Alternative 85th Academy Awards In Memoriam

She was born in Mound, Minnesota on 16 February 1918, the daughter of Peter Andreos (changed to 'Andrews' upon arriving in the US) and Olga Sollie. Her real name was Patricia Marie (Patty nickname). Her father was a Greek Catholic immigrant and her mother a Lutheran from Norway who ran the pure food café, a Greek café in Minneapolis which was located adjacent to the Orpheum Theater. Her sisters were Lavern Sophie born July 6, 1911, died 1967 (cancer); Maxene Angelyn born Jan. 3, 1916, died October 1995 of a heart attack while on vacation at Cape Cod, Massachusetts. Peter Andrews did not think it honorable to have his daughters in show business and decided they should go back to school and become secretaries. Maxine was only four when she first appeared on her first radio broadcast in Minneapolis. By the time she was six she was entertaining at veterans hospitals, for the Mayor of Minneapolis and at Daughters of American Revolution luncheons. Laverne started the trio of sisters and they appeared in kiddie revues on local radio stations and at the Orpheum in their hometown of Minneapolis. It was there they were discovered by Larry Rich, who offered them a job with his traveling revue. Patty was only ten at the time. They began their career in New York city with Jack Belasco's orchestra and later with Ted Mack making the Vaudeville circuit. In 1937 they were heard by recording executive, Dave Kapp and they began a long association with a string of hits. In 1953, the group broke up with Laverne going to New York to study dramatics. Laverne became a career housewife and Patti stayed in show business as a single after their hopes and ambitions clashed with one another. In 1956 they regrouped and sang in Las Vegas at the Flamingo Hotel along with a host of TV offers and a new Capitol recording contract. Their first major hit was "Bei Mir Bist Du Schon", was very well liked by Nazi Germany, until the discovery that the songwriters were a Jewish race. Other top hits included "Don't Fence Me In", "Apple Blossom Time", "Rum and Coca Cola", and "I Can Dream, Can't I?", in 1937.

William Asher was born on 8 August 1921 in Manhattan, New York City, New York, USA. He was a director and producer, known for Bewitched (1964), Fireball 500 (1966) and Kay O'Brien (1986). He was married to Meredith Coffin, Joyce Bulifant, Elizabeth Montgomery and Danni Sue Nolan. He died on 16 July 2012 in Palm Desert, California, USA.

Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".

In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.

Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.

Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)

Ray Bradbury was an American science fiction writer whose works were translated in more than 40 languages and sold millions of copies around the world. Although he created a world of new technical and intellectual ideas, he never obtained a driver's license and had never driven an automobile.

He was born Ray Douglas Bradbury on August 22, 1920, in Waukegan, Illinois. He was the third son in the family. His father, Leonard Spaulding Bradbury, was a telephone lineman and technician. His mother, Esther Marie Bradbury (nee Moberg), was a Swedish immigrant. His grandfather and great-grandfather were newspaper publishers. In 1934, his family settled in Los Angeles, California. There, young Bradbury often roller-skated through Hollywood, trying to spot celebrities. He attended Los Angeles High School, where he was involved in the drama club and planned to become an actor. He graduated from high school in 1938 and had no more formal education. Instead, he learned from reading works of such writers as Lev Tolstoy and Fyodor Dostoevsky, among others.

From 1938-1942, he was selling newspapers on the streets of Los Angeles, spending days in the local library and nights at the typewriter. At that time, he published his stories in fanzines. In 1941, he became a paid writer when the pulp magazine Science Stories published his short story, titled "Pendulum", and he was a full-time writer by the end of 1942. His first book - "Dark Carnival" - was a collection of stories published in 1947. That same year, he married Marguerite McClure (1922-2003), whom he met at a bookstore a year earlier. Maggie, as she was affectionately called, was the only woman Bradbury ever dated. They had four daughters and, eventually, eight grandchildren.

Ray Bradbury shot to international fame after publication of "The Martian Chronicles" (1950), a collection of short stories partially based on ideas from ancient Greek and Roman mythology. Then he followed the anti-Utopian writers Yevgeni Zamyatin and Aldous Huxley in his best-known work, "Fahrenheit 451" (1953). The film adaptation (Fahrenheit 451 (1966)) by director François Truffaut, starring Julie Christie, received several nominations. However, Bradbury was not happy with the television adaptation (The Martian Chronicles (1980), starring Rock Hudson) of his story "The Martian Chronicles". His other novels and stories also have been adapted to films and television, as well as for radio, theatre and comic books. Bradbury had written episodes for Alfred Hitchcock's television series, as well as for many other television productions. His total literary output is close to 600 short stories, more than 30 books and numerous poems and plays. He was writing daily.

In 2004, Bradbury received a National Medal of Arts. He was given a star on the Hollywood Walk of Fame at 6644 Hollywood Boulevard. An asteroid was named in his honor, "9766 Bradbury", and the Apollo 15 astronauts named an impact crater on the moon "Dandelion Crater", after his novel, "Dandelion Wine". He also received the World Fantasy Award for Lifetime Achievement, the Grand Master Award from Science Fiction Writers of America, an Emmy Award for his work as a writer on "The Halloween Tree", and many other awards and honors. Ray Bradbury died on June 6, 2012, at the age of 91, in Los Angeles, California.

Harry Carey, Jr., had been reliable character actor for decades, mostly in Westerns, before he retired. He is the son of the actor Harry Carey and the actress Olive Carey. He was born on his parents' 1000-acre ranch near Saugus, in the northwestern part of Los Angeles County, which is now next door to Santa Clarita, a large town that certainly did not exist in 1947 or for decades longer. Thus, the young Harry Carey, Jr., grew up among cattle and horses at the ranch. Because of a large group of Navajo Indians who worked on his parents' ranch, he learned to speak the Navajo language at the same time that he was learning to speak English.

