned, married Commander Rajnish Bahl, and began the most innovative and successful faze of her career. She made her mark as a versatile actress able to portray comedy, drama, and romance with equal skill. Nutan was awarded a record-breaking 5 Filmfare awards for Best Actress and one for Outstanding Performance. Her career declined during the 70s and 80s and she spent much of her time collecting rare artefacts and spending time with her family. Nutan died of cancer in February 1991.

Nargis was born on June 1, 1929 as Fatima Rashid in Rawalpindi, British India, daughter to Jaddanbai and Uttamchand Mohanchand, a former Hindu Mohyal Brahmin who converted to Islam as Abdul Rashid. Her mother was a well-known dancer, singer, actor, composer, and director. This is what paved the way for Fatima to become a child artiste (Baby Nargis) as early as 1935. She was the half-sister of Bollywood actors, Anwar Hussain and Akhtar Hussain.

Nargis, and actor Raj Kapoor formed a reel romantic couple. It is well known that they had an off-screen romance. Raj, who was already married, refused to divorce his wife and marry Nargis.

After playing the mother of Sunil Dutt in the movie 'Mother India', she subsequently married him on March 11, 1958 . She had three children, namely Bollywood actor, Sanjay Dutt, and two daughters, Priya, and Anju. Her son Sanjay was married to actress Richa Sharma, who passed away due to cancer. They have a daughter named Trishala. His second wife was Rhea Pillai whom he subsequently divorced. He is now married to Manyata Dutt, formerly known as Dilnawaz Shaikh. They are the parents of twins, Iqra and Shahraan. Her daughter, Anju, is married to Bollywood actor, Kumar Gaurav, who is the son of actor Rajendra Kumar. Her husband, Sunil, Dutt, went on to win a seat in the Indian Parliament, and after his passing, their daughter, Priya, won his vacant seat.

Nargis passed away due to pancreatic cancer on May 3, 1981.

Vyjayanthimala was born to actress and dancer Vasundhara Devi in a Tamil-speaking family in Chennai, India, on August 13, 1933.

At the age of 4, she got the rare chance of performing a dance before the Pope. Then at the age of 15, while in her final year at school, she was signed-up by family friend, M.V. Raman, for a role in a Tamil film 'Vazhkai'. This movie was successful at the box office and was re-made in Hindi during 1951 and released as 'Bahaar'.

Since her entry into films from 1949, this actress, who is also proficient in Bharat Natyam, has appeared in approximately 62 movies, the majority of them in the Hindi language. Her career spanned from 1949 through to 1989. She has received a total of five awards for her performances in 'Devdas', 'Sadhna', 'Ganga Jamuna', and 'Sangam', as well as a lifetime achievement award during 1995.

Her dance numbers, such as 'Hothon Pe Aisi Baat Main Dabake Chali Aai...', 'Man Doley Mera Tan Doley...'; 'Chad Gaiyo Paapi Bichua...'; 'Main Ka Karu Ram Mujhey Buddha Mil Gaya' continue to be popular even today. She made waves when she appeared in a fire red swimsuit in 'Sangam'. She also paved the way for other South Indian actresses, like Hema Malini, Rekha, Sridevi, etc. to make a transition to Bollywood. Her career was managed by her grandmother, Yadugiri Devi.

She married Raj Kapoor's personal physician, Dr. Chamanlal Bali after he divorced his first wife and re-located to Chennai, where she gave birth to a son, actor Suchindra Bali.

After quitting films, Vyjantimala took up shrimp farming, opened up a dance academy, even took an active interest in politics, and with the backing of Indira Gandhi's Congress Party was elected Member of Parliament during the 1980s. She chose to quit politics due to principled differences during 1999.

After the passing of her husband, she now resides in Chennai, with her son, who is an aspiring actor in his own right, and has removed herself completely from Bollywood, in particular, and movies in general, though she could have easily continued on for another decade.

One of her hits 'Naya Daur', originally in Black & White, has now been colorized, and re-released.

In 2007, she published her autobiography titled "Bonding," where she revealed that she didn't have an affair with Raj Kapoor, her leading man and director from "Sangam" (1964).

In 2011, her son Suchindra and daughter-in-law Nandini presented her with a grandchild named Swara.

Nutan Samarth was born on June 4 1936 to poet Kumarsen Samarth and his actress wife 'Shobhana' as the eldest of their four children (a younger sister is the actress Tanuja Samarth). Her parents separated when she was a small child. 13-year-old Nutan made her debut in K. Asif's "Hamari Beti". She was a beauty queen as well, being crowned Miss Mussorie in 1952. Success at so young an age was trying, and Nutan temporarily quit films in the 50s to move to Switzerland. She returned, married Commander Rajnish Bahl, and began the most innovative and successful faze of her career. She made her mark as a versatile actress able to portray comedy, drama, and romance with equal skill. Nutan was awarded a record-breaking 5 Filmfare awards for Best Actress and one for Outstanding Performance. Her career declined during the 70s and 80s and she spent much of her time collecting rare artefacts and spending time with her family. Nutan died of cancer in February 1991.

