Old Hollywood Actresses Who Died Too Young

Mary Welch was born in 1922 in Charleston, South Carolina, USA. She was an actress, known for Park Row (1952), Hands of Mystery (1949) and Kraft Theatre (1947). She was married to David White. She died on 31 May 1958 in New York City, New York, USA.

Irene Labhart was born in 1937 in Switzerland. She was an actress. She was married to Lex Barker. She died on 23 October 1962 in Rome, Italy.

Thelma Todd was born in Lawrence, Massachusetts, an industrial city near the New Hampshire state line. She was a lovely child with good academic tendencies, so much so that she decided early on to become a schoolteacher. After high school she went on to college but at her mother's insistence entered several beauty contests (apparently her mother wanted her to be more than just a "schoolmarm"). Thelma was so successful in these endeavors that she entered on the state level and won the title of "Miss Massachusetts" in 1925 and went on to the "Miss America" pageant; though she didn't win, the pageant let her be seen by talent scouts looking for fresh new faces to showcase in films. She began to appear in one- and two-reel shorts, mostly comedy, which showcased her keen comic timing and aptitude for physical comedy--unusual in such a beautiful woman.

She had been making shorts for Hal Roach when she was signed to Paramount Pictures. Her first role--at age 21--was as Lorraine Lane in 1927's Fascinating Youth (1926), a romantic comedy that was Paramount's showcase vehicle for its new stars. Thelma received minor billing in another film that year, God Gave Me Twenty Cents (1926). The next year she starred with Gary Cooper and William Powell in the western Nevada (1927). That year also saw her in three more films, with The Gay Defender (1927) being the most notable. It starred Richard Dix as a man falsely accused of murder.

As the 1920s closed, Thelma began to get parts in more and more films. In 1928 and 1929 alone she was featured in 20 pictures, and not just comedies--she also did dramas and gothic horror films. Unlike many silent-era stars whose voices didn't fit their image or screen persona, Thelma's did. She had a bright, breezy, clear voice with a pleasant trace of a somewhat-aristocratic but unsnobbish New England accent and easily made the transition to sound films. In 1930 she added 14 more pictures to her resume, with Dollar Dizzy (1930) and Follow Thru (1930) being the most notable. The latter was a musical with Thelma playing a rival to Nancy Carroll for the affections of Buddy Rogers. It was a box-office hit, as was the stage production on which it was based. The following year Thelma appeared in 14 more films, among them Let's Do Things (1931), Speak Easily (1932), The Old Bull (1932), and On the Loose (1931). Her most successful film that year, however, was the Marx Brothers farce Monkey Business (1931). While critics gave the film mixed reviews, the public loved it. In 1932 Thelma appeared in another Marx Brothers film directed by Norman Z. McLeod, Horse Feathers (1932). She also starred in This Is the Night (1932), a profitable film which featured Cary Grant in his first major role. In 1934 Thelma made 16 features, but her career would soon soon come to a grinding halt. In 1935 she appeared in such films as Twin Triplets (1935) and The Misses Stooge (1935), showcasing her considerable comic talents. She also proved to be a savvy businesswoman with the opening of "Thelma Todd's Sidewalk Café", a nightclub/restaurant that catered to show-business people. Unfortunately, it also attracted some shady underworld types as well, and there were rumors that they were trying to take over her club and use it as a gambling establishment to fleece the wealthy Hollywood crowd. According to these tales, Thelma and her boyfriend, director Roland West, wouldn't sell their establishment once they found out what the gangsters had in mind, which incurred the enmity of the wrong people with whom to have differences of opinion. Whether or not the stories were true, on December 16, 1935, 29-year-old Thelma was found dead in her car in her garage in Los Angeles. Her death was ruled suicide-by-carbon-monoxide-poisoning. At the time, as today, many felt that her death was actually a murder connected to the goings-on at her club, a theory that was lent credence by the fact that no one who knew her had ever seen her depressed or morose enough to worry about her committing suicide. Another factor that aroused suspicion was that her death was given a cursory investigation by the--at the time--notoriously corrupt Los Angeles County District Attorney's Office and the case was quickly and unceremoniously closed. Her death has remained controversial to this day.

Three films she made before her death weren't released until the following year: Hot Money (1936), An All American Toothache (1936), and The Bohemian Girl (1936). The latter saw her quite substantial role cut down so much that she was barely glimpsed in the picture. Thelma had made an amazing 115 films in such a short career, and her beauty and talent would no doubt have taken her right to the top if not for her untimely demise.

Peg Entwistle was born on February 5, 1908 in Port Talbot, Wales at the home of her maternal grandparents, John and Caroline Stevenson because Caroline was to act as midwife. Peg's mother was Emily Stevenson Entwistle and her father was actor/ stage manager Robert Symes Entwistle (1872-1922). They married on November 3, 1904. When mother and child were able to travel, the family returned to their modest home in the London neighborhood of West Kensington where Peg spent the first few years of her life.

Both Robert and his brother Charles Harold Entwistle were actors. This no doubt influenced Peg Entwistle's acting aspirations from a very early age. So much of Robert and Peg's history is tied to Charles because it was Charles who was their lifeline, the one who saved the day, time after time. By 1908 when Peg was born, both brothers were working steadily as actors. Charles Entwistle not only had more experience, he had better contacts. His New York employer was famous stage producer Charles Frohman who, with his two brothers Daniel and Gustave Frohman, owned or had access to over 800 theaters in Europe and the United States. Charles Entwistle trained as an actor in Paris and Heidelberg, but it was his great organizational skills that showed he was best suited to working as a manager and business agent in England. He was accustomed to dealing with actor contracts, touring arrangements, and temperamental theater owners. In 1906, producer Charles Frohman paid Charles Entwistle's way to America and introduced him to the Broadway stage. It was around this time that Frohman gave him the job of managing the great Shakespearean actor Walter Hampden. They became fast friends which lasted until Charles Entwistle's death in 1944. At least once a year, Charles Frohman sailed from New York to Europe, to check on his theaters and to shop for new plays. As a valued employee, Charles Entwistle often accompanied him and was trusted to manage Frohman's affairs in his absence.