During World War II, Carey enlisted in the U.S. Navy, and he served in the Pacific Theater first as a Navy medical corpsman. However, he was transferred back to the United States (against his wishes) to serve under his father's good friend, the director John Ford, in making movies for the Navy (training films)and the O.S.S. (propaganda films).

After World War II ended, Carey tried to make a career in singing, but he was not successful at this. Hence, he moved into acting, and after a couple of small acting parts, he was given a chance to work in a motion picture with his father, the John Wayne film Red River (1948). (However, the father and the son did not have any scenes with one another). After the death of Harry Carey, Sr., in 1946, Mr. Ford gave the younger Carey a leading role in the movie that Ford dedicated to the memory of Harry Carey, Sr., in 1948, 3 Godfathers (1948).

As a full-fledged member of the noted John Ford Stock Company, Carey, Jr., appeared in many of Mr. Ford's epic Westerns during the following two decades. Carey also starred in a series-within-a-series on TV, The Adventures of Spin and Marty (1955), which was shown as a part of The Mickey Mouse Club (1955). Very boyish looks characterized Carey's early years, but he matured into a strong and familiar character actor over the following four decades, and he acted in scores of films and TV programs in his long career. Carey, Jr., is married to Marilyn Fix Carey, the daughter of the actor Paul Fix.

Christopher was very keen on films when he was at school and made 16mm films so when his father met the managing director of Gaumont British News he was told to send the lad along resulting in him becoming a camera assistant,' sound was just starting to come in. A year later he was ferrying film from the cameramen back to the studio for processing but going by tube instead of by taxi, as he was told to do but charging for a taxi on his expenses, making more money that way than his £1 a week wages, After that he wanted to get into features. When technicolor arrived in Britain he was asked to direct the first one at Denham which was Wings of the Morning, He went to see the head of Technicolor and talked his way into a job mainly in the labs and became the first permanent employee when new labs were built at Denham, working on Thief of Baghdad, With the outbreak of war he went into the RAF but in their film unit and found his friend Jack Cardiff there making A Matter of Life and Death and got Christopher in working as lighting cameraman with Geoffrey Unsworth on The River then as camera operator on The Red Shoes, When Jack left Christopher became a fixture with The Archers film producers firstly on The Small Back Room with Freddie Francis as his operator, Sound on Colonel Blimp took 4 men to lift the Technicolor camera which could only go up and down because of its weight and size. If it had gone sideways it would have tipped over, It took over 2 weeks walking round Shropshire looking for suitable locations for Gone to Earth as there were no jeeps in those days so everything had to be carried over fields, Jennifer Jones had married Selznick 2 weeks previously so he was more or less blackmailed into using her as he financed most of the film, Powell refused to direct and Pressburger to write but Christopher went over as representative but was unable to take any of his crew so the gaffer was Gregg Toland ,, In one instance Jennifer was in a candle lit bedroom scene when Selznick came in and said there was too much light, Christopher said he'd brought him over and if he wasn't happy he'd go back home. Selznick saw the rushes next day & publicly apologised. Technicolor, on the strength of the film decided to build labs over here and employed staff who in the main had all been educated to university level He served time in the RAF but in their film unit

Michael Clarke Duncan was born on December 10, 1957 in Chicago, Illinois. Raised on Chicago's South Side by his single mother, Jean, a house cleaner, Duncan grew up resisting drugs and alcohol, instead concentrating on school. He wanted to play football in high school, but his mother wouldn't let him, afraid that he would get hurt. He then turned to acting and dreamed of becoming a famous actor.

After graduating from high school and attending community college, he worked digging ditches at People's Gas Company in Chicago. When he quit his job and headed to Hollywood, he landed small roles while working as a bodyguard. Duncan's role in the movie Armageddon (1998) led to his breakthrough performance in The Green Mile (1999), when his Armageddon co-star Bruce Willis called director Frank Darabont, suggesting Duncan for the part of convict John Coffey. He landed the role and won critical acclaim as well as many other Awards and Nominations, including an Academy Award Nomination for Best Actor in a Supporting Role.

After suffering a heart attack on July 13, 2012, he was taken to a Los Angeles hospital, in which his girlfriend Omarosa Manigault-Stallworth tried to save his life with CPR. Unfortunately, on September 3, 2012, Michael Clarke Duncan died at age 54 from respiratory failure.

Songwriter ("Magic Moments", "Baby Elephant Walk", "What the World Needs Now is Love") and author, educated at New York University. Joining ASCAP in 1943, he collaborated musically with Burt Bacharach, Sherman Edwards, Lee Pockriss, [error], Redd Evans, Don Rodney, John Barry and Henry Mancini. His other popular-song compositions include "Four Winds and the Seven Seas, The", "American Beauty Rose", "My Heart is an Open Book", "Broken-Hearted Melody", "What Do You See in Her?", "Sea of Heart Break", "La Charanga", "Our Concerto", "Johnny Get Angry", "You'll Answer to Me", "Don't Make Me Over", "Make it Easy on Yourself", "Only Love Can Break a Heart", "Story of My Life, The", "Blue on Blue", "True Love Never Runs Smooth", "24 Hours From Tulsa", "Who's Been Sleeping in My Bed?", "Anyone who Had a Heart", "Walk On By", "Any Old Time of the Day", "Reach Out for Me", "I Wake Up Cryin'", "Don't Envy Me", "First Night of the Full Moon, The", "(There's) Always Something There to Remind Me", "Magic Potion", "This Empty Place", "You'll Never Get to Heaven", "To Wait For Love", "Trains and Boats and Planes", "We Have All The Time in the World" and "Lifetime of Loneliness, A".