Bina Rai was born on 13 July 1931 in British India. She was an actress, known for Insaniyat (1955), Taj Mahal (1963) and Ghunghat (1960). She was married to Premnath Malhotra. She died on 6 December 2009 in Mumbai, Maharashtra, India.

Vyjayanthimala was born to actress and dancer Vasundhara Devi in a Tamil-speaking family in Chennai, India, on August 13, 1933.

At the age of 4, she got the rare chance of performing a dance before the Pope. Then at the age of 15, while in her final year at school, she was signed-up by family friend, M.V. Raman, for a role in a Tamil film 'Vazhkai'. This movie was successful at the box office and was re-made in Hindi during 1951 and released as 'Bahaar'.

Since her entry into films from 1949, this actress, who is also proficient in Bharat Natyam, has appeared in approximately 62 movies, the majority of them in the Hindi language. Her career spanned from 1949 through to 1989. She has received a total of five awards for her performances in 'Devdas', 'Sadhna', 'Ganga Jamuna', and 'Sangam', as well as a lifetime achievement award during 1995.

Her dance numbers, such as 'Hothon Pe Aisi Baat Main Dabake Chali Aai...', 'Man Doley Mera Tan Doley...'; 'Chad Gaiyo Paapi Bichua...'; 'Main Ka Karu Ram Mujhey Buddha Mil Gaya' continue to be popular even today. She made waves when she appeared in a fire red swimsuit in 'Sangam'. She also paved the way for other South Indian actresses, like Hema Malini, Rekha, Sridevi, etc. to make a transition to Bollywood. Her career was managed by her grandmother, Yadugiri Devi.

She married Raj Kapoor's personal physician, Dr. Chamanlal Bali after he divorced his first wife and re-located to Chennai, where she gave birth to a son, actor Suchindra Bali.

After quitting films, Vyjantimala took up shrimp farming, opened up a dance academy, even took an active interest in politics, and with the backing of Indira Gandhi's Congress Party was elected Member of Parliament during the 1980s. She chose to quit politics due to principled differences during 1999.

After the passing of her husband, she now resides in Chennai, with her son, who is an aspiring actor in his own right, and has removed herself completely from Bollywood, in particular, and movies in general, though she could have easily continued on for another decade.

One of her hits 'Naya Daur', originally in Black & White, has now been colorized, and re-released.

In 2007, she published her autobiography titled "Bonding," where she revealed that she didn't have an affair with Raj Kapoor, her leading man and director from "Sangam" (1964).

In 2011, her son Suchindra and daughter-in-law Nandini presented her with a grandchild named Swara.

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

Nutan Samarth was born on June 4 1936 to poet Kumarsen Samarth and his actress wife 'Shobhana' as the eldest of their four children (a younger sister is the actress Tanuja Samarth). Her parents separated when she was a small child. 13-year-old Nutan made her debut in K. Asif's "Hamari Beti". She was a beauty queen as well, being crowned Miss Mussorie in 1952. Success at so young an age was trying, and Nutan temporarily quit films in the 50s to move to Switzerland. She returned, married Commander Rajnish Bahl, and began the most innovative and successful faze of her career. She made her mark as a versatile actress able to portray comedy, drama, and romance with equal skill. Nutan was awarded a record-breaking 5 Filmfare awards for Best Actress and one for Outstanding Performance. Her career declined during the 70s and 80s and she spent much of her time collecting rare artefacts and spending time with her family. Nutan died of cancer in February 1991.

Vyjayanthimala was born to actress and dancer Vasundhara Devi in a Tamil-speaking family in Chennai, India, on August 13, 1933.

At the age of 4, she got the rare chance of performing a dance before the Pope. Then at the age of 15, while in her final year at school, she was signed-up by family friend, M.V. Raman, for a role in a Tamil film 'Vazhkai'. This movie was successful at the box office and was re-made in Hindi during 1951 and released as 'Bahaar'.

Since her entry into films from 1949, this actress, who is also proficient in Bharat Natyam, has appeared in approximately 62 movies, the majority of them in the Hindi language. Her career spanned from 1949 through to 1989. She has received a total of five awards for her performances in 'Devdas', 'Sadhna', 'Ganga Jamuna', and 'Sangam', as well as a lifetime achievement award during 1995.

Her dance numbers, such as 'Hothon Pe Aisi Baat Main Dabake Chali Aai...', 'Man Doley Mera Tan Doley...'; 'Chad Gaiyo Paapi Bichua...'; 'Main Ka Karu Ram Mujhey Buddha Mil Gaya' continue to be popular even today. She made waves when she appeared in a fire red swimsuit in 'Sangam'. She also paved the way for other South Indian actresses, like Hema Malini, Rekha, Sridevi, etc. to make a transition to Bollywood. Her career was managed by her grandmother, Yadugiri Devi.

