Swiss-American celebrities

Bonnie Agan is known for Sunset on the River Styx (2020).

Dorothy Arzner, the only female director during the "Golden Age" of Hollywood's studio system--from the 1920s to the early 1940s and the female director with the largest oeuvre in Hollywood to this day--was born January 3, 1897 (some sources put the year as 1900), in San Francisco, California, to a German-American father and a Scottish mother. Raised in Los Angeles, her parents ran a café which featured German cuisine and which was frequented by silent film stars including: Charles Chaplin and William S. Hart, and director Erich von Stroheim. She worked as a waitress at the restaurant, and no one could have foreseen at the time that Arzner would be one of the few women to break the glass ceiling of directing and would be the only woman to work during the early sound era.

In her fifteen-year career as a director (1928-43), Arzner made three silent movies and fourteen talkies. Her path to the director's chair was different than that of female directors in the future (indeed, different than most male directors too). Directors nowadays are typically graduates of film schools or were working actors prior to directing. Like most of the directors of her generation, Arzner gained wide training in most aspects of film-making by working her way up from the bottom. It was the best way to become a film-maker, she later said.

After graduating from high school in 1915, she entered the University of Southern California, where she was in the premedical program for two years. When the U.S. entered World War I in 1917, Arzner was unable to realize her ambition of serving her country in a military capacity, as there were no women's units in the armed forces at the time, so she served as an ambulance driver during the war.

After the cessation of hostilities, Azner got a job on a newspaper. The director of her ambulance unit introduced her to film director William C. de Mille (the brother of Cecil B. DeMille, one of the co-founders of Famous Players-Lasky, which eventually became known by the title of its distribution unit--Paramount Pictures). She decided to pursue a film career after visiting a movie set and being intrigued by the editing facilities. Arzner decided that she would like to become a director (there was no strict delineation between directors and editors in the immediate postwar period as the movie studios matured into a "factory" industrial production paradigm).

Though she was the sole member of her gender to direct Hollywood pictures during the first generation of sound film, in the silent era a woman behind the camera was not unknown. The first movie in history was directed by a Frenchwoman, and many women were employed in Hollywood during the silent era, most frequently as scenario writers (some research indicates that as many as three-quarters of the scenario writers during the silent era--when there was no requirement for a screenplay as such as there was no dialogue--were women). Indeed, there were female directors in the silent era, such as Frances Marion (though she was more famous as a screenwriter) and Lois Weber, but Arzner was fated to be the only female director to have made a successful transition to talkies. It wasn't until the 1930s and the verticalization of the industry, as it matured and consolidated, that women were squeezed out of production jobs in Hollywood.

The introduction to William deMille paid off when he hired her for the sum of $20 a week to be a stenographer. Her first job for DeMille was typing up scripts at Famous Players-Lasky. She was reportedly a poor typist. Ambitious and possessed of a strong will, Arzner offered to write synopses of various literary properties, and eventually was hired as a writer. Impressing DeMille and other Paramount powers that be, Arzner was assigned to Paramount's subsidiary Realart Films, as a film cutter. She was promoted to script girl after one year, which required her presence on the set to ensure the continuity of the script as shot by the director. She then was given a job editing films. She excelled at cutting: as an editor (she was the first Hollywood editor professionally credited as such on-screen), she labored on 52 films, working her way up from cutting Bebe Daniels comedies to assignments on "A" pictures within a couple of years. She came into her own as a film-maker editing the Rudolph Valentino headliner Blood and Sand (1922), about a toreador. Her editing of the bull-fighting scenes was highly praised, and she later said that she actually helmed the second-unit crew shooting some of the bullfight sequences. Director James Cruze was so impressed by her work on the Valentino picture that he brought her on to his team to edit The Covered Wagon (1923). Arzner eventually edited three other Cruze films: Ruggles of Red Gap (1923), Merton of the Movies (1924) and Old Ironsides (1926). Her work was of such quality that she received official screen credit as an editor, a first for a cutter of either sex.