Diller put out an autobiography in 2005 in her late 80s, and entitled it "Like a Lampshade in a Whorehouse", which pretty much says it all when recalling the misfit life and career of the fabulous, one-of-a-kind Phyllis Diller. It may inspire all those bored, discouraged and/or directionless housewives out there to know that the one-time 37-year-old chief bottle washer and diaper disposer of five started out writing comedy routines for her fellow female laundry mates as a sort of reprieve from what she considered her everyday household doldrums. Little did she know she would wind up an entertainment legend who would share the biggest comedy stages with the likes of Bob Hope, George Burns and Jack Benny.

They said it couldn't be done back then (to be a successful lady comic, that is) but the doyenne of female stand-up did just that -- opened the doors for other odd-duck funny girls who dared to intrude on what was considered a man's profession. Initially, the comedienne whipped up an alter-ego that could have only been created with the aid of hallucinogens. Boldly facing the world as a scrawny, witchy-faced, flyaway haired, outlandishly costumed, cigarette-holding, magpie-cackling version of "Auntie Mame", Diller made a virtue out of her weird looks and cashed in on her wifely horror tales and her own idiosyncratic tendencies. Her solid fan base has been thriving now for over five decades.

She was born Phyllis Ada Driver on July 17, 1917 in Lima, Ohio to Perry Marcus and Frances Ada (Romshe) Driver. A student at Lima's Central High School, she went on to study for three years at the Sherwood Music Conservatory in Chicago, before transferring to Bluffton (Ohio) College where she served as the editor of the school's more humorous newspaper articles. She was a serious student of the piano but was never completely confident enough in her performance level to try and act on it as a possible career.

She wed Sherwood Anderson Diller at age 22 in November 1939 and had six children (one of whom died in infancy). On the sly, she was an advertising copywriter. During World War II, the family moved to Michigan where her husband had found work at the Willow Run Bomber Plant. A natural laugh-getter, she began writing household-related one-liners and the feedback from the fellow wives greatly encouraged her. When the family moved to California for job-related reasons, Diller became a secretary at a San Francisco television station. By this time, she had built up the courage to put together a nightclub act.

The local television hosts at the station (Willard Anderson and Don Sherwood) thought her act was hilarious and invited her on their show in 1955. Not long after, at age 38, Diller made her debut at San Francisco's Purple Onion nightclub. What was to be a two-week engagement was stretched out to more than a year and a half. The widespread publicity she received took her straight to the television talk and variety circuits where she was soon trading banter with Jack Paar, Jack Benny and Red Skelton, among others, on their popular television series. She was a contestant on Groucho Marx's popular quiz show You Bet Your Life (1950).

Throughout the 1960s, audiences embraced her bold and brazen quirkiness. Diller formed a tight and lasting relationship with Bob Hope, appearing in scores of his television specials and co-starring in three of his broad 1960s comedy films (Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967) and The Private Navy of Sgt. O'Farrell (1968). Diller joined Hope in Vietnam in 1966 with his USO troupe.

Her celebrity eventually took its toll on her marriage. She separated from and eventually divorced Sherwood in 1965, who had, by this time, become a favorite topic and target of her act in the form of husband "Fang". That same year, she married singer, film actor and television host Warde Donovan who appeared with her in the slapstick movie Did You Hear the One About the Traveling Saleslady? (1968). They divorced in 1975.

By this time, Diller was everywhere on the small screen. A special guest on hordes of television series and comedy specials and, especially on such riotfests as Laugh-In (1977) and the Dean Martin celebrity series of roasts, she became a celebrity on the game show circuit as well, milking laughs on such established shows as The Hollywood Squares (Daytime) (1965) and The Gong Show (1976). She published best-selling comedy records to her credit and humorous anecdotes to pitch that made it to the bookstore shelves, such as "Phyllis Diller Tells All About Fang". However, stand-up remained her first love.

Her forays on television in her own series were, regretfully, unsuccessful. Her first television series, The Phyllis Diller Show (1966), had her pretty much pulling out all the stops as a wacky widow invariably scheming to keep up a wealthy front despite being heavily in debt. She had the reliably droll Reginald Gardiner and cranky Charles Lane as foils and even Gypsy Rose Lee, but to little avail. Revamped as "The Phyllis Diller Show", several of comedy's best second bananas (John Astin, Paul Lynde, Richard Deacon, Billy De Wolfe, Marty Ingels) were added to the mix, but the show was canceled after a single season. A second try with The Beautiful Phyllis Diller Show (1968), a comedy/variety show that had the zany star backed by none other than Rip Taylor and Norm Crosby, lasted only three months.

Seldom did she manage or receive offers to take her funny face off long enough to appear for dramatic effect. Somewhat more straightforward roles came later on episodes of Boston Legal (2004) and 7th Heaven (1996). Back in 1961, interestingly enough, she made both her stage and film debuts in the dramas of William Inge. Her theatrical debut came with a production of "The Dark at the Top of the Stairs" and she appeared first on film in the highly dramatic Splendor in the Grass (1961), lightening things up a bit with a cameo appearance as larger-than-life nightclub hostess Texas Guinan. Diller later impressed with her harridan role in the film The Adding Machine (1969) opposite Milo O'Shea.

Diller enjoyed a three-month run on Broadway in "Hello, Dolly!", co-starring Richard Deacon and appeared in other shows and musicals over time: "Wonderful Town" (she met her second husband Warde Donovan in this production), "Happy Birthday", "Everybody Loves Opal" and "Nunsense". In 1993, Diller was inducted into the St. Louis Walk of Fame. Her cackling vocals have enhanced animated features, too, what with Mad Monster Party? (1967) and A Bug's Life (1998). It took a heart attack in 1999 to finally slow down the comedienne and she eventually announced her retirement in 2002.