She married Raj Kapoor's personal physician, Dr. Chamanlal Bali after he divorced his first wife and re-located to Chennai, where she gave birth to a son, actor Suchindra Bali.

After quitting films, Vyjantimala took up shrimp farming, opened up a dance academy, even took an active interest in politics, and with the backing of Indira Gandhi's Congress Party was elected Member of Parliament during the 1980s. She chose to quit politics due to principled differences during 1999.

After the passing of her husband, she now resides in Chennai, with her son, who is an aspiring actor in his own right, and has removed herself completely from Bollywood, in particular, and movies in general, though she could have easily continued on for another decade.

One of her hits 'Naya Daur', originally in Black & White, has now been colorized, and re-released.

In 2007, she published her autobiography titled "Bonding," where she revealed that she didn't have an affair with Raj Kapoor, her leading man and director from "Sangam" (1964).

In 2011, her son Suchindra and daughter-in-law Nandini presented her with a grandchild named Swara.

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

Waheeda Rehmaan combined the classic Tamil-Islamic beauty with an extraordinary grace, talent and a truly transcendent appeal that ranked her among the pantheon of Bollywood's elite actresses. And few could dance better than she could!

She was born into a traditional Tamil Urdu speaking Muslim family on 3 February 1938, in Chengalpattu,Tamil Nadu. Growing up, she was trained in dancing, especially the Bharatnatyam dance. Her first films were Jayasimha (1955) and Rojulu Marayi (1955), both in Telegu and Kalam Mari Pochu in Tamil. These films became a huge success and established her as a hit-heroine, but it was a song Eruvaaka Sagaroranno Chinnanna in the Rojulu Marayi that got Rehman recognition in South. During success party of Rojulu Marayi, Guru Dutt noticed her and cast her in CID. The result was one of the most stunning debuts ever made in a Hindi film. As a mysterious woman named Kamini, she added a thrill to the whole film and it remains one of the most seductive and memorable roles of her career.

Amazed (and enraptured) by her beauty and talent, Guru Dutt cast her in 5 films. Thus, Rehman gave a mesmerizing performance in Thirst (1957) as Gulab, the prostitute with a heart of gold, and she stole the hearts of audiences as Jameela, a shy Muslim girl in the romance Chaudhvin Ka Chand (1960). But by then she was involved in an affair with Guru Dutt and this affair led to the disintegration of Dutt's marriage - and soon the two of them broke apart after their last collaboration, Sahib Bibi Aur Ghulam (1962).

Moving on after Guru Dutt, Rehman worked with the acclaimed director Satyajit Ray in The Expedition (1962) and consolidated her position as a top Bollywood star with her commercial successes Bees Saal Baad (1962) and _Kohra (1964)_. With Devanand she did 7 films and 5 were super-hits. Then she did _Guide (1965/I)_ - a film that took her to the peak of her career. In the conservative 1960s, Rosie was a daring role for Waheeda to play, and yet the gamble paid off - her performance as Rosie, a woman who leaves her husband for her lover, is ranked as her best ever! And to think that when she did the film, she was certain she would never, ever be able to do another film again!

She had commercial films like Ram Aur Shyam (1967) and Patthar Ke Sanam (1967) proved to be huge successes and had 4 hits with Sunil Dutt in 60's Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan but her offbeat films Teesri Kasam (1966) and Reshma Aur Shera (1971) bombed, in spite of her critically acclaimed performances in those films. Her 3 films with Rajendra Kumar though critically acclaimed became box-office flops and her films with Dharmendra between 1967-1973 bombed. Then she acted in Khamoshi opposite Rajesh Khanna which became her career's biggest hit.In 1974, Rehman married Kamaljit, her hero in Shagoon(1964) a businessman who had earlier tried to make it in films and moved to Bangalore.

After her marriage she cut down acting assignments, preferring to market her own brand of breakfast cereal and lead a contented life in a Bangalore farmhouse. She turned to supporting roles and did 24 films as supporting actress from 1976-1994. After her husband's death in 2000, she again started appearing in 9 films as elderly woman.

Nutan Samarth was born on June 4 1936 to poet Kumarsen Samarth and his actress wife 'Shobhana' as the eldest of their four children (a younger sister is the actress Tanuja Samarth). Her parents separated when she was a small child. 13-year-old Nutan made her debut in K. Asif's "Hamari Beti". She was a beauty queen as well, being crowned Miss Mussorie in 1952. Success at so young an age was trying, and Nutan temporarily quit films in the 50s to move to Switzerland. She returned, married Commander Rajnish Bahl, and began the most innovative and successful faze of her career. She made her mark as a versatile actress able to portray comedy, drama, and romance with equal skill. Nutan was awarded a record-breaking 5 Filmfare awards for Best Actress and one for Outstanding Performance. Her career declined during the 70s and 80s and she spent much of her time collecting rare artefacts and spending time with her family. Nutan died of cancer in February 1991.

