Top 100 Asian Actors

Sabu Dastagir (or Selar Shaik Sabu, depending on your resource) was born on January 27, 1924, in the little town of Mysore, India, which is nestled in the jungles of Karapur. The son of an elephant driver (mahout) in service for the Maharajah of his town, the young stable boy learned responsibility early in life when, at age 9, his father died and Sabu immediately became the ward of the royal elephant stables. As with many Hollywood success stories, good timing, and dumb luck allowed the impoverished youth a chance for a better life. By sheer chance the timid 12-year-old orphan was discovered by a British location crew while searching for a youth to play the title role (an elephant driver!) in their upcoming feature Elephant Boy (1937). Quite taken aback by his earnest looks, engaging naturalness and adaptability to wild animals and their natural habitat, the studio handed the boy a film career on a sterling silver platter and was placed under exclusive contract by the mogul Alexander Korda himself.

Sabu and his older brother (as guardian) were whisked away to England to complete the picture and became subsequent wards of the British government. They were given excellent schooling in the process and Sabu quickly learned the English language in preparation for his upcoming films. Elephant Boy (1937) was an unqualified hit and the young actor was promptly placed front and center once again in the film The Drum (1938) surrounded by an impressive British cast that included Raymond Massey and Valerie Hobson. With the parallel success of the Tarzan jungle movies in America, Hollywood starting taking a keen look at this refreshingly new boy talent when he first arrived in the U.S. for a publicity tour of the film. Again, his second film was given rave reviews, proving that Sabu would not be just a one-hit wonder.

His third film for Korda is considered one of the great true classics. In the Arabian fantasy-adventure The Thief of Bagdad (1940), Sabu plays Abu the Thief and is not only surrounded by superb actors -- notably June Duprez, John Justin, Rex Ingram (as the genie) and Conrad Veidt (as the evil Grand Vizier) -- but exceptional writing and incredible special effects. Sabu's name began stirring international ears. His last pairing with Korda was the excellent adaptation of Rudyard Kipling's classic book The Jungle Book (1942) playing Mowgli, the boy raised by wolves, who must adapt to the ways of mankind after being returned to his mother. The movie was directed by Alexander's brother Zoltan Korda.

Following this triumph, Sabu officially became the exotic commodity of Universal Pictures and he settled in America. Although initially rewarding monetarily, it proved to be undoing. Unfortunately (and too often typical), a haphazard assembly-line of empty-minded features were developed that hardly compared to the quality pictures in England under Korda. Saddled alongside the unexceptional Maria Montez and Jon Hall, his vehicles Arabian Nights (1942), White Savage (1943) and Cobra Woman (1944) were, for the most part, drivel but certainly did fit the bill as colorful, mindless entertainment.

Almost 20 years old by the time he became a citizen of the U.S. in 1944, he enlisted in the Army Air Force and earned WWII distinction in combat missions (Distinguished Flying Cross, Air Medal, among others) as a tail gunner. By the time Sabu returned to Universal and filming, the charm of his youth had worn off and the boyish stereotype impossible to escape.

Post-war audiences developed new tastes, but Sabu had no choice but to trudge on with retreads of his former glory. Films such as Tangier (1946) again opposite Ms. Montez, Man-Eater of Kumaon (1948) and Song of India (1949) opposite lovely princess Gail Russell did little to advance his career. While filming the last-mentioned movie, Sabu met and married actress Marilyn Cooper who temporarily filled in for an ailing Ms. Russell on the set. The couple went on to have two children.

Sabu actually fared better back in England during the late 40s, starring in the crime drama The End of the River (1947) and appearing fourth-billed as a native general in the exquisitely photographed Black Narcissus (1947). Daring in subject matter, the film had Deborah Kerr heading up a group of Anglican nuns who battle crude traditions, unexpected passions and stark raving madness while setting up a Himalayan order. By the mid-50s Sabu's career was rapidly approaching extinction, seeking work wherever he could find it - in low-budget Europe productions, public appearances, etc. An attempt to conjure up a TV series for himself failed. His life was further aggravated by unpleasant civil and paternity suits brought about against him. His last two pictures were supporting roles in Rampage (1963), which starred Robert Mitchum, and A Tiger Walks (1964), a thoroughly routine Disney picture which was released posthumously.

Sabu died unexpectedly at age 39 of a heart attack on December 2, 1963, at his home in Southern California and was buried at Forest Lawn Cemetery in the Hollywood Hills. Son Paul Sabu developed into an accomplished songwriter and even formed a rock band called Sabu; daughter Jasmine Sabu, who died in 2001, was a noted horse trainer whose skill was utilized occasionally for films. Although he went the way of too many of our former stars, Sabu continues to enchant and excite newer generations with his unmatched athletic skills and magnetic charm in those early adventure fantasies of yesteryear.

Wei Li was born on 25 October 1919 in Shijiazhuang, China. He was an actor and director, known for Spring in a Small Town (1948), River Without Buoys (1983) and Shan lin zhong tou yi ge nu ren (1986). He died on 21 August 2005 in Shanghai, China.

