Men on IMDB Who Had Been Cremated

Larry Vincent (born Jerry Vance) was perhaps best known for his character of Seymour, the Master of the Macabre, the Epitome of Evil, The most sinister man to crawl on the face of the earth. Seymour hosted monster movies on KHJ (Los Angeles) for several years before moving to KTLA (Los Angeles), and just before his death from stomach cancer back to KHJ.

Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.

When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.

His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.

He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.

Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.

Portly, pudding-faced, wavy dark-haired actor/announcer Harry Von Zell, whose well-modulated voice was a standard radio fixture during the 1930s and '40s, also extended his talents toward film and TV where he appeared in numerous comedy outings, often as a straight man foil. Born in Indianapolis, Indiana, on July 11, 1906, he attended UCLA and first started on the air waves in 1927 with KMIC as both announcer and singer, eventually moving into national radio, announcing for Bing Crosby among others. Known for his quick and clever ad-libbing, he nevertheless got quite a bit of ribbing and won an honorary award in the Immortal National Hall of Bloopers Fame for referring to President Herbert Hoover once as "Hoobert Heever."

Von Zell decorated a number of films, owning a few prime buttoned-down support parts in both comedy--including The Strange Affair of Uncle Harry (1945), For Heaven's Sake (1950) and Son of Paleface (1952)--and dramas, such as The Guilt of Janet Ames (1947) and The Saxon Charm (1948). He was also front-and-center in a number of comedy shorts, usually playing himself. The name Harry Von Zell became a household word, while riding on the talented coattails of the husband/wife team of George Burns and Gracie Allen in their classic TV sitcom The George Burns and Gracie Allen Show (1950). He played the hesitant, somewhat bewildered friend of the family, also serving as the program's announcer. In addition, he was with CBS in New York for six years and a TV network announcer for the likes of Eddie Cantor, Fred Allen, Phil Baker, Dinah Shore and Joan Davis over his long career. Following his retirement in the 1970s after some TV work including Bachelor Father (1957) and Perry Mason (1957) (he also once wrote and appeared on a Wagon Train (1957) episode), Von Zell was seen frequently at nostalgic functions. He died of cancer in 1981 at the age of 75 in Los Angeles. He was a posthumous inductee of the National Broadcasters Hall of Fame.

German-born Henry Brandon was a character actor in American films, most often seen in villainous roles. His parents emigrated to the US shortly after his birth. His early interest in acting led him to study at the acclaimed Pasadena Community Playhouse. He landed the lead villain role in the Stan Laurel and Oliver Hardy film March of the Wooden Soldiers (1934), and rapidly became a familiar and reliable heavy in pictures both large and small. In 1936 he adopted the stage name Henry Brandon after several years of being billed as either Henry or Harry Kleinbach. He captivated thriller audiences as the sinister Dr. Fu Manchu in Drums of Fu Manchu (1943), yet balanced things by playing a sizable number of sympathetic roles as well, such as the skilled foreman Joe Dombrowski in Black Legion (1937). He continued to work on stage throughout his film career, playing the villain for many years in the record-length run of the melodrama "The Drunkard". His sharp features led him rather incongruously to be cast as Indian chiefs in two John Ford features, The Searchers (1956) and Two Rode Together (1961). He kept busy in films and occasional television roles, as well as reprising his role in "The Drunkard" onstage in the 1980s, until the end of his life. Brandon was a confirmed bachelor.

Initially drawn to an acting career to counterbalance an acute case of shyness, diminutive character actor Charles Wagenheim's career comprised hundreds upon hundreds of minor but atmospheric parts on stage, film and TV. Born in Newark, New Jersey, in 1896, he was the son of immigrant parents. Enlisting in the military during World War I, he was compensated for an education by the government and chose to study dramatics at the American Academy of Dramatic Arts in New York, graduating in 1923.

After touring with a Shakespearean company, he appeared in a host of Broadway plays, several of them written, directed and/or produced by the prolific George Abbott, including "A Holy Terror" (1925), "Four Walls" (1927) and "Ringside" (1928). Following a stage part in "Schoolhouse on the Lot" (1938), the mustachioed Wagenheim turned to Hollywood for work. His dark, graveside manner, baggy-eyed scowl and lowlife countenance proved ideal for a number of genres, particularly crime thrillers and westerns.

In films from 1929, the character player scored well when Alfred Hitchcock chose him to play the assassin in Foreign Correspondent (1940). He went on to enact a number of seedy, unappetizing roles (tramps, drunks, thieves) over the years but never found the one juicy part that could have put him at the top of the character ranks. Usually billed tenth or lower, Wagenheim was more filler than anything else which his blue-collar gallery of cabbies, waiters, deputies, clerks, morgue attendants, junkmen, etc., will attest. Some of his better delineated roles came with Two Girls on Broadway (1940); Charlie Chan at the Wax Museum (1940); Halfway to Shanghai (1942); the cliffhangers Don Winslow of the Navy (1942) and Raiders of Ghost City (1944); The House on 92nd Street (1945); A Lady Without Passport (1950); Beneath the 12-Mile Reef (1953); and Canyon Crossroads (1955). One of his more promising roles came as "The Runt" in Meet Boston Blackie (1941), which started Chester Morris off in the popular 1940s "B" series as the thief-cum-crimefighter, but the sidekick role was subsequently taken over by George E. Stone.