Waheeda Rehmaan combined the classic Tamil-Islamic beauty with an extraordinary grace, talent and a truly transcendent appeal that ranked her among the pantheon of Bollywood's elite actresses. And few could dance better than she could!

She was born into a traditional Tamil Urdu speaking Muslim family on 3 February 1938, in Chengalpattu,Tamil Nadu. Growing up, she was trained in dancing, especially the Bharatnatyam dance. Her first films were Jayasimha (1955) and Rojulu Marayi (1955), both in Telegu and Kalam Mari Pochu in Tamil. These films became a huge success and established her as a hit-heroine, but it was a song Eruvaaka Sagaroranno Chinnanna in the Rojulu Marayi that got Rehman recognition in South. During success party of Rojulu Marayi, Guru Dutt noticed her and cast her in CID. The result was one of the most stunning debuts ever made in a Hindi film. As a mysterious woman named Kamini, she added a thrill to the whole film and it remains one of the most seductive and memorable roles of her career.

Amazed (and enraptured) by her beauty and talent, Guru Dutt cast her in 5 films. Thus, Rehman gave a mesmerizing performance in Thirst (1957) as Gulab, the prostitute with a heart of gold, and she stole the hearts of audiences as Jameela, a shy Muslim girl in the romance Chaudhvin Ka Chand (1960). But by then she was involved in an affair with Guru Dutt and this affair led to the disintegration of Dutt's marriage - and soon the two of them broke apart after their last collaboration, Sahib Bibi Aur Ghulam (1962).

Moving on after Guru Dutt, Rehman worked with the acclaimed director Satyajit Ray in The Expedition (1962) and consolidated her position as a top Bollywood star with her commercial successes Bees Saal Baad (1962) and _Kohra (1964)_. With Devanand she did 7 films and 5 were super-hits. Then she did _Guide (1965/I)_ - a film that took her to the peak of her career. In the conservative 1960s, Rosie was a daring role for Waheeda to play, and yet the gamble paid off - her performance as Rosie, a woman who leaves her husband for her lover, is ranked as her best ever! And to think that when she did the film, she was certain she would never, ever be able to do another film again!

She had commercial films like Ram Aur Shyam (1967) and Patthar Ke Sanam (1967) proved to be huge successes and had 4 hits with Sunil Dutt in 60's Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan but her offbeat films Teesri Kasam (1966) and Reshma Aur Shera (1971) bombed, in spite of her critically acclaimed performances in those films. Her 3 films with Rajendra Kumar though critically acclaimed became box-office flops and her films with Dharmendra between 1967-1973 bombed. Then she acted in Khamoshi opposite Rajesh Khanna which became her career's biggest hit.In 1974, Rehman married Kamaljit, her hero in Shagoon(1964) a businessman who had earlier tried to make it in films and moved to Bangalore.

After her marriage she cut down acting assignments, preferring to market her own brand of breakfast cereal and lead a contented life in a Bangalore farmhouse. She turned to supporting roles and did 24 films as supporting actress from 1976-1994. After her husband's death in 2000, she again started appearing in 9 films as elderly woman.

A Bengali actress who achieved success young, Sharmila appeared in numerous Bengali classics before making the jump to Hindi cinema, which first made her a romantic actress and later a legendary actress thanks to her intense films opposite Superstar Rajesh Khanna. A distant relative of poet Rabindranath Tagore, she is also the wife of His Highness Mansur Ali Khan Pataudi, Nawab of Pataudi, with whom she has three children, actor Saif Ali Khan born 16 August 1970, Saba and Soha Ali Khan, born 4 October 1978. Her pairing with Shammi Kapoor made her famous in the sixties but as an actress she evolved and became popular due to different films, each belonging to different genre, she did opposite the Superstar Rajesh Khanna.The pair gave 6 box office blockbusters and 3 unfortunate box office flops which were critically acclaimed films. Sharmila's pairing opposite male actors Rajesh Khanna, Dharmendra and Shashi Kapoor was loved by the audiences, though Khanna-Sharmila pair remained the most popular with both critics and audience.