Aside from the baby who died in infancy, Diller was also predeceased by her eldest son, Peter (who died of cancer in 1998) and her daughter, Stephanie Diller (who died of a stroke in 2002). Her surviving children are Sally Diller, Suzanne Sue Diller and Perry Diller. As late as January 2007, she made an appearance on The Tonight Show with Jay Leno (1992). She was set to return on her 90th birthday in July but a back injury forced her to cancel. She died at age 95 of heart failure on August 20, 2012 in her home in Brentwood, California.

WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.

Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).

The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.

Jake Eberts was born on 10 July 1941 in Montreal, Quebec, Canada. He was a producer and actor, known for Open Range (2003), The Name of the Rose (1986) and Driving Miss Daisy (1989). He was married to Fiona. He died on 6 September 2012 in Montreal, Quebec, Canada.

Began as an actor in Kurt Russell-Disney Films in 1974. Made the switch to the Stunt world following a successful career as a junior pro surfer. Born, bred, and resided in Malibu. Many, many stunts later, David made the promotion to Stunt Coordinator in 1978 on Invasion of the Body Snatchers (1978). Coordinating TV and films all over the world brought him up to the position of 2nd Unit Director on Gorky Park (1983). "Action" movies proceeded to explode along with David's career. Befriending Harrison Ford, two of David's most notable 2nd units were Patriot Games (1992) and Clear and Present Danger (1994). As shown in Filmography, he worked back-to-back until the break from Disney, offering to 1st unit Direct the feature, Homeward Bound II: Lost in San Francisco (1996). Directorial debut grossed over $100 Million. Completed two features for 1997, Desperate Measures (1998) & Sphere (1998) with Barry Levinson.

Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.

Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.

Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.

Stephen Frankfurt was born on 17 December 1931 in Manhattan, New York City, New York, USA. He was a writer, known for To Kill a Mockingbird (1962), Goodbye, Columbus (1969) and L.A. Doctors (1998). He was married to Kay Gadda and Suzie Frankfurt. He died on 28 September 2012 in Bronx, New York City, New York, USA.

Stuart Freeborn was born on 5 September 1914 in Leytonstone, London, England, UK. He is known for Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode VI - Return of the Jedi (1983) and Superman (1978). He was married to Kay Freeborn. He died on 5 February 2013 in London, England, UK.

Al Freeman, Jr. was an actor and director who was the first African American to win a Daytime Emmy Award for acting. His most famous role was that of Police Captain Ed Hall in the soap opera One Life to Live (1968), which brought him the Emmy in 1979. He was a regular on the soap from 1972 through 1987, and appeared off and on as Captain Hall from 1988 through 2000. He received three additional Emmy nominations playing the role in 1983, '86 and '87. Freeman also was the first African American to direct a TV soap opera, helming "One Life to Live" episodes.

Born on March 21, 1934 in San Antonio, Texas, he was raised primarily by his father, an actor and jazz musician, after his parents divorced. Al Freeman father and son left Texas, moving to Cleveland, Ohio. After studying drama at Los Angeles City College, Freeman fils moved to New York City to act in the theater, making his Broadway debut in Ketti Frings's "The Long Dream" in 1960, a flop that closed after five performances. He had a major success playing the lead in James Baldwin's play "Blues for Mister Charlie" in 1964. In 1970, he appeared in "Look to the Lilies" on Broadway, a musical version of the 1963 movie Lilies of the Field (1963), playing the part of Homer Smith, the role that brought Sidney Poitier an Oscar. Despite a prestigious production team that included director Joshua Logan, composer Jule Styne and lyricist Sammy Cahn, the show was a flop.

Freeman made his reputation primarily in television. He debuted as a television actor in the series Suspicion (1957) in 1958, and his soap opera debut came in 1967 in The Edge of Night (1956). He was nominated for Primetime Emmy Awards for My Sweet Charlie (1970) and for Roots: The Next Generations (1979), in which he played Malcolm X.

In 1958, Freeman made his movie debut in an uncredited role in the Glenn Ford WWII picture _Torpedo Run (1958)_ and first received billing in the 1960 gang war B-movie potboiler This Rebel Breed (1960). His most memorable role was the lead in Amiri Baraka's Dutchman (1966) opposite Shirley Knight, who was named Best Actress at the 1967 Venice Film Festival. Freeman won the N.A.A.C.P. Image Award for Outstanding Supporting Actor in a Motion Picture for playing Nation of Islam leader Elijah Muhammad in Spike Lee's Malcolm X (1992).

Freeman was a professor in the drama department of Howard University. When he died on August 9, 2012, in Washington, D.C. at the age of 78, he had established himself as a legend in the African American arts community.

Jonathan Frid's career in drama began when he first "offered his soul" to the theater as a young boy at a preparatory school in Ontario, Canada. Following his graduation from McMaster University, he attended the Royal Academy of Dramatic Arts (RADA) in the UK and later earned a Master's Degree in Directing from the Yale School of Drama.

He was a leading actor in English and Canadian repertory and went on to work in many of the most celebrated regional theaters in the United States, including the Williamstown Theatre Festival, the Old Globe Theatre in San Diego, and the American Shakespeare Festival under the direction of John Houseman, performing with Katharine Hepburn in "Much Ado About Nothing".

Frid appeared in major roles on-and-off Broadway, in such productions as "Roar Like A Dove", "Murder in the Cathedral" and "Wait Until Dark". However, it was his portrayal of a complex, conflicted vampire on ABC-TV's daytime drama series Dark Shadows (1966) (he also had a cameo role in the motion picture House of Dark Shadows (1970)) which garnered him his greatest fame in the United States. Other film credits included co-starring roles in The Devil's Daughter (1973) (with Shelley Winters) and Seizure (1974) (Oliver Stone's directorial debut).