Of his latter films it might be noted that Wagenheim was cast in the very small but pivotal role of the thief who breaks into the storefront in which the Frank family is hiding above in The Diary of Anne Frank (1959). TV took up much of his time in later years and he kept fairly busy throughout the 1960s and 1970s. Wagenheim played the recurring role of Halligan on Gunsmoke (1955) (from 1967-1975) and performed until the very end on such shows as All in the Family (1971) and Baretta (1975). On March 6, 1979, the 83-year-old Wagenheim was bludgeoned to death in his Hollywood apartment following a grocery shopping trip when he surprised a thief in his home. By sheer horrific coincidence, elderly character actor Victor Kilian, of Mary Hartman, Mary Hartman (1976) fame, was found beaten to death by burglars in his Los Angeles-area apartment just a few days later (March 11th).

The television heartthrob from the 1960s and 1970s was the proverbial tall, dark and classically handsome actor. Completing the solid package was a great, muscular build, smooth charm, and an almost perfect set of teeth. Born in 1935 in Kansas City, Kansas, and raised in St. Louis, Missouri, he certainly paid his dues before landing his breakthrough as the suave announcer on The Carol Burnett Show (1967) in the late 1960s. The one-time door-to-door encyclopedia peddler, prior to his prime TV job, appeared in poorly-made sci-fi and beach party flicks with such dubious titles as Women of the Prehistoric Planet (1966), Swamp Country (1966), Time Wrap (1967) and Catalina Caper (1967). In time, he was more than just a gorgeous hunk with a resonant voice, and they began to incorporate Waggoner into the show as a comedy sketch partner along with Vicki Lawrence and Harvey Korman. His better scenes typically had him essaying the superficial cad or gleamy-toothed, self-important star. After seven seasons on the knockabout variety show, however, Waggoner felt like a "third banana" and yearned to take a chance on solo stardom. During his off-times, he had prepared himself by appearing in summer stock and/or dinner theater in such breezy assignments as "Boeing, Boeing", "Send Me No Flowers", and "Once More, with Feeling". He also hosted the syndicated quiz show It's Your Bet (1969), and earned added "exposure" as Playgirl Magazine's first semi-nude centerfold in 1973.

Not long after his departure from the Burnett show, he landed the role of Major Steve Trevor on the popular comic strip-based series Wonder Woman (1975), playing the dashing, no-nonsense boss to Diana Prince. Again, the challenge was not there and he remained on the periphery for three seasons. In later years, Waggoner became more personality than performer and only sporadically appeared in glossy mini-movies and TV episodes, occasionally as himself. He appeared in a few feature films (including Love Me Deadly (1972), Surf II (1983) and Wizards of the Demon Sword (1991)). Perhaps surmising he was undone by being too perfect a specimen, he wisely looked into business ventures. In 1979, he successfully started up "Star Waggons", which served film/TV companies with rental trailers. His charming, vainglorious romancer act was for the cameras only. He married only once, to Sharon Kennedy, an actress, financial consultant and realtor. They were married for 59 & 1/2 years and had two sons.

This balding, impeccably well-spoken London-born character actor made his name on the Shakespearean stage well before becoming a known quantity on television. Gary was the son of Austrian-Jewish émigrés Siegfried Waldhorn and his wife Liselotte (née Popper). As a youngster, he became enamoured with acting after seeing Richard Burton on stage as Henry V at the Old Vic. After graduating from the Yale School of Drama in 1967, Waldhorn made his theatrical debut as an extra in a National Theatre production of Rosencrantz and Guildenstern are Dead. For several years after, he served his apprenticeship as a small part supporting player. By the early 70s, Waldhorn had established himself as a serious actor, headlining as Milo Tindle in Sleuth (the part played by Michael Caine in the classic film version) at the West End. In 1972, he took the play on the road through Australia and New Zealand, along with Richard Todd, who essayed the role of mystery novelist Andrew Wyke. As a Shakespearean actor, Waldhorn later frequently performed with the Royal Shakespeare Company. Over the years, his roles have included Malvolio in Twelfth Night, Shylock in The Merchant of Venice, Leonato in Much Ado About Nothing, a highly acclaimed title role of Henry V (at the Old Vic, 1996-97) and the King of France in All's Well that Ends Well.

On screen from 1969, Waldhorn appeared in a variety of TV shows, his credits including perennial murder suspect William H. Druitt in the miniseries Jack the Ripper (1973), the diplomat and advisor Marquis de Caulaincourt in Napoleon and Love (1974), Conservative politician Henry 'Chips' Channon in Edward & Mrs. Simpson (1978), as well as recurring roles in the comedies All at Number 20 (1986) and Brush Strokes (1986). He also guested (usually as establishment figures) in diverse genre series, ranging from Space: 1999 (1975) to Robin Hood (1984) and from Rumpole of the Bailey (1978) to Lovejoy (1986) and Heartbeat (1992). In the final analysis, Gary Waldhorn will be most fondly remembered as David Horton, the conservative, wealthy, often starchy chairman of the parish council in the ever-popular sitcom The Vicar of Dibley (1994).

