Celebrity birthdays by Ralphie: March 4

Being the son of a violinist Vivaldi started playing the violin himself early in his life. In 1703 he became priest and in 1716 the director of a conservatory of the church in Venice. Being a famous violinist he gave concerts all over Europe also composing a lot of violin concerts and other string works. There is not much information about his life only that he died in poverty in Vienna.

John Garfield was born Jacob Julius Garfinkle on the Lower East Side of New York City, to Hannah Basia (Margolis) and David Garfinkle, who were Jewish immigrants from Zhytomyr (now in Ukraine). Jules was raised by his father, a clothes presser and part-time cantor, after his mother's death in 1920, when he was 7. He was sent to a special school for problem children, where he was introduced to boxing and drama. He won a scholarship to Maria Ouspenskaya's drama school. He joined the Civic Repertory Theatre in 1932, changing his name to Jules Garfield and making his Broadway debut in that company's Counsellor-at-Law. Joined the Group Theatre company, winning acclaim for his role in Awake and Sing. Embittered over being passed over for the lead in Golden Boy, which was written for him, he signed a contract with Warner Brothers, who changed his name to John Garfield. Won enormous praise for his role of the cynical Mickey Borden in Four Daughters (1938). Appeared in similar roles throughout his career despite his efforts to play varied parts. Children Katherine (1938-1945), David Garfield (1942-1995) and Julie Garfield (1946-). Active in liberal political and social causes, he found himself embroiled in Communist scare of the late 1940s. Though he testified before Congress that he was never a Communist, his ability to get work declined. While separated from his wife, he succumbed to long-term heart problems, dying suddenly in the home of a woman friend at 39. His funeral was mobbed by thousands of fans, in the largest funeral attendance for an actor since Rudolph Valentino.

Ward Kimball joined Disney Studios in 1934 as an animator. He eventually became involved in all aspects of animation production, most notably as the designer of Jiminy Cricket for the film "Pinocchio." He was also responsible for the redesign of Mickey Mouse. Walt Disney recognized Kimball's achievements by making him one of the "Nine Old Men", Disney's semi-official group of advisors. Kimball retired from Disney in 1972, but still maintained ties with the studio. He joined other leading Disney animators in 1978 for a whistle-stop tour to promote Mickey Mouse's 50th birthday. In addition to animation, Kimball was both an avid musician and train enthusiast. In 1948 he formed the Firehouse Five Plus Two, a Dixieland jazz band composed of fellow Disney employees. He also maintained a full-sized train and tracks at his home in California, and was a past president of the Train Collectors Association. Not only did his love of trains get him the job of designing the World of Motion display at EPCOT, it also got another train collector started--Walt Disney himself. Kimball received many honors during his lifetime, and in 1989 was named a Disney Legend.

Joan Greenwood, of the plummy feline voice, was born in the well-to-do London district of Chelsea, the daughter of renowned portrait painter Sydney Earnshaw Greenwood (1887-1949). Dancing from the age of eight, she took ballet lessons and later enrolled at the Royal Academy of Dramatic Art (RADA). Graduating at age 18, Joan made her theatrical debut in Molière's "Malade Imaginaire" at the Apollo Theatre. Performing some time later in Clare Boothe Luce's "The Women", she was noticed by Leslie Howard, who cast the diminutive lass as his leading lady in his wartime flag waver The Gentle Sex (1943). From this time onward, Joan began to alternate between stage and screen, comedy and drama. She worked during the London Blitz and toured with the Entertainment National Service Association (ENSA).

The theatre saw her in classical plays with the Donald Wolfit Company, ranging from George Bernard Shaw's "Heartbreak House" to William Shakespeare's "Hamlet" (as Ophelia), and Henrik Ibsen's "Hedda Gabler". On screen she gave a strong, sensitive performance in Eric Ambler's psychological thriller The October Man (1947). She was also effectively cast opposite Stewart Granger as the fragile, conflicted Sophie Dorothea, imprisoned in a loveless marriage, in Basil Dearden's period romance Saraband (1948). Above all, she is fondly remembered for a trio of classic Ealing comedies, conveying a measure of eroticism while remaining quintessentially "correct" and "properly British". She purred her way through Kind Hearts and Coronets (1949) (as the beguiling, but manipulative Sibella) and as Scottish Peggy Macroon she taunted straight-laced Basil Radford in Whisky Galore! (1949). She was Lady Caroline Lamb in The Bad Lord Byron (1949) and she dutifully undermined idealistic, naive inventor Sidney Stratton (Alec Guinness) in The Man in the White Suit (1951).