Peg's father Robert evidently got enough work as an actor to comfortably take care of his family because while their home was not lavish, it was in a London neighborhood where the homes were slightly upscale. No doubt it probably came as quite a surprise to their family, friends and neighbors when Robert Entwistle decided to divorce his wife Emily in 1910. After a bitter custody dispute, Robert was granted full custody of his two year old daughter. However he lied when he told Peg that her mother had died. Peg believed it, because she never saw her mother again. But, she wasn't dead.

Years later when Robert Entwistle died in 1922, Peg was 14 years old. There was a mysterious statement in Robert Entwistle's Last Will and Testament dated December 15, 1922 in which Robert Entwistle stated: " Millicent Lilian Entwistle is the daughter of my first wife whom I divorced and the custody of my said daughter was awarded to me. I do not desire said daughter to be at any time in the custody or control of her said mother."

If Emily Stevenson were dead, such a statement would not have been necessary at all. Her Uncle Charles verified that her mother did not die in 1910 as she was told, that her parents had divorced in 1910 because Emily Stevenson had been having an affair with an actor named Julius Shaw who later died in 1918 during WWI. This explanation, in part, explains Robert's mysterious statement.

The date of the letter and Will are suspicious because they were dated December 15, 1922, almost 12 years after her mother supposedly died. The date is also suspect because Robert Entwistle was hit by the limo on the evening of November 2, 1922, and was in a coma until he died on December 19, 1922. He was likely heavily medicated due to his injuries which according to the interview Charles Entwistle gave to the New York Times, his ribs and his spine were lodged in his brain. Robert Entwistle could not have been of sound mind to authorize the Will or the letter.

The year 1910 was momentous for King Edward VII too. When he died, everything stopped for about a year. For the coronation of his successor, King George V, celebrations were planned on a grand scale. Charles Entwistle's employer, producer Charles Frohman was chosen for the planning committee to choose and schedule the festivities at His Majesty's Theater in London. To perform Shakespeare's Julius Caesar, the committee chose Robert and Charles Entwistle. Peg, at not quite three years old, had a ringside seat to watch her father and uncle perform for King Edward V and Queen Mary.

When the festivities were over, Charles Entwistle went back to work in New York and Robert stayed in England to raise Peg with help from his family. In 1911, Charles Entwistle, age 45, met successful stage actress Jane Ross, age 26. Their courtship consisted of commuting back and forth between stage work in New York and relaxing at her ranch in Santa Monica, California. They married on June 5, 1912 at her family's home in Ohio. When they returned from their honeymoon, they were hired by the Shubert brothers to tour the United States with one play after another with short and long engagements. In April 1913, Charles and his bride sailed back to England on the SS Olympic so Jane could meet Robert, Peg and the rest of the Entwistle family. His employer, Charles Frohman also happened to be traveling on the SS Olympic. After dinner, Charles Entwistle inquired if Frohman had an open position for his brother Robert. Charles Frohman promised to hire him initially as a stage manager and to bring Robert and his daughter to New York.

Charles Frohman interviewed Robert Entwistle in England and hired him as stage manager in Frohman's New York theaters. Charles, Jane, Robert and Peg sailed from England on the SS Chicago and arrived in New York on July 29, 1913, marking Peg's official move to the US. Various accounts give the year 1916 as the year Robert and Peg 'first' sailed from England to New York on the SS Philadelphia. They did sail on the SS Philadelphia in 1916, but that was not Robert's or Peg's first trip. The reason their names were on the ship's 1916 manifest was because Robert, Peg, new wife Lauretta, Charles and Jane were sailing home to England from New York to attend a family reunion. Further proof was that Robert had been working on plays in the United States several times since 1912 with Charles Frohman's touring companies. It is Jane's diary that documents everyone's movements from 1911 onward when she first met Charles Entwistle, proving that Robert Entwistle and his daughter had sailed to the United States long before the 1916 date.

When Charles Entwistle introduced his new wife to his brother, Robert was bowled over and not so jokingly inquired if she had any sisters. She did.

From July 1913 on, life got busy and stayed busy. Rehearsals began for Robert's Broadway debut in The Younger Generation at Charles Frohman's Lyceum Theater which was scheduled for September 1913. That same month, Robert Entwistle was introduced to Jane's sister Lauretta Ross who would become his second wife. While Robert enjoyed acting and being a stage manager, more than anything he wanted to own his own business and raise a family. He opened a specialty shop on Madison Avenue where he made elaborate gift boxes for wealthy clients.

On July 29, 1914, Robert and Lauretta were married in Clarklake, Michigan. Peg was six years old and stayed with her new Ross relatives while her father and her new mother went on their honeymoon to Niagara Falls. In September 1914, the New York Times reviewed the Broadway production of The Beautiful Adventure with Robert Entwistle's name simply as a mention on the cast list. Meanwhile, Charles and Jane began the transition from stage plays in New York to making motion pictures in California. Charles already made his directorial debut and he felt that films were the next step. Peg spent a lot of time at both her father's home and her uncle's two homes. She was introduced to Jane's Santa Monica ranch, and enjoyed spending time in the stables.

On May 7, 1915, the RMS Lusitania was torpedoed by a German U-boat and over 1198 people were killed. Among the passengers who were killed was Charles Frohman, the Entwistle's New York employer. His body (#24) was recovered the next day. There were several memorial tributes held in the US and in England. Robert, Lauretta and Peg Entwistle attended his funeral with Charles Entwistle's friend Walter Hampden and his wife Mabel Moore. Charles and Jane attended one of the memorials held in California.