Mumtaz was born on July 31, 1947 to Abdul Sameed Askari and Sardar Begum Habib Agha aka Naaz, both of Iranian origin but settled in Bombay, India. Mumtaz first appeared in as child artist in Sanskar (1952),Yasmin (1955),Lajwanti (1958),Sone Ki Chidiya (1958),Stree(1961).Her mother, Naaz, was also an actress in films. When her family faced financial crisis, Mumtaz agreed to act in films as a junior artist and started appearing in group-scenes, at a very young age. She appeared in front of camera in V. Shantaram's Stree and Sehra but she went almost unnoticed.Mumtaz, as an adult her first role was that of the role of sister of the hero in O. P. Ralhan's Gehra Daag. Mumtaz then got the lead role in Pathan being made by Ataullah Khan, Madhubala's father, but the film remained incomplete. In early 1960's there was a union of the artistes playing extras in films in Bombay and every junior artist had to shell a part of their income to this union. From 1958-1964 she was only an extra in Hindi films in films like Vallah Kya Baat Hai.Too young to be cast as leading lady, she started with bit roles only, but was not missed, and gradually graduated to lead roles in low budget B grade movies with Dara Sing as hero.With Dara Sing she had 10 hit films of the 16 they did together from 1964-68. Mumtaz got the roles of supporting actress in A grade hit films like Sehra, Kaajal, Khandaan, Sawan Ki Ghata, Anpad, Hamraaz ,Pyar Kiye Jaa,Pati Patni, Mere Sanam, Suraj, Pathhar Ke Sanam, Ram Aur Shyam and Brahmachari. Then she was signed opposite Rajesh Khanna in Do Raaste in 1969. After release of Aradhana, Rajesh Khanna had become the superstar and his next 2 releases were Do Raate and Bandhan both with Mumtaz as his heroine. After release of these 2 films, Mumtaz became the highest paid Hindi actress from 1970-1976. She was extremely versatile, beautiful, charming, and stole everybody's heart by her captivating looks and inspired performances in each of her film. She quickly out-shadowed and dethroned the established queens in a very short time because of her histrionics. Mumtaz was sensitive, quick to understand and translate every nuance hinted at, onto the screen. Even in her brief roles against established actresses, she was the one who got noticed more and lingered in viewers memories for longer periods. She acted in more than 100 films during a short career span of 14 years, and there is not even a single film in which her performance could not be termed as excellent. In her very first film with significant banner and role, Khilona (1970), she won the most coveted Filmfare award in 1970. She has also been awarded the Lifetime Achievement Award by Filmfare in 1997. She was in the Marilyn Monroe mold; every man's fantasy woman. She outshone everybody because of the simple reason that she was so versatile that every role appeared as if it was written with just Mumtaz in mind. Whether the role was negative or positive, serious or light, she proved her worth. Whether the role was for an urbanite or rustic, majestic or pauper, innocent or vile, gentle or venomous, coy or flaunting, Mumtaz just fitted them like a glove. The public adulation for her is still strong. The response to the continuous spate of screening of her movies on various television channels, even after more than two decades of her self-retirement, proves her tremendous unending popularity due to her incomparable charisma.

Asha Parekh was born in a middle-class Gujarati household to a Hindu father, Pranlal Parekh, and a Muslim mother Sudha Parekh on October 2, 1942 in India. Since she was an only child, she became the center of her parents' lives. Her mother enrolled her in classical dance classes at an early age, and Asha excelled at dance to the point where she performed at stage shows. Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of ten in Maa (1957). He liked her and cast her again in Baap Beti (1954). The film's failure disappointed her, and even though, she did a few more child roles, she quit to resume her schooling. At sixteen, she decided to try acting again and make her debut as a heroine, but director Vijay Bhatt fired her from Goonj Uthi Shehnai (1959) claiming she wasn't star material. Almost immediately, film producer Sasadhar Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) which made her a huge star. Shammi Kapoor became her favorite hero and friend, and they starred in three more films, the most famous being the murder mystery Teesri Manzil (1966). The film also led to a long and fruitful association with Nasir, and he cast her as the heroine in six more films.

Her fame gave her enough leverage to get producers to hire her mother Sudha Parekh to design her costumes for most of the films that she starred in. A fallacy that surrounded her was that she was generally considered a glamorous dancer/tomboy and not a serious actress until director Raj Khosla cast her in the tragedienne role in the hit film Do Badan (1966). The truth was directors and audiences knew early on that she had genuine acting talent. She won the Gujarat State Award for Best Actress for her first Gujarati film Akhand Saubhagyavati (1963). And she easily compensated for non-actors like Joy Mukherjee and Biswajit in Hindi films, while holding her own against acting giants like Ashok Kumar.

Important directors were casting her and repeating her in their films, but Asha also brought out jealousies from her female co-stars. Simi Garewal claimed that Asha tried to cut her part down in "Do Badan", but Asha insisted that she never did that, and as proof, she showed that Simi won the Filmfare Award as Best Supporting Actress for the film. The "Do Badan" team also stood by Asha, especially the director Raj Khosla who later cast her in three more films. Her leading man Manoj Kumar soon directed and starred opposite her in his blockbuster Upkar (1967), which also won the Filmfare Best Picture Award.