While collaborating with Cruze she also wrote scenarios, scripting her ideas both solo and in collaboration. She was credited as a screenwriter (as well as an editor) on "Old Ironsides", one of the more spectacular films of the late silent era, being partially shot in Magnascope, one of the earliest widescreen processes. She would always credit Cruze as her mentor and role model. "Old Ironsides" proved to be the last film on which she was credited as an editor, as her ambitions to become a director would finally come to fruition. To indulge her, Paramount gave her a job as an assistant director, for which she was happy--until she realized it was not a stepping stone to the director's chair, and she was determined to sit in that chair.

Arzner pressured Paramount to let her direct, threatening to leave the studio to work for Columbia Pictures on Poverty Row, which had offered her a job as a director. Unwilling to lose such a talented film-maker, the Paramount brass relented, and she made her debut with Fashions for Women (1927). It was a hit. In the process of directing Paramount's first talkie, Manhattan Cocktail (1928), she made history by becoming the first woman to direct a sound picture. The success of her next sound picture, The Wild Party (1929), starring Paramount's top star, Clara Bow, helped establish Fredric March as a movie star.

Arzner proved adept at handling actresses. As Budd Schulberg related in his autobiography "Moving Pictures", Clara Bow--a favorite of his father, studio boss B.P. Schulberg--had a thick Brooklyn accent that the silence of the pre-talkie era hid nicely from the audience. She was terrified of the transition to sound, and developed a fear of the microphone. Working with her sound crew, Arzner devised and used the first boom mike, attaching the microphone to a fish pole to follow Bow as she moved around the set. Arzner even used Bow's less-than-dulcet speaking tones to underscore the vivaciousness of her character.

Though Arzner made several successful films for Paramount, the studio teetered on the edge of bankruptcy due to the Depression, eventually going into receivership (before being saved by the advent of another iconic woman, Mae West). When the studio mandated a pay cut for all employees, Arzner decided to go freelance. RKO Radio Pictures hired her to direct its new star, headstrong young Katharine Hepburn, in her second starring film, Christopher Strong (1933). It was not a happy collaboration, as both women were strong and unyielding, but Arzner eventually prevailed. She was after all the director. The fiercely independent Hepburn complained to RKO, but the studio backed its director against its star. Eventually the two settled into a working relationship, respecting each other but remaining cold and distant from one another. Ironically, Arzner would display her directorial flair in elucidating the kind of competitive rivalries between women she experienced with Hepburn.

The Directors Guild of America was established in 1933, and Arzner became the first female member. Indeed, she was the only female member of the D.G.A. for many years.

Arzner's films featured well-developed female characters, and she was known at the time of her work, quite naturally, as a director of "women's pictures". Not only did her movies portray the lives of strong, interesting women, but her pictures are noted for showcasing the ambiguities of life. Since the rise of feminist scholarship in the 1960s, Arzner's movies have been seen as challenging the dominant, androcentric mores of the times.

Arzner was gay, and cultivated a masculine look in her clothes and appearance (some feel as camouflage to hide the boy's club that was Hollywood). Many gay critics discern a hidden gay subtext in her films, such as "Christopher Strong". Whereas feminist critics see a critique of gender inequality in "Christopher Strong", gay female critics see a critique of heterosexuality itself as the source of a woman's troubles. The very private Azner, the woman who broke the glass ceiling and had to survive, and indeed throve, in the all-male world of studio film-making, refused to be categorized as a woman or gay director, insisting she was simply a "director." She was right.

Arzner did have less troubled and more productive collaborations with other actresses after her experience with Hepburn. She developed a close friendship with one of her female stars, Joan Crawford, whom she directed in two 1937 MGM vehicles, The Last of Mrs. Cheyney (1937) and The Bride Wore Red (1937). Arzner later directed Pepsi commercials as a favor to Crawford's husband, Pepsi-Cola Company's Chairman of the Board Alfred Steele.

In 1943 Arzner joined other top Hollywood directors such as John Ford and George Stevens in going to work for the war effort during World War Two. She made training films for the U.S. Army's Women's Army Corps (W.A.C.s). That same year her health was compromised after she contracted pneumonia. After the war she did not return to feature film directing, but made documentaries and commercials for the new television industry. She also became a film-making teacher, first at the Pasadena Playhouse during the 1950s and 1960s and then at the University of California-Los Angeles campus during the 1960s and 1970s. At U.C.L.A. she taught directing and screenwriting, and one of her students was Francis Ford Coppola, the first film school grad to achieve major success as a director. She taught at U.C.L.A. until her death in 1979.