From April 1967 until his passing on January 10 2022, Waldhorn was married to Christie Dickason, playwright, poet, theatre director/choreographer, librettist and author of (to date) nine novels.

Christopher Wallace, a.k.a. Biggie Smalls, was born on May 21, 1972 in Brooklyn, New York. He was the son of Jamaican parents, Voletta Wallace, a pre-school teacher, and Selwyn George Latore, a welder and small-time politician. He was raised in the poor Brooklyn neighborhood of Bedford-Stuyvesant. Dropping out of high school at the age of seventeen, Biggie became a crack dealer, which he proclaimed was his only source of income. Hustlin' one's way was a common life for a young Black man trying to make a living in the ghetto. His career choices involved certain risks. However, a trip to North Carolina for a routine drug exchange ended being the soon-to-be MC a nine-month stay behind bars. Once released, Biggie borrowed a friend's four-track tape recorder and laid down some hip-hop tracks in a basement. The tapes were then passed around and played at local radio station in New York.

Not extremely attractive, Wallace named himself Biggie, for his weight. Biggie was a Black man who was overweight, extremely dark skinned, and had a crook in his eye, yet he was a charmer. A young impresario and sometime producer by the name of Sean Combs heard Biggie's early tapes. Impressed, Puffy went to sign Biggie to his new label, Bad Boy Records.

Puffy and Biggie worked on the artist's first album, and the Notorious B.I.G. was born. Biggie was first heard on a remix of a Mary J. Blige song and a track on the Who's the Man? (1991) soundtrack. After these successes, the album worked on earlier went through its final touches and was released in 1994, titled "Ready to Die." The record was certified platinum quickly, and the Notorious B.I.G. was named MC of the Year at the 1995 Billboard Music Awards. After the quick success of the album, Biggie went back to get his friends, some who didn't even rhyme. He had several run-ins with the law, on charges that ranged from beatings, to drugs and to weapons, while all claimed that Biggie was a gentle person. He soon met a rapper from the west coast named Tupac Shakur, and the two became friends.

Tupac supported Biggie and was often giving him advice. However, their friendship turned into the most violent era of hip-hop music on November 30, 1994. While Biggie and Puffy were at a recording session at Quad Recording Studios in Manhattan, Tupac went there to record with another rapper for his third studio album, "Me Against The World" at the same time, but in the lobby, Tupac was held at gunpoint and robbed of $40,000 worth of jewelry. Tupac was shot five times. Biggie rushed down just in time to see Tupac being loaded into an ambulance. Extending a middle finger, Pac blamed Biggie for the shooting and said that Biggie knew about it and failed to warn him. This sparked the East Coast, West Coast rivalry. Tupac later recovered from his injuries. During this encounter, Biggie admitted that he was scared for his life. Biggie never responded to any of Tupac's disses. Tupac attacked Biggie in every way he could, even starting strong rumors that there was a love affair between Tupac and Biggie's wife, Faith Evans.

Later, The entire country became divided into two groups, the west side and the east side, which became Death Row Records versus Bad Boy Records, Marion 'Suge' Knight versus Puff Daddy, and Tupac versus Biggie. The two of them finally met again late in 1995, and Tupac secretly said to Biggie, "I'm just tryin' to sell some records." Unfortunately, it became very real when on September 7, 1996, Tupac was shot four times in a drive-by shooting off the Las Vegas strip after he left a fight he was involved in inside of the MGM Grand Hotel after a Mike Tyson boxing match. He died six days later on September 13, 1996 as a result of those gunshot wounds at the age of 25. The case is still unsolved. Biggie was scared for his life, but he wanted to put an end to the rivalry between the two coasts. Biggie went to the west coast for several events, to support for his next release album, "Life After Death," but also to make a statement that the rivalry was over. On March 7, 1997, he attended the Soul Train Music Awards and went to the after party hosted by Vibe magazine and Qwest Records on March 8. On March 9, Biggie was sitting in an SUV on the street when he was shot multiple times by an unknown assailant. He died almost instantly. Hip-Hop faced its greatest tragedy when both Tupac Shakur and The Notorious B.I.G. were killed. Biggie was only 24 years old.

One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.

Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".

Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).

Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).

The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).

In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.

Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.

J.T. Walsh was born on 28 September 1943 in San Francisco, California, USA. He was an actor, known for Breakdown (1997), Sling Blade (1996) and Needful Things (1993). He was married to Susan West. He died on 27 February 1998 in La Mesa, California, USA.

