Canadian director Matthew Rankin’s Persian and French-language drama Universal Language has won the inaugural Audience Award of Directors’ Fortnight.
This is the first official prize launched by Directors’ Fortnight which does not have a jury. The €7,500 cash award, is also the first audience award to be launched in Cannes, across the Official Selection and the parallel sections.
It is being sponsored by the Chantal Akerman Foundation, which preserves the legacy of the director who retained strong ties with Directors’ Fortnight throughout her career, after screening breakthrough film Jeanne Dielman, 23 quai du Commerce – 1080 Brussel in the section in 1975.
Described as taking place “somewhere between Tehran and Winnipeg”, Universal Language intertwines multiple characters.
Gradeschoolers Negin and Nazgol find a sum of money frozen in the winter ice and try to claim it, while Massoud leads a group of befuddled tourists through the monuments and historic sites of Winnipeg and Matthew quits...
This is the first official prize launched by Directors’ Fortnight which does not have a jury. The €7,500 cash award, is also the first audience award to be launched in Cannes, across the Official Selection and the parallel sections.
It is being sponsored by the Chantal Akerman Foundation, which preserves the legacy of the director who retained strong ties with Directors’ Fortnight throughout her career, after screening breakthrough film Jeanne Dielman, 23 quai du Commerce – 1080 Brussel in the section in 1975.
Described as taking place “somewhere between Tehran and Winnipeg”, Universal Language intertwines multiple characters.
Gradeschoolers Negin and Nazgol find a sum of money frozen in the winter ice and try to claim it, while Massoud leads a group of befuddled tourists through the monuments and historic sites of Winnipeg and Matthew quits...
- 5/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
MGM’s raunchy high school comedy Bottoms by Emma Seligman, a surprising teen girl version of Fight Club, is punching into a lot more theaters this week, expanding from 10 to 715 nationwide. The numbers so far look solid and MGM might be hoping for anything in the $2.5 million-plus range over the three days.
It had an good start with last weekend’s limited 10-theater opening in New York City, Los Angeles, San Francisco and Austin bringing in more than $500,000, one of the best per-theater openings of that size post Covid (even with $4 tickets Sunday). Cume to date tops $724K for the Rachel Sennott- and Ayo Edebiri-starring film that’s got major traction with younger and LGBTQ+ moviegoers.
The duo play queer high-school seniors and longtime best friends Pj and Josie, who start a self-defense club for girls hoping to attract cheerleaders, and to have sex with them. The group...
It had an good start with last weekend’s limited 10-theater opening in New York City, Los Angeles, San Francisco and Austin bringing in more than $500,000, one of the best per-theater openings of that size post Covid (even with $4 tickets Sunday). Cume to date tops $724K for the Rachel Sennott- and Ayo Edebiri-starring film that’s got major traction with younger and LGBTQ+ moviegoers.
The duo play queer high-school seniors and longtime best friends Pj and Josie, who start a self-defense club for girls hoping to attract cheerleaders, and to have sex with them. The group...
- 9/1/2023
- by Jill Goldsmith
- Deadline Film + TV
From the moment that Thomas Salvador’s The Mountain opens on robotic engineer Pierre (Salvador) standing in his modern Paris apartment sipping a morning espresso, we understand him to be a man unmoored. At work, as his attention trails off in the midst of a presentation, he seems every bit as lost as the stray deer that he later notices roaming the empty streets of a mountainside town. Throughout the film, Pierre will often stare off into the distance, as if looking for something—but good luck figuring out what that actually is.
The Mountain tracks Pierre’s day-to-day life of self-isolation with dry precision after he travels into the Alps for his work and decides to turn his back on his life in the city for good. But whatever motivation underpins his decision is as nebulous as the clouds over the mountains, as Salvador frustratingly never offers a concrete...
The Mountain tracks Pierre’s day-to-day life of self-isolation with dry precision after he travels into the Alps for his work and decides to turn his back on his life in the city for good. But whatever motivation underpins his decision is as nebulous as the clouds over the mountains, as Salvador frustratingly never offers a concrete...
- 8/27/2023
- by Greg Nussen
- Slant Magazine
Unifrance has debuted an official trailer for a mysterious, intriguing film titled The Mountain, made by a French filmmaker named Thomas Salvador. Salvador also wrote and stars in this as the lead character, Pierre, who gets lost in the mountains after being pulled in by their magnificent mystery, and majesty. This first premiered at the 2022 Cannes Film Festival in the Directors' Fortnight sidebar, but I didn't see it until the Sitges Film Festival in the fall - here's my full review. Pierre, a Parisian engineer, goes up in the Alps for his work. Irresistibly attracted by what surrounds him, he camps out alone high in the mountains and leaves behind his everyday life. Up there he meets Léa, a chef of an alpine restaurant, while strange glows glitter in the deep mountain. It takes place in Chamonix near Mont Blanc, in the French Alps, and everything changes when he notices...