In 1986, Frid joined the Broadway production of "Arsenic and Old Lace" (co-starring with Jean Stapleton). He won critical acclaim for his villainous turn as the homicidal nephew and spent ten months with the play's national tour. That same year, Frid founded his own production company, "Clunes Associates", to create and tour a series of one-man readers' theater shows across North America. Frid continued to perform his one-man shows, now under the banner of "Charity Associates", to raise money for a variety of charities. Combining the arts of his voice and his zest for entertaining", as one critic put it. In June 2000, he returned to the traditional professional stage in the play "Mass Appeal" at the Stirling Festival Theatre in Stirling, Ontario.

Andy Griffith is best known for his starring roles in two very popular television series, The Andy Griffith Show (1960) and Matlock (1986). Griffith earned a degree in music from the University of North Carolina at Chapel Hill. In the 1950s, he became a regular on The Ed Sullivan Show (1948) and The Steve Allen Plymouth Show (1956). He was featured in the Broadway play "No Time for Sergeants" (1955) for which he received a Tony nomination, and he later appeared in the film version. His film debut was in the provocative and prophetic A Face in the Crowd (1957), in which Griffith gave a performance that has been described as stunning.

On The Andy Griffith Show (1960), Griffith portrayed a folksy small-town sheriff who shared simple heartfelt wisdom. The series was one of the most popular television series in history. It generated some successful spin-offs, and the original is still seen in reruns to this day. Griffith created his own production company in 1972, which produced several movies and television series. In 1981, he was nominated for an Emmy for his portrayal in Murder in Texas (1981). In 1983, Griffith was stricken with Guillain-Barre syndrome, but he recovered after rehabilitation. In 1986, he produced and starred in the very successful television series Matlock (1986). The series spawned numerous television movies as well. When he accepted the People's Choice Award for this series, he said this was his favorite role. Andy Griffith died at age 86 of a heart attack in his home in Dare County, North Carolina on July 3, 2012.

Born in Belgium, Ulu Grosbard was educated at the University of Chicago, then attended the Yale Drama School. Becoming a stage director in 1957, Grosbard directed many successful Broadway shows. In the early '60s Grosbard journeyed to Hollywood, where he was hired as an assistant director on several productions, and several years later directed his first film - appropriately enough, an adaptation of a hit Broadway play (The Subject Was Roses (1968)). Grosbard's film career has been sporadic, however, and he has found much more success staging Broadway shows.

Legendary Italian screenwriter was born Antonio Guerra on the 16th of March 1920 in Sant'Arcangelo, Italy, south of Ravenna. He wrote several short stories, poetry and novels and in 1956 his first screenplay "Man and Wolves" (co-written by Elio Petri) was directed by Giuseppe De Santis. Three years later he wrote the masterpiece, "L'Avventura", which began his long collaboration with one of the greatest directors of all time Michelangelo Antonioni. Tonino Guerra earned Oscar nominations 3 times: for the Casanova 70 (1965), for Blow-Up (1966) by Antonioni and for Amarcord (1973) directed by Federico Fellini. He has worked with many other masters such as Francesco Rosi on _Lucky Luciano (1974)_ and and Andrei Tarkovsky on Nostalghia (1983). Tonino Guerra is a poet and one of busiest and the most important screenwriters of cinema who won Cannes Film Festival's Best Screenplay award for the "Voyage to Cythera" by Theo Angelopoulos and received an honorary award of the Venice Film Festival. Tonino Guerra is a great fan of two persecuted film geniuses Andrei Tarkovsky and Sergei Parajanov.

The son of a legendary actress (Mary Martin) and a district attorney, Larry Martin Hagman was born on September 21, 1931 in Fort Worth, Texas. After his parents' divorce, he moved to Los Angeles, California to live with his grandmother. When he was 12, his grandmother died and he moved back to his mother's place, who had remarried and was launching a Broadway career. After attending Bard College in New York State, he decided to follow his mother's acting road. His first stage tryout was with the Margo Jones Theatre-in-the-Round in Dallas, Texas. He then appeared in the New York City Center production of "Taming the Shrew", followed by a year in regional theater. In his early-to-mid twenties, Larry moved to England as a member of the cast of his mother's stage show, "South Pacific", and was a member of the cast for five years. After that, he enlisted in the United States Air Force, where he produced and directed several series for members of the service.

After completing his service in the Air Force, Larry returned to New York City for a series of Broadway and off-Broadway plays, esp. "Once Around the Block", "Career", "Comes a Day", "A Priest in the House", "The Beauty Part", "The Warm Peninsula", "The Nervous Set" among many others. He began his television career in 1961 with a number of guest appearances on shows as "The ALCOA Hour". He was later chosen to be in the popular daytime soap opera The Edge of Night (1956), in which he starred for two years. But that was his start, he later went on to become the friendliest television star in the NBC sitcom I Dream of Jeannie (1965), in which he played the amiable astronaut Anthony Nelson. In the series, his life was endangered by this gorgeous blonde bombshell genie played by Barbara Eden. The series ran for five years and after that, he continued his success in The Good Life (1971) and Here We Go Again (1973), as well as a number of guest-starring roles on many series. He was also with Lauren Bacall in the television version of the hit Broadway musical Applause (1973).

In 1977, the soap opera Dallas (1978) came aboard and Larry's career was secured. He credits "Superchick" for convincing him to do the show. This program of an excessively rich Texas family, was one of the best, beloved, most-watched shows of all time as he portrayed the role of the evil yet perverted millionaire J.R. Ewing, the man who loved to be hated. The series ran for an amazing 14 1/2 seasons and the "Who shot J.R.?" episode remains the second highly-rated television show in the history of the satellite. Since his name was familiar with Texas, it was suiting that he hosted "Lone Star" (1985), an eight-part documentary series related to the history of Texas, for the Public Television Stations. That aired while celebrating the 150th anniversary of Texas as an independent republic. In the spring of 1987, Kari-Lorimar released "Larry Hagman--Stop Smoking for Life". Proceeds from this home video were donated to the American Cancer Society.