Ray Walston started his acting career as a spear carrier with a local stock company. When the family moved to Houston, Texas, Walston's father wanted to teach him the oil business, but Walston instead joined a traveling repertory company (selling tickets as well as acting). He went on to associate with Margo Jones at the Houston Civic Theater for six years, then spent three seasons with the Cleveland Playhouse before arriving in New York in 1945. He has won a Tony Award for his performance as the Devil in Broadway's "Damn Yankees", two Emmy Awards for Picket Fences (1992), and become a household name playing the extraterrestrial "Uncle Martin" on My Favorite Martian (1963). Ray Walston died at age 86 of lupus on New Year's Day 2001 in Beverly Hills, California.

Born to George & Frances Simonson Walter, and named Sterling Relyea Walter. Father died in 1925. Adopted by stepfather 'James Hayden' renamed Sterling Walter Hayden. Grew up in New Hampshire, Massachusetts, Pennsylvania, Washington D.C., and Maine. Though very poor, attended prep school at Wassookeag School in Dexter, Maine. Ran away to sea at 17, first as ship's boy, then as doryman on the Grand Banks, as a seaman and fireman on numerous vessels before getting his first command at 19. He sailed around the world a number of times, becoming a well-known and highly respected ship's captain. At urging of friends, met with producer Edward H. Griffith who signs him to a Paramount contract. Fell for his first leading lady, Madeleine Carroll, and married her. Prior to Pearl Harbor, abandoned Hollywood to become a commando with the COI (later the OSS). Joined Marines under pseudonym "John Hamilton" (a name he never acts under), eventually running guns and supplies to Yugoslav partisans through the German blockade of the Adriatic, as well as parachuting into Croatia for guerrilla activities. Won Silver Star and citation from Tito of Yugoslavia. Briefly flirted with Communist Party membership due to friendship with Yugoslav Communists. Returned to film work, which he despised, in order to pay for a succession of sailing vessels. As Red Scare deepens in U.S., he cooperated with the House Un-American Activities Committee, confessing his brief Communist ties. Ever after regretted this action, holding himself in enormous contempt for what he considered "ratting". Offered role of Tarzan as replacement for Lex Barker, but refused. Made headlines defying court order not to sail to Tahiti with his children following divorce decree. Published autobiography "Wanderer" in 1963, and novel "Voyage" in 1976, both to great acclaim. Cast as Quint in Jaws (1975) but unable to play due to tax problems. Died of cancer in 1986.

A marvelous character actor with intense eyes, a sly grin and somewhat grizzled appearance, Golden Globe-winner Fred Ward had nearly 90 appearances under his belt in many tremendous films and television programs. He first became interested in acting after serving three years in the US Air Force and studied at New York's Herbert Berghof Studio. Ward then went to Europe, where he dubbed many Italian movies, and first appeared on-screen in two films by Roberto Rossellini. He then returned to the United States, and got his first decent role alongside Clint Eastwood in the nail-biting prison film Escape from Alcatraz (1979). Ward's looks often saw him cast as law enforcement or military characters, and he put in noteworthy performances in Southern Comfort (1981), Uncommon Valor (1983), as astronaut Gus Grissom in The Right Stuff (1983) and scored the lead in the interesting spy/martial arts movie Remo Williams: The Adventure Begins (1985), which unfortunately was not as successful as had been the mega-selling series of Remo Williams books.

However, during "Remo", Ward demonstrated a great knack for comedic timing and satirical performance, and this ability was used to great effect in several films, including playing Kevin Bacon's fellow giant-worm-fighting handyman in the light-hearted sci-fi hit Tremors (1990), as "Walter Stuckel" in Robert Altman's The Player (1992), as TV anchorman "Chip Daley" in Tim Robbins' razor-sharp political satire Bob Roberts (1992) and as a vicious, but incompetent, gangster menacing Leslie Nielsen in Naked Gun 33 1/3: The Final Insult (1994).

Ward's abilities as both a supporting player and truly versatile character actor ensured that he would be in steady demand, and he continued to turn up in a wide variety of roles utilizing his skills. Keep an eye out for Fred Ward in the action-filled The Chaos Factor (2000), as David Spade's dad in Joe Dirt (2001), in the tongue-in-cheek Corky Romano (2001) and in the Reese Witherspoon romantic tale Sweet Home Alabama (2002). His last three films were more action-oriented, Armored (2009), [link=tt1622547, and 2 Guns (2013), and he subsequently mostly retired from acting until his death in 2022.

His father was an insurance executive; his mother died when he was four. He attended Western Michigan University, then worked as a statistician in Cleveland, where he joined a Shakespeare repertory company. Two years later, he had a minor role in "The American Way" in New York. He was rejected by the army in World War II but volunteered as an ambulance driver in North Africa. He returned to critical acclaim on Broadway (Arthur Miller, Eugene O'Neill). He earned a Tony award for acting ("Finian's Rainbow", 1947) for Best Featured Actor in a Musical. He moved to Los Angeles in 1977 though his movie credits go back to Portrait of Jennie (1948) and Adam's Rib (1949). Among his many television roles were a bank official in his own comedy series, Norby (1955), James Merrick, a heart patient in the episode Heartbeat (1957), the part of Inspector Queen in the Manfred Lee's Ellery Queen (1975) series and of "Digger" Barnes in Dallas (1978). In his last feature film, he played an inquisitive but slightly senile train conductor in the irreverent comedy "Finders Keepers" (1985).