Robert and Lauretta had two sons: Milton Ross Entwistle was born in 1917. He died in 2018 at the age of 100. Robert Bleaks Entwistle was born in 1919. He died in 2004 at age 85. Tragedy struck this family again and again: On April 2, 1921, Lauretta died suddenly from meningitis leaving Robert with 14 year old Peg, 4 year old Milton and 2 year old Robert. Charles and Jane came to the rescue to help out as did the Ross family in Ohio and Michigan. Then, a little over a year later, at 10:30pm on November 2, 1922 (Election Day), Peg's father, Robert was struck by a limousine driver on Park Avenue at 72nd Street after leaving his Madison Avenue specialty shop. The limo driver was observed looking at the injured man lying on the ground, then he ran back to the limo and quickly drove away. A man and woman at the scene transported Robert Entwistle to the Accident Ward at Presbyterian Hospital where it was determined that he was in a coma due to his injuries. When he was stabilized, Robert Entwistle was moved to Bellevue Hospital and then moved one last time to Prospect Heights Hospital, a private hospital in Brooklyn. None of the pedestrian observers wrote down the correct license number of the limo. Robert Entwistle lay in coma for 47 days and died on December 18th, 1922 at Prospect Heights Hospital. His brother Charles Harold Entwistle said, when he was interviewed by the New York Times at his Hotel Flanders suite, that Robert's spine was broken in two places and had penetrated the brain which was the actual cause of death. The newspaper reported that Robert was about 50 years old, and left three children: Millicent, age 15, Milton, age 5, and Robert, age 4. His body was taken to Cincinnati and buried next to his second wife Lauretta Ross Entwistle in Oak Hill Cemetery in Glendale, Ohio.

Charles and Jane Entwistle adopted Peg, Milton and Robert. In 1924, they enrolled Peg in Henry Jewett's Repertory School in Boston to study acting. She was one of the Henry Jewett Players and studied with famed director & actress, Blanche Yurka. In 1925, Charles Entwistle's friend and employer, actor Walter Hampden, gave Peg her first Broadway role in his production of Hamlet, starring Ethel Barrymore. It was an uncredited walk-on part where she carried the King's train and brought in the poison cup, but it was enough for Peg to attract the attention of scouts from the prestigious New York Theatre Guild. She was the youngest actress ever to be recruited. At age 17, Peg played the role of Hedvig in the 1925 production of Henrik Ibsen's "The Wild Duck." It was after seeing this play that Bette Davis said to her mother that she wanted to be exactly like Peg Entwistle. She claimed Peg was her inspiration to study acting.

Peg went on to play good supporting roles with Dorothy Gish, Laurette Taylor, Henry Travers, William Gillette, Robert Cummings, Romney Brent, and other famous directors, producers, actors and actresses. George M. Cohan personally directed her in one of his original Broadway comedies. Peg traveled around the country as a representative of the Guild during a special tour celebrating the Theatre Guild's ten-year birthday. The tour was orchestrated by the great Bernard Shaw. Peg received rave reviews in each play, including plays the critics did not like. Her longest running play was the 1927 hit play Tommy starring Sidney Toler. It ran for 232 performances and is the play for which Peg is most remembered.

On April 18, 1927, Peg married actor Robert Keith in the chapel of the New York City Clerk's office. Keith, who was also a writer, notably "The Tightwad," wasn't exactly truthful with her. Nearly a year after they married, Peg learned that Robert had been married twice before and had a son by his second wife that he was now expected to take care of while his mother, stage actress Helen Shipman, toured with plays. In 1928, feeling there was no other choice, Peg became the stepmother of Robert's son, a child actor named Brian, who grew up to become Brian Keith, star of the 1960's TV series Family Affair (aired 1966-1971). Peg divorced Robert Keith in May of 1929 on the grounds of infidelity, cruelty and concealing that he had a child. Robert Keith married again in 1930 to Dorothy Tierney and remained married till he died in 1966 at age 68. His son Brian Keith committed suicide (by gunshot) at age 75 on June 24, 1997. He left a suicide note saying he was in despair about his health problems (lung cancer) and depressed because he missed his daughter Daisy Keith Sampson, an actress who starred with Brian Keith on Heartland, who had committed suicide two months prior on April 16, 1997.

In 1932, after the popular James Barrie revival of "Alice Sit-By-The-Fire" was pulled because of problems with the star actress, Laurette Taylor, Peg Entwistle was brought out to Los Angeles by producers Edward DeBlasio and Homer Curran especially to co-star opposite Billie Burke and Humphrey Bogart in a tryout production of Romney Brent's "The Mad Hopes." The show was a huge smash and Peg was again given accolades. Three days after the production had ended, Peg was in her room at her uncle and aunt's California house at 2428 Beachwood Drive, packing to go back to New York, when RKO Pictures called. They asked if she would come in to do a screen test. She did and was soon signed to a small role in David O. Selznick's Thirteen Women (1932), with Irene Dunne and Myrna Loy. The film was a flop despite the talents of movie stars like Irene Dunne and Myrna Loy. Peg's contract was not renewed.

It was the worst year of The Great Depression. Money was tight for everyone. Peg was broke and had no way to get back to New York. There were no stage roles to be had in Los Angeles. In her mind, with no prospects, everything seemed hopeless. On Friday evening, September 16th, 1932, Peg left a note for her Uncle Charles and Aunt Jane Entwistle saying that she was going to visit friends and to buy some books. On Sunday, September 18th, 1932, a hiker found Peg's coat, one of her shoes and her purse containing her suicide note. The hiker saw her body lying about one hundred feet below the 50-foot tall letter "H" of the Hollywoodland sign. She gathered up Peg's things, went to the Los Angeles Police Department's Hollywood Station and left them on their step. Then the hiker called Central Station to report where she left the items and to give them the location of the body.

When police found her body, they believed that Peg had climbed up a workman's ladder that had been leaning up against the back of the letter "H" and she jumped head-first to her death. The note found in Peg's purse read: "I am afraid, I am a coward. I am sorry for everything. If I had done this a long time ago, it would have saved a lot of pain. P.E." (the initials of her name). An autopsy was performed showing the cause of death was internal bleeding caused by "multiple fractures of the pelvis." No alcohol was present. Because of no identification found in her purse, it took two days for her uncle to recognize the details from a newspaper report and to come forward to identify her body.

Peg's only film credit was Thirteen Women (1932) starring Myrna Loy and Irene Dunne. It was produced by David O Selznick and was released about one month after her death on October 14, 1932.

The nickname, "The Hollywoodland Sign Girl" was given by an editor at the now defunct Los Angeles Herald Examiner newspaper.

Peg is buried in the family plot with her father and her stepmother Lauretta in Oak Hill Cemetery in Glendale, Ohio. (not to be confused with Forest Lawn Cemetery in Glendale, CA).

Charles Harold Entwistle (b. September 5, 1866 - d. April 1, 1944) died at the age of 77. Jane Ross Entwistle (b. December 22, 1885 - d. January 14, 1957) died at the age of 71. Both are buried at Forest Lawn Cemetery in Glendale, CA.