In July 1995, he needed a liver transplant in order for him to regain his life back after years of strong drinking that led to cirrhosis. He went over to Cedars-Sinai Medical Center for this where he spent seven weeks in the hospital, and an operation took 16 hours but saved his life. In July 1996, one year after he had a new liver, he served as the National Spokesperson for the 1996 U.S. Transplant Games presented by the National Kidney Foundation and, on November 2, he later received the Award for his efforts in escalating public awareness of the concept of organ donation. He continued to serve as an advocate of organ donation and transplantation until his death. In November 1996, he starred in Dallas: J.R. Returns (1996), a 2-hour movie in which the ratings were a huge success for CBS, as well as in the network's drama series Orleans (1997) when his role of Judge Luther Charbonnet gave him some of the best reviews of his 36-year-career.

When he was feeling better than he had for so many years, he completed his two movie projects: The Third Twin (1997), a four-hour miniseries based on the author's best-selling novel, that aired on CBS, and Mike Nichols's Primary Colors (1998), a film based on the best-selling book by a journalist, Joe Klein. Starring in that film were John Travolta, Emma Thompson, Billy Bob Thornton, Kathy Bates and Adrian Lester. Larry played Governor Picker, an antipolitics politician who stands a grave danger crisis to the governor's bid for office. Primary Colors was his second presidential film having also appeared in Oliver Stone's Nixon (1995). Following these movies, his second Dallas reunion movie, Dallas: War of the Ewings (1998), aired on CBS. He also served as executive producer.

Away from films, Larry was actively involved in a series of civic and philanthropic events. An adamant non-smoker, he served as the chairperson of the American Cancer Society's "Great American Smokeout", from 1981 to 1992. Larry Hagman died at age 81 on November 23, 2012 at Medical City Dallas Hospital in Dallas, Texas from complications of throat cancer.

Musical talent ran in Marvin Hamlisch's family - his father was an accordionist, and at seven Hamlisch was the youngest student ever accepted by Manhattan's Julliard School of Music. Hamlich furthered his education by taking night classes at Queens College and working during the day as a rehearsal pianist for Broadway shows. He eventually began composing songs for stage productions. In 1968 he met film producer Sam Spiegel, resulting in his first film score for The Swimmer (1968) (he had previously written some songs for a low-budget teen epic, Ski Party (1965), but did not do the score for it). Hamlisch became well versed in the very specialized field of film scoring. In addition to scoring films, he ventured into film production as co-producer of The Entertainer (1975). In 1976 he won a Tony award for his scoring of the Broadway show, A Chorus Line (1985).

Levon Helm was in the right place at the right time. He saw the birth of rock and roll and, though he was too much of a gentleman to say it, his role in helping to keep that rebellious child healthy was more than just instrumental.

On May 26, 1940, Mark Lavon Helm was the second of four children born to Nell and Diamond Helm in Elaine, Arkansas. Diamond was a cotton farmer who entertained occasionally as a musician. The Helms loved music and often sang together. They listened to The Grand Ole Opry and Sonny Boy Williamson and his King Biscuit Entertainers regularly on the radio. A favorite family pastime was attending traveling music shows in the area. According to his 1993 autobiography, "This Wheel's On Fire", Levon recalled seeing his first live show, Bill Monroe and his Blue Grass Boys, at six years old. His description: "This really tattooed my brain. I've never forgotten it." Hearing performers like Monroe and Williamson on the radio was one thing; seeing them live made a huge impression.

Levon's father bought him his first guitar at age nine. At ten and 11, whenever he wasn't in school or at work on the farm, the boy could be found at KFFA's broadcasting studio in Helena, Arkansas, watching Sonny Boy Williamson do his radio show, "King Biscuit Time". Helm made his younger sister Linda a string bass out of a washtub when he was 12 years old. She would play the bass while her brother slapped his thighs and played harmonica and guitar. They would sing songs learned at home and popular hits of the day, and billed themselves as "Lavon and Linda." Because of their fresh-faced good looks, obvious musical talent and Levon's natural ability to win an audience with sheer personality and infectious rhythms, the pair consistently won talent contests along the Arkansas 4-H Club circuit.

In 1954 Levon was 14 years old when he saw Johnny Cash and Carl Perkins do a show at Helena. Also performing was a young Elvis Presley, with Scotty Moore on guitar, and Bill Black on stand-up bass. They did not have a drummer. The music was early jazz-fueled rockabilly, and the audience went wild. In 1955 he saw Elvis once more, before Presley's star exploded. This time Presley had D.J. Fontana with him on drums and Black was playing electric bass. Helm couldn't get over the difference and thought it was the best band he'd seen. The added instruments gave the music solidity and depth. People jumped out of their seats dancing to the thunderous, heart-pumping rhythms. The melting pot that was the Mississippi Delta had boiled over and evolved. Its magnificently rich blues was uniting with all the powerful, new, spicy-hot sounds and textures that became rock and roll.

Natural progression led Levon to form his own rock band as a high-school junior, called The Jungle Bush Beaters. While Little Richard and Jerry Lee Lewis were making teens everywhere crazed, Levon would practice, play, watch and learn. After seeing Jerry Lee's drummer Jimmy Van Eaton, he seriously began thinking of playing the drums himself. Around this same time the 17-year-old musician was invited by Conway Twitty to share the stage with Twitty and his Rock Housers. He had met Twitty when "Lavon and Linda" opened for him at a previous show. Helm was a personable, polite teen who took his music seriously, so Twitty allowed him to sit in whenever the opportunity arose.