- 4/28/2023
- by Alex Billington
- firstshowing.net
The Malian filmmaker will be honoured with the award at the opening ceremony on May 17
Malian filmmaker Souleymane Cissé will receive the Carrosse d’Or award of the French directors guild La Société des Réalisateurs (Srf) at the 55th edition of the Cannes’ Directors Fortnight strand which runs May 16-27.
The director will be honoured with the award, which recognises filmmakers for their “innovative qualities”, at the opening ceremony on May 17.
Cisse’s career has spanned over 50 years with his work having screened at Cannes six times. His 1987 drama Yelen picked up the jury prize at the festival when it played in competition.
Malian filmmaker Souleymane Cissé will receive the Carrosse d’Or award of the French directors guild La Société des Réalisateurs (Srf) at the 55th edition of the Cannes’ Directors Fortnight strand which runs May 16-27.
The director will be honoured with the award, which recognises filmmakers for their “innovative qualities”, at the opening ceremony on May 17.
Cisse’s career has spanned over 50 years with his work having screened at Cannes six times. His 1987 drama Yelen picked up the jury prize at the festival when it played in competition.
- 4/4/2023
- by Ellie Calnan
- ScreenDaily
The mountains will call you. If you let them, maybe they will change you. There are two extraordinary films this year about mountains and how much they can change and shape and draw us in. As a mountain lover myself, I'm naturally drawn to these kind of films but rarely are two of them in one year this perfect. Both of these films premiered at the 2022 Cannes Film Festival - the first is The Eight Mountains, an Italian film telling the story of two boys and how mountains shape their lives. It was one of my favorite films in Cannes, and I reviewed it then. The second film is The Mountain, a French film starring and made by filmmaker Thomas Salvador. I caught this one at the 2022 Sitges Film Festival in Spain, which is usually where they play horror and sci-fi films. However, it's not so much a horror or sci-fi,...
- 10/10/2022
- by Alex Billington
- firstshowing.net
Festival
Zurich Film Festival has revealed the lineup for its Hashtag section, which is devoted to “a topic that is trending on social media,” the event said Thursday. This year’s section screens films under the title #MyReligion, and deals with “questions of faith, euphoria and modern deities.”
“Whether in the U.S.A., Russia or the Middle East, we are seeing a comeback of religions,” Christian Jungen, Zff artistic director, said. “This often leads to conflicts in coexistence within multicultural societies. That’s why this year we are concentrating our efforts on the topic of faith, its merits and its dark sides. But we are also highlighting the substitute religions that are out there now for secular people, such as the Tiktok cult.”
The selected films are Adamma Ebo’s comedy “Honk for Jesus. Save Your Soul.,” Tarik Saleh’s thriller “Boy From Heaven,” Tarik Saleh’s coming-of-age drama “The Realm of God,...
Zurich Film Festival has revealed the lineup for its Hashtag section, which is devoted to “a topic that is trending on social media,” the event said Thursday. This year’s section screens films under the title #MyReligion, and deals with “questions of faith, euphoria and modern deities.”
“Whether in the U.S.A., Russia or the Middle East, we are seeing a comeback of religions,” Christian Jungen, Zff artistic director, said. “This often leads to conflicts in coexistence within multicultural societies. That’s why this year we are concentrating our efforts on the topic of faith, its merits and its dark sides. But we are also highlighting the substitute religions that are out there now for secular people, such as the Tiktok cult.”
The selected films are Adamma Ebo’s comedy “Honk for Jesus. Save Your Soul.,” Tarik Saleh’s thriller “Boy From Heaven,” Tarik Saleh’s coming-of-age drama “The Realm of God,...
- 8/18/2022
- by Leo Barraclough
- Variety Film + TV
After recently unveiling its gala premieres program, the Zurich Film Festival has set its Hashtag section with movies to screen under the title “#MyReligion.” Since 2018, the fest has annually dedicated the strand to showcase a hot topic that is also trending on social media. #MyReligion will deal with questions of faith, euphoria and modern deities.
Among the pictures screening, Focus comedy Honk For Jesus. Save Your Soul. will have its European premiere. From director Adamma Ebo and starring Regina Hall and Sterling K Brown, the film originally debuted at Sundance. It releases in domestic theaters and on Peacock September 2.
Also in the section are Tarik Saleh’s Egyptian thriller Boy From Heaven; Claudia Sainte-Luce’s Mexican coming-of-age tale The Realm Of God; Sara Dosa’s documentary Fire Of Love narrated by Miranda July; Orit Fouks Rotem’s docufiction Cinema Sabaya; Anita Rocha Da Silveira’s horror pic Medusa; Shalini Kantayya’s Sundance doc TikTok,...
Among the pictures screening, Focus comedy Honk For Jesus. Save Your Soul. will have its European premiere. From director Adamma Ebo and starring Regina Hall and Sterling K Brown, the film originally debuted at Sundance. It releases in domestic theaters and on Peacock September 2.
Also in the section are Tarik Saleh’s Egyptian thriller Boy From Heaven; Claudia Sainte-Luce’s Mexican coming-of-age tale The Realm Of God; Sara Dosa’s documentary Fire Of Love narrated by Miranda July; Orit Fouks Rotem’s docufiction Cinema Sabaya; Anita Rocha Da Silveira’s horror pic Medusa; Shalini Kantayya’s Sundance doc TikTok,...