She was honored in her own life-time, becoming a symbol and role model for female directors who desired entry into mainstream cinema. The feminist movement in the 1960s championed her. In 1972 the First International Festival of Women's Films honored her by screening "The Wild Party", and her oeuvre was given a full retrospective at the Second Festival in 1976. In 1975 the D.G.A. honored her with "A Tribute to Dorothy Arzner." During the tribute, a telegram from Katharine Hepburn was read: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"

René Murat Auberjonois was born on June 1, 1940 in New York City, to Princess Laure Louise Napoléone Eugénie Caroline (Murat), who was born in Paris, and Fernand Auberjonois, who was Swiss-born. René was born into an already artistic family, which included his grandfather, a well-known Swiss painter, and his father, a Pulitzer-nominated writer and Cold War-era foreign correspondent. The Auberjonois family moved to Paris shortly after World War II, and it was there that René made an important career decision at the age of six. When his school put on a musical performance for the parents, little René was given the honor of conducting his classmates in a rendition of "Do You Know the Muffin Man?". When the performance was over, René took a bow, and, knowing that he was not the real conductor, imagined that he had been acting. He decided then and there that he wanted to be an actor. After leaving Paris, the Auberjonois family moved into an Artist's Colony in upstate New York.

At an early age, René was surrounded by musicians, composers and actors. Among his neighbors were Helen Hayes, Burgess Meredith and John Houseman, who would later become an important mentor. Houseman gave René his first theater job at the age of 16, as an apprentice at a theater in Stratford, Connecticut. René would later teach at Juilliard under Houseman. René attended Carnegie-Mellon University and studied theater completely, not only learning about acting but about the entire process of producing a play. After graduating from CMU, René acted with various theater companies, including San Francisco's American Conservatory Theater and Los Angeles' Mark Taper Forum. In 1969, he won a role in his first Broadway musical, "Coco" (with Katharine Hepburn), for which he won a Tony Award.

Throughout his life, René acted in a variety of theater productions, films and television presentations, including a rather famous stint as Clayton Endicott III on the comedy series Benson (1979), not to mention seven years on Star Trek: Deep Space Nine (1993) as Odo. René also performed dramatic readings of a variety of books on tape, and appeared in projects like The Patriot (2000), starring Mel Gibson, Sally Hemings: An American Scandal (2000), and NBC's Frasier (1993) and ABC's The Practice (1997).

Parley Baer was born on 5 August 1914 in Salt Lake City, Utah, USA. He was an actor, known for License to Drive (1988), A Fever in the Blood (1961) and Gypsy (1962). He was married to Ernestine Clark. He died on 22 November 2002 in Los Angeles, California, USA.

Fay Baker was born on 31 January 1917 in New York City, New York, USA. She was an actress, known for Notorious (1946), The House on Telegraph Hill (1951) and Deadline - U.S.A. (1952). She was married to Arthur Weiss. She died on 8 December 1987 in Sleepy Hollow, New York, USA.

Respected character actor of the silent and early sound period, specializing in cruel villains. The son of Kansas City policeman Noah Webster Beery and Frances Margaret Fitzgerald Beery, Noah Nicholas Beery and his younger brother Wallace Beery both left home in their teens, each seeking a career as a performer. Noah made his stage debut at the age of 16 and worked steadily in the theatre until his early 30s. Following his brother into films, he quickly established himself as a competent player and a familiar heavy in all sorts of films, particularly westerns. He never achieved the great fame of his younger brother, but succeeded in carving a memorable niche for himself in the history of film. His son Noah Beery Jr. became equally familiar as a character actor, though usually in more genial roles.

Familiar and well-liked character actor of very different persona than either his father, Noah Beery, or his uncle, Wallace Beery. He attended Harvard Military Academy but managed to make a number of appearances on film and on stage with his father before adulthood. At age 19, he began playing amiable second leads and occasional leading roles, primarily in westerns, before settling into what would be the pattern for much of his career: good-natured supporting roles, usually as a pal of the hero. He kept going in such parts into his late 70s, transforming slowly into warm (or, rarely, curmudgeonly) rustic sages. In later years, he achieved great renown as the father of the James Garner character on TV's The Rockford Files (1974). He married the daughter of cowboy star Buck Jones. Their son Bucklind Beery is an actor. They also had two daughters, Muffett and Melissa. Beery died in 1994 at the age of 81.