In between her two other major screen roles--Gwendolen Fairfax in The Importance of Being Earnest (1952) and lascivious Lady Bellaston in Tom Jones (1963)--Joan had a brief spell in Hollywood, paired again with Stewart Granger for Fritz Lang's gothic period melodrama Moonfleet (1955). She did not enjoy the experience. Eschewing the trimmings of Hollywood stardom, she opted instead for the uncomplicated life at Ealing, where actors "washed their hair in buckets" and lived on "toasted sandwiches, chocolates and soup".

Joan Greenwood died following a period of ill health on February 28, 1987, less than a week before her 66th birthday.

Paul Mauriat is a French composer, arranger and conductor. He began to study music at the age of four. He graduated from the Marseille Conservatory in piano. Mauriat was fond of jazz and popular music. At the age of seventeen he created his first orchestra. In 1957 he moved to Paris and began work on the record company "Barclay" as an arranger and accompanist. From 1959 to 1964, Mauriat collaborated with the Bel-Air record label. At various times, he worked with Charles Aznavour (co-created over 120 songs), Dalida, Maurice Chevalier, Léo Ferré, Leny Escudéro and many other pop singers. In 1962, Mauriat composed his first international hit, "Chariot", which later received the English name "I will follow him". In 1965, Mauriat created his grand orchestra, with which he recorded instrumental versions of popular songs for many years, and made arrangements for classical music. In 1965, he began his collaboration with Philips record label, which will last 28 years. In 1994, he signed a contract with the Japanese record company Pony Canyon, in collaboration with which his most famous compositions were recorded. The latest album of the orchestra, "Romantic", was recorded in 1997. Since 1998, Paul Mauriat has completed his active concert activities. The pianist Gilles Gambius, who worked in the orchestra for many years, became the new conductor of the orchestra.

He was David Thayer Hersey from an upper crust Winchester, Massachusetts family. After secondary school he began attending Harvard University. Along with several students he founded the Brattle Theatre Company in 1946. After working closely on Brattle with fellow Harvard graduates and his father,Thayer Frye Hersey, David took the stage name Thayer David in honor of his father.

Thayer David was tall and heavy-set with a prominent beetling brow and protruding lips (a somewhat intimidating demeanor) which inevitably bound him to character roles. But he had no false illusions about leading man roles and whatnot other than applying a consummate passion for being a good actor in those parts allotted him. To this he brought a forceful if pursed and imperious voice and a knack for developing voice characterizations to fit any part.

By late 1950 he was on Broadway in a revival of the comedy play "The Relapse" Through most the 1950s he was busy with theater roles rounded with returns to Broadway for the next two decades in some great dramas, including stepping in as a replacement to play Cardinal Wolsey in "A Man for All Seasons" (1961-63). Like many a trained actor looking beyond the stage, David saw the potential of the small screen as a new acting vehicle. By 1957 he had launched his TV career amid the television playhouse phenomenon which had been established by 1950. He would revisit perennially through most of the 1960s, but he had about the same time been discovered by filmdom as well.

His first role was in the quite well done Baby Face Nelson (1957), part of the body of serious dramas that Mickey Rooney (as the machine gun-happy 1930s gangster) was amassing since his early days as one of Hollywood's biggest juvenile stars. David next film had the clumsy and long forgotten title A Time to Love and a Time to Die (1958), but it was a much more substantial part with young John Gavin as German friends who become World War II officers and confront humanity versus the Nazi war mentality. As was usual with his roles, David was the veiled (if not overt) antagonist-always intellectual but with a brutish shadow. Within a year the chance to play a really melodramatic villain came with his casting in the film version of Journey to the Center of the Earth (1959) from the novel by the visionary French 19th century sci-fi author Jules Verne. Although the film substantially strayed from the novel, the latter plodded along, while the script was fast-paced and engaging. And where there was no villain except nature herself, the film had David as the self-serving-downright nasty - Count Saknussem. With James Mason heading the cast and-then-teen heartthrob Pat Boone drawing in as well a young female audience, the film and its special effects made for a rousing good time.