- 8/18/2022
- by Nancy Tartaglione
- Deadline Film + TV
After performing a full on physical and medical examination of the societal woes in her native France by way of a hospital emergency room in the Cannes comp La facture, Catherine Corsini will make a journey towards the south and explore teen female perspectives from a pair of in Le retour. It was announced that the project received some coin and is getting ready for a September shoot in Corsica.
Co-written alongside Naïla Guiguet (who participated on Louis Garrel’s last two outings as a director and co-wrote Thomas Salvador’s full on frottage of a mountain side in the Directors’ Fortnight winning La montagne), this will be a fourth time forn Corsini under the Chaz Productions label – which produced among others – La belle saison (read review).…...
Co-written alongside Naïla Guiguet (who participated on Louis Garrel’s last two outings as a director and co-wrote Thomas Salvador’s full on frottage of a mountain side in the Directors’ Fortnight winning La montagne), this will be a fourth time forn Corsini under the Chaz Productions label – which produced among others – La belle saison (read review).…...
- 7/14/2022
- by Eric Lavallée
- IONCINEMA.com
Julien Rejl replaces Paolo Moretti, who stepped down after Cannes.
Julien Rejl, former sales executive at French company Capricci, has been appointed the new delegate general of Directors’ Fortnight.
Rejl takes over from Paolo Moretti, who left after this year’s Cannes.
A graduate of both Paris’ European Business School and La Femis Cinema School, Rejl worked at production, distribution and sales firm Capricci from 2010 to 2021, rising to the role of head of sales.
Speaking of the new format the section is looking to adopt, Rejl said, ”This new identity is first and foremost an opportunity to reaffirm the role...
Julien Rejl, former sales executive at French company Capricci, has been appointed the new delegate general of Directors’ Fortnight.
Rejl takes over from Paolo Moretti, who left after this year’s Cannes.
A graduate of both Paris’ European Business School and La Femis Cinema School, Rejl worked at production, distribution and sales firm Capricci from 2010 to 2021, rising to the role of head of sales.
Speaking of the new format the section is looking to adopt, Rejl said, ”This new identity is first and foremost an opportunity to reaffirm the role...
- 6/27/2022
- by Ben Dalton
- ScreenDaily
1976 – Manuela Martelli [Review] [Interview]
Ashkal – Youssef Chebbi [Review]
The Dam – Ali Cherri
Continental Drift (South) – Lionel Baier [Review]
Enys Men – Mark Jenkin
De Humani Corporis Fabrica – Lucien Castaing-Taylor, Véréna Paravel [Review]
Falcon Lake – Charlotte Le Bon [Review]
Les Cinq Diables – Léa Mysius [Review]
Funny Pages – Owen Kline
God’s Creatures – Saela Davis, Anna Rose Holmer [Review]
Le Parfum vert – Nicolas Pariser
Les Harkis – Philippe Faucon
Un varón – Fabian Hernández [Review]
La Montagne – Thomas Salvador [Review]
Un beau matin – Mia Hansen-Løve [Review]
Pamfir – Dmytro Sukholytkyy-Sobchuk [Review]
Revoir Paris – Alice Winocour [Review]
L’Envol – Pietro Marcello [Review]
Les Années Super 8 – Annie Ernaux, David Ernaux-Briot [Review]
El agua – Elena López Riera [Review]
Will-o’-the-Wisp – João Pedro Rodrigues
Special Screening: Men – Alex Garland [Review]…...
Ashkal – Youssef Chebbi [Review]
The Dam – Ali Cherri
Continental Drift (South) – Lionel Baier [Review]
Enys Men – Mark Jenkin
De Humani Corporis Fabrica – Lucien Castaing-Taylor, Véréna Paravel [Review]
Falcon Lake – Charlotte Le Bon [Review]
Les Cinq Diables – Léa Mysius [Review]
Funny Pages – Owen Kline
God’s Creatures – Saela Davis, Anna Rose Holmer [Review]
Le Parfum vert – Nicolas Pariser
Les Harkis – Philippe Faucon
Un varón – Fabian Hernández [Review]
La Montagne – Thomas Salvador [Review]
Un beau matin – Mia Hansen-Løve [Review]
Pamfir – Dmytro Sukholytkyy-Sobchuk [Review]
Revoir Paris – Alice Winocour [Review]
L’Envol – Pietro Marcello [Review]
Les Années Super 8 – Annie Ernaux, David Ernaux-Briot [Review]
El agua – Elena López Riera [Review]
Will-o’-the-Wisp – João Pedro Rodrigues
Special Screening: Men – Alex Garland [Review]…...
