- Born
- Died
- Birth nameArthur Andrew Kelm
- Nickname
- the Sigh Guy
- Height6′ (1.83 m)
- Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net
- SpouseAllan Glaser(2013 - July 8, 2018) (his death)
- ParentsGertrude GelienCharles Kelm
- RelativesWalter Gelien(Sibling)Ida Gelien (Sonnenfleth)(Grandparent)John Henry Gelien(Grandparent)
- On December 23, 1980, he suffered a heart attack at age 49 while skiing in Taos, New Mexico. In March 1991, he suffered a stroke. He recovered from both.
- Following the likes of Richard Chamberlain, Tab released his tell-all 2005 memoir revealing his homosexuality. The book entitled "Tab Hunter Confidential: The Making of a Movie Star" outlines a late 1950s relationship with actor Anthony Perkins that lasted several years. Other briefer flings mentioned included dancer Rudolf Nureyev, actor Scott Marlowe and ice-skater Ronnie Robertson. The book was actually written in 2003 but held in release for two years.
- He was the younger of two boys. His brother, Walter John Gelien (born August 18, 1930), was killed in action in Vietnam on October 28, 1965, leaving behind a wife and seven children. Hunter learned of his older brother's death a few days later when a messenger from the US War Department approached Hunter while he was performing in a rodeo and, after addressing him by his real name (Arthur Kelm), the messenger handed Hunter the envelope confirming his brother's death.
- The name "Tab Hunter" came from agent Henry Willson who wanted to "tab" the actor wannabe with a catchy new name. "Hunter" came from his skills as a horseman who rode hunters and jumpers. Willson was also well known for coming up with Rock Hudson's name.
- Was Warner Bros. Records' first signee.
- [in a 1971 interview] The star thing is over. I've knocked around quite a bit in the past few years and now I'm just another actor looking for work. Acting is what I know and what I do best . . . I'm trying to find a new niche . . . something to help erase that bland image the studios gave me in the Fifties. I'm looking for roles that will establish me as a more mature actor.
- [about his love for Montecito, California] It's like the French Riveria without the French. I thank God every day I'm able to be there.
- [on Gary Cooper] Coop was a lovely guy. His sense of humor was kind of within. He'd do something he knew was funny. He laughed inwardly. It was a delight! He's say things, then chuckle within himself. He was wonderful, low-key, like Fred Astaire, an absolute gentleman. These are quality, quality people. They have their own atmosphere about them. Coop's was very laid-back and easy.
- I still don't look at it as if I've come out. Coming out, what does that mean? What I'm concerned about is people as human beings. Are you a decent human being? What are you contributing? That's important.
- I think marriage is just between two people and their maker, period. Doesn't concern any of us, whether it be a woman and a woman, a man and a man, or a man and a woman, I don't care.
- Meet Me in St. Louis (1959) - $20,000
- The Steel Lady (1953) - $750 per week
- Gun Belt (1953) - $750 per week
Contribute to this page
Suggest an edit or add missing content