In 1902, 16-year-old Wallace Beery joined the Ringling Brothers Circus as an assistant to the elephant trainer. He left two years later after a leopard clawed his arm. Beery next went to New York, where he found work in musical variety shows. He became a leading man in musicals and appeared on Broadway and in traveling stock companies. In 1913 he headed for Hollywood, where he would get his start as the hulking Swedish maid in the Sweedie comedy series for Essanay. In 1915 he would work with young ingénue Gloria Swanson in Sweedie Goes to College (1915). A year later they would marry and be wildly unhappy together. The marriage dissolved when Beery could not control his drinking and Gloria got tired of his abuse. Beery finished with the Sweedie series and worked as the heavy in a number of films. Starting with Patria (1917), he would play the beastly Hun in a number of films. In the 1920s he would be seen in a number of adventures, including The Four Horsemen of the Apocalypse (1921), Robin Hood (1922), The Sea Hawk (1924) and The Pony Express (1925). He would also play the part of Poole in So Big (1924), which was based on the best-selling book of the same name by Edna Ferber. Paramount began to move Beery back into comedies with Behind the Front (1926). When sound came, Beery was one of the victims of the wholesale studio purge. He had a voice that would record well, but his speech was slow and his tone was a deep, folksy, down home-type. While not the handsome hero image, MGM executive Irving Thalberg saw something in Beery and hired him for the studio. Thalberg cast Beery in The Big House (1930), which was a big hit and got Beery an Academy Award nomination. However, Beery would become almost a household word with the release of the sentimental Min and Bill (1930), which would be one of 1930's top money makers. The next year Beery would win the Oscar for Best Actor in The Champ (1931). He would be forever remembered as Long John Silver in Treasure Island (1934) (who says never work with kids?). Beery became one of the top ten stars in Hollywood, as he was cast as the tough, dim-witted, easy-going type (which, in real life, he was anything but). In Flesh (1932) he would be the dim-witted wrestler who did not figure that his wife was unfaithful. In Dinner at Eight (1933) he played a businessman trying to get into society while having trouble with his wife, link=nm0001318]. After Marie Dressler died in 1934, he would not find another partner in the same vein as his early talkies until he teamed with Marjorie Main in the 1940s. He would appear opposite her in such films as Wyoming (1940) and Barnacle Bill (1941). By that time his career was slowing as he was getting up in age. He continued to work, appearing in only one or two pictures a year, until he died from a heart attack in 1949.

Diana Bentley is a Canadian actress of film, television, and theatre. She has appeared in film such as We're Still Together (2016), An American Dream: The Education of William Bowman (2016), and The Other Half (2016). She played Imogen in the American-Canadian drama series, Frontier (2016). Diana was born in London, Canada as Diana Margaret Susan Bentley. She played Rosalind in As You Like It when she was in grade 12.

Diana Bentley graduated with a BHA in English literature from the University of Toronto before going on to train in classical acting at the London Academy of Musical and Dramatic Arts (LAMDA).

Upon graduation Diana joined the Soulpepper Theatre Company appearing in Our Town and A Month in the Country and co-founded Rogue Theatre, where she recently mounted and starred in Boeing Boeing and Neil LaBute's Reasons to be Pretty.

Television appearances include: Warehouse 13 (2009) and Mayday.

Wes Bentley is an American actor who first became well-known via his role in the Oscar-winning film American Beauty (1999), in which he played the soulful, artistic next-door neighbor Ricky Fitts. He also portrayed game-maker Seneca Crane in The Hunger Games (2012), and co-stars in Lovelace (2013) as photographer Thomas.

Wesley Cook Bentley was born September 4, 1978, in Jonesboro, Arkansas, to David and Cherie Bentley, two Methodist ministers. Wes joined older brothers Jamey and Philip, and was later joined by younger brother, Patrick. Wes attended Sylvan Hills High School in Sherwood, Arkansas, where he was in the drama club. Interest in acting came from Improv Comedy. He, his brother Patrick, his best friend Damien Bunting, and another close friend Josh Cowdery developed an Improv group called B(3) + C. They regularly dominated competitions in Arkansas. He then placed First in the state of Arkansas in solo acting in 1996, his senior year of high school, Second in Duet, and also regularly won for Poetry and Prose Readings.