Carl Weathers was born on January 14, 1948, in New Orleans, Louisiana. A famous and successful football star at San Diego State, he played with the Oakland Raiders and retired from the sport in 1974, in order to give full attention to his goal: to be a real actor.

Weathers first played small parts in two blaxploitation flicks, Friday Foster (1975) (in which he played "Yarbro") and Bucktown (1975) (playing "Hambone"), both made in 1975 and directed by Arthur Marks. However, his big break came the following year when producers Irwin Winkler and Robert Chartoff chose him to play "Apollo Creed" in the blockbuster "sleeper" Rocky (1976) (real-life boxing legend Ken Norton was originally signed for the part, but it eventually went to Weathers). He went on to play "Creed" in three other "Rocky" movies, and the characters' adversarial relationship eventually evolved into a warm friendship. After Creed's death in Rocky IV (1985), Weathers met with producer Joel Silver and agreed to play an important supporting role in Predator (1987), an action film starring Arnold Schwarzenegger.

The following year, Silver produced Action Jackson (1988), a first starring role for Weathers, but it performed poorly at the box office and was panned by the critics.

During the 1990s, Weathers starred in four In the Heat of the Night (1988) two-hour TV specials that were much better received by critics and viewers alike. In 1996, he played the part of "Chubbs Peterson" in the blockbuster Adam Sandler comedy Happy Gilmore (1996). He returned to his "action roots" in two TV-movies with Hulk Hogan: Assault on Devil's Island (1997) and Assault on Death Mountain (1999).

In addition to his acting career, Weathers is also a member of the Big Brothers Association and the U.S. Olympic Committee, handling the career of athletes of various sports such as gymnastics, wrestling, swimming and judo.

Dennis Weaver first became familiar to television audiences as Matt Dillon's assistant Chester Goode in Gunsmoke (1955). After playing the part for nine years, he moved on to star in his own series, Kentucky Jones (1964). However, the show failed to find mass appeal and was cancelled after just one season. Weaver had to wait another five years before finally emerging as a TV star in his own right. Beginning in 1971, he portrayed the titular Marshal Sam McCloud, a lawman from Taos, New Mexico, working in New York to learn the ways of policing in Manhattan's 27th Precinct under the auspices of a frequently apoplectic Chief of Detectives, Peter Clifford (J.D. Cannon). Accented in a slow Texan drawl (his regular catchphrase was "There you go..") and decked out with cowboy hat, lasso and sheepskin jacket, McCloud went about his tasks pretty much the same way he would have done out in the West -- often to the chagrin of his boss, nevertheless always apprehending the villain in the end (sometimes on horseback). His fractious relationship with Clifford provided much of the enjoyment inherent in the show. Weaver later recalled "McCloud was the kind of role I left Gunsmoke to get... I wanted to be a leading man instead of a second banana." Between 1971 and 1977, McCloud (1970) (based in part on the Clint Eastwood film Coogan's Bluff (1968)) was part of Universal's "Mystery Movie" which filled a slot at NBC with films lasting from 74 to 97 minutes (longer than your average TV episode) and which rotated several productions, the most important being Columbo (1971) (Peter Falk), Banacek (1972) (George Peppard), McMillan & Wife (1971) (Rock Hudson) and Hec Ramsey (1972) (Richard Boone).

Weaver hailed from Joplin, Missouri, where his father (who was of mixed English, Irish, Scottish, Cherokee, and Osage ancestry) worked for the local electric company. Young Dennis proved himself a gifted track and field athlete while studying for a degree in fine arts at the University of Oklahoma. During World War II, he served as a fighter pilot in the U.S. Navy. After the war, Weaver forsook sports for a career on the stage, undertaking further drama classes at the Actor's Studio in New York. One of his fellow alumni was actress Shelley Winters who later helped him to get into films. Following his Broadway debut in "Come Back, Little Sheba", Weaver found work in plays by Tennessee Williams off-Broadway and then made his movie debut at Universal in the western Horizons West (1952). He made several more pictures, mostly westerns, but was largely cast in minor roles. He languished in relative obscurity until he landed several guest spots on Jack Webb's Dragnet (1951). His career really took off with McCloud and with the Steven Spielberg-directed Duel (1971), a thriller made for the small screen (essentially a one-man show) in which a lone driver is menaced by a sinister petrol tanker driven by an unseen force. He later found other regular television work (Stone (1979), Emerald Point N.A.S. (1983) and Buck James (1987)), but none of these managed to recapture his earlier successes. In Lonesome Dove: The Series (1994), he was true to his colors, playing western hero Buffalo Bill Cody, a.k.a. Buffalo Bill.