Into the 1960s David's opportunities focused most on television. And among these was a fad TV acting goal of being a guest super villain on the highly popular and inventive The Wild Wild West (1965 to 1969). David had the even better fortune of being cast in two episodes (1967 and 1969). In the meantime David had hit some more substantial TV pay dirt. The smash daytime horror soaper Dark Shadows had premiered in 1966, and David was in on the ground floor as perfect for several characters to emerge through the series run (1966 to 1971). He played seven characters in the course of the show, the most prominent being Professor T. Elliot Stokes. He reprised this role in the substantially more potent in-a-nutshell film version of the story House of Dark Shadows (1970), considered by horror aficionados as one of best blood and gore vampire romps. David returned in the studio-butchered and thus unsuccessful film sequel Night of Dark Shadows (1971) as his eighth characterization, the Reverend Strack. In all cases David was intimately involved and delighted in meshing makeup and costumes with the voices he invented for all these roles (most of which he developed) for the series.

If not from an already dependable track record, David's longevity on the series marked him as a veteran trooper in the casting halls of Hollywood. But he later recalled that his time invested in doing voice over commercials could often come close to DS production schedule conflicts. His commercial work marked the inevitable practical side of acting. Even the best known actors and actresses have stooped to such business over art, for the money is always good.

David was thereafter quite in demand through the decade of the 1970s in both film and TV. Although he might be best recalled from the era as the crooked fight manager in historic Rocky (1976), his most character of character roles was by far his Dragon in the Clint Eastwood adventure/thriller The Eiger Sanction (1975). Based on the novel by American author Rod Whitaker who used the pseudonym Trevanian to come off European, there is much name wordplay, for instance, Dragon's full name in the novel is Uras S. Dragon (say it fast). David's Dragon is head of CIA-like shadow hit unit which employed Eastwood's character, and Dragon is an extreme albino (can't tolerate normal environment). David gives him a rather strident rasping voice with a hint of menace that along with his nearly colorless eyes and figure bathed in the dramatic red light of an infrared-controlled environment easily makes him the most memorable character in the film.

David guest-starred on some of the most watched episodic fare of the 1970s, and he was especially busy between 1975 and 1977. Amid two to three films per year he made the rounds of TV production at the major studios. Universal had continued using his talents during this period when this contributor met and worked with Thayer David in early 1977. He was an engaging person who enjoyed good conversation - the more obscure the better - and a good cigar. Among outside pursuits he was also a rare book collector with varied interests and enjoyed entertaining at home.

A big man, he was nonetheless at that time overweight and the demands of production visibly put a strain on him - he looked ill. But an actor must work, and he carried on into the next year and lost some weight as well. It was then that Paramount television offered him a potentially great opportunity. This was the lead role in the TV pilot movie for a series on the preoccupied but brilliant, corpulent - and most important, rich - detective Nero Wolfe. The script was good, and Thayer lent his accumulated and considerable characterization talents to make Wolfe his own, although his loss of weight was now much more noticeable and was rumored to be cancer. The success of the TV pilot looked promising, as would the subsequent go-ahead for the series. But in one of the ironic twists of fate, Thayer David suddenly died of a heart attack, perhaps a complication of the purported advancing cancer - he was only 51 years old. The pilot was shelved for over a year, ending up premiering as a late night TV offering (Dec 1979). A Nero Wolfe series did appear (1981), but it was short-lived.

One can only wonder if Thayer David had remained hale. A Nero Wolfe series with such a dedicated and creative actor may have thrived with a long run - the Holy Grail of any actor - the dream of security and the opportunity to contribute thoroughly to on-going success. Oh well - the stuff of dreams - posterity has to settle for the filmed record of Thayer David as is - and that is a very substantial offering indeed.

Anne Haney held prominent roles acting on stage, on the screen, and on TV. All these achievements came in her mid-40s, after she had raised a daughter and buried a husband. It wasn't until after she had packed her daughter off to college and "the maid quit", as she said, that she decided to try her hand at acting. She was born in Memphis, Tennessee and studied drama, radio and TV at the University of North Carolina, where she met her husband, John Haney. She did apply her schooling briefly at a Memphis television station, but soon settled down with her husband and devoted herself to family life. "I was a lovely faculty wife. We made ambrosia salad. We did good works. We played a lot of bridge", she said of those times. By the 1970s, however, Haney began seeking work in local theatre productions and television commercials. Soon, she was traveling with a touring company performing as the maid in Noël Coward's "Fallen Angels". She toured for two years. Eventually, she joined the Screen Actors Guild and the American Federation of T.V. and Radio Artists. She and her husband had, in fact, planned to move to Southern California after his retirement. She was eager to experience and, she hoped, benefit from the variety and prestige available only in Hollywood. Those plans changed when Mr. Haney died of kidney disease in 1980; Anne Haney made the trek to California, alone. Not long after arriving, she had an agent and a part in the Walter Matthau vehicle Hopscotch (1980). As her career took off, she also secured roles on stage, notably the role of Margaret Fielding in the Theatre West production of "Verdigris". When asked whether she ever dwelled on the prospect that had she begun her career too late, she replied that "this is gravy to me. It's a wonderful way to spend the last third of my life".