Milton Ross Entwistle was cremated when he died at age 100 on February 1, 2018.

Robert Bleaks Entwistle died on October 31, 2004 at age 85 and is buried in Valhalla Memorial Park in North Hollywood, CA

What a talented family, some of whom met with their own tragic ends. Although she only made one film, it is Peg's stage accomplishments for which she should be most remembered. But unfortunately, she will always be remembered as the only person to ever jump to her death from the Hollywoodland sign.

Lupe Velez was born on July 18, 1908, in San Luis Potosi, Mexico, as Maria Guadalupe Villalobos Velez. She was sent to Texas at the age of 13 to live in a convent. She later admitted that she wasn't much of a student because she was so rambunctious. She had planned to become a champion roller skater, but that would change. Life was hard for her family, and Lupe returned to Mexico to help them out financially. She worked as a salesgirl for a department store for the princely sum of $4 a week. Every week she would turn most of her salary over to her mother, but she kept a little for herself so she could take dancing lessons. With her mature shape and grand personality, she thought she could make a try at show business, which she figured was a lot more glamorous than dancing or working as a salesclerk. In 1924 Lupe started her show business career on the Mexican stage and wowed audiences with her natural beauty and talent. By 1927 she had emigrated to Hollywood, where she was discovered by Hal Roach, who cast her in a comedy with Stan Laurel and Oliver Hardy. Douglas Fairbanks then cast her in his feature film The Gaucho (1927) with himself and wife Mary Pickford. Lupe played dramatic roles for five years before she switched to comedy. In 1933 she played the lead role of Pepper in Hot Pepper (1933). This film showcased her comedic talents and helped her to show the world her vital personality. She was delightful. In 1934 Lupe appeared in three fine comedies: Strictly Dynamite (1934), Palooka (1934) and Laughing Boy (1934). By now her popularity was such that a series of "Mexican Spitfire" films were written around her. She portrayed Carmelita Lindsay in Mexican Spitfire (1939), Mexican Spitfire Out West (1940), The Mexican Spitfire's Baby (1941) and Mexican Spitfire's Blessed Event (1943), among others. Audiences loved her in these madcap adventures, but it seemed at times that she was better known for her stormy love affairs. She married one of her lovers, Johnny Weissmuller, but the marriage only lasted five years and was filled with battles. Lupe certainly did live up to her nickname. She had a failed romance with Gary Cooper, who never wanted to wed her. By 1943 her career was waning. She went to Mexico in the hopes of jump-starting her career. She gained her best reviews yet in the Mexican version of Naná (1944). Bolstered by the success of that movie, Lupe returned to the US, where she starred in her final film as Pepita Zorita, Ladies' Day (1943). There were to be no others. On December 13, 1944, tired of yet another failed romance, with a part-time actor named Harald Maresch, and pregnant with his child, Lupe committed suicide with an overdose of Seconal. She was only 36 years old.

Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theater troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to "talkies". While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business - at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since.

Dixie Lee was born on 4 November 1909 in Harriman, Tennessee, USA. She was an actress, known for The Big Party (1930), Redheads on Parade (1935) and Love in Bloom (1935). She was married to Bing Crosby. She died on 1 November 1952 in Holmby Hills, Los Angeles, California, USA.

Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23. The couple pulled up stakes and moved to Los Angeles, not long after they were married, and it was there Jean found work as an extra in films, landing a bit part in Moran of the Marines (1928). From that point on she would go to casting calls whenever she could. In 1929 she had bit parts in no less than 11 movies, playing everything from a passing woman on the street to a winged ballerina. Her marriage to McGrew turned out to be a disaster--it lasted barely two years--and they divorced. The divorce enabled her to put more of her efforts into finding roles in the movie business. Although she was having trouble finding roles in feature movies, she had more luck in film shorts. She had a fairly prominent role in Hal Roach's Double Whoopee (1929). Her big break came in 1930, when she landed a role in Howard Hughes' World War I epic Hell's Angels (1930), which turned out to be a smash hit. Not long after the film's debut, Hughes sold her contract to MGM for $60,000, and it was there where her career shot to unprecedented heights. Her appearance in Platinum Blonde (1931) cemented her role as America's new sex symbol. The next year saw her paired with Clark Gable in John Ford's Red Dust (1932), the second of six films she would make with Gable. It was while filming this picture (which took 44 days to complete at a cost of $408,000) that she received word that her new husband, MGM producer Paul Bern, had committed suicide. His death threatened to halt production of the film, and MGM chief Louis B. Mayer had even contacted Tallulah Bankhead to replace Harlow if she were unable to continue, a step that proved to be unnecessary. The film was released late in 1932 and was an instant hit. She was becoming a superstar. In MGM's glittering all-star Dinner at Eight (1933) Jean was at her comedic best as the wife of a ruthless tycoon (Wallace Beery) trying to take over another man's (Lionel Barrymore) failing business. Later that year she played the part of Lola Burns in director Victor Fleming's hit Bombshell (1933). It was a Hollywood parody loosely based on Clara Bow's and Harlow's real-life experiences, right down to the latter's greedy stepfather, nine-room Georgian-style home with mostly-white interiors, her numerous pet dogs - right down to having her re-shoot scenes from the Gable and Harlow hit, Red Dust (1932) here! In 1933 Jean married cinematographer Harold Rosson, a union that would only last eight months. In 1935 she was again teamed with Gable in another rugged adventure, China Seas (1935) (her remaining two pictures with Gable would be Wife vs. Secretary (1936) and Saratoga (1937)). It was her films with Gable that created her lasting legacy in the film world. Unfortunately, during the filming of Saratoga (1937), she was hospitalized with uremic poisoning. On June 7, 1937, she died from the ailment. She was only 26. The film had to be finished by long angle shots using a double. Gable said he felt like he was in the arms of a ghost during the final touches of the film. Because of her death, the film was a hit. Record numbers of fans poured into America's movie theaters to see the film. Other sex symbols/blonde bombshells have followed, but it is Jean Harlow who all others are measured against.