Weaver served as President of the Screen Actors Guild from 1973 to 1975. He was in the forefront of environmental activism, a proponent of alternative energy and recycling (his Colorado home, called "Earthship", was primarily constructed from recycled tires and aluminium cans).

If any man ever had a curmudgeon character face absolutely made for TV and film, it was Paul Ford. Small-eyed, balding, lugubrious, pot-bellied and with a memorable plum nose to rival that of the great Karl Malden, he made a very late entry into show business, finding major success as blowhard military brass, gruff executives, grouchy sheriffs and blustery judges.

Born Paul Ford Weaver on November 2, 1901, in Baltimore, Maryland, he dropped out of Dartmouth College before working as a salesman throughout the Great Depression. The married Ford was a rather wanderlust family man who decided to give acting a try in his early 40s. He excelled at puppetry and found work staging such shows at the World's Fair. Billing himself as Paul Ford, his middle name and mother's maiden name, he eventually found a fair amount of radio and theatre offers. Making his off-Broadway debut in 1939, he moved to Broadway playing a sergeant in the 1944 play "Decision" and continued on the New York stage with such popular 40's plays as "Kiss Them for Me," "Flamingo Road" and "Command Decision."

Paul moved inauspiciously into films with uncredited roles in the dramatic films The House on 92nd Street (1945), The Naked City (1948) and All the King's Men (1949), then walked up the credits ladder rung by rung with credited roles in Lust for Gold (1949), The Kid from Texas (1950) and Perfect Strangers (1950). Eventually he included the newer medium of TV, finding roles on various anthology series including "Armstrong Circle Theatre," "The Ford Theatre Hour," "The Philco Television Playhouse," "Suspense" and "Studio One in Hollywood."

Paul earned a huge hit on Broadway with his delightfully huffy portrayal of Colonel Wainright Purdy in the 1953 Pulitzer Prize and Tony Award-winning war comedy "Teahouse of the August Moon." He went on to transfer his role to film with The Teahouse of the August Moon (1956). From there, he was given the part of irascible Horace Vandergelder in the movie version of the Thornton Wilder play The Matchmaker (1958) also starring Shirley Booth as Dolly Levi, Shirley MacLaine as Irene Malloy, Anthony Perkins as Cornelius Hackl and Robert Morse as Barnaby Tucker.

Having already conquered radio, stage and film, it was on TV that 54-year-old Paul would achieve "overnight success" and become a household name when he was hired played a befuddled second banana to comedian Phil Silvers on TV. Butting heads week after week as the ever-flustered Colonel Hall with Silvers' classic portrayal of the sly, manipulative Sergeant Bilko in The Phil Silvers Show (1955), Paul amused audiences for four seasons and was Emmy-nominated three times. During this time he scored another Broadway success playing multiple roles in the light-hearted sketch revue "Thurber's Carnival" in 1960.

As a reward for his small screen success, Paul was awarded the opportunity to film another stage hit. Shining in the pompous supporting role of Mayor Shinn in the 1957 Tony-awarded musical hit "The Music Man" (he replaced Tony-winning David Burns, the actor, along with Robert Preston (as Harold Hill) and Pert Kelton (as Mrs. Paroo) transferred his character to the immortal feature film version of The Music Man (1962).

Ford went on playing playing old coot gents and took a third Broadway triumph to film as elderly father-to-be Harry Lambert in the family comedy Never Too Late (1965) co-starring his stage partner Maureen O'Sullivan as expectant wife Edith. Other twilight character film roles included his senator in Advise & Consent (1962), another colonel in It's a Mad Mad Mad Mad World (1963), a general in The Spy with a Cold Nose (1966), a military commander in The Russians Are Coming the Russians Are Coming (1966), a one-time third-party presidential candidate in The Comedians (1967) (for which he won a National Board of Review award for "Best Supporting Actor"), and his last film, as a doctor in the little seen comedy Richard (1972).

Ford eventually retired in 1972, and died four years later due to a massive heart attack in Mineola, New York, on April 12, 1976. He was buried at Holy Cross Cemetery in Los Angeles.

Falling somewhat below W.C. Fields and Walter Matthau in crabby popularity, this delightful curmudgeon nevertheless earned and deserved his brief, late-night success.

Over his 40-year career as one of Hollywood's veteran character actors, Robert Webber always marked his spot by playing all types of roles and was not stereotyped into playing just one kind of character. Sometimes he even got to play a leading role (see Hysteria (1965)). Webber first started out in small stage shows and a few Broadway plays before he landed the role of Juror 12 in 12 Angry Men (1957). He was also known for numerous war films, playing Lee Marvin's general in The Dirty Dozen (1967) or as real-life Admiral Frank J. Fletcher in Midway (1976). Webber's other best known movies include The Great White Hope (1970), Revenge of the Pink Panther (1978), 10 (1979) (as composer Dudley Moore's lyricist partner), Private Benjamin (1980), Wild Geese II (1985) and co-starring with Richard Dreyfuss and Barbra Streisand as prosecutor Francis McMillian in Nuts (1987). In 1989 he died of Lou Gehrig's disease (amyotrophic lateral sclerosis) in Malibu, California, shortly after completing the 1988 TV production Something Is Out There (1988). He bore a resemblance to character actor Kevin McCarthy.