Wes appeared on-stage quite a bit in Little Rock. At The Weekend Theater, Wes played the straight son of the gay couple in a production of "La Cage aux Folles". At Murry's Dinner Playhouse, Wes' plays included "Oliver". At his mother's urging, Wes attended Juilliard School in New York after high school graduation. He was there only a short time but appeared in stage work like "Henry IV, Part 1" and "The Weavers". Wes then worked at Blockbuster and was a waiter at TGI Friday's on Long Island. Wes has stated that his most prideful venture in life was starting a soccer team from scratch at his high school and subsequently putting together a full conference, one of Arkansas's first. Wes had no real experience in soccer before doing this.

Bentley made his onscreen debut in Jonathan Demme's Beloved (1998). Following his success in American Beauty, Bentley struggled with substance abuse, which cost him his first marriage to actress Jennifer Quanz. Although he continued to land parts in films, including that of the primary antagonist in Ghost Rider (2007) and another major role in The Game of Their Lives (2005), Bentley has publicly admitted that during most of the 2000s he only took on acting roles to earn enough money to buy drugs. Bentley did not enter a 12-step program until 2009. He has stated that he considers his sobriety to be an ongoing process.

Bentley is one of the main subjects featured in the documentary My Big Break (2009), which followed him and his former roommates Chad Lindberg, Brad Rowe, and Greg Fawcett as they struggle to find success within the film industry. In 2010, Bentley made his professional stage debut with Nina Arianda in David Ives' award-winning play "Venus In Fur."

Bentley has one child with his second wife, producer Jacqui Swedberg.

Robert Buckley was born on May 2, 1981 in Los Angeles, California. The Southern California native earned a degree in Economics from the University of California at San Diego. After earning his degree, he spent a year and a half working as an economic consultant before moving to Los Angeles to pursue a career in entertainment.

He is most known for playing Kirby in Lipstick Jungle, Clay Evans on One Tree Hill, and Major Lilywhite on iZombie. Most recently, Robert co-created and executive produced The Christmas House for Hallmark, based on his real-life Christmas traditions as a child.

Richard Burgi was born on July 30, 1958, in Montclair, New Jersey (a town roughly 15 miles west of New York City), to a musical family: His father was a drummer, his mother was a singer, and one of his three siblings became a drummer. Burgi started participating in community theater during his youth; after graduating from Montclair High School, he traveled throughout Europe for a while.

Burgi began his acting career in the mid-1980s, and from 1986 through 1989 he had recurring roles on two daytime staples, Another World (1964) and As the World Turns (1956); he also appeared in one episode of One Life to Live (1968).

Throughout the 1990s, Burgi continued working steadily in television series, along them Days of Our Lives (1965) and the crime drama The Sentinel (1996), where he was one of the leads, Det. James Ellison. He also had roles (some one-time, some recurring) on 24 (2001), Judging Amy (1999), Point Pleasant (2005), Las Vegas (2003), Chuck (2007), One Tree Hill (2003) and Desperate Housewives (2004).

Burgi's film work includes the sci-fi "alien bugs vs. humans" sequel Starship Troopers 2: Hero of the Federation (2004), Cellular (2004), the Jim Carrey comedy Fun with Dick and Jane (2005), the Cameron Diaz comedy In Her Shoes (2005), Hostel: Part II (2007), and Friday the 13th (2009). In 2013, he landed a recurring role as D.A. Dan Russell on the series Body of Proof (2011).

Burgi is married to Liliana Lopez and is the father of two sons, Jack (b. 1996) and Sam (b. 2000).