- 6/14/2022
- by Eric Lavallée
- IONCINEMA.com
Triangle of SadnessCOMPETITIONPalme d’Or: Triangle of Sadness (Ruben Östlund) (Read our review)Grand Prix ex aequo: Close (Lukas Dhont)Grand Prix ex aequo: Stars at Noon (Claire Denis) (Read our review)Jury Prize ex aequo: The Eight Mountains (Charlotte Vandermeersch, Felix Van Groeningen)Jury Prize ex aequo: Eo (Jerzy Skolimowski) (Read our review)75th Anniversary Prize: Jean-Pierre and Luc Dardenne (Tori and Lokita) (Read our review)Best Director: Park Chan-wook (Decision to Leave) (Read our review)Best Actor: Song Kang-ho (Broker)Best Actress: Zahra Amir-Ebrahimi (Holy Spider)Best Screenplay: Tarik Saleh (Boy From Heaven)The Worst OnesUN Certain REGARDGrand Prize: The Worst Ones (Lise Akoka, Romane Gueret)Ensemble Prize: Jury Prize: Joyland (Saim Sadiq)Jury Special Mention: Best Director: Alexandru Belc (Metronome)Best Performance: Vicky Krieps (Corsage) and Adam Bessa (Harka) (Read our review)Screenplay: Mediterranean Fever (Maha Haj)Coup de Coeur Award: Rodeo (Lola Quivoron)The MountainDIRECTORS' FORTNIGHTEuropa...
- 5/29/2022
- MUBI
In the second big prize announcement by a Directors’ Fortnight partner, “The Mountain” (“La Montagne”), from emerging French auteur Thomas Salvador, has won the Sacd Prize, awarded by France’s Writers’ Guild for the best French-language movie in the section.
The second feature of the French actor-director after 2017’s promising “Vincent,” selected for San Sebastian’s prestige New Directors section, ”The Mountain” is sold internationally by Le Pacte which will also handle distribution in France.
From a screenplay written by Salvador and Naila Guiguet, which was selected for Critics’ Weeks’ Next Steps 2020, “The Mountain” turns on Pierre, 40, played by Salvador, who makes a sales pitch for his company’s robotic arm in Chamonix, the capital of the French Alps.
When his colleagues return to Paris, he stays on, pitching a tent just below the Aiguille du Midi cable car station, a spectacular pinnacle at 12,600 feet, in the lap of Mont Blanc.
The second feature of the French actor-director after 2017’s promising “Vincent,” selected for San Sebastian’s prestige New Directors section, ”The Mountain” is sold internationally by Le Pacte which will also handle distribution in France.
From a screenplay written by Salvador and Naila Guiguet, which was selected for Critics’ Weeks’ Next Steps 2020, “The Mountain” turns on Pierre, 40, played by Salvador, who makes a sales pitch for his company’s robotic arm in Chamonix, the capital of the French Alps.
When his colleagues return to Paris, he stays on, pitching a tent just below the Aiguille du Midi cable car station, a spectacular pinnacle at 12,600 feet, in the lap of Mont Blanc.
- 5/26/2022
- by John Hopewell
- Variety Film + TV
The lineup for the 2022 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the lineup of the Official Selection.Feature Films Scarlet (Pietro Marcello): In northern France, Juliette grows up alone with her father, Raphaël, a veteran of the First World War. Passionate about singing and music, the lonely young girl meets a magician one summer who promises that scarlet sails will one day take her away from her village.1976 (Manuela Martelli): Carmen is 49 years old. Her life as a bourgeois housewife is interrupted when the priest at the church where she does charity work asks her to take care of a young revolutionary, a man he is giving asylum to, who has just been hurt.The Water (Elena López Riera)The Dam (Ali Cherri): Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders...
- 4/27/2022
- MUBI
The Cannes official competition lineup didn’t exactly see a surge in the number of female filmmakers represented. Enter Quinzaine, a.k.a. Director’s Fortnight, the beloved sidebar of the festival this year kicking off May 18. The lineup of titles includes 11 films directed by women, including Mia Hansen-Løve’s “One Fine Morning,” a romance starring Léa Seydoux and Melvil Poupaud; the new film from “Disorder” director Alice Winocour, “Paris Memories”; the feature directing debut of actor Charlotte Le Bon, “Falcon Lake”; and more.
This year’s lineup also includes new works from genre filmmakers: Alex Garland’s “Men,” releasing stateside May 20 from A24, will premiere as a Special Screening of the festival. Plus, there’s British director Mark Jenkin’s anticipated experimental horror film “Enys Men.” Paul Mescal stars in the psychological thriller “God’s Creatures,” directed by Saela Davis and Anna Rose Holmer, who directed the 2015 Venice hit “The Fits.
This year’s lineup also includes new works from genre filmmakers: Alex Garland’s “Men,” releasing stateside May 20 from A24, will premiere as a Special Screening of the festival. Plus, there’s British director Mark Jenkin’s anticipated experimental horror film “Enys Men.” Paul Mescal stars in the psychological thriller “God’s Creatures,” directed by Saela Davis and Anna Rose Holmer, who directed the 2015 Venice hit “The Fits.
