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Kate Price was born on 13 February 1872 in Cork, Ireland. She was an actress and writer, known for Quality Street (1927), Paradise (1926) and Orchids and Ermine (1927). She was married to Joseph Price Ludwig . She died on 4 January 1943 in Woodland Hills, Los Angeles, California, USA.

Claire McDowell was born on 2 November 1877 in New York City, New York, USA. She was an actress, known for Ben-Hur: A Tale of the Christ (1925), The Big Parade (1925) and The Mark of Zorro (1920). She was married to Charles Hill Mailes. She died on 23 October 1966 in Hollywood, California, USA.

A D.W. Griffith favorite matriarchal figure often playing mother characters. Kate Bruce appeared 292 times on the screen from 1908 to 1930, in movies including Intolerance (1916), The Idol Dancer (1920), Way Down East (1920), The Eternal Mother (1912), and Orphans of the Storm (1921). She was a close friend of actresses Lillian Gish and Dorothy Gish, who supported Bruce financially for much of her life, including paying her rent in a little Hotel on Madison Avenue in New York. Lillian's maid would take care of her room once a week. Bruce would dine at Lillian's apartment several times a week. A very secretive and shy person, Bruce did not talk about her past or background. Lillian often compared her to a nun since her life was very austere and lonely.

Eugenie Besserer was born in Watertown, New York on Christmas Day of 1868. She was largely a silent film actress who made her debut in 1910's silent version of The Wonderful Wizard of Oz (1910). She was 42 at the time. For the most part Eugenie was a character actress, much in demand for filling in roles. Because of her willingness to take just about any role, Eugenie was able to be a part of films such as Enemies of Children (1923), The Millionaire Policeman (1926), The Jazz Singer (1927) (the first "talkie"), and A Royal Romance (1930). Her final film was 1933's To the Last Man (1933). Eugenie died of natural causes on May 28, 1934 in Los Angeles, California.

Dot Farley was born on 6 February 1881 in Chicago, Illinois, USA. She was an actress and writer, known for The Red Kimono (1926), So Big (1924) and The Little Irish Girl (1926). She died on 2 May 1971 in South Pasadena, California, USA.

Scots actress, long in the United States, who specialized in housekeepers and mothers, most notably the housekeeper Mrs. Hudson in the Sherlock Holmes series of movies of the Thirties and Forties. She was born Mary Gilmour, the daughter of a Glasgow wire weaver. She worked as a dressmaker before finding work on the stage. Joining a company bound for an American tour, she came to the U.S. in her twenties, apparently making a few appearances on Broadway in small roles, but primarily touring in stock. With her mother Mary and daughter (also named Mary), she arrived in Los Angeles in the mid-Twenties and began playing variations on the roles she would spend her career doing. She became friends with John Ford while making Hangman's House (1928) and made seven more films for him. In 1939, she took on her most famous role as Sherlock Holmes's housekeeper and played the role in ten films and numerous radio plays. She was a charter member of the Hollywood Canteen, entertaining servicemen throughout the Second World War. On the radio show "Those We Love," she played the regular role of Mrs. Emmett. She entered retirement just as television reshaped the entertainment industry, making only a single appearance in that medium. Very active in the Daughters of Scotia auxiliary of the Order of Scottish Clans, she lived out her final years in Pasadena, California with her daughter and grandson. She died after a long illness on August 23, 1963.

Louise Lester was born on 8 August 1867 in Milwaukee, Wisconsin, USA. She was an actress and writer, known for Calamity Anne's Dream (1913), Calamity Anne's Sacrifice (1913) and Calamity Anne, Detective (1913). She was married to Jack Richardson and Frank Beal. She died on 18 November 1952 in Hollywood, California, USA.

Mabel Trunnelle was born in Dwight, Illinois on November 8, 1879. A stage actress from the East Coast, Mabel was 32 when she appeared on the silver screen. In 1911 she was in A MODERN CINDERELLA, IN THE DAYS OF CHIVALRY, and THE STAR SPANGLED BANNER, the latter being the most notable. Her last film was in 1923's THE LOVE TRAP. At 44 she went back to the stage. On April 29, 1981, Mabel died in Glendale, California at the age of 101.