Timothy Busfield is a producer, director and Emmy Award-winning actor with over 750 professional credits. As an actor he has been a series regular or recurring character in over 20 series including "For Life", "The Loudest Voice", "Almost Family", "Designated Survivor", "One Dollar", "Thirtysomething", "The West Wing", "Entourage", "Sleepy Hollow", Secrets and Lies", "ED", "Studio 60 on the Sunset Strip", "Trapper John, M.D.", "The Byrds of Paradise", "Champs", "Family Ties", "Without A Trace", "The Paper Chase", "Reggie" and "All My Children", and the hit Marvel Podcast "Wastelanders: Old Man Star-Lord" as the title character Star-Lord (AKA Peter Quill) . Timothy has appeared in over 40 television movies and feature films, including "Field of Dreams", "Stripes", "Revenge of the Nerds", "Nerds in Paradise", "Quiz Show", "Sneakers", "Striking Distance", "Little Big League", "First Kid", "National Security", "23 Blast", "Strays", "Trucks", and "One Smart Fellow" which he co-directed, co-wrote, and acted in. Timothy has directed over 150 episodes of television, including "This Is Us" and multiple episodes of "The Cleaning Lady", "Chicago Med", "FBI", "The Fosters" (also directed the pilot), "thirtysomething", "Sports Night", "Damages", "Lipstick Jungle", "Studio 60 on the Sunset Strip", "Without A Trace", "Las Vegas", "The Night Shift", "Secrets and Lies", "The Glades", and many more. Timothy has served as a Producing Director on 8 series including "The Cleaning Lady", "Secrets and Lies", "Mind Games", Lipstick Jungle", "Studio 60 on the Sunset Strip", "Without A Trace", "ED", and the mini series "Maneater". In theatre, Timothy has appeared on Broadway twice, most recently as Lt. Daniel Kaffee in Aaron Sorkin's "A Few Good Men." Timothy founded two of America's most successful professional theaters, The Fantasy Theatre (AKA the B Street School Tour) and The B Street Theatre, both in Sacramento, California. Now in their 38th season, the theaters perform annually for over 200,000 children and adults throughout northern California. Timothy has an honorary PhD from Michigan State University and East Tennessee State University. He lives with his wife, television icon and fantastic cook, Melissa Gilbert.

James Patrick Caviezel was born on September 26, 1968 in Mount Vernon, Washington. He was one of five children born to Margaret (Lavery), a former stage actress, and James Caviezel, a chiropractor. The Caviezels are a closely knit Catholic family. He is of Irish (mother) and Swiss-Romansh and Slovak (father) descent; the surname, "Caviezel", is Romansh. As a boy, Jim was described as being "very intense." His two main interests growing up were sports and religion. He was athletically gifted on the basketball court and dreamed of someday playing in the N.B.A. He was also instilled with Christianity at a very young age, attending Church regularly with his family. In 1984, he went to Mount Vernon High School but transferred to O'Dea High School after two years. The following spring, he transferred again to Burien Kennedy High School in Burien, Washington where he was a star on the basketball team and graduated in 1987. While at O'Dea and Kennedy, he stayed with family friends. Following high school Jim enrolled at Bellevue Community College where he again played on the basketball team. A foot injury in his sophomore season put an end to Jim's basketball career and his dreams of playing in the N.B.A. Shortly after this, he turned his focus toward acting. In 1990, he auditioned for a part in the independent film My Own Private Idaho (1991). He won a very small role as a foreign airline clerk after he told casting agents that he was a recent Italian immigrant. The following year, Jim moved to Los Angeles where he worked as a waiter between auditions. He landed small roles in Diggstown (1992) and Wyatt Earp (1994) and guest starring roles on The Wonder Years (1988) and Murder, She Wrote (1984). He continued to go relatively unnoticed in small roles and even thought about quitting acting until 1998 when he received critical recognition for his role as idealist Private Witt in The Thin Red Line (1998). The following year, he gained further recognition with roles in Ride with the Devil (1999) and Frequency (2000). In 2001, his role as Jennifer Lopez's love interest in Angel Eyes (2001) helped to establish him as a versatile actor and leading man. It wasn't until 2002 that Jim made his strong religious beliefs known. While filming High Crimes (2002), he refused to do any love scenes with on-screen wife Ashley Judd because it conflicted with his strong Catholic faith. It was also around this time when he was chosen by Mel Gibson to star as Jesus Christ in The Passion of the Christ (2004). The movie made headlines and broke box-office records around the world, becoming one of the highest grossing films of all time. Although the movie dealt with controversial matters, Caviezel's performance was acclaimed by both critics and viewers. Jim's next big role would be on the small screen. In 2011, he landed the lead role in the CBS crime drama Person of Interest (2011). The show instantly clicked with audiences, becoming one of the highest rated shows on television. From an outcast actor to a respected film star to a television star, James Caviezel is continuing to give his best to play challenging roles. Off screen, Jim lives with his wife, Kerri, a school teacher whom he met on a blind date in 1993 and married in 1996, and their adopted children.