In a world weary of war and dispirited by the ravages of the Great Depression, Hollywood at the turn of the 1940s concocted a wildly popular, effective lot of escapist fare (though often cheaply made) to regale the sick at heart worldwide. Universal Pictures, more often than not, led in producing such films. We know about the monster movies: wolf men, invisible men -- and invisible women too, for that matter. We know about Sherlock Holmes chasing not killer hounds in 1890 but chasing killer Nazis a half- century later. Such were among typical Universal "B" productions. Enter Maria de Santo Silas -- Maria Montez. This daughter of a Spanish diplomat traveled extensively after being educated in the Canary Islands and attempted, albeit unsuccessfully, to establish herself as a stage actress in Europe. In 1940 she found herself in New York City, a model. Her screen career began in 1941, with Universal casting her in bit parts. On account of her strikingly exotic looks and her exotic accent, the studio soon paired her with other "exotics" (Sabu and Turhan Bey), and usually with a more "home-style" hero (Jon Hall), in a series of low-budget adventures, filmed in Technicolor and situated in fantasy lands, with Montez herself often situated in revealing dress. With Montez threatened by all manner of nastiness -- from evil caliphs to man-eating sharks to her own cobra-worshipping twin sister (!) -- her pictures soon became immensely popular, even though she could not really act, could not dance and could not sing. Audiences flocked to see her films, just to witness the trials and endurance of an alluring beauty in distress (as well, perhaps, as to glimpse some scantily clad, beauteous flesh). The Depression having long since passed, the end of World War II meant also the end of flying carpets and sand dunes and deadly reptiles as potential subjects for attracting moviegoers. That bit of history, plus a bit of girth added to Montez's frame, led her and her husband, the actor Jean-Pierre Aumont, to abandon Hollywood for Europe, where she would appear in a handful of French and Italian adventure films. On 7 September 1951 Maria Montez was discovered drowned in her bath, possibly having first suffered a heart attack.

A very talented singer with a beautiful voice. She starred in two films, the first, Intisar al-chabab (1941), was with her older brother 'Farid Al Atrach' and the second Gharam wa intiqam (1944). Asmahane died in a car accident while filming 'Gharam wa intiqam', it is rumoured, through the war between the secret services in Cairo during World War II.

Primula Rollo was born on 18 February 1918 in London, England, UK. She was an actress, known for Her Man Gilbey (1944). She was married to David Niven. She died on 21 May 1946 in Beverly Hills, California, USA.

Carole Landis was born on New Year's Day in 1919 in Fairchild, Wisconsin, as Frances Lillian Mary Ridste. Her father, a railroad mechanic, was of Norwegian descent and her mother was Polish. Her father walked out, leaving Carole, her mother and an older brother and sister to fend for themselves.

After graduating from high school, she married Jack Robbins (Irving Wheeler), but the union lasted a month (the marriage was annulled because Carole was only 15 at the time). The couple remarried in August 1934, and the two headed to California to start a new life. For a while she worked as a dancer and singer, but before long the glitter of show business drew her to Los Angeles.

She won a studio contract with Warner Brothers but was a bit player for the most part in such films as A Star Is Born (1937), A Day at the Races (1937), and The Emperor's Candlesticks (1937). The following year started out much the same way, with more bit roles. By 1939, she was getting a few speaking roles, although mostly one-liners, and that year ended much as had the previous two years, with more bit roles; also, she and Wheeler were divorced.

In 1940 she was cast as Loana in the Hal Roach production of One Million B.C. (1940); she finally got noticed (the skimpy outfit helped), and her career began moving. She began getting parts in B pictures but didn't star in big productions -- although she had talent, the really good roles were given to the established stars of the day.

Her busiest year was 1942, with roles in Manila Calling (1942), The Powers Girl (1943), A Gentleman at Heart (1942), and three other movies. Unfortunately, critics took little notice of her films, and when they did, reviewers tended to focus on her breathtaking beauty. By the middle 1940s, Carole's career was beginning to short-circuit. Her contract with 20th Century-Fox had been canceled, her marriages to Willis Hunt Jr. and Thomas Wallace had failed, and her current marriage to Horace Schmidlapp was on the skids; all of that plus health problems spelled disaster for her professionally and personally.

Her final two films, Brass Monkey (1948) and The Silk Noose (1948) were released in 1948. On July 5, 1948, Carole committed suicide by taking an overdose of Seconal in her Brentwood Heights, California, home. She was only 29 and had made 49 pictures, most of which were, unfortunately, forgettable. If Hollywood moguls had given Carole a chance, she could have been one of the brightest stars in its history.

Eva María Duarte was born into a small poor village, Los Toldos. When she was still a child she always knew she wanted to break out and get more than the others from her life. She wanted to become an actress. At the age of 15, she seduced the singer Agustín Magaldi to take her with him on his journey to Buenos Aires, where she soon found work on stage and as a photo model. Some affairs later, she got her first film contract and starred in some minor roles. She soon realized that she hadn't a very big talent on the stage and on the screen, but that she had quite some voice talent, and started working with great success in radio shows. Because she got friends in high ranks of politics, her film career also flourished. She started dating the revolutionist 'Juan Perón' and they soon married. With the help of the military Perón took over Argentina, and Eva became something like the "queen of hearts" of the poor. She tried to make the situation better for the lots of poor people in Argentina, and she will never be forgotten by them. She was the one who kept the spirit alive, and after her tragic death in 1952 Perón was never as successful as he was with her. Some years after her death, some other regime took over the country and he had to leave Argentina.

Camelia was born on 13 December 1919 in Alexandria, Egypt. She was an actress, known for Shari al-bahlawan (1949), Akher kedba (1950) and Waladi (1949). She died on 31 August 1950 in El Buhayra, Egypt.

Kathleen 'Kick' Kennedy was born on 20 February 1920 in Brookline, Massachusetts, USA. She was married to William Cavendish, Marquess of Hartington. She died on 13 May 1948 in Saint-Bauzile, Ardèche, France.

"Too Much, Too Soon" was the story of Diana's life, and the title of her autobiography. Her father was stage and screen legend John Barrymore and her mother was Blanche Oelrichs (who wrote under the masculine pseudonym Michael Strange), who had just divorced Mr. Thomas and had 2 children (Leonard and Robin) from that marriage. Diana's parents got married on August 15, 1920, and Diana was born 7 months later, on March 3, 1921.