Although Asha earned the title "Jubilee Girl" because of the continuous string of box office successes, such as Ziddi (1964), Shikar (1968), Aan Milo Sajna (1970), she also hit a rare bump with Raj Khosla's Chirag (1969). But she also earned her first Filmfare nomination as Best Actress for the film, and Khosla didn't blame her for the film's failure and in fact, cast her soon again and came up with a huge hit, Mera Gaon Mera Desh (1971). However, success brought controversy. Once again, a female co-star claimed that Asha cut her role down in the film. This time, Asha confronted Laxmi Chhaya directly and told her to think before she spoke as Padma got twice the number of songs than Asha did in "Mera Gaon Mera Desh". Aruna Irani allegedly said that Asha reduced her role in Nasir Hussain's box-office smash Caravan (1971), but facts back up Asha that she would never cut another performer's role, as Aruna had more songs than Asha, and she received a Filmfare nomination, while Asha wasn't nominated for the film at all. However, Asha did win the much coveted Best Actress Filmfare Award for Shakti Samanta's Kati Patang (1970). She played a deglamourised woman in a white sari pretending to be a widow whose vulnerable smile hides a painful past. Asha was thrilled when she won the award, but Mumtaz Askari, her box-office rival and former co-star from Mere Sanam (1965) and Bhai Bhai (1972), complained that she was more deserving for her own performance in Tere Mere Sapne (1971).

Asha was hitting the heights of fame and glory even though she was now 30, an age where heroines normally would pack it in. But her passion for dancing sent her abroad on a extended trip to do dance shows and as a result, turned down important film roles. When she came back in 1973, she found that a younger and bolder breed of heroines like Hema Malini and Zeenat Aman got those roles and now ruled the roost. Asha focused on her distribution concern which she had started with Nasir Hussain when he directed her in the film Baharon Ke Sapne (1967) and would continue to do so for twenty more films. She also threw herself in her charity work, even having a Santa Cruz hospital named after her. She lived with her parents in her beautiful seaside bungalow, whose innovative design drew a lot of attention. Asha's passion with dance continued and her performance of famous dance ballets like "Chauladevi" won her acclaim. She did supporting roles in films, garnering Filmfare nominations as Best Supporting Actress for Udhar Ka Sindur (1976) and Raj Khosla's massive hit, Main Tulsi Tere Aangan Ki (1978), which also won the Filmfare Award as Best Film. But the rest of her supporting roles as mother and bhabhi (sister-in-law) disenchanted her, with the exception of her strong performances in Hathyar (1989) and the Gujarati film Kulvadhu (1977). And her back problems forced her to give up doing dance shows.

But she found a new passion, directing television serials such as the hugely popular Kora Kogaz in the early 90's, which convinced her to give up acting permanently in 1995. She formed her production company "Akruti," through which she produced and directed television serials. However, her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. After her mother's death, she sold her huge bungalow and moved into a smaller place to take care of her ailing father until he, too, passed away. She has never married and has not had any affairs with her many heroes, claiming that her reputation of being unapproachable probably intimidated men. In her 2017 memoir "The Hit Girl" (co-written by Khalid Mohamed) she confirmed that her longtime director Nasir Hussain was the "only one and true love of my life." Since he was already married with two children, she couldn't marry him without wrecking havoc on both their families. Their romantic relationship eventually ended after several decades. His wife Ayesha Khan died in 2001, but Asha didn't try to marry the widowed Husain, since "he had become a shadow of his former self." He died just a year later in 2002. Asha continues to remain in touch with his children Mansoor Khan and Nuzhat Khan, grandson Imran Khan and nephew Aamir Khan. When she was in her mid-thirties, she tried to adopt a child, but the doctors wouldn't let her, because he had birth defects. Since marriage and motherhood didn't happen for her, Asha decided to devote all her time to her hospital and other humanitarian efforts. She also has set up a dance academy "Kara Bhavan," which has produced many skilled and talented dancers. For several years, she served as a judge on talent shows on television. She also kept up with the times, by having her official Instagram account. She turned 80 in 2022, but age hasn't slowed her down, as she traveled from India to USA to collect a lifetime achievement award at a film festival. Today, Asha says that she is very flattered to know that she has fans all over the world.

Hema was born in the Tamil-speaking Chakravarthy household on October 16, 1948 in Ammankudi, Tamil Nadu. Her dad's name is V.S.R. Chakravarthy and her mom, Jaya, was a film producer. She was enrolled in the Chennai-based Andhra Mahila Sabha.

After performing as a dancer in a 1961 regional movie, she was rejected by Tamil Director, C.V.Sridhar, during 1964 when she first attempted to act, on the grounds that she was too thin to be heroine in Venniradai and the role went to Venniradai Nirmala. Later Hema performed in the song Singara Therukku Selai sung by Seergazhi Govindrajan and L.R.Eshwari as a supporting actor from the 1963 Tamil film Idhu Sathiyam starring S.A.Asokan as the hero. But Hema persisted, debuted opposite Raj Kapoor in 'Sapnon Ka Saudagar' just 4 years after her rejection but the movie was a flop.