Joshua Scott Chasez (pronounced 'Shaw-say') was born on August 8, 1976 in Bowie, Maryland. As a child, he was extremely shy, but when a friend bet him $20 to enter a talent show with two girls, he won the contest and soon realized he had a knack for performing and that he really enjoyed singing. In 1988, his mother Karen Chasez noticed a small ad in the local newspaper for a casting call of a new version of The Mickey Mouse Club, The All New Mickey Mouse Club (1989). She gave him the choice of going to school or going to the open call audition. He chose to audition, selecting the song, "Right Here Waiting", by Richard Marx. He was cast along with many stars of today such as Keri Russell, Tony Lucca, Britney Spears, Christina Aguilera, and Justin Timberlake. (Because another cast member was named Josh, Chasez was dubbed JC (his first and last initials), and the stage name has remained.

When MMC was canceled in 1994, JC wanted more. He and cast member Timberlake got together and started writing songs. They were both interested in forming a singing group. Later, Joey Fatone, Chris Kirkpatrick, and Lance Bass joined them to form 'N Sync in 1995. 'N Sync gained fame in Europe with such hits as "Tearin' Up My Heart" and "I Want You Back." They returned to the US in 1997, where they made their first performance in a Walmart parking lot.

Soon, the group found success on the charts in selling 12 million records of their debut, 'N Sync. In March 21, 2000, 'N Sync released their widely popular sophomore album "No Strings Attached" and shattered record sales in its first weekend, selling 1.4 million copies, making history as the most records sold by a pop act. In 2001, they released their third album, Celebrity, which was a critical and commercial success. By the end of 2002, 'N Sync's members were enjoying solo creative projects. JC had plans to release his solo debut, Schizophrenic, on February 24, 2004, with a hit single that spun on MTV's Total Request Live (1998) "Some Girls (Dance With Women)."

For many decades, Coleman played sleazy or thuggish or twisted baddies, sometimes comedic, sometimes not. There were exceptions where he played good guys (That Girl, On Golden Pond, The Guardian) but something about the combination of his imposing height, heartless demeanor, beady eyes, permanently mustachioed (practically being twirled) but otherwise average looks, and fast-talking Texan shyster physiognomy copper-fastened the bad guy stereotype. In between the two extremes, good and bad, was the flawed but very human Slap Maxwell. (The Slap Maxwell Story had a briefer run than it deserved perhaps because for its time it hit too close to home, although tame by later standards.)

Dabney Wharton Coleman was born in Austin, Texas, to Mary Wharton (Johns) and Melvin Randolph Coleman. He attended the Virginia Military Institute, and studied law in Texas. Coleman had a well deserved reputation as a fine character actor, and a reliable presence for almost any role in TV and movies.

Coleman's early appearances in the cinema were in The Slender Thread (1965) and Downhill Racer (1969). On TV he starred in That Girl (1966). As the 1970s approached he became a well-known character actor in television and movies, appearing in The Towering Inferno (1974), Midway (1976), and Cinderella Liberty (1973). Television seemed Coleman's forum in the 1970s as he played the role of Merle Jeeter in Mary Hartman, Mary Hartman (1976) and Fernwood Tonight (1977). Coleman made appearances in the popular North Dallas Forty (1979) and the Oscar-winning Melvin and Howard (1980).

He first garnered a measure of fame for some satirical movies, starring in the comedy How to Beat the High Cost of Living (1980) and snatched a lead role for the TV movie Pray TV (1980). Coleman's reputation for playing world-class jerks became cemented in 1980 as the boss to Dolly Parton , Jane Fonda and Lily Tomlin in 9 to 5 (1980). The next year, he was in very good company working with legends Henry Fonda and Katharine Hepburn in On Golden Pond (1981). His hit streak would not end there.