- 4/19/2022
- by Ryan Lattanzio
- Indiewire
Following the main lineup, Quinzaine des Réalisateurs aka Directors’ Fortnight at the Cannes Film Festival has unveiled their 2022 slate. Featuring the already-announced opening film, Scarlet, from Martin Eden director Pietro Marcello, the lineup also includes Mia Hansen-Løve’s One Fine Morning, Alice Winocour’s Paris Memories, Mark Jenkin’s Bait follow-up Enys Men, Anna Rose Holmer & Saela Davis’ God’s Creatures, João Pedro Rodrigues’ Will-o’-the-Wisp, Véréna Paravel & Lucien Castaing-Taylor’s De Humani Corporis Fabrica, and Alex Garland’s Men, which will arrive in the U.S. soon after its Cannes premiere.
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
- 4/19/2022
- by Jordan Raup
- The Film Stage
Directors’ Fortnight, the sidebar running alongside the Cannes Film Festival, has unveiled a strong lineup for its 54th edition, which will be the last one for outgoing artistic director Paolo Moretti.
The sidebar has landed a pair of movies from A24, Alex Garland’s horror film “Men” with Jessie Buckley which will play in the Special Screening section, and “God’s Creatures,” a psychological thriller directed by Saela Davis and Anna Rose Holmer, the filmmaking duo who made their feature debut with the Sundance film “The Fits.” Set in an Irish fishing village, “God’s Creatures” stars Aisling Franciosi, Emily Watson and Paul Mescal. Other elevated genre films on the roster include British helmer Mark Jenkin’s anticipated “Enys Men.”
Directors’ Fortnight will showcase films by 11 female directors and eight feature debuts. By comparison, Cannes Film Festival’s competition currently has only three films helmed by women.
Several French female helmers who...
The sidebar has landed a pair of movies from A24, Alex Garland’s horror film “Men” with Jessie Buckley which will play in the Special Screening section, and “God’s Creatures,” a psychological thriller directed by Saela Davis and Anna Rose Holmer, the filmmaking duo who made their feature debut with the Sundance film “The Fits.” Set in an Irish fishing village, “God’s Creatures” stars Aisling Franciosi, Emily Watson and Paul Mescal. Other elevated genre films on the roster include British helmer Mark Jenkin’s anticipated “Enys Men.”
Directors’ Fortnight will showcase films by 11 female directors and eight feature debuts. By comparison, Cannes Film Festival’s competition currently has only three films helmed by women.
Several French female helmers who...
- 4/19/2022
- by Elsa Keslassy
- Variety Film + TV
Alex Garland’s “Men,” Mia Hansen-Love’s “One Fine Morning” and Alice Winocour’s “Paris Memories” are among the films that will screen in the independent Directors Fortnight section at the 2022 Cannes Film Festival, Directors Fortnight organizers announced at a press conference in Paris on Tuesday.
Garland, the director of “Ex Machina,” will be making his Cannes debut with “Men,” while Hansen-Love will be returning to a different section of the festival where she was in the main competition a year ago with “Bergman Island.”
Other films include Owen Kline’s “Funny Pages,” produced by the Safdie brothers. Of the 23 films announced on Tuesday, 11 have female directors.
Previously, Directors Fortnight announced that Pietro Marcello’s “L’envol” (“Scarlett”) would serve as the opening screening in the section.
Directors Fortnight is an independent section that runs concurrent with the main Cannes Film Festival. It was launched in 1969 on the heels of the...
Garland, the director of “Ex Machina,” will be making his Cannes debut with “Men,” while Hansen-Love will be returning to a different section of the festival where she was in the main competition a year ago with “Bergman Island.”
Other films include Owen Kline’s “Funny Pages,” produced by the Safdie brothers. Of the 23 films announced on Tuesday, 11 have female directors.
Previously, Directors Fortnight announced that Pietro Marcello’s “L’envol” (“Scarlett”) would serve as the opening screening in the section.
Directors Fortnight is an independent section that runs concurrent with the main Cannes Film Festival. It was launched in 1969 on the heels of the...
- 4/19/2022
- by Steve Pond
- The Wrap
Cannes Directors’ Fortnight has unveiled its line-up for 2022. Scroll down to see the full list.
The selection include Alex Garland’s Cannes debut Men, the Jessie Buckley-starring movie from the surreal sci-fi master. The film will play as a Special Screening in Cannes before A24 releases in the U.S. in May.
Opening the selection will be Pietro Marcello’s Scarlet, and closing will be The Green Perfume by Nicolas Pariser.
Prominent French director Mia Hansen-Løve is back with One Fine Morning, starring Lea Seydoux, and Proxima filmmaker Alice Winocour will show her new pic Paris Memories.
Also on the list is the Paul Mescal and Emily Watson starring God’s Creatures (a second A24 title), and Mark Jenkin’s follow-up to his indie UK breakout Bait, the 1970s-set horror Enys Men.
Kelly Reichardt will receive this year’s Director’s Fortnight’s honorary Carrosse d’Or honor and will...
The selection include Alex Garland’s Cannes debut Men, the Jessie Buckley-starring movie from the surreal sci-fi master. The film will play as a Special Screening in Cannes before A24 releases in the U.S. in May.
Opening the selection will be Pietro Marcello’s Scarlet, and closing will be The Green Perfume by Nicolas Pariser.