Ichirô Sugai was born on 25 July 1907 in Kyoto, Japan. He was an actor and director, known for Shiosai (1964), Dorodarake no seishun (1954) and Early Summer (1951). He died on 11 August 1973.

What an amazing career! Few can boast a longer one (64 years of activity). Few have been able to have to relate to three generations. And it is pretty sure that no one can compare with him in terms of faithfulness to a director: Chishu Ryu indeed appeared in no fewer than fifty-two out of fifty-four of his master Yasujirô Ozu. He played in 187 films or TV films and could be a very versatile actor: for instance in 1936, when he was thirty, he embodied a student in one film and an old man in another. However he was perfect in Ozu's films, most often, as a simple, unobtrusive man whose humanity is revealed through the hardships of everyday life. How could Japanese cinema have done without Chishu Ryu?

Masayuki Mori was born on 13 January 1911 in Sapporo, Hokkaido, Japan. He was an actor, known for Rashomon (1950), The Bad Sleep Well (1960) and The Idiot (1951). He died on 7 October 1973.

Sô Yamamura was born on 24 February 1910 in Tenri, Japan. He was an actor and director, known for Tora! Tora! Tora! (1970), Kuroi ushio (1954) and Gung Ho (1986). He was married to Yuriko Yamamura. He died on 26 May 2000 in Suginami, Tokyo, Japan.

Japanese character actor Takashi Shimura was one of the finest film actors of the 20th century and a leading member of the "stock company" of master director Akira Kurosawa. A native of southern Japan, Shimura was a descendant of the samurai warrior class. Following university training, he founded a theatre company, Shichigatsu-za ("July Theatre"). In 1930 he joined a professional company, Kindai-za ("Modern Theatre"). Four years later he signed with the Kinema Shinko film studio. He found a niche playing samurai roles for various studios, then signed a long-term contract with Toho Studios in 1943. He appeared in an average of six films a year for Toho over the next four decades. His greatest critical acclaim came in more than 20 roles for Kurosawa, though he is almost as well recognized outside Japan for his kindly doctor role in the original "Godzilla" (Godzilla (1954)). Shimura's triumph was his unforgettable performance as a dying bureaucrat in Kurosawa's Ikiru (1952). He continued to act steadily, in good films and bad, almost until his death, culminating with Kurosawa's Kagemusha: The Shadow Warrior (1980). He is often described as filling the spot for Kurosawa that Ward Bond filled for John Ford--an ever-present and reliable character player who consistently supplied a solidity and strength to whatever film he appeared in. Shimura was definitely a finer actor than Bond, of the most versatile "chameleons" in the world cinema, a great artist with enormous range in sublime interpretations, from Ikiru (1952)'s diffident clerk to the leader of the Seven Samurai in Kurosawa's Seven Samurai (1954). He died in 1982, a reluctant icon of Japanese cinema.

Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.

Born in Kyoto in 1908. His birthplace was a sake brewery in Fushimi called Nagoya. In 1913, at the age of five, he was pushed into playing the role of Kan Shusai in the play Sugawara Denju Tenarai Kagami. This set him on the path to becoming a kabuki actor. Although he worked assiduously on his kabuki acting, this was a time of transition to the age of film, and he was invited to join Shochiku. The film Chigo no Kenpo was distinctive in that it was Inutsuka Minoru's directorial debut and Tusburaya Eiichi's debut as cinematographer as well as Hayashi Chojiro's debut on-screen appearance, and the staff's combination of youthful exuberance shone through. Add to this the large promotional campaign conducted for the film, which was unusual at the time, and it is easy to see that this new young star's arrival was awaited with great anticipation. Hayashi's popularity was cemented when three more films (Ojo Sankichi, Rangun and Oni Azami) opened in quick succession-a total of four films released in a mere 40-day span. As a huge marquee name, he went on to work a grueling schedule, appearing in about 120 films during his 11-year tenure at Shimogamo. With Yukinojo Henge, Hayashi helped Shochiku attain its highest ever box office revenue up to that time. After leaving Shochiku for Toho, he was suddenly attacked by hoodlums. After this incident, he gave the name Hayashi Chojiro back to Shochiku and assumed the new stage name of Hasegawa Kazuo. Hayashi was not only a great thespian who excelled on screen and stage alike, but he also proved himself as a superior planner. In 1974, he backed the production of the dramatic animated film, Berusaiyu no Bara, making it into a much-talked about hit.

Eitarô Shindô was born on 10 November 1899 in Fukuoka, Japan. He was an actor, known for A Geisha (1953), Onna no issho (1953) and Drunken Angel (1948). He died on 18 February 1977 in Tokyo, Japan.

Isao Yamagata was born on 25 July 1915 in London, England, UK. He was an actor, known for Seven Samurai (1954), The Master Spearman (1960) and Ujô (1957). He died on 28 June 1996.