Thereafter there has no been looking back for this attractive Libran, who went to star in close to 155 movies; who also produced and directed two movies, and also directed a TV serial 'Noopur'.

After turning down marriage proposals from Sanjeev Kumar and Jeetendra, she met with hot fellow actor, Dharmendra, both were attracted to each other and wanted to get married. Dharmendra, who was already married to Prakash Kaur, and had two sons, Sunny and Bobby, could not marry Hema as Prakash refused to divorce him. According to the Hindu Marriage Act, a Hindu cannot marry a second time while the first wife is still alive. Dharmendra belongs to a Arya Samaj Hindu Punjabi Jatt family.

She had a hit on-screen pairing with Dharmendra, Shashi Kapoor and Dev Anand in the 70's and, post-marriage, she had 8 hits opposite Rajesh Khanna in 1980-87. Dharmendra Hema Malini were paired in lead roles romantically in 31 films but have worked in 35 films. Of them 20 were hits and 15 were flops. Interestingly Rajesh Khanna-Hema Malini pair had 2 hits in early 70's and then 3 unfortunate flops in late 70's after which pair was written off but in eighties they gave 8 blockbusters as a pair. In all Hema has 10 hits with Rajesh Khanna.

On August 21, 1979, both Hema and Dharmendra converted to Islam, changed their names to Aisha Bi R. Chakravarty and Dilawar Khan Kewal Krishn respectively, and got married in accordance with Islamic rites. Three years after their marriage, Hema subsequently gave birth to Esha and then later to Ahana. Esha is an actress in her own rights. The trio, well proficient in the arts of Bharatnatyam dance form, have performed together at a number of dance events and concerts.

Hema is a member of the right-winged Bharatiya Janata Party, and became a member of the Rajya Sabha, the upper house of the Indian Parliament.

She was amongst the first actresses to wear bell-bottom and shirts in Hindi movies, and is also amongst the few who have kept their word of not wearing any revealing outfits in public. Hema, who is also called 'Dream Girl' continues to act in movies as of 2013.

Born in a Gujerati-speaking family on June 8, 1957, daughter to businessman, Chunnibhai and Betty, Dimple has a younger sister, Simple, who was born on 15 August 1958.

She was discovered by Raj Kapoor, who signed her up opposite his son, Rishi, in the 1973 hit 'Bobby'. The film made Rishi and her stars overnight, at the time of the film's she was just 16 years old.

Exactly 6 months before the release of 'Bobby' Dimple who was a mad fan of super-star Rajesh Khanna, met and married the actor. Rajesh was 15 years older than her. After her marriage she quit films.

On Rajesh's 32nd birthday, a daughter, Twinkle nicknamed as Tina, was born to them. Then on July 27, 1977, Dimple and Rajesh became parents of Rinke, who would later also become an actress in her own right.

Dimple and Rajesh separated in 1982, enabling her to make a come-back to the tinsel screen with 'Zakhmi Sher'. She continues to act and has over 69 movies to her credit, some of them the more popular ones being 'Saagar', 'Insaaf', 'Zakhmi Aurat', 'Ram Lakhan', & 'Batwara'.

In April 1948 Jabalpur-based, Bengali-speaking Indira and Tarun Kumar Bhaduri were blessed with a child they named Jaya, and enrolled in the St. Joseph's Convent School in Bhopal.

Her acting career started when she was 15 in a Bengali film Mahanagar. She became an actress in her own right in Bollywood after the release of Guddi. She went on to star in many Hindi language films, including blockbusters like Jawani Diwani, Uphaar, Anamika, Abhimaan, Sholay, Bawarchi, Chupke Chupke Zanjeer just to name a few. Her acting spanned from 1963 to 1981. She also wrote the script of Shahenshah.

She married Amitabh Srivastav alias Bachchan, and subsequently gave birth to Shweta and Abhishek. Amitabh is the son of Sikh-Hindu parents, namely Teji and Harivansh Rai Srivastav alias Bachchan.

Jaya quit acting after 1981. Then her married life faced considerable upheavals especially with the much-publicized affair of her husband with Bollywood actress, Rekha. Then their lives were disrupted when Amitabh was seriously injured by a blow from actor, Puneet Issar, while filming 'Coolie', which almost took his life.

The family suffered another setback in 2005 when her asthmatic husband was admitted in Lilavati Hospital after complains of severe pains in his abdomen.

Her husband did recover, and both husband, wife, Abhishek, and his new bride, continue to dominate Bollywood with their screen presence. Jaya has also received a number of awards recognizing her talents in Bollywood.

In April 1948 Jabalpur-based, Bengali-speaking Indira and Tarun Kumar Bhaduri were blessed with a child they named Jaya, and enrolled in the St. Joseph's Convent School in Bhopal.