Ronnie Hawkins came into Levon Helm's life in 1957. A charismatic entertainer and front-man, Hawkins was gathering musicians to tour Canada, where the shows and money were steady. He had a sharp eye for talent. He needed a drummer and Levon fit the bill. Fulfilling a promise to Nell and Diamond to finish high school, Levon joined Ronnie and his "Hawks" on the road. The young Arkansas farm boy, once a tractor driving champion, found himself driving Hawkins' Cadillac to gigs, happily aware that all the unknown adventures of rock and roll would soon be his destiny.

In 1959 Ronnie got The Hawks signed to Roulette Records. They had two hits, "Forty Days" and "Mary Lou", sold 750,000 copies and appeared on Dick Clark's American Bandstand (1952). Hawkins and Helm recruited four more talented Canadian musicians in the early 1960s--Richard Manuel, Rick Danko, Garth Hudson and Robbie Robertson. Under Ronnie's tutelage they would often perform until midnight and rehearse until four in the morning. Other bands began emulating their style; now they were the ones to watch and learn from.

Eventually the students surpassed their teacher. Weary of Ronnie's strict regulations and eager to expand their own musical interests, the five decided to break from Hawkins. They called themselves "Levon and the Hawks."

About 1965 Bob Dylan decided to change his sound. He was ready to "go electric" and wanted Levon and The Hawks to help him fire it up. The boys signed on to tour with Dylan, but unfortunately Dylan's die-hard folk fans resisted. Night after night of constant booing left Levon without the pleasure of seeing his audience enjoy themselves. He called his drummer's stool "the best seat in the house," because he could see his fellow musicians and his audience simultaneously. What pleased him most, always, was that his audience had a good time. He temporarily left the group and eventually landed back home in Arkansas. Dylan and the rest of the band took up residence in Woodstock, NY. They rented a large, pink house where they wrote and rehearsed new material. Danko called for Helm to join them when Capitol Records gave them a recording contract.

Woodstock residents called them "the band," so they kept the moniker. The name The Band fit. The sound was no-frills rock-and-roll, but far from simplistic. They fused every musical influence they were exposed to over the years as individuals and as a unit. The result was brilliant. Their development as musicians was perfected by years of playing. Living together at "Big Pink" allowed complete collaboration of their artistic expression. Americana and folklore themes, heart-wrenching ballads filled with naked emotion, majestic harmonies, hard-driving rhythms and exquisite instrumentation made critics, peers and fans realize that this music was unlike any heard before. Their first album, "Music from Big Pink", released in July of 1968, made them household names, and as a result they were invited to appear on Ed Sullivan's The Ed Sullivan Show (1948) in autumn of '69. Following "Big Pink"'s success the next album, called simply "The Band", is considered by some as their masterpiece. They made seven albums total, including one live recording in 1972, "Rock of Ages". Many of their hits--such as "The Weight", "W.S. Walcott's Medicine Show" and "The Night They Drove Old Dixie Down"--were spawned from stories of Levon's beloved South.

Helm was working in Los Angeles in 1974, at a Sunset Blvd. hotel, when he spotted a beautiful young brunette taking a dip in the pool. Her name was Sandra Dodd and when she looked up at him smiling, she didn't recognize him at first. The charming musician offered to take the lovely lady for sushi and never looked back. They were married on September 7, 1981, in Woodstock.

The barn and studio Helm built in Woodstock, which became his permanent home, was just about complete in 1975. He invited Muddy Waters to his new studio and they recorded "Muddy Waters in Woodstock". To the delight of everyone involved, it won a Grammy.

The Band held a farewell concert at Winterland in San Francisco on Thanksgiving 1976. It was a bittersweet time for many, who felt the group's demise was too soon. They called it "The Last Waltz", which included Ronnie Hawkins,Dr. John, Muddy Waters, Ringo Starr, Bob Dylan, Eric Clapton and an all-star guest list of peers and friends that read like the "Who's Who" of rock and roll. The event eventually sold as a triple album and was also filmed--The Last Waltz (1978) became the first historical "rockumentary."

Group members went on to individual pursuits. Levon cut his debut album, "The RCO All-Stars", in 1977. His next effort was the self-titled "Levon Helm", followed by "American Son", released in 1980. That same year was pivotal, as Helm turned his attention to acting. He played Loretta Lynn's father in Coal Miner's Daughter (1980), winning great reviews for his first film appearance. He did another self-titled album and Hollywood again came knocking in 1983, giving him a role in The Right Stuff (1983). The authenticity he brought to his characters earned him numerous movie roles from 1980 until 2009. Levon gave a sensitive, convincing portrayal of a destitute blind man in the 2005 Tommy Lee Jones vehicle, The Three Burials of Melquiades Estrada (2005). In 2007 he filmed Shooter (2007) with Mark Wahlberg. His last role was in 2009. where he portrayed Confederate Gen. John Bell Hood in In the Electric Mist (2009), again with his friend Tommy Lee Jones.

Rick Danko and Levon reunited to play music after Danko had been living in California. Rick moved back to Woodstock and the friends did an acoustic tour in early 1983. In San Jose the following year, they received excellent reviews when Hudson and Manuel joined them for their first U.S. appearance as The Band since 1976. They continued playing together until the tragic death of their dear friend and comrade, the 42-year-old Manuel.

During the 1990s three more Band albums were recorded: "Jericho", "High on the Hog" and "Jubilation". In 1998 Levon was diagnosed with throat cancer and the famous voice with the rich Southern nuances was silenced to a whisper. He still played the drums, mandolin and harmonica, often performing with his daughter, Amy Helm, also a vocalist and instrumentalist. A great emotional support to her father during this time, Amy appeared with him regularly at Levon Helm Studios. In 1999 Helm endured another tragic loss when Rick Danko passed away 19 days before his 56th birthday. His death marked the end of an era.