Prominent French director Mia Hansen-Løve is back with One Fine Morning, starring Lea Seydoux, and Proxima filmmaker Alice Winocour will show her new pic Paris Memories.
Also on the list is the Paul Mescal and Emily Watson starring God’s Creatures (a second A24 title), and Mark Jenkin’s follow-up to his indie UK breakout Bait, the 1970s-set horror Enys Men.
Kelly Reichardt will receive this year’s Director’s Fortnight’s honorary Carrosse d’Or honor and will...
- 4/19/2022
- by Tom Grater
- Deadline Film + TV
The parallel section unveiled 23 titles on Tuesday, with a 24th selection to follow in the coming days.
UK director Alex Garland’s horror film Men and French filmmaker Mia Hansen-Løve’s romantic drama One Fine Morning are among the 24 features due to world premiere in the 54th Cannes Directors’ Fortnight, running May 18-27.
The non-competitive Cannes parallel section, run by French directors guild the Société des Réalisateurs (Srf), unveiled 23 of the selected titles at a news conference at the Forum cultural centre in central Paris on Tuesday morning. A final selected film will be revealed in the coming days along with the short film line-up.
UK director Alex Garland’s horror film Men and French filmmaker Mia Hansen-Løve’s romantic drama One Fine Morning are among the 24 features due to world premiere in the 54th Cannes Directors’ Fortnight, running May 18-27.
The non-competitive Cannes parallel section, run by French directors guild the Société des Réalisateurs (Srf), unveiled 23 of the selected titles at a news conference at the Forum cultural centre in central Paris on Tuesday morning. A final selected film will be revealed in the coming days along with the short film line-up.
- 4/19/2022
- by Melanie Goodfellow
- ScreenDaily
The director is also part of the cast of this Christmas in July production that will be sold by Le Pacte, together with Louise Bourgoin, Martine Chevallier and Laurent Poitrenaux. The first clapperboard will slam on 3 May on La montagne, the second feature from Thomas Salvador after the well-received Vincent (in the New Directors competition at San Sebastián in 2014 and nominated for the 2016 Best Feature Debut Lumières award). The director will also head the cast, flanked by Louise Bourgoin, Martine Chevallier (winner of the 2021 Lumières award for Best Actress and nominated for the César award in the same category for Two of Us; soon in La Menace and Le bal des folles)...
The French institution will also support films by Carine Tardieu, Patric Chiha, Thomas Salvador, Rachid Hami and Audrey Diwan. As the entire film chain readies itself for the resumption of activities in France (with a return to filming now imminent and the re-opening of cinemas planned for 22 June), the Cnc has revealed a lengthy list of 11 projects (six from the second session and five from the first) which were chosen during the 2nd advance on receipts committee of 2020. Standing tall among them is La Petite Bande, which will be the 10th feature film by Pierre Salvadori, whose first opus The Trouble With You went down well at the 2018 Directors’ Fortnight before earning itself nine César nominations. Following in the footsteps of a small group of young boys and based - according to the...
The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
- 7/5/2015
- by Sydney Levine
- Sydney's Buzz
The 12 titles include Jafar Panahi’s Berlinale winner, Roy Andersson’s Venice victor and Alfonso Gomez-Rejon’s Sundance prize-winner.Scroll down for competition line-up
A story shot entirely on iPhone, Sean Baker’s Tangerine, about a transgender La prostitute very cranky with her boyfriend, and another that is told in one take, Sebastian Schipper’s Berlinale award-winner Victoria, which features the Berlin party scene and a bank robbery, are among 12 movies in competition in the Sydney Film Festival (Sff).
Two Iranian films, Rakhshan Bani-Etemad’s Tales and Jafar Panahi’s Berlinale Golden Bear winner Tehran Taxi, are also in the running for the Us$50,000 (A$64,000) prize, as are French director Thomas Salvador’s “minimalist superhero film” Vincent, which he also stars in, and Portuguese director Miguel Gomes’ Arabian Nights, a six-hours-plus portrait of Portugal set to premiere at Cannes this month.
The three selections that have already won major prizes at top tier festivals are Francesco Munzi’s Italian...
A story shot entirely on iPhone, Sean Baker’s Tangerine, about a transgender La prostitute very cranky with her boyfriend, and another that is told in one take, Sebastian Schipper’s Berlinale award-winner Victoria, which features the Berlin party scene and a bank robbery, are among 12 movies in competition in the Sydney Film Festival (Sff).
Two Iranian films, Rakhshan Bani-Etemad’s Tales and Jafar Panahi’s Berlinale Golden Bear winner Tehran Taxi, are also in the running for the Us$50,000 (A$64,000) prize, as are French director Thomas Salvador’s “minimalist superhero film” Vincent, which he also stars in, and Portuguese director Miguel Gomes’ Arabian Nights, a six-hours-plus portrait of Portugal set to premiere at Cannes this month.
The three selections that have already won major prizes at top tier festivals are Francesco Munzi’s Italian...
- 5/6/2015
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Neil Armfield.s Holding the Man, Simon Stone.s The Daughter, Jeremy Sims. Last Cab to Darwin and Jen Peedom.s feature doc Sherpa will have their world premieres at the Sydney Film Festival.