Her acting career started when she was 15 in a Bengali film Mahanagar. She became an actress in her own right in Bollywood after the release of Guddi. She went on to star in many Hindi language films, including blockbusters like Jawani Diwani, Uphaar, Anamika, Abhimaan, Sholay, Bawarchi, Chupke Chupke Zanjeer just to name a few. Her acting spanned from 1963 to 1981. She also wrote the script of Shahenshah.

She married Amitabh Srivastav alias Bachchan, and subsequently gave birth to Shweta and Abhishek. Amitabh is the son of Sikh-Hindu parents, namely Teji and Harivansh Rai Srivastav alias Bachchan.

Jaya quit acting after 1981. Then her married life faced considerable upheavals especially with the much-publicized affair of her husband with Bollywood actress, Rekha. Then their lives were disrupted when Amitabh was seriously injured by a blow from actor, Puneet Issar, while filming 'Coolie', which almost took his life.

The family suffered another setback in 2005 when her asthmatic husband was admitted in Lilavati Hospital after complains of severe pains in his abdomen.

Her husband did recover, and both husband, wife, Abhishek, and his new bride, continue to dominate Bollywood with their screen presence. Jaya has also received a number of awards recognizing her talents in Bollywood.

Lakshmi was born on December 13, 1952 in Madras, Tamil Nadu, India to a show business family. Her father Y.V. Rao, originally from Nellore, Andhra Pradesh, was an noted filmmaker and actor whose films dealt with important social issues. Her mother Kumari Rukmini was a Tamil actress, whose mother Nungambakkam Janaki was also an actress. She was fifteen when she started acting in films. Her first film was a Tamil film titled "Jeevanamsam" in 1968. She became a star in South India in the 1970s and acted in all four South Indian languages in which she is fluent: Tamil, Telugu, Malayalam and Kannada. Her Malayalam hit Chattakkari (1974) was remade in Hindi as Julie (1975) and in Telugu as "Miss Julie Prema Katha" (1975). "Julie" became a hit, and Lakshmi received the Filmfare Best Actress Award and the Bengal Film Journalists' Association Award for "most outstanding work of the year." After her success in "Julie," however, she didn't star in many Hindi films and instead concentrated on doing more South Indian films. She won the National Film Award for Best Actress for the Tamil film Sila Nerangalil Sila Manithargal (1977), becoming one of the first South Indian actresses to win in that category for a Tamil film. When her career as a leading lady ended in the 1980s, she started playing supporting roles as mother and later as grandmother. She played grandmothers to Aishwarya Rai Bachchan in Jeans (1998) and Kareena Kapoor in Hulchul (2004). She has performed in more than 400 films. She has also been involved in politics.

Lakshmi took a break from acting to host two talk shows, including the Tamil talk show "achamillai, achamillai". After the talk shows ended, she returned to acting in films.

Lakshmi was married three times. Her first marriage was to Baskar, which was arranged by her parents when she was seventeen. Her only biological child, Aishwariyaa Bhaskaran, was born in 1971. Her marriage ended in divorce, and she gained custody of her daughter, who later became an actress in the 1990s, carrying on the family tradition. Lakshmi fell in love with her _Chattakkari (1974)_ leading man Mohan, but that relationship ended. While she was shooting En Uyir Kannamma (1988), she and actor-director K.S. Sivachandran fell in love and got married. She adopted a baby girl in 2001. Her daughter Aishwariyaa Bhaskaran gave birth to a baby girl in the mid 1990s, making Lakshmi a grandmother.

Rakhee was born in a Bengali-speaking family in West Bengal, on India's Independence Day - 15th August, 1947. She has no connections with anyone in the film industry in India.

She achieved phenomenal success at her very first movie in Bengali 'Bandhu Baran' during the year 1967. She was then noticed by noted Bollywood actor, Sunil Dutt, who recommended her for a lead role in 'Reshma Aur Shera'. But before the release of this movie, Rakhee had already appeared in 'Jeevan Mritya' and 'Sharmeelee' opposite Dharmendra and Shashi Kapoor respectively.The on-screen pair of Rakhee Gulzar-Shashi Kapoor was very popular with audience and they did 9 films together. Four were critically acclaimed but box office flops and five were box office super-hits.

She has acted in a total of approximately 91 movies, in a career that spanned from 1967 through to 2003. A total of four awards have been bestowed for her performances in 'Daag', 'Tapasya', 'Ram Lakhan', and 'Shubhu Muhurat'. She is perhaps the only actress who has acted both as a lead heroine and mother with Bollywood actor, Amitabh Bachchan.

During her teen years, Rakhee was married to Ajoy Biswas, but the marriage was short-lived, and the couple divorced.

Rakhee then got married to Music Director/Lyricist/Film Director, Sampoorna Singh Gulzar. They have a daughter named Megha alias Bosky. Rakhee quit acting in movies during the year 2003, and her last appearance was in 'Shubhu Muhurat'.