At age 6, Diana was attending school in Paris and rarely saw her father as he was romancing Dolores Costello (whom he'd later marry) and divorcing Diana's mother. Next year, she was back in USA and by 1929, her mom had married Harrison Tweed. By age 14, she had already spent a few years in boarding school so she saw little of her mother and years had gone by without her meeting her father.

In 1934, when her father did come for one rare visit, he took Diana and an older schoolmate friend of hers to dinner and a movie and he got drunk and hit on Diana's 17-year-old schoolmate. In rebellion against years of getting no attention from her parents, Diana attended a dance wearing a "lurid red satin dress with a plunging neckline and hardly any back," and a pair of borrowed high heels. She had decided to stop feeling miserable and stop being a victim of her parents who had ignored her her entire life.

By 1937, Diana was enrolled in the American Academy of Dramatic Art in New York and vacationing summers in Europe on her $500 a month allowance (a fortune in those days). In November 1938, David Selznick gave Diana a screen test to play Scarlett O'Hara in "Gone With the Wind' and although she didn't get the part, the following year Diana was doing summer stock in Maine for $10 a week. By 1940, her salary had increased to $150 per week when she appeared in "Outward Bound" in the Harris Theatre in Chicago, right next door to where John Barrymore was performing "My Dear Children" at the Selwyn Theatre, his first theatrical work in 15 years (he had exclusively made movies since 1925).

At 19 years of age, Diana made her Broadway debut playing Caroline Bronson in "Romantic Mr. Dickens." Later, helping the war effort, she also campaigned for "Bundles for Britain." In January 1942, Diana left the stage for Hollywood when producer Walter Wanger had promised to cast her in movies at $1,000 a week, and she would appear in two of his films: Eagle Squadron (1942) with screen legend Robert Stack and later Ladies Courageous (1944). Actor Van Heflin proposed to Diana, and introduced her to producer Joe Pasternak, who had collaborated with director Henry Koster on many films; Koster was set to direct Between Us Girls (1942). Diana got the role, but not Van Heflin, two days later he married Frances Neal.

Diana visited the hospital the night her father died on May 29, 1942 (of cirrhosis of the liver, from decades of too much alcohol). She let years of pent-up emotions out when she wrote, "Damn mother for her indifference and disdain of me, and damn daddy for the crazy, mixed-up life he led."

Diana quickly married Bramwell Fletcher, who was 18 years older than her, on July 30, 1942 (they would divorce in 1947). Diana gave a standout performance in the starring role in the film noir classic Nightmare (1942) costarring Oscar-nominated veteran actor Brian Donlevy but problems started with the filming of Fired Wife (1943); even though her salary was now raised to $2,000 per week, and Universal had advertised her as "1942's Most Sensational New Screen Personality"; it seemed it was all too much, too soon. The box office didn't deliver as they had counted on her Barrymore name so the studio had wanted to cash in on her instantly instead of grooming her for roles, and finding suitable projects. When Universal, clutching at straws, asked if she'd work with Abbott and Costello, Diana refused and was put on unpaid suspension. The suspension lasted 6 months and when Diana was cast in "Ladies Courageous" it was in a secondary role, the lead had been reassigned to Loretta Young.

December 1943, Diana and her husband headed back to New York and despite achieving some recognition in movies, her film career was over and Diana considered herself a has-been before her 23rd birthday. The couple took the Theatre Guild production of "Rebecca" on the road to Cleveland, Detroit, Pittsburgh, St. Louis, Cincinnati. By the summer of 1945, Diana returned to Hollywood she couldn't find any parts in movie but was instead offered $1,000 a week to be on Jack Carson's NBC radio show. In 1947, Diana divorced her husband and married again on the rebound. This time it was to a John R. Howard who was a 6'2" tennis pro (5th ranked in the nation) whom Diana met and married (January 17, 1947), and divorced after living with him as man and wife for 6 months; he was 2 years younger than her. John was broke, sponged off Diana's money and got them both arrested one night in June in his hometown of Louisville, Kentucky for drunk driving and he'd assaulted the policemen. After only 6 months of marriage, Diana asked for a divorce but John would only agree to give it to her for a large sum of money. Diana refused to pay him and got the divorce after 3 years.

Diana went to Salem, MA, to do summer stock where the producer introduced her to actor Robert Wilcox, who would become husband number three. Wilcox had been in about 2 dozen B-movies, was 11 years older than Diana and was also a recovering alcoholic. They celebrated his release from the rehab clinic by drinking martinis. Summer stock became a winter tour in Atlanta, with Diana earning $750 a week and Wilcox $250 but Wilcox drank so heavily that soon nobody wanted to hire him but were forced to retain him as Diana refused to act without him. After summer stock in 1948, they returned to New York where the jobs soon ran out and they were forced to live on the trust fund John Barrymore had set up for her, becoming even more broke by the minute.

Early in 1950, CBS offered Diana a new opportunity: television. They offered her a live talk show, "The Diana Barrymore Show" at 11:00 p.m., and had guests like Earl "the Pearl" Wilson lined up. Diana showed up the first night, too drunk to work and the show was canceled before it aired. (To make matters worse, the show became "The Faye Emerson Show" which launched the former movie actress' television career into almost a dozen TV series).

When the FBI threw husband number two in jail (for white slavery), he no longer contested the divorce and Diana married Robert Wilcox on October 17, 1950 but her hopeful new start would soon come crashing down with the year ending with Diana's mother's death on November 5 1950. As the year 1951 started, Diana was at an all-time low point, she'd been drinking steadily for weeks, got the DTs and had gone through all her money ($250,000 from her Hollywood earnings, and almost $50,000 she'd inherited when her half-brother Robin had died). Diana pawned all her jewelry (diamond bracelets, pins, etc.) and took a job in Vaudeville which was considered demeaning but where she was at least earning a weekly salary again.

Rather than face humiliation in New York ("a Barrymore following a juggling act!"), Diana and Robert got booked for 3 weeks in the Celebrity Club in Sydney, Australia in the autumn of 1951--and stayed in Australia for 6 months, mainly doing stage performances at the Princess Theatre in Melbourne. Whereas she'd been shunned in New York, she was a big celebrity in Australia, for a while but Diana's drinking got her in trouble, again and even got her fired for her drinking in Brisbane, while booked into a vaudeville house with a girlie show called "the Nudie-Cuties." By March 1952, Diana and Robert were working in half empty houses in Tasmania.