Popular African-American vocalist and entertainer Barbara McNair dazzled audiences with her singing prowess and exceptional beauty for well over four decades until her death on February 4, 2007 of throat cancer in Los Angeles. The Chicago-born entertainer and one-time secretary was raised in Racine, Wisconsin, one of five children born to Horace and Claudia Taylor McNair. She sang in her church choir and was encouraged by her parents to pursue voice. Following music studies at the Racine Conservatory of Music and the American Conservatory of Music in her hometown Chicago, she moved to Los Angeles and attended USC before relocating once again to New York to pursue her dream.

Barbara worked her way up from typist to singer of small supper clubs to headlining large showrooms as one of America's more visible singers of the late 50s and 60s. A jazz stylist influenced by the great Sarah Vaughan at first, she gently eased into popular music. Her first big break came with a week-long gig on Arthur Godfrey's talent show, which led to bookings at The Purple Onion, The Persian Room and L.A.'s Cocoanut Grove. She began receiving invites on the TV variety circuit ('Ed Sullivan's "Toast of the Town," "The Dean Martin Show" and "The Tonight Show") and made it to Broadway with the musicals "The Body Beautiful" (1958) and "No Strings" (1962), replacing original star Diahann Carroll in the latter. At different times she recorded on the Coral, Signature and Motown labels resulting in such modest hits as "You're Gonna Love My Baby" and "Bobby."

In the late 60s Barbara made a choice to scout out acting roles, hoping to parlay her singing success into a movie career. The singer showed initial promise as a sexy lead alongside Raymond St. Jacques in the gritty crime drama If He Hollers, Let Him Go! (1968) in which she made news with her celebrated nude sequences. She also wore a nun's habit alongside Mary Tyler Moore in Elvis Presley's last feature film Change of Habit (1969), and appeared opposite Sidney Poitier as Virgil Tibbs' wife in both They Call Me Mister Tibbs! (1970) and The Organization (1971). A warm, inviting presence, she pioneered her own syndicated musical TV show The Barbara McNair Show (1969), a rarity at the time for a black entertainer, and guested on all the popular TV programs of the day including "Mission: Impossible," "Hogan's Heroes" and "I Spy."

The early 1970s were a difficult time for Barbara when offers suddenly stopped coming in and her husband/manager, who had mob affiliations, was shot and killed in 1976. Barbara went on to appear in such stage musicals as "The Pajama Game" and "Sophisticated Ladies", and was also seen in a recurring role for a time on General Hospital (1963) in later years. She was also spotted in a couple of obscure films in the 80s and 90s. Barbara's love of performing continued even in lesser venues -- cabaret clubs, cruise ships, special events and even retirement centers in Florida -- still sporting her stunning looks and vocal sparkle. In 2006 she opened for Bob Newhart in Philadelphia and New Jersey. Married four times in all, Barbara died at age 72 and was survived by husband, Charles Blecka.

Discovered by a talent scout at Northwestern University in 1958, Paula Prentiss was signed by Metro Goldwyn Mayer and teamed with Jim Hutton in a string of comedies. She rapidly became one of the best American comediennes of the 1960s. Her funny voice inflections, free acting style and brunette good looks established her as a leading lady in comedies of the screwball type, although she was very good in dramatic roles, too. Not much attracted to the Hollywood scene, she retired from films on several occasions, due also to illness and motherhood, but she was always admired and welcome whenever she made a comeback. She and her husband, the actor and director Richard Benjamin, are the parents of Ross Benjamin and Prentiss Benjamin.

He was born in Reykjavik, Iceland and moved to the United States at the age of 5. Gunnar lived in Maine till he was 11, his family then moving to Texas, where he went to high school before attending the University of Texas. At the university, he did some theater work and majored in English and mathematics before going on to graduate in English and Scandinavian Studies. Despite graduating in the aforementioned fields, his first job out of high school was as a computer operator.