Julia Swayne Gordon was born on 29 October 1878 in Columbus, Ohio, USA. She was an actress, known for My Lady's Slipper (1916), Wings (1927) and You Can't Fool Your Wife (1923). She was married to Hugh Thomas Swayne. She died on 28 May 1933 in Los Angeles, California, USA.

Renée Carl was born on 10 June 1875 in Fontenay-le-Comte, Vendée, France. She was an actress and director, known for Severo Torelli (1914), Fantômas: In the Shadow of the Guillotine (1913) and Fantômas: The Dead Man Who Killed (1913). She died on 31 July 1954 in Paris, France.

Flora Finch was born in London, England, on June 17, 1867. After spending time on the legitimate stage, she began to make films, and was one of the early comedy stars of the silent-film era. Her first film was Mrs. Jones Entertains (1909). After making nine more films she began appearing with rotund comic John Bunny, and together they would make more than 250 shorts over the next five years, becoming the cinema's first popular comedy team. Among their more popular titles were The New Stenographer (1911), The Subduing of Mrs. Nag (1911) and A Cure for Pokeritis (1912). She made other films on her own in addition to those she made with Bunny, and after he died in 1915 she began her own series of comedy shorts, although not meeting with the kind of success she had with Bunny. By the time the sound era began she was relegated to minor supporting roles and bit parts, although she did have a fairly decent role in The Scarlet Letter (1934) with Colleen Moore, as one of the self-righteous women in Nathaniel Hawthorne's tale of life in colonial America. Finch retired from acting after appearing in The Women (1939), ending a long and illustrious career. On January 4, 1940, she died of rheumatic fever, brought on by a streptococcus infection, in Los Angeles, California. She was 70 years old.

Marion Leonard was born on 9 June 1881 in Cincinnati, Ohio, USA. She was an actress and writer, known for What Avails the Crown (1912), The Seed of the Fathers (1913) and The Voice of the Millions (1912). She was married to Stanner E.V. Taylor. She died on 9 January 1956 in Woodland Hills, Los Angeles, California, USA.

Delightful character actress who held her own against such acting heavyweights as Charles Laughton, Boris Karloff, Tyrone Power, Barbara Stanwyck, and Sydney Greenstreet. Often cast by studio heads as comic relief thanks to her thick Irish accent and rubber-faced expressions, most notably in Universal's horror classics, Bride of Frankenstein (1935) and The Invisible Man (1933). Her final role was as the devoted housekeeper in Billy Wilder's Witness for the Prosecution (1957), a role she originated on stage. Her hilarious testimony during the trial is one of the film's highlights.

Once you saw her, you would not forget her. Despite her age and weight, she became one of the top box office draws of the sound era. She was 14 when she joined a theater group and she went on to work on stage and in light opera. By 1892, she was on Broadway and she later became a star comedienne on the vaudeville circuit. In 1910, she had a hit with 'Tillie's Nightmare' which Mack Sennett adapted to film as Tillie's Punctured Romance (1914) with Charles Chaplin. Marie took top billing over a young Chaplin, but her film career never took off and by 1918, she was out of films and out of work. Her role in the chorus girls' strike of 1917 had her blacklisted from the theaters. In 1927, MGM screenwriter Frances Marion got her a small part in The Joy Girl (1927) and then a co-starring lead with Polly Moran in The Callahans and the Murphys (1927) (which was abruptly withdrawn from circulation thanks to objections of Irish-American groups over its depiction of gin-guzzling Irish). Her career stalled and the 59-year old actress found herself no longer in demand. In the late 1920s she had been largely forgotten and reduced to near-poverty. Despite her last film being a financial disaster, Irving Thalberg, somewhat incredibly, sensed her potential was determined to re-build her into a star. It was a slow return in films but her popularity continued to grow. But it was sound that made her a star again. Anna Christie (1930) was the movie where Garbo talks, but everyone noticed Marie as Marthy. In an era of Harlow, Garbo and Crawford, it was homely old Marie Dressler that won the coveted exhibitor's poll as the most popular actress for three consecutive years. In another film from the same year, Min and Bill (1930) she received a best actress Oscar for her dramatic performance. She received another Academy Award nomination for Emma (1932). She had more success with Dinner at Eight (1933) and Tugboat Annie (1933). In 1934, cancer claimed her life.