Johnny Weissmuller Jr. was born on 23 September 1940 in San Francisco, California, USA. He was an actor, known for THX 1138 (1971), American Graffiti (1973) and Tarzoon: Shame of the Jungle (1975). He was married to Diane. He died on 27 July 2006 in San Francisco, California, USA.

His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.

Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.

In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.

Writer, born in Bromley, Kent. He was apprenticed to a draper, tried teaching, studied biology in London, then made his mark in journalism and literature. He played a vital part in disseminating the progressive ideas which characterized the first part of the 20th-c. He achieved fame with scientific fantasies such as The Time Machine (1895) and War of the Worlds (1898), and wrote a range of comic social novels which proved highly popular, notably Kipps (1905) and The History of Mr Polly (1910). Both kinds of novel made successful (sometimes classic) early films. A member of the Fabian Society, he was often engaged in public controversy, and wrote several socio-political works dealing with the role of science and the need for world peace, such as The Outline of History (1920) and The Work, Wealth and Happiness of Mankind

William Wellman, the Oscar-winning screenwriter-director of the original A Star Is Born (1937), was called "Wild Bill" during his World War I service as an aviator, a nickname that persisted in Hollywood due to his larger-than-life personality and lifestyle.

A leap-year baby born in 1896 on the 29th of February in Brookline, MA, Wellman was the great-great-great grandson of Francis Lewis, one of the men who signed the Declaration of Independence. Wellman's father was a stockbroker and his mother, the former Cecilia McCarthy, was born in Ireland. Despite an upper-middle-class upbringing, the young Wellman was a hell-raiser. He excelled as an athlete and particularly enjoyed playing ice hockey, but he also enjoyed joyriding in stolen cars at nights.

Cecilia Wellman served as a probation officer for "wayward boys" (juvenile delinquents) for the Commonwealth of Massachusetts, and was such a success in her field that she was asked to address Congress on the subject of delinquency. One of her charges was her own son, as the young Bill was kicked out of school at the age of 17 for hitting his high school principal on the head with a stink bomb. He tried making a living as a candy salesman and a cotton salesman, but failed. He worked for a lumber yard but was fired after losing control of a truck and driving it through the side of a barn. Eventually he wound up playing professional ice hockey in Massachusetts. While playing at the Colonial Theatre in Boston, an actor named Douglas Fairbanks took note of him. Impressed by Wellman's good looks and the figure he cut on ice, the soon-to-be silent-film superstar suggested to him that he had what it took to become a movie actor. Wellman's dream was to become an aviator, but since his father "didn't have enough money for me to become a flier in the regular way . . .I went into a war to become a flier."

When he was 19 years old, through the intercession of his uncle, Wellman joined the air wing of the French Foreign Legion, where he learned to fly. In France he served as a pilot with the famous Lafayette Flying Corps (better known as the Lafayette Escadrille), where he won his nickname "Wild Bill" due to his devil-may-care style in the air. He and fellow pilot Tom Hitchcock, the great polo player, were in the Black Cat group. Wellman was shot down by anti-aircraft fire and injured during the landing of his plane, which had lost its tail section. Out of 222 Escadrille pilots 87 were killed, but Wellman was fated to serve out the duration of the war. In the spring of 1918 he was recruited by the US Army Air Corps, joining "because I was broke, and they were trying to get us in." Commissioned an officer, he was sent back to the US and stationed at Rockwell Field, in San Diego, CA, to teach combat fighting tactics to the new AAC pilots.

Wellman would fly up to Hollywood and land on Fairbanks' polo fields to spend the weekend. Fairbanks told the returning hero that he would help him break into the movies when the war was over, and he was as good as his word. Fairbanks envisioned Wellman as an actor and cast him as the juvenile in The Knickerbocker Buckaroo (1919) and as a young officer in Evangeline (1919), but acting was something Wellman grew to hate, a hatred he later transferred to actors in his employ. He was fired by fellow macho director Raoul Walsh from "Evangeline" for slapping the lead actress, who Wellman didn't know was Walsh's wife. Disgusted with acting, Wellman told Fairbanks he wanted to be a director, and Fairbanks helped him into the production end of the business. It was a purely financial decision, he later recalled, as directors made more money than supporting actors at the time.

Goldwyn Pictures hired him as a messenger in 1920 and he soon worked his way up the ladder, first as an assistant cutter, then as an assistant property man, property man, assistant director and second-unit director before making his uncredited directorial debut later that year at Fox with Twins of Suffering Creek (1920) starring Dustin Farnum (the silent film B-Western star whom Dustin Hoffman's star-struck mother named the future double-Oscar winner after). Wellman later remembered the film as awful, along with such other B-Westerns as Cupid's Fireman (1923), starring Buck Jones, whose westerns he began directing in 1923 after serving his apprenticeship.