In the summer of 1973, he heard that Tobe Hooper and others were in town to work on a movie and decided to try out for a part. After interviewing with Tobe Hooper and the writer of The Texas Chain Saw Massacre (1974), Kim Henkel, he was cast in the role of the disturbed, mentally handicapped killer, Leatherface.

After Chainsaw, Hansen went on to work as a freelance writer for magazines for several years before going on to write books, one later being set in Iceland about purported serial killer, Henry Lee Lucas. He has gone on to write multiple screenplays - one co-written with his partner Gary Jones, director of Mosquito (1994)).

Gunnar also directed a documentary on Greenland and had a stint designing web pages for GTE.

Shakin' Stevens was born on 4 March 1948 in Cardiff, Wales, UK. He is a music artist and actor, known for Filth (2013), Ashes to Ashes (2008) and Coronation Street (1960). He was previously married to Carole Dunn.

Born in London on March 4, 1948, Chris Squire engaged in a highly musical childhood, including singing in St. Paul's distinguished youth choir. In 1968, he was introduced to aspiring tenor vocalist Jon Anderson in a London bar, "La Chasse". They soon found that they shared similar ideas of how music should sound. After getting a few other musicians to join, art rock band Yes was formed. Success for the band did not occur until 1971 and the release of 'The Yes Album', 'Fragile' and 'Close to the Edge'. Each of which featured Chris' innovative, complex bass riffs and tenor vocals. Squire has continued on in Yes full term, being the only member to appear on every Yes album. He made a solo album called 'Fish Out of Water' in 1975 at his home studio near Virginia Water, Surrey. Chris is married and has four daughters and a son. He lives in the USA with wife Scotty.

Emilio Estefan Jr. was born on 4 March 1953 in Havana, Cuba. He is a producer and composer, known for The Mask of Zorro (1998), Top Gun (1986) and Cobra (1986). He has been married to Gloria Estefan since 2 September 1978. They have two children.

Canadian actress, writer, and comedian, Catherine O'Hara gained recognition as one of the original cast members on the Canadian television sketch comedy show SCTV (1976). On the series, she impersonated the likes of Lucille Ball, Tammy Faye Bakker, Gilda Radner, Katharine Hepburn, and Brooke Shields. O'Hara stayed with the show for its entirety (1976-1984). She went on to devote her talents to several films directed by Tim Burton, including Beetlejuice (1988), The Nightmare Before Christmas (1993) and later, Frankenweenie (2012). O'Hara also frequently collaborated with director and writer, Christopher Guest, appearing in his mockumentary films, three of which earned her awards and nominations; Waiting for Guffman (1996), Best in Show (2000), A Mighty Wind (2003), and For Your Consideration (2006). Recently, O'Hara can be seen on the Canadian television comedy series Schitt's Creek (2015). Her work in the series earned two Canadian Screen Awards for Best Lead Actress (2016 and 2017).

Perhaps best remembered for his touching performance as "Bubba" opposite Tom Hanks in the Academy Award-winning Forrest Gump (1994), Mykelti Williamson is one of the most sought-after actors in Hollywood, who has been steadily honing his craft since he first began acting professionally at the age of 18.

In 2000 Williamson starred as Lt. Philip Gerard, the hardnosed detective determined to recapture escaped convict Dr. Richard Kimble (Tim Daly) in CBS' update of the classic 1960's action series The Fugitive (2000).

The son of an Air Force Staff Sergeant (father) and certified public accountant (mother), Williamson was born in St. Louis, MO, and began performing on the stage at the age of 9. Like many youngsters, he was enamored with the concept of television, and thought that the images he was seeing on the small screen were reality. It wasn't until his mother put him in a church play that he realized that what the people on the small screen were doing was performing. He was instantly hooked. At the age of 15, Williamson and his family settled in Los Angeles. A superb athlete, he excelled at both football and basketball, but the acting bug led him to quit sports and dance with the cheerleading squad, much to the chagrin of his coaches.

Following graduation, Williamson began acting professionally, making appearances on television shows such as Starsky and Hutch (1975), Hill Street Blues (1981) and China Beach (1988), among others. He made his film debut in the Walter Hill-directed feature Streets of Fire (1984), opposite Diane Lane, Michael Paré and Willem Dafoe.