Dublin-born Sara Allgood started her acting career in her native country with the famed Abbey Theatre. From there she traveled to the English stage, where she played for many years before making her film debut in 1918. Her warm, open Irish face meant that she spent a lot of time playing Irish mothers, landladies, neighborhood gossips and the like, although she is best remembered for playing Mrs. Morgan, the mother of a family of Welsh miners, in How Green Was My Valley (1941), for which she was nominated for an Academy Award for Best Supporting Actress. Her sister Maire O'Neill was an actress in Ireland, and famed Irish poet William Butler Yeats was a family friend.

Sara Allgood died of a heart attack shortly after making her last film, Sierra (1950).

Missouri-born Jane Darwell was born Patti Woodard, the daughter of William Robert Woodard, president of the Louisville Southern Railroad, and Ellen (Booth) Woodard, in Palmyra, Missouri, where she grew up on a ranch . She nursed ambitions to be an opera singer, but put it off because of her father's disapproval (she eventually changed her name to Darwell from the family name of Woodard so as not to "sully" the family name). Making her stage debut at age 33, she was almost 40 when she made her first film, a silent, in 1913.

She easily made the transition from silents to talkies, and specialized in playing kindly, grandmotherly types. Her most famous role was as Ma Joad, the glue that held the Joad family together, in the classic The Grapes of Wrath (1940), for which she won the Academy Award. She was, however, memorably cast against type in The Ox-Bow Incident (1942), as the shrewish, cackling Ma Grier, a lynch mob leader, and again in Caged (1950), as the unsympathetic prison matron in charge of the isolation ward.

She made over 200 films. Her last, Mary Poppins (1964), was made at the express request of Walt Disney; she had retired and was living at the Motion Picture Country Home and Disney came out personally to ask her to appear in the film, after which she went back into retirement. She died in 1967 after suffering a stroke and a heart attack, and was interred at Forest Lawn Memorial Park in Glendale, California.

This distinguished theatrical tragedienne will be remembered forever if only for the fact George Bernard Shaw wrote his classic "Saint Joan" work specifically for her. Her over six-decade career allowed for a gallery of sterling, masterful portrayals, both classic and contemporary, performing all over the world including Australia, New Zealand, South Africa, India and both Western and Eastern Europe. She was created a Dame of the British Empire in 1931, when her career was not quite half over, and in 1970 was made Companion of Honor to Queen Elizabeth.

Born Agnes Sybil Thorndike on October 24, 1882 in Gainsborough, Lincolnshire, she was the daughter of a minor canon of Rochester Cathedral. She was the eldest of four children. One younger brother, Frank, was killed in WWI action, a tragedy that left her father inconsolable. He himself would die a few months later. Sybil first became a concert pianist until nerve injuries in her hands quickly altered her destiny. She, at brother Russell Thorndike's suggestion, decided upon acting. Russell would later become a novelist and his sister's biographer.

Not a classic beauty by any stretch, Dame Sybil had sharp features, prominent cheek bones and a pronounced chin that gave her a rather severe look. At age 21 she and her brother began professionally in a touring company guided by actor-manager Ben Greet. She performed as Portia in a production of The Merchant of Venice in 1907 while touring in New York. The following year she met playwright George Bernard Shaw while understudying the role of Candida in a tour which was being directed by the writer himself. It was also during this tour that Sybil met and married actor Sir Lewis Casson and solidified one of the most respected personal and professional relationships the acting realm has known. She stayed with The Old Vic for five years (1914-1919) and in 1924 earned stardom as Shaw's Joan of Arc.

Sybil's film career, unlike that of her esteemed contemporary Edith Evans, fell far short of expectations. Silent films recreated some of her finest theatrical experiences, including Lady Macbeth and, of course, Joan of Arc, but she would not evolve into a film star. She was sporadically utilized in later years as a flavorful character support and played a number of queens, dowagers and old crones with equal finesse. Such classic costumed fare would include Major Barbara (1941), The Life and Adventures of Nicholas Nickleby (1947), Stage Fright (1950), Gone to Earth (1950), The Lady with a Lamp (1951), Melba (1953), as Queen Victoria, and The Prince and the Showgirl (1957) in which she managed to grab focus during her scenes with Laurence Olivier and Marilyn Monroe. In 1969, Sybil lent her name to the new theatre in Leatherhead, Surrey, which became The Thorndike. Despite her 87 years, she performed in the new play There Was An Old Woman in its first season. It was to be her final theatrical performance. Always a healthy, vigorous woman, she died of a heart attack on June 9, 1976 at the ripe young age of 93. She was survived by four children and a number of grandchildren and great-grandchildren.