Japanese character actor equally adept at comic or seriously unsavory roles. Chiaki graduated from the University of Chuo with degrees in economics and commerce, but almost immediately found that his interest lay more with the theatre. In 1937, he began to study with the Shin-Tsukiji Gekidan ("The New Tsukiji Theatre Troupe"). During the Second World War, he served as director of the Bara-Za theatre company. Director Akira Kurosawa saw Chiaki in a stage production of the play "Dataii" (from which Kurosawa would later adapt for: The Quiet Duel (1949) ) and advised him to enter films. Chiaki became a favorite of the great director, who cast him in Stray Dog (1949) and nearly a dozen other films. Chiaki was notable as the good-natured Heihachi in Seven Samurai (1954) and as the comic deserter Tahei in _Kakushi toride no san akunin (1958)_. In 1975, Chiaki suffered a stroke. He recovered and in 1985 won Japan Academy Award for Best Actor in Hana ichimonme (1985). The last survivor of Kurosawa's Seven Samurai title players, Chiaki died of coronary and pulmonary failure in 1999.

Eiji Okada was born on 13 June 1920 in Chiba, Japan. He was an actor, known for Hiroshima Mon Amour (1959), Woman in the Dunes (1964) and The Boy Detectives Club - The Iron Fiend (1957). He was married to Wasa, Aiko. He died on 14 September 1995 in Japan.

Soumitra Chatterjee is an Indian actor, playwright and poet. World-renowned film director Satyajit Ray has acted in multiple shadow films. He has made Bengali film a place in the court of the world. In his long acting career, he has received many awards from home and abroad. His films have also won numerous awards. He died on 15th November, 2020 at the age of 85. Even after his death, his performance has been and will always be remembered in the hearts of all the audience.

Ganjirô Nakamura was born on 17 February 1902 in Osaka, Japan. He was an actor, known for Conflagration (1958), Summer Clouds (1958) and Floating Weeds (1959). He died on 13 April 1983.

Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.

Hisashi Igawa was born on 17 November 1936 in Shenyang, Occupied Manchuria. He is an actor, known for Ran (1985), Dreams (1990) and Tampopo (1985).

Eijirô Tôno was born on 17 September 1907 in Gunma, Japan. He was an actor, known for Tora! Tora! Tora! (1970), An Autumn Afternoon (1962) and Yojimbo (1961). He died on 8 September 1994.

Keiji Sada was born on 9 December 1926 in Kyoto City, Japan. He was an actor and producer, known for I Will Buy You (1956), Taifû sôdôki (1956) and Good Morning (1959). He died on 17 August 1964 in Nirazaki, Japan.

Tetsurô Tanba was born on 17 July 1922 in Tokyo, Japan. He was an actor and producer, known for You Only Live Twice (1967), Three Outlaw Samurai (1964) and The 7th Dawn (1964). He was married to Hoki. He died on 24 September 2006 in Tokyo, Japan.

Akira Ishihama was born on 29 January 1935 in Tokyo, Japan. He was an actor, known for Harakiri (1962), Mobile Sheriff Jiban (1989) and Kamen Rider Black: Terrifying! The Phantom House of Devil Pass (1988). He died on 26 July 2022 in Japan.

Yutaka Sada was born on 30 March 1911 in Tokyo, Japan. He was an actor, known for High and Low (1963), Yojimbo (1961) and Sanjuro (1962). He died in 2017.

Shailen Mukherjee is known for Charulata (1964), The Zoo (1967) and Sonar Kella (1974).

The son of one of one of Japan's biggest male stars of the 1930s, 'Ken Uehara', the handsome and likable Yuzo Kayama became one of Japan's biggest male stars of the 1960s. And just as Uehara embodied the idea of a modern Japanese wartime hero, Kayama became symbolic of postwar Japanese affluence and confidence, most famously in his title role in the 17 original "Young Guy" (Wakadaishô) movies for his father's home studio, Toho. A popular singer as well as an actor, Kayama specialized in romantic comedies that encouraged him to break spontaneously into song, as showcased even in movies where he wasn't playing the Young Guy, such as Come Marry Me (1966). Though like his father he also starred in some of Toho's war films, and crime and action thrillers such as his debut Man Against Man (1960), he largely bypassed serious dramas until Akira Kurosawa tapped him for the lead alongside 'Toshiro Mifune' in Red Beard (1965), the two-year shoot of which Kayama found the most difficult experience of his life, but which also yielded the work of which he is proudest. Other than a single return to the Young Guy character, Kaettekita wakadaishô (1981), ten years after leaving the series, Kayama, also like his father, in later years moved towards playing a series of kindly authority figures, while still maintaining his romantic appeal to nostalgic audiences with musical appearances on the stage and on television.

Rentarô Mikuni was born on 20 January 1923 in Gunma, Japan. He was an actor and director, known for Harakiri (1962), Vengeance Is Mine (1979) and Tsuribaka nisshi (1988). He died on 14 April 2013 in Inagi, Tokyo, Japan.