He would subsequently appear in the feature The First Power (1990) with Lou Diamond Phillips, Miracle Mile (1988) with Anthony Edwards and Mare Winningham, Number One with a Bullet (1987), Wildcats (1986) and Free Willy (1993).

Following his critically acclaimed performance in Forrest Gump (1994), Williamson starred in Forest Whitaker's Waiting to Exhale (1995); partnered with Al Pacino in Michael Mann's Heat (1995); Free Willy 2: The Adventure Home (1995), and starred alongside Nicolas Cage in Con Air (1997).

Williamson was also seen in Mike Nichols' political drama Primary Colors (1998) (a cameo appearance which he did as a personal favor to Nichols and John Travolta) and Three Kings (1999), opposite George Clooney, Mark Wahlberg and Ice Cube.

In 1996 Williamson returned to television when he starred opposite Delroy Lindo and Blair Underwood in the critically acclaimed HBO telefilm Soul of the Game (1996) and received rave reviews for his stirring portrayal of legendary Negro League baseball legend Josh Gibson. Williamson also starred in Buffalo Soldiers (1997) for TNT and 12 Angry Men (1997) for Showtime, as well as starring in the cable network's series The Hoop Life (1999).

On stage Williamson starred with Samuel L. Jackson, D.B. Sweeney, Ellis Williams, Matt McGrath and Richard Reilly in Clark Gregg's ("What Lies Beneath") 1995's ensemble drama "Distant Fires", which earned the cast a prestigious L.A. Theatre Award.

An avid sports fan and devoted family man, Williamson enjoys restoring classic cars and rodeoing in his free time. He currently lives in Los Angeles with his wife and two of his three daughters.

Named by his grandfather for 'Spirit' or 'Silent Friend' in the language of Blackfeet Indians, Mykelti Williamson has quietly built a reputation in Hollywood as one of the most consistently proven actors in the business, delivering stirring and honest performances that always capture audiences.

While studying acting in New York with drama teacher William Esper, Heaton made her Broadway debut in the gospel musical "Don't Get God Started." She and her fellow students then formed Stage Three, an acting company that produced plays Off-Broadway. They took one production, "The Johnstown Vindicator," to Los Angeles, where Heaton's performance caught the eyes of casting directors. Consequently, Heaton portrayed the producer/daughter in the television series Room for Two (1992). Her additional television credits include a starring role in the series Someone Like Me (1994), a regular role in Women of the House (1995), and a recurring role on Thirtysomething (1987). She also starred in the highly rated television movie Miracle in the Woods (1997), with Della Reese. Her feature film credits include Memoirs of an Invisible Man (1992), Beethoven (1992), The New Age (1994) and Space Jam (1996).

For her role in Everybody Loves Raymond (1996), Heaton won 2 Emmy Awards for Outstanding Lead Actress in a Comedy Series. She was nominated for a 1999 Emmy Award for Outstanding Lead Actress in a Comedy Series and won the 1998-99 Viewers for Quality Television Best Actress in a Quality Comedy Award.

Heaton was born in Cleveland and lives with her husband, David Hunt, and their four sons in Los Angeles.

This Queens-born actor has certainly proven himself adept at everything from quirky comedy to flat-out melodrama earning TV stardom in the early 1990s and maintaining a strong foothold on stage, film and TV in its aftermath.

Steven Robert Weber was born on March 4, 1961, to Fran (Frankel), a nightclub singer, and Stuart Weber, a nightclub performer, and Borscht Belt comic and manager. He was already appearing in television commercials by elementary school age. He later studied at the High School of the Performing Arts in New York and graduated from New York State University. The fair-haired, fair-skinned actor worked a series of menial jobs during his salad days as a struggling thespian (custodian, elevator operator, singing waiter) until earning his break on TV in a presentation of one of Mark Twain's stories. Quickly making his film debut in the popular comedy The Flamingo Kid (1984), he nabbed a running role on the soap opera As the World Turns (1956) a year later. On the set he met first wife Finn Carter, another co-star on the daytime drama. Steven stayed put for a year then went on to gain recognition in more offbeat and/or prestigious productions on film and prime-time TV. He played a rock star in the thoroughly offbeat foreign-made film Angels (1990) and showed real command as John F. Kennedy in the epic miniseries The Kennedys of Massachusetts (1990).