A dainty but nevertheless feisty character actress, southern-bred (Mary) Elizabeth Patterson was born in Savannah, Tennessee, on November 22, 1874, and started her career over her strict parent's objections. She became a member of Chicago's Ben Greet Players, performing Shakespeare at the turn of the century. This followed college at Martin College where she studied music, elocution and English, and post-graduate work at Columbia Institute in Columbia, Tennessee.

Elizabeth eventually traveled for well over a decade in stock tours before given the opportunity to debut on Broadway with the short-lived play "Everyman" in 1913. She continued in such other Broadway comedies and dramas as "The Family Exit (1917), "The Piper" (1920), "Magnolia" (1923), "The Book of Charm" (1925), "Spellbound" (1927), "Rope" (1928), "The Marriage Bed" (1929), "Her Master's Voice" (1933), "Yankee Point" (1942), "But Not Goodbye" (1944) and "His and Hers" (1954).

By the time the veteran player finally advanced to the screen, she was 51 years of age. Starting with the silent films The Boy Friend (1926) and The Return of Peter Grimm (1926), she would be best recalled for her series of careworn ladies, playing a host of dressed-down, small-town folk -- grannies, aunts, spinsters, gossips, teachers, frontier women -- and other sweet-and-sour types. She added greatly to the atmosphere of such popular talking films as The Cat Creeps (1930), Penrod and Sam (1931), A Bill of Divorcement (1932), Dinner at Eight (1933), Doctor Bull (1933), So Red the Rose (1935), High, Wide and Handsome (1937), Bulldog Drummond's Peril (1938) (and series: as Aunt Blanche), Anne of Windy Poplars (1940), The Cat and the Canary (1939), Remember the Night (1939), Tobacco Road (1941) (her most famous film role: as Ada Lister), Her Cardboard Lover (1942), I Married a Witch (1942), Hail the Conquering Hero (1944), Out of the Blue (1947), The Shocking Miss Pilgrim (1947), Little Women (1949), Intruder in the Dust (1949), Pal Joey (1957), and her final, Tall Story (1960).

In the television arena, she appeared on several anthology shows ("Armstrong Circle Theatre," "Chevron Theatre," "Four Star Playhouse," "General Electric Theatre," "Pulitzer Prize Playhouse") and such regular shows as "The Adventures of Superman," "The Adventures of Jim Bowie," "77 Sunset Strip" and "Playhouse 90." She became a familiar household face, however, as the elderly neighbor and part-time babysitter, Mrs. Trumbull, on the I Love Lucy (1951) TV series.

The never-married Elizabeth, who lived at the Hollywood Roosevelt Hotel her entire TV and film career, died on January 31, 1966, after contracting pneumonia. The 91-year-old lady was buried in a hometown cemetery.

Princess Mona Darkfeather was born Josephine M. Workman in the Boyle Heights neighborhood of Los Angeles on 13 January 1882. Her grandparents were William Workman (1799-1876), a native of England, and Nicolasa Urioste (1802-1892), who hailed from the Taos Pueblo of New Mexico. Consequently, though Darkfeather stated in a 1914 film magazine interview that she was descended "from an aristocratic Spanish family," she likely had at least some Indian blood through her grandmother. Her father was José (Joseph) Workman (1833-1901), who worked as a ranch superintendent in Kern County, California, when he married Josephine Belt (1850-1937), a native of Stockton, California, of American and Peruvian ancestry. Josephine was the youngest of their seven children.