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
- 5/6/2015
- by Don Groves
- IF.com.au
Organisers at the Seattle International Film Festival (Siff) announced the complete line-up of 450 films from 92 countries on Wednesday. The festival runs from May 14-June 7.
The Overnight starring Jason Schwartzman will close the event and as previously announced Spy (pictured) with Melissa McCartney will kick off proceedings. Kevin Bacon will receive career achievement in acting award.
“This year’s festival is bigger and more international than ever, with a record 92 countries represented,” said Siff artistic director Carl Spence. “Adding to our diverse international line-up is our new programme, Culinary Cinema, which features 11 fantastic new films.
“And I’m particularly excited to welcome Kevin Bacon as this year’s Tribute Guest – Siff will now be only one-degree of separation away!”
Galas and premieres include Max Landis’ directorial debut Me Him Her, Chris Evans in Before We Go, Jesse Eisenberg and Jason Segal in the Centerpiece Gala End Of The Tour . Inside Out, Mr. Holmes and [link...
The Overnight starring Jason Schwartzman will close the event and as previously announced Spy (pictured) with Melissa McCartney will kick off proceedings. Kevin Bacon will receive career achievement in acting award.
“This year’s festival is bigger and more international than ever, with a record 92 countries represented,” said Siff artistic director Carl Spence. “Adding to our diverse international line-up is our new programme, Culinary Cinema, which features 11 fantastic new films.
“And I’m particularly excited to welcome Kevin Bacon as this year’s Tribute Guest – Siff will now be only one-degree of separation away!”
Galas and premieres include Max Landis’ directorial debut Me Him Her, Chris Evans in Before We Go, Jesse Eisenberg and Jason Segal in the Centerpiece Gala End Of The Tour . Inside Out, Mr. Holmes and [link...
- 4/29/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Films will be competing for nearly $40,000 in total prizes in various narrative and documentary categories.
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
- 3/11/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
The selection of films making up the New Directors section has been presented. The Director of the San Sebastian Festival, José Luis Rebordinos, revealed the titles of the films to compete for the Kutxa New Directors Award, decided by a specific international jury. The Award comes with €50,000.
At the coming Festival, the New Directors section will propose thirteen first or second works by a new generation of filmmakers. With this selection and the Kutxa New Directors Award, the San Sebastian Festival maintains its firm commitment to the cinematic talents of the future.
"Chrieg" Simon Jaquemet (Switzerland) On a boot camp for kids in the Swiss Alps, four delinquent teenagers have taken over. They have a mission and rush down to the city. Feverish nights full of violence and destruction. Their war. Against grown-ups. Against everything. Against Love.
"In Her Place" Albert Shin (Canada - South Korea) A mother and her teenaged daughter living on a rural farm in South Korea take in a mysterious woman from Seoul with the hopes of helping each other repair their damaged lives.
"Cain's Children"
Marcell Gerő (Hungary - France) Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.
"Name Me" Nigina Sayfullaeva (Russia) Two 17-year-old Muscovite girls, Olya and Sasha, are going to Crimea to meet Olya’s father Sergey. At first girls have their fun. Little do they know that the innocent joke they invent will turn into great drama and change their lives forever.
"Limbo" Anna Sofie Hartmann (Germany) A small town in rural Denmark; teenager Sara and newly arrived teacher Karen grow a connection amidst projections, quiet expectations and daily life all around. Courage leads to disappointment and when an unexpected event occurs, Karen is left on her own.
"The Mother of the Lamb" Rosario Espinoza, Enrique Farias (Chile) Cristina, a 49 year old woman, has spent her entire life caring for her mother Carmen. She re-encounters Sandra, a liberal and open-minded ex-colleague who will show her friend other ways to live.
"Modris" Juris Kursietis (Latvia - Greece - Germany) Unable to deal with her teenage son, the boy's mother turns him in for a small crime. But a teenager's life cannot handle police probation. Based on true events.
"A Moonless Night" Germán Tejeira (Uruguay - Argentina) On New Year's night, three lonely night owls arrive in a small town way out in the Uruguayan countryside, where they will have the opportunity to change their destiny. A film about love, loneliness, opportunities and the passing of time.
"It´s Not Vigil" Hermes Paralluelo (Spain - Colombia) In his new film, Hermes Paralluelo tells a love story. A love story that begins when its lead characters, Antonio and Felisa, have been together for over 60 years and their delicate health means they can no longer care for one another. The prospect of having to move into a home for the elderly looms menacingly on the horizon. The film portrays love in old age, nights of fitful sleep over the worry of loneliness, death and separation from a loved-one. Fear of leaving life in the hands of others and of losing independence.
"Toto and His Sisters" Alexander Nanau (Romania) From Emmy-Award winning German-Romanian director Alexander Nanau comes an amazing family love story. Totonel (10) and his sisters are growing up in a poor city suburb, waiting for their mother to come home from prison.