Back in Hollywood later that year, they were so flat broke they got locked out of their hotel room because the rent was 2 weeks overdue; Diana mooched money from old friends like Tyrone Powers. In November 1952 came the shocking news that her late mother's estate, the once Barrymore millions, came to a mere $8,000-- decades of lavish spending had spent it all. Diana and Robert tried to get help at an Alcoholics Anonymous meeting; however, they "fortified" themselves with drinks before the meeting, and made straight for a bar after it was over. Wilcox never worked, he just sat around the hotel room all day getting drunk, and sponging off Diana. She, in turn, started a love affair with Tom Farrell. Before it was all over, Robert had cracked both their skulls, leaving them bloodied where Diana needed stitches from a doctor, and then announcing she was divorcing Robert. Even though Tom Farrell had been "the other man" only a few weeks before, when Tom spotted Diana having a drink with an old friend, he went berserk. In their hotel room, in a jealous rage, he beat Diana to a bloody pulp, breaking her nose while he hit her with fists until she fell, and then kicking her repeatedly when she was on the floor. This would be the second time in such a short time where a doctor would have to tend to her injuries caused by her problematic relationships. For the next 3 months, Diana kept herself sequestered in her apartment, drinking heavily and taking pills; her weight dropped from a healthy 130 pounds to a skeletal 97. Being close to death, with cirrhosis, Diana took Robert back. Diana, once from the enormously rich family, was so broke she shopped for supermarket sales, getting beef liver for 33 cents a pound. When the electricity was turned off in their apartment (they hadn't paid the electric bill in months), they didn't even have money to buy candles.

They finally got summer stock work, and then a 6-month tour but Robert caught another colic attack of pancreatitis, his fourth which proved to be fatal. In November 1954, when Diana was in a French bedroom farce "Pajama Tops," where they showed her posters showing her half naked. Humiliated, she carried on with the job as she needed the money and by that time, more than half of the theatres in the country had blacklisted her.

On June 11, 1955, after Diana told him in a phone conversation that she wanted a divorce, Robert spent the next few hours drinking at a bar and he eventually collapsed of a heart attack while he was on a train to Rochester.

Diana checked herself into rehab at Towns Hospital in New York for 8 weeks, to get treatment for her alcoholism and barbiturate dependence. She returned to work on the stage sober. In 1957, Diana wrote her autobiography (along with Gerold Frank), and the 300+ page book was turned into a whitewashed, vague movie Too Much, Too Soon (1958). Diana finally took her own life on January 25, 1960 at only 38 years old. In her book, she had lamented: "So much has been dreamed, so little done; there was so much promise and so much waste."

Abigail Adams was born Margaret Thomas Adams on January 11, 1922. During her freshman year at the University of North Carolina she was discovered by modeling agent Harry Conover. She dropped out of school and moved to New York City to be a model. She made her film debut in the 1942 comedy Moonlight Masquerade. For a short time she used the stage name Tommye Adams. On January 22, 1942 she married 41-year-old actor Lyle Talbot; the marriage was annulled just eight months later. Abigail was romantically involved with Tony Martin, Mickey Rooney, and pianist Jose Iturbi. She began a turbulent romance with actor George Jessel in 1944; he was 23 year older and had three ex-wives. They broke up and got back together numerous times. Abigail had bit parts in more than a dozen films, including Bathing Beauty and Marriage Is A Private Affair. In March 1945 she was arrested for hit-and-run driving; the charges were dropped when George Jessel testified in her defense.

Abigail's apartment was destroyed in a fire in December 1947. By that time she had a serious drinking problem and her career was in trouble. Her last film was the 1948 comedy The Fuller Brush Man. George proposed to her with a heart-shaped diamond ring but refused to set a wedding date. They continued to have an on-again/off-again relationship. Abigail started singing in nightclubs and wrote a screenplay. She suffered from severe insomnia and began taking sleeping pills at night. In 1950 she attempted suicide by slashing her wrists. She was arrested on December 12, 1954 for public intoxication and ended up her relationship soon after. On February 13, 1955, at only 33 years old, she died after overdosing on sleeping pills. She was found in her bed wearing a blue nightgown. The police ruled her death as accidental but many believe she committed suicide. She was buried at Evergreen Cemetery in Charlotte, North Carolina.

Marilyn Johnson was born on 19 September 1922 in Detroit, Michigan, USA. She was an actress, known for Secrets of a Sorority Girl (1945), I Love Lucy (1951) and Wife Decoy (1945). She was married to Forrest Tucker. She died on 19 July 1960 in Beverly Hills, California, USA(undisclosed).

France Asselin was born on 13 March 1923 in Paris, Ile-de-France, France. She was an actress, known for The Big Risk (1960), The Good Girls (1960) and The Count of Monte Cristo (1954). She was married to Robert Vernay. She died on 16 November 1960 in Paris, Ile-de-France, France.

Jean was born in Seattle, Washington, in 1923. She graduated from Franklin High School in Los Angeles in 1941. Soon, Jean was working as a model for a local clothing firm. Later, she was a dancer with the Earl Carroll Theatre. Jean got married to Dexter Benner, and they had a daughter, Christine, in 1944. Two years later, in 1946, she had a bitter court battle with her ex-husband regarding the custody of their young daughter. In 1948, ruling a daughter's place is with her mother, a judge awarded full custody to Jean. Sultry and statuesque, Jean, a divorced mother and nightclub dancer, struggled to make it as an actress; she was a bit player and uncredited extra in movies and early television. In 1949, she met Kirk Douglas on the set of Young Man with a Horn (1950), which was released February 9, 1950. On October 7, 1949, when she was 3 months pregnant, she disappeared. A note was found in her purse that read: "Kirk, Can't wait any longer. Going to see Dr. Scott. It will work best this way while mother is away." All the police found was her purse and this cryptic note -- Jean had vanished without a trace. Her disappearance is still an unsolved mystery.

Lilian Velez was born on 3 March 1924 in Cebu City, Philippines. She was an actress, known for Ang estudyante (1947), G.I. Fever (1946) and Inday (1940). She died on 26 June 1948 in Quezon City, Philippines.

Elizabeth Short was born July 29th, 1924, in Medford, Massachusetts, to Phoebe and Cleo Short. When she was five her father disappeared; his car was later found near a lake, apparently abandoned, which led to the belief that he had committed suicide. However, he later appeared at home and apologized to his wife for leaving the family like that. Nevertheless, she wouldn't take him back, and he left the family again and moved to the West Coast.

Elizabeth developed a passion for movies in her youth, and when she turned 19 she decided to visit her father in California. She stayed with him for a while, but it wasn't long before he kicked her out for "not doing anything with her life"; apparently he also wasn't enamored of the fact that Elizabeth was dating a lot of different men.

After moving out, Elizabeth traveled to Santa Barbara where she was arrested for underage drinking and sent back home to Massachusetts. She returned to southern California in 1946.

On January 15th, 1947, her body was found cut in half in a vacant lot in Leimert Park. It was assumed that she had died the previous day. The press named the crime "The Black Dahlia murder", mostly because of Elizabeth's dark hair and her practice of often times wearing black or dark clothing.

The murder started one of the most intense investigations in Los Angeles history, but although the police said they did have suspects, no arrests were ever made. The case still remains unsolved.

Gail Russell was born in Chicago, Illinois, on September 21, 1924. She remained in the Windy City, going to school until her parents moved to California when she was 14. She was an above-average student in school and upon graduation from Santa Monica High School was signed by Paramount Studios.

Because of her ethereal beauty, Gail was to be groomed to be one of Paramount's top stars. She was very shy and had virtually no acting experience to speak of, but her beauty was so striking that the studio figured it could work with her on her acting with a studio acting coach.

Gail's first film came when she was 19 years old with a small role as "Virginia Lowry" in Henry Aldrich Gets Glamour (1943) in 1943. It was her only role that year, but it was a start. The following year she appeared in another film, The Uninvited (1944) with Ray Milland (it was also the first time Gail used alcohol to steady her nerves on the set, a habit that would come back to haunt her). It was a very well done and atmospheric horror story that turned out to be a profitable one for the studio. Gail's third film was the charm, as she co-starred with Diana Lynn in Our Hearts Were Young and Gay (1944) that same year. The film was based on the popular book of the time and the film was even more popular.

In 1945 Gail appeared in Salty O'Rourke (1945), a story about crooked gamblers involved in horse racing. Although she wasn't a standout in the film, she acquitted herself well as part of the supporting cast. Later that year she appeared in The Unseen (1945), a story about a haunted house, starring Joel McCrea. Gail played Elizabeth Howard, a governess of the house in question. The film turned a profit but was not the hit that Paramount executives hoped for.

In 1946 Gail was again teamed with Diana Lynn for a sequel to "Our Hearts Were Young and Gay"--Our Hearts Were Growing Up (1946). The plot centered around two young college girls getting involved with bootleggers. Unfortunately, it was not anywhere the caliber of the first film and it failed at the box-office. With Calcutta (1946) in 1947, however, Gail bounced back with a more popular film, this time starring Alan Ladd. Unfortunately, many critics felt that Gail was miscast in this epic drama. That same year she was cast with John Wayne and Harry Carey in the western Angel and the Badman (1947). It was a hit with the public and Gail shone in the role of Penelope Worth, a feisty Quaker girl who tries to tame gunfighter Wayne. Still later Gail appeared in Paramount's all-star musical, Variety Girl (1947). The critics roasted the film, but the public turned out in droves to ensure its success at the box-office. After the releases of Song of India (1949), El Paso (1949), and Captain China (1950), Gail married matinée idol Guy Madison, one of the up-and-coming actors in Hollywood.

After The Lawless (1950) in 1950 Paramount decided against renewing her contract, mainly because of Gail's worsening drinking problem. She had been convicted of operating a motor vehicle while under the influence of alcohol, and the studio didn't want its name attached to someone who couldn't control her drinking. Being dumped by Paramount damaged her career, and film roles were coming in much more slowly. After Air Cadet (1951) in 1951, her only film that year, she disappeared from the screen for the next five years while she attempted to get control of her life. She divorced Madison in 1954.

In 1956 Gail returned in 7 Men from Now (1956). It was a western with Gail in the minor role of Annie Greer. The next year she was fourth-billed in The Tattered Dress (1957), a film that also starred Jeanne Crain and Jeff Chandler. The following year she had a reduced part in No Place to Land (1958), a low-budget offering from "B" studio Republic Pictures.

By now the demons of alcohol had her in its grasp. She was again absent from the screen until 1961's The Silent Call (1961) (looking much older than her 36 years). It was to be her last film. On August 26, 1961, Gail was found dead in her small studio apartment in Los Angeles, California.

Born in interwar Prague as Miroslava Stanclová, her father died and she was adopted by a Jewish doctor, the psychoanalyst Dr. Oskar Leo Stern (1900-1972) who married her mother, Miroslava (née Becka; 1898-1945). Dr. and Mrs. Stern had a son, Ivo (1931-2011), the actress's half-brother. The family was, at one point, interned in a concentration camp after they fled their native Czechoslovakia in 1939. They sought refuge in various Scandinavian countries before emigrating to Mexico in 1941.

After winning a beauty contest in Mexico City, young Miroslava spent some time in Los Angeles studying acting. Due to her European features and accent, she rarely found roles other than mysterious women or foreign beauties. She was eventually offered a role in what would become her last and most remembered film: Luis Buñuel's The Criminal Life of Archibaldo de la Cruz (1955).

Soon after the film wrapped, she committed suicide reportedly because the man she loved married another woman. In a macabre coincidence, the premiere of The Criminal Life of Archibaldo de la Cruz (1955), in which a mannequin in her likeness is incinerated, was released during her own cremation in a Mexican graveyard. Her short, tragic life inspired a short story in 1990, and a film, Miroslava (1993).

Blanca Estela Pavón was born on 21 February 1926 in Minatitlan, Veracruz, Mexico. She was an actress, known for Cuando lloran los valientes (1947), Ustedes, los ricos (1948) and ¡Vuelven los García! (1947). She died on 26 September 1949 in near Popocatépetl, Puebla, Mexico.