The first hint of her involvement in entertainment appears to have been captured in the 1900 federal census, where her profession was given as "whistler." Some have speculated this was a job calling out to passersby to visit a nickelodeon theater. In 1909, however, the year films were first made in Los Angeles, Josephine answered an advertisement calling for a dark-featured woman for acting roles. Quickly, she became a major star in the fledgling film industry in Hollywood with her peak period of activity coming between 1913 and 1915.

Working with film director Frank E. Montgomery (a.k.a., Akley), Princess Mona made dozens of short films as a stereotypical Indian for such companies as Bison, Nestor, Kalem and Centaur and one full-length film for Universal in 1917. Her last film appearance was in 1926. Her husband continued to work in the industry as a cameraman and bit player, the former Princess lived in obscurity for decades.

She lived in the Echo Park neighborhood of Los Angeles until her death on 3 September 1977 when she was 95 years old. She died as a ward of the State of California and her collection of film memorabilia, recalled by relatives, was likely discarded as she had lost contact with her family. Josephine Workman/Princess Mona Darkfeather was buried in an unmarked grave at Holy Cross Cemetery in Culver City, California, but in late 2014 her great-nephew, Doug Neilson, had a grave marker installed to identify this early silent film star.

Ethel Barrymore was the second of three children seemingly destined for the actor's life of their parents Maurice and Georgiana. Maurice Barrymore had emigrated from England in 1875, and after graduating from Cambridge in law had shocked his family by becoming an actor. Georgiana Drew of Philadelphia acted in her parents' stage company. The two met and married as members of Augustin Daly's company in New York. They both acted with some of the great stage personalities of the mid Victorian theater of America and England. The Barrymore children were born and grew up in Philadelphia. Though older brother Lionel Barrymore began acting early with his mother's relatives in the Drew theater company, Ethel, after a traditional girl's schooling, planned on becoming a concert pianist.

The lure of the stage was perhaps congenital, however. She made her debut as a stage actress during the New York City season of 1894. Her youthful stage presence was at once a pleasure, a strikingly pretty and winsome face and large dark eyes that seemed to look out from her very soul. Her natural talent and distinctive voice only reinforced the physical presence of someone destined to command any role set before her. After the opportunity to appear on the London stage with English great Henry Irving in "The Bells" (1897) and later in "Peter the Great" (1898), she returned to New York to star in the Clyde Fitch play "Captain Jinks of the Horse Marines" (1901) (produced by her friend and benefactor Charles Frohman), which brought her initial American acclaim. Lead roles, such as Nora in Henrik Ibsen's "A Doll's House" (1905) and starring in "Alice By the Fire" (also 1905), "Mid-Channel" (1910) and "Trelawney of the Wells" (1911) proved her popularity as a warm and charismatic star of American stage. In the meantime she married stockbroker Russell Griswold Colt in 1909 and gave birth to three children while continuing her acting career.

Although the stage was her first love, she did heed the call of the silver screen, and though not achieving the matinée idol image that younger brother John Barrymore garnered in silent movies after similar chemistry on stage, she won over audiences from her first film appearance in The Nightingale (1914). However, her early film roles, steady through 1919, took a back seat to continued stage triumphs: "Declassee" (1919), her impassioned Juliet in "Romeo and Juliet" (1922), "The Second Mrs. Tanqueray" (1924) and, especially, "The Constant Wife" (1926).

She harnessed her considerable talents in the role of an activist as well, being a bedrock supporter of the Actors Equity Association and, in fact, had been a prominent figure in the actors strike of 1919. By 1930 she was entering middle age and her movie roles reflected this. Except for Rasputin and the Empress (1932) with her brothers, the roles were elderly mothers and grandmothers, dowager ladies and spinster aunts. Perhaps wisely she put off Hollywood for over a decade, with stage work that included her most endearing role in "The Corn is Green" (a tour that lasted from 1940 to 1942). She finally moved to Southern California in 1940.

Yet the consummate actress glowed still in the films that came steadily in the mid-'40s and through much of the 1950s. As the mother of Cary Grant in the pensive None But the Lonely Heart (1944) she started off her late film career brilliantly by receiving the Oscar for Best Actress in a supporting role, though she was not satisfied with that effort. Her engaging wit and humanity stood out in even supporting roles, such as, the politically savvy mother of Joseph Cotten in The Farmer's Daughter (1947) and, once again with Cotton, as sympathetic art dealer Miss Spinney, with those eyes, in the haunting screen adaptation of Robert Nathan's novel Portrait of Jennie (1948). There was also a mingling of some TV work to round out her last movies in the late 1950s. In 1955 she saw her book "Memories, An Autobiography" see publication. For the enduring legacy she had already begun years before, a theater named for her was dedicated in New York in 1928. When she passed away in 1959, she was interred near her brothers at Calvary Cemetery in East Los Angeles.

Born Mary Whitty on June 19, 1865, to a Liverpool newspaper editor and his wife, she became known as May Whitty to the world. She first stepped onto the London stage in 1882 at which she worked as an understudy at the St. James Theatre and then began playing leading roles when she joined a traveling stock company. After nearly 25 years as one of Britain's leading stage actresses, she appeared in her first film, Enoch Arden (1914), in Great Britain. She did not care much for the experience and appeared in only a few silent films afterward.

In 1918, based on her service to the arts and for performing for the troops during World War I, she was named as a Dame Commander of the Order of the British Empire by King George V.

After a string of 1930s Broadway successes, she went to Hollywood, following the example of many of her British contemporaries. She found herself usually cast in highborn roles, sometimes crotchety, sometimes imperious, however often warmhearted. Classic examples of these were the crotchety Mrs. Bramson, an invalid who falls for the homicidal Robert Montgomery, in Night Must Fall (1937); Miss Froy\ in The Lady Vanishes (1938), wherein she plays the title character, enduring great physical exertion while maintaining her poise and dignity; and Lady Beldon in Mrs. Miniver (1942), a role which garnered her an Oscar nomination for best supporting actress. She proved herself equally capable of playing working-class roles, such as the dowdy phony psychic in The Thirteenth Chair (1937). Besides two Oscar nominations, she also won the National Board of Review best acting award for the 1937 film Night Must Fall (1937).

In 1892, she married London producer Ben Webster. They were the parents of a daughter, Margaret Webster, who became a playwright and actress in her own right. Margaret penned her mother's biography, The Same Only Different, published in 1969.

Whitty died at the age of 82 as the result of cancer in Beverly Hills shortly after completing her scenes in the film The Sign of the Ram (1948).

She once said, "I've got everything Betty Grable has ... only I've had it longer."

Hilda Borgström was born on 13 October 1871 in Stockholm, Sweden. She was an actress, known for The Phantom Carriage (1921), Ingeborg Holm (1913) and Striden går vidare (1941). She died on 2 January 1953 in Stockholm, Sweden.

Born Mary Jeanette Robison. She was the youngest daughter of Henry Robison of Penrith, Cumberland, England and Julia Schelesinger of Liverpool, Lancashire, England. Her father died in 1860 and her mother remarried. In 1866/67 they were living in St Kilda, Melbourne, Victoria, Australia and moved back to London, England in 1871. She ran away from home to marry Charles Leveson Gore in 1875 and in 1877 the young couple went to Fort Worth, Texas, USA to establish a cattle ranch. They survived for two years before moving to New York where her husband died about 1881.

In 1884 she took up acting to support her three children (only her son Edward Gore survived childhood). She played both leads and supporting roles on the road and on Broadway, and over several decades she became highly respected as a character actress. She appeared in a few silent films, then returned to the screen for good in 1926 and flourished in the subsequent sound era. She was usually cast as crusty, gruff, domineering society matron or grandmother. For her portrayal of Damon Runyon's Apple Annie in Frank Capra's Lady for a Day (1933), one of her rare starring roles, she received a Best Actress Oscar nomination. Ultimately she appeared in more than 60 films, the last of which was released the year of her death.

Soledad Jiménez was born on 28 February 1874 in Santander, Spain. She was an actress, known for Kid Galahad (1937), The Girl from Rio (1939) and Under the Pampas Moon (1935). She died on 17 October 1966 in Woodland Hills, Los Angeles, California, USA.

Emma Dunn was a much noted stage actress before turning to films. She worked with such theatre luminaries as Richard Mansfield, Frances Starr, James Ellison and Blanche Yurka. She appeared in 3 productions under the direction of the legendary David Belasco. Miss Dunn also authored 2 books regarding diction and voice quality.