"The Silly Ones and the Stupid Ones" Roberto Castón (Spain) Second feature by Roberto Castón, whose movie Ander competed in the Panorama Section at Berlin in 2009. Mario, Paula, Miguel and Lourdes run into one another while looking (some more than others) for a way out of a life they don't like. The situation forces them to make decisions, listening either to their hearts or to the fear of change. They are accompanied in the process by the film's director, played by Roberto Álamo.
"The Lesson" Kristina Grozeva, Petar Valchanov (Bulgaria - Greece) In a small Bulgarian town, Nadezhda, a young teacher, tries to find out which of her students is stealing in class, so that she can teach them the difference between right and wrong. But when she finds herself in debt to moneylenders, will she know the right road to take? What happens when an honest person turns into a criminal?
"Vincent" Thomas Salvador (France) Vincent is not just a young man among others. His strength, reflexes and agility increase when in contact with water. There he meets Lucie, falls in love, and shares his secret with someone for the first time...
At the coming Festival, the New Directors section will propose thirteen first or second works by a new generation of filmmakers. With this selection and the Kutxa New Directors Award, the San Sebastian Festival maintains its firm commitment to the cinematic talents of the future.
"Chrieg" Simon Jaquemet (Switzerland) On a boot camp for kids in the Swiss Alps, four delinquent teenagers have taken over. They have a mission and rush down to the city. Feverish nights full of violence and destruction. Their war. Against grown-ups. Against everything. Against Love.
"In Her Place" Albert Shin (Canada - South Korea) A mother and her teenaged daughter living on a rural farm in South Korea take in a mysterious woman from Seoul with the hopes of helping each other repair their damaged lives.
"Cain's Children"
Marcell Gerő (Hungary - France) Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.
"Name Me" Nigina Sayfullaeva (Russia) Two 17-year-old Muscovite girls, Olya and Sasha, are going to Crimea to meet Olya’s father Sergey. At first girls have their fun. Little do they know that the innocent joke they invent will turn into great drama and change their lives forever.
"Limbo" Anna Sofie Hartmann (Germany) A small town in rural Denmark; teenager Sara and newly arrived teacher Karen grow a connection amidst projections, quiet expectations and daily life all around. Courage leads to disappointment and when an unexpected event occurs, Karen is left on her own.
"The Mother of the Lamb" Rosario Espinoza, Enrique Farias (Chile) Cristina, a 49 year old woman, has spent her entire life caring for her mother Carmen. She re-encounters Sandra, a liberal and open-minded ex-colleague who will show her friend other ways to live.
"Modris" Juris Kursietis (Latvia - Greece - Germany) Unable to deal with her teenage son, the boy's mother turns him in for a small crime. But a teenager's life cannot handle police probation. Based on true events.
"A Moonless Night" Germán Tejeira (Uruguay - Argentina) On New Year's night, three lonely night owls arrive in a small town way out in the Uruguayan countryside, where they will have the opportunity to change their destiny. A film about love, loneliness, opportunities and the passing of time.
"It´s Not Vigil" Hermes Paralluelo (Spain - Colombia) In his new film, Hermes Paralluelo tells a love story. A love story that begins when its lead characters, Antonio and Felisa, have been together for over 60 years and their delicate health means they can no longer care for one another. The prospect of having to move into a home for the elderly looms menacingly on the horizon. The film portrays love in old age, nights of fitful sleep over the worry of loneliness, death and separation from a loved-one. Fear of leaving life in the hands of others and of losing independence.
"Toto and His Sisters" Alexander Nanau (Romania) From Emmy-Award winning German-Romanian director Alexander Nanau comes an amazing family love story. Totonel (10) and his sisters are growing up in a poor city suburb, waiting for their mother to come home from prison.
"The Silly Ones and the Stupid Ones" Roberto Castón (Spain) Second feature by Roberto Castón, whose movie Ander competed in the Panorama Section at Berlin in 2009. Mario, Paula, Miguel and Lourdes run into one another while looking (some more than others) for a way out of a life they don't like. The situation forces them to make decisions, listening either to their hearts or to the fear of change. They are accompanied in the process by the film's director, played by Roberto Álamo.
"The Lesson" Kristina Grozeva, Petar Valchanov (Bulgaria - Greece) In a small Bulgarian town, Nadezhda, a young teacher, tries to find out which of her students is stealing in class, so that she can teach them the difference between right and wrong. But when she finds herself in debt to moneylenders, will she know the right road to take? What happens when an honest person turns into a criminal?
"Vincent" Thomas Salvador (France) Vincent is not just a young man among others. His strength, reflexes and agility increase when in contact with water. There he meets Lucie, falls in love, and shares his secret with someone for the first time...
- 8/6/2014
- by Sydney Levine
- Sydney's Buzz
A total of 13 new films will compete for the $67,000 prize.
The San Sebastian Film Festival (Sept 19-27) has revealed the films that will make up its New Directors section and compete for an award worth €50,000 ($67,000).
The strand will feature 13 first or second works by new filmmakers. The titles include:
Chrieg
Simon Jaquemet (Switzerland)
On a boot camp for kids in the Swiss Alps, four delinquent teenagers have taken over. They have