Miraculously, Levon's voice slowly returned. He felt comfortable enough to sing again live. With imagination and vision, he conceived The Midnight Ramble Sessions, a series of live performances at Levon Helm Studios in Woodstock. Named for the traveling minstrel shows of his youth, the first Midnight Ramble was held in January, 2004. It featured one of the last performances by great blues pianist Johnnie Johnson. Friends old and new joined Levon on his stage, including Emmylou Harris, Dr. John, John Sebastian, Allen Toussaint, Elvis Costello, Phil Lesh, Jimmy Vivino, Hubert Sumlin, Little Sammy Davis, Billy Bob Thornton and The Boxmasters, The Muddy Waters Band, The Swell Season, Donald Fagen, Steve Jordon, Hot Tuna, Kris Kristofferson, The Black Crowes, Nitty Gritty Dirt Band, Norah Jones, The Bacon Brothers, Robbie Dupree, My Morning Jacket, Shemekia Copeland, The Wood Brothers, Steve Earle, Jackie Greene, Sam Bush, Brewer & Shipley, Carolyn Wonderland, Ollabelle and The Alexis P. Suter Band. The monthly Rambles at "The Barn" were wildly successful, drawing a worldwide audience.

Releases produced by Levon Helm Studios from Helm's personal "vault," were Volume I and II of "The Midnight Ramble Sessions", plus a live RCO All-Stars performance from New Year's Eve 1977, at the Palladium. The vitality and magnetism of these recordings speak for themselves. In September of 2007, Dirt Farmer Music and Vanguard Records released "Dirt Farmer", Levon's first solo, studio album in 25 years. A project particularly close to his heart, the CD contains music reminiscent of his past, and songs handed down from his parents. "Dirt Farmer" was awarded a Grammy for Best Traditional Folk Album in February 2008 and landed Levon a spot in Rolling Stone's The 100 Greatest Singers of All Time. That same year he was also recognized by the Recording Academy with a lifetime achievement award as an original member of The Band and was given the "Artist of the Year" Award by the Americana Music Association. In 2009 Levon released "Electric Dirt", which marked his highest debut in Soundscan era at #36 and spent six consecutive weeks at #1 on the Americana Radio Chart. He won a second Grammy for "Electric Dirt" in the inaugural category of Best Americana Album in 2010. In September 2008 Levon took "The Midnight Ramble" on the road to Nashville's historic Ryman Auditorium. Buddy Miller, John Hiatt, Sheryl Crow, George Receli, Sam Bush and Billy Bob Thornton helped The Levon Helm Band create an evening of unforgettable musical joy. "Ramble at the Ryman - Live CD and DVD" (sold individually) won him his third consecutive Grammy, again as Best Album in the Americana category, in February 2012. Sadly, Levon's cancer returned shortly after this last triumph. He passed away on April 19, 2012. His funeral was a tearful, joyful, musical celebration of his life.

The intimacy of the shows performed at Levon's hearth offered a hospitality and warmth found in no other venue, not to mention the excellence of the performances themselves, hosted by a man whose gifts were truly legendary. Though always an enthusiastic and passionate performer, with sheer joy and gratitude, he effortlessly captivated his audience, young and old, with a rhythmic power all his own. During a career that spanned over five decades, Levon Helm nurtured a tradition of professionalism with a deep respect for his craft and remained refreshingly genuine in a world that often compromised integrity. He was a master storyteller who wove his tales with the magic thread of universality that ties us all. He beckoned us to come in, sit awhile and enjoy. We see ourselves in his stories and we are home.

--Dawn LoBue Copyright © 2006 ~ 2012 All Rights Reserved.

Celeste Holm was an only child, born into a home where her mother was a painter and her father worked in insurance. She would study acting at the University of Chicago and make her stage debut in 1936. Her Broadway debut came when she was 19 in 'The Time of Your Life'. She appeared in many successful plays, including "The Women", "Oklahoma!" and "Bloomer Girl". It was in the production of "Oklahoma!" that Celeste would sing the showstopper, "I Cain't Say No". She was signed by 20th Century Fox in 1946 and appeared in her first film, Three Little Girls in Blue (1946). With her third film, Gentleman's Agreement (1947), she would win the Supporting Actress Oscar and a Golden Globe. Celeste would be nominated twice more for Academy Awards in the Come to the Stable (1949) and All About Eve (1950). But, Celeste was a star who loved the stage so she left Hollywood, only to return for two MGM musicals in the 1950s. They were The Tender Trap (1955) and High Society (1956). In addition to her stage career, Celeste appeared on television in her own series, Honestly, Celeste! (1954) and as a panelist on Who Pays? (1959). In 1970, Celeste returned to television series as the chaperone to the president's daughter on Nancy (1970). For the next two decades, she would appear on television in regular series, miniseries and movies. Celeste Holm died at age 95 of a heart attack on July 15, 2012.

Davy Jones left home to become a jockey. While he was an apprentice, he was encouraged to go into acting and got a role in a production of "Peter Pan". From there, he played on Coronation Street (1960) and The Pickwick Papers (1952) before landing the role of "The Artful Dodger" in "Oliver!". This job took him to America's Broadway, where he was discovered by Ward Sylvester and brought to Los Angeles. From there, he was given a role in The Monkees (1965). With this sitcom, he made 58 television episodes, 9 albums, a television special, and a movie before calling it quits in the early 1970s. In the mid-1970s, Davy rejoined fellow Monkee Micky Dolenz and songwriters Tommy Boyce and Bobby Hart to make an album and do some touring. Davy had gone on to perform in more plays, including "The Real Live Brady Bunch" and "Oliver!" (again), and had also fulfilled his dream of becoming a jockey. He rejoined The Monkees for touring from 1986-89 and 1996-97. Davy Jones died at age 66 of a heart attack on February 29, 2012.