That same year TV stardom came his way with the sitcom Wings (1990). Co-starring with Tim Daly as Brian Hackett, the looser, goofier more aimless half of the brotherly team who co-owned a one-plane, Nantucket-based airline, the actors' chemistry, not to mention a terrifically eclectic supporting cast, kept the show on a steady course for seven seasons. Easily typed now as a genial, lovable loser type, Weber faced the prospect of severe pigeon-holing. So during the show's off season, he started showing up in more serious roles. He suffered at the hands of the deranged Jennifer Jason Leigh in Single White Female (1992); appeared in a second chiller with The Temp (1993); and made a cameo in the highly depressing, award-winning Leaving Las Vegas (1995). His flair for comedy shone in is straight-man role as Johathan Harker in the critically acclaimed horror spoof, Dracula: Dead and Loving It (1995) He truly impressed both critics and audiences alike as the complex title character in Jeffrey (1995), a gay romantic film comedy, and then completely defied all odds by starring in an epic TV-movie version of Stephen King's horror classic The Shining (1997), seizing the role inherited from Jack Nicholson and brilliantly making it his own while earning a Saturn award for his chilling efforts.

By the time "Wings" came to an end in 1997, Weber had divorced his actress/wife Finn Carter (they had no children) and married actress/TV executive Juliette Hohnen on July 9, 1995. They have two children, Jack and Alfie. He and Laura Linney were selected to play the TV-movie leads in the popular A.R. Gurney theater piece Love Letters (1999). While other TV series comebacks have fared less well, including the short runs of The Weber Show (2000) (which he produced), The D.A. (2004), Studio 60 on the Sunset Strip (2006), Happy Town (2010) and Chasing Life (2014).

Steven bounced around solidly in other venues. In 2002, he joined the cast of the smash Broadway musical "The Producers," taking over the nebbish Matthew Broderick role. In 2004, he went to London to appear on stage with Kevin Spacey and Mary Stuart Masterson in "National Anthems." Other plays over the years have included "Throwing Your Voice," "Something in the Air" and "Design for Living."

Steven has remained quite productive into the millennium with recent film outings in Sexual Life (2004), The Amateurs (2005), Inside Out (2005), the title role in Choose Connor (2007), Farm House (2008), My One and Only (2009), A Little Bit of Heaven (2011), Son of Morning (2011), the comedy Being Bin Laden (2011) in which he played Osama Bin Laden, Crawlspace (2012), Kiss Me (2014), Amateur Night (2016), A Thousand Junkies (2017), The Perfection (2018) and Allan the Dog (2020). Seen even more prolifically on TV, he has graced such popular shows as "The D.A.," "Will & Grace" (as Will's brother Sam), "Monk," "Law & Order: Special Victims Unit," "Desperate Housewives," "Hot in Cleveland," "Parenthood," "Curb Your Enthusiasm," "Sleepy Hollow" and "This Close."

The actor continues to play a stream of comedic and dramatic recurring roles on such TV programs as Without a Trace (2002), Brothers & Sisters (2006), Dallas (2012) (the New Generation), Murder in the First (2014), Helix (2014), iZombie (2015), House of Lies (2012), NCIS: New Orleans (2014), Ballers (2015) and Get Shorty (2017) and more recently appeared as a regular on the mystery series 13 Reasons Why (2017) and comedy series Indebted (2020). In addition, he has given voice to a few animated programs including Ultimate Spider-Man (2012), Avengers Assemble (2012) The Bravest Knight (2019) and Puppy Dog Pals (2017).

Jason Newsted was born on 4 March 1963 in Battle Creek, Michigan, USA. He is an actor and composer, known for Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014), Metallica: Some Kind of Monster (2004) and Man at Arms (2013). He has been married to Nicole Leigh Smith since October 2012. He was previously married to Judy Newsted.

Margo was born in San Diego, California, and lived in La Costa, California, until she was 12, where she attended La Costa Heights Elementary School. She currently lives in Orange County, California, and resides with her parents and three older siblings. She began acting at the age of two and since then has been in many theatrical productions and TV commercials. She can be seen in the television series Even Stevens (2000) on the Disney channel.

Bobbi Kristina Brown was born on 4 March 1993 in Livingston, New Jersey, USA. She was an actress, known for For Better or Worse (2011), The Houstons: On Our Own (2012) and Being Bobby Brown (2005). She died on 26 July 2015 in Duluth, Georgia, USA.