Fox Films gave Wellman his first directing credit in 1923 with the Buck Jones western Second Hand Love (1923) and, other than the Dustin Farnum picture The Man Who Won (1923), he turned out Jones pictures for the rest of his time at Fox. The studio fired him in 1924 after he asked for a raise after completing The Circus Cowboy (1924), another Buck Jones film. Moving to Columbia, he helmed When Husbands Flirt (1925), then went over to MGM for the slapstick comedy The Boob (1926) before landing at Famous Players-Lasky (now known as Paramount Pictures after its distribution unit), where he directed You Never Know Women (1926) and The Cat's Pajamas (1926). It was as a contract director at the now renamed Paramount-Famous Players-Lasky Corp. that he had his breakout hit, due to his flying background. Paramount entrusted its epic WW I flying epic Wings (1927) to Wellman, and the film went on to become the first Academy Award-winning best picture.

Paramount paid Wellman $250 a week to direct "Wings". He also gave himself a role as a German pilot, and flew one of the German planes that landed and rolled over. The massive production employed 3,500 soldiers, 65 pilots and 165 aircraft. It also went over budget and over schedule due to Wellman's perfectionism, and he came close to being fired more than once. The film took a year to complete, but when it was released it turned out to be one of the most financially successful silent pictures ever released and helped put Gary Cooper, whom Wellman personally cast in a small role, on the path to stardom. "Wings" and Wellman's next flying picture, The Legion of the Condemned (1928)--in which Cooper had a starring role--initiated the genre of the World War One aviation movie, which included such famous works as Howard Hughes' Hell's Angels (1930) and Howard Hawks' The Dawn Patrol (1930). Despite his success in bringing in the first Best Picture Oscar winner, Paramount did not keep Wellman under contract.

Wellman's disdain for actors already was in full bloom by the time he wrapped "Wings". Many actors appearing in his pictures intensely disliked his method of bullying them to elicit an performance. Wellman was a "man's man" who hated male actors due to their narcissism, yet he preferred to work with them because he despised the preparation that actresses had to go through with their make-up and hairdressing before each scene. Wellman shot his films fast. The hard-drinking director usually oversaw a riotous set, in line with his own lifestyle. He married five women, including a Ziegfeld Follies showgirl, before settling down with Dorothy Coonan Wellman, a former Busby Berkeley dancer. Wellman believed that Dorothy saved him from becoming a caricature of himself. She appeared as a tomboy in Wild Boys of the Road (1933), a Depression-era social commentary picture made for the progressive Warner Bros. studio (and which is a favorite of Martin Scorsese). It came two years after Wellman's masterpiece, The Public Enemy (1931), one of the great early talkies, one of the great gangster pictures and the film that made James Cagney a superstar. Scorsese says that Wellman's use of music in the film influenced his own first gangster picture, Mean Streets (1973) .

Wellman was as adept at comedy as he was at macho material, helming the original A Star Is Born (1937) (for which he won his only Oscar, for best original story) and the biting satire Nothing Sacred (1937)--both of which starred Fredric March--for producer David O. Selznick. Both movies were dissections of the fame game, as was his satire Roxie Hart (1942), which reportedly was one of Stanley Kubrick's favorite films.

During World War Two Wellman continued to make outstanding films, including The Ox-Bow Incident (1942) and Story of G.I. Joe (1945), and after the war he turned out another war classic, Battleground (1949). In the 1950s Wellman's best later films starred John Wayne, including the influential aviation picture The High and the Mighty (1954), for which he received his third and last best director Oscar nomination. His final film hearkened back to his World War One service, Lafayette Escadrille (1958), which featured the unit in which Wellman had flown. He retired as a director after making the film, reportedly enraged at Warner Bros.' post-production tampering with a film that meant so much to him.

Other than David O. Selznick, not many people in Hollywood particularly liked the hell-raising iconoclast Wellman. Louis B. Mayer's daughter Irene Mayer Selznick, the first wife of David O. Selznick, said that Wellman was "a terror, a shoot-up-the-town fellow, trying to be a great big masculine I-don't-know-what". The Directors Guild of America in 1973 honored him with its Lifetime Achievement Award.

William Wellman died (from leukemia) in 1975.

Leslie West was born on 22 October 1945 in New York City, New York, USA. He was an actor and composer, known for Vanishing Point (1971), Spenser Confidential (2020) and The Expendables (2010). He was married to Jenni Maurer. He died on 23 December 2020 in Palm Coast, Florida, USA.

Peter White was born on 10 October 1937 in New York City, New York, USA. He was an actor, known for Dave (1993), Thirteen Days (2000) and Armageddon (1998). He died on 1 November 2023 in Los Angeles, California, USA.

Gough Whitlam was born on 11 July 1916 in Kew, Victoria, Australia. He was an actor, known for The Broken Melody (1938), The Norman Gunston Show (1975) and Barry McKenzie Holds His Own (1974). He was married to Margaret Whitlam. He died on 21 October 2014 in Elizabeth Bay, Sydney, New South Wales, Australia.