In 1982, Coleman landed a key role in the classic Tootsie (1982), further cementing his role as a very dislikable wealthy boss in some capacity. In 1983, he starred in the Cold War classic WarGames (1983). During this period he also found many parts in lesser known movies like Young Doctors in Love (1982) and Callie & Son (1981). In 1984 he starred in The Muppets Take Manhattan (1984) and in 1985 he starred with Tom Hanks in The Man with One Red Shoe (1985). In 1987, he won an Emmy for Sworn to Silence (1987). In 1990, he took two lead roles, one in the disastrous Where the Heart Is (1990), and the other in the quirky comedy Short Time (1990).

In 1993, Coleman starred in the slapstick comedy Amos & Andrew (1993) and the big screen version of The Beverly Hillbillies (1993) as Milburn Drysdale. He appeared in an extensive line of TV movies. He took part in Recess (1997), and then starred in a couple of big money grossers, the Tom Hanks comedy, You've Got Mail (1998), as Chief Quimby in Inspector Gadget (1999), and in Stuart Little (1999) (both in 1999).

Coleman died in 2024, aged 92, in Santa Monica, California.

Nora Denney was born on 3 September 1927 in Kansas City, Missouri, USA. She was an actress, known for Willy Wonka & the Chocolate Factory (1971), Splash (1984) and The Witching Hour (1958). She was married to Alan Denney. She died on 20 November 2005 in Crestline, California, USA.

Cary Deuber was born on 30 May 1976. She is an actress, known for Marrow, NotBasicBlonde Podcast (2019) and The Real Housewives of Dallas (2016). She is married to Mark Deuber. They have one child.

David Eby is known for 100 Humans: Life's Questions. Answered. (2020), Bitconned (2024) and Tales from the Explorers Club (2022).

Chris Freihofer is an actor, casting director, producer and director, born in Quakertown, Pennsylvania, best known for playing the role of Dan Wachsberger on AMC's Breaking Bad. After spending time in Columbus, Ohio and Grand Rapids, Michigan, he moved to Okmulgee, Oklahoma where he attended grade school and high school. He received his BFA in Acting from the University of Oklahoma.

He spent years as a theatre actor, director and producer, and is the former Artistic Director of Stone Soup Theatre. His first film role came in Tim Blake Nelson's debut film Eye of God, which launched his on-camera career. He would appear in two more of Nelson's films (O and Leaves of Grass).

In 2004, he began his casting career and has cast dozens of film and television projects, as well as hundreds of commercials for well-known national brands.

Joan Ganz Cooney was born on 30 November 1929 in Phoenix, Arizona, USA. She is a producer and writer, known for Sesame Street (1969), Sesame Street and The Electric Company (2006). She was previously married to Peter G. Peterson and Timothy Jeffries Cooney.

Dan Glaser was born on 25 January 1989 in Fargo, North Dakota, USA. He is a director and editor, known for Valley of Bones (2017), Oxenfree (2016) and Pinching Penny (2011).

Nikki Glaser was born on 1 June 1984 in Cincinnati, Ohio, USA. She is a writer and producer, known for Trainwreck (2015), I Feel Pretty (2018) and Punching the Clown (2009).

Paul Michael Glaser (born Paul Manfred Glaser March 25, 1943) is an American actor and director best known for his role as Detective Dave Starsky on the 1970s television series, Starsky & Hutch. In between his work writing and directing, Glaser also played Captain Jack Steeper on the NBC series Third Watch from 2004 to 2005, appeared as Al in several episodes of Ray Donovan in the 2010s, and had his first U.S. exhibition of his artwork in 2018.

Connecticut native Kim Greist spent her late teen years in Europe as a professional model. She returned to the US at age 20 and launched an acting career in the off-Broadway comedy "Second Prize: Two Months in Leningrad"; her later stage credits included appearances in the New York Shakespeare Festival. In 1984, Greist made her movie bow in the scuzzy horror epic C.H.U.D. (1984); the following year, she was cast in what remains her best film role, the elusive blonde fantasy girl of futuristic bureaucrat Jonathan Pryce in director Terry Gilliam's Brazil (1985). Greist has continued to appear in films and television into the 1990s, with substantial roles in such productions as Homeward Bound: The Incredible Journey (1993) and Roswell (1994).