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Maurice Binder(1925-1991)

  • Additional Crew
  • Art Department
  • Visual Effects
IMDbProStarmeterSee rank
Maurice Binder in Silhouettes: The James Bond Titles (2000)
American visual designer, creator of the famed opening title sequences of the James Bond movies. A native New Yorker, Binder's early work included designing advertisements and catalogs for Macy's department store. During the Second World War, he worked at Universal Studios, then became West Coast art director for Columbia Pictures. Director Stanley Donen hired Binder to create main titles for Indiscreet (1958) and used him thereafter in similar capacity on most of his films. One of them, The Grass Is Greener (1960), caught the attention of James Bond producers Harry Saltzman and Albert R. Broccoli, who hired Binder for the first Bond picture, Dr. No (1962). The distinctive style of the Bond main titles became a much-admired and much-parodied tradition. Binder worked up until his final illness and death in 1991 at 65.
BornAugust 25, 1925
DiedApril 9, 1991(65)
BornAugust 25, 1925
DiedApril 9, 1991(65)
IMDbProStarmeterSee rank

Known for

Sean Connery and Ursula Andress in Dr. No (1962)
Dr. No
7.2
  • Additional Crew
  • 1962
Sean Connery, Claudine Auger, Martine Beswick, Luciana Paluzzi, and Molly Peters in Thunderball (1965)
Thunderball
6.9
  • Additional Crew
  • 1965
Roger Moore and Barbara Bach in The Spy Who Loved Me (1977)
The Spy Who Loved Me
7.0
  • Additional Crew
  • 1977
Roger Moore, Lois Chiles, and Richard Kiel in Moonraker (1979)
Moonraker
6.3
  • Additional Crew(main titles)
  • 1979

Credits

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IMDbPro

Additional Crew



  • Strauss Dynasty (1991)
    Strauss Dynasty
    7.5
    TV Mini Series
    • title designer
    • 1991
  • A Captive in the Land (1990)
    A Captive in the Land
    5.2
    • title designer
    • 1990
  • Mel Gibson, Helena Bonham Carter, Glenn Close, Ian Holm, Alan Bates, and Paul Scofield in Hamlet (1990)
    Hamlet
    6.7
    • title designer
    • 1990
  • The Sheltering Sky (1990)
    The Sheltering Sky
    6.7
    • title designer
    • 1990
  • Maynard Eziashi in Mister Johnson (1990)
    Mister Johnson
    6.4
    • title designer
    • 1990
  • Carey Lowell, Talisa Soto, Timothy Dalton, and Robert Davi in Licence to Kill (1989)
    Licence to Kill
    6.7
    • title designer
    • 1989
  • The Deceivers (1988)
    The Deceivers
    5.9
    • title designer
    • 1988
  • The Last Emperor (1987)
    The Last Emperor
    7.7
    • title designer: main title
    • 1987
  • Timothy Dalton and Maryam d'Abo in The Living Daylights (1987)
    The Living Daylights
    6.7
    • title designer
    • 1987
  • Madonna and Sean Penn in Shanghai Surprise (1986)
    Shanghai Surprise
    3.3
    • title designer
    • 1986
  • Max My Love (1986)
    Max My Love
    6.0
    • title designer
    • 1986
  • Tom Berenger, Liam Neeson, David Keith, and Madolyn Smith Osborne in If Tomorrow Comes (1986)
    If Tomorrow Comes
    7.7
    TV Mini Series
    • title designer
    • 1986
  • Roger Moore, Tanya Roberts, and Christopher Walken in A View to a Kill (1985)
    A View to a Kill
    6.3
    • main title designed by
    • 1985
  • Tom Berenger in Rustlers' Rhapsody (1985)
    Rustlers' Rhapsody
    6.4
    • main title design
    • 1985
  • Roger Moore, Maud Adams, and Kabir Bedi in Octopussy (1983)
    Octopussy
    6.5
    • main title designed by
    • 1983

Art Department



  • Richard Gere in King David (1985)
    King David
    5.3
    • graphic designer
    • 1985
  • Rob Lowe and Ally Sheedy in Oxford Blues (1984)
    Oxford Blues
    5.3
    • graphic designer
    • 1984
  • Twilight Time (1982)
    Twilight Time
    5.9
    • graphics
    • 1982
  • The Final Option (1982)
    The Final Option
    6.4
    • graphic artist
    • 1982
  • David Niven, Gregory Peck, Roger Moore, Trevor Howard, and Barbara Kellerman in The Sea Wolves (1980)
    The Sea Wolves
    6.3
    • graphic designer
    • 1980
  • Sophia Loren, John Cassavetes, Bruce Davison, Edward Herrmann, George Kennedy, Patrick McGoohan, Robert Vaughn, and Max von Sydow in Brass Target (1978)
    Brass Target
    5.9
    • graphic artist
    • 1978
  • A Little Night Music (1977)
    A Little Night Music
    5.4
    • graphics
    • 1977
  • Of Human Bondage (1964)
    Of Human Bondage
    6.5
    • graphic designer: title backgrounds from the works of Rodin
    • 1964
  • Judy Garland and Dirk Bogarde in I Could Go on Singing (1963)
    I Could Go on Singing
    6.9
    • graphic designer
    • 1963

Visual Effects



  • The Final Countdown (1980)
    The Final Countdown
    6.7
    • special visual effects
    • storm sequence
    • 1980
  • Dracula (1979)
    Dracula
    6.5
    • visual consultant
    • 1979

Personal details

Edit
  • Born
    • August 25, 1925
    • New York City, New York, USA
  • Died
    • April 9, 1991
    • London, England, UK(lung cancer)
  • Publicity listings
    • 2 Interviews
    • 1 Article

Did you know

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  • Trivia
    When hired to create the titles for Dr. No (1962), he was given short notice to present some ideas. Using some white sticker dots, he pitched the concept of having animated dots that would wind up starting every James Bond film. The gunbarrel that frames Bond firing at the camera was a real gunbarrel. Binder photographed one using a pinhole camera and subsequently, used the technique in every Bond film. The reason for the swirling design is to spin the bullet, which gives it a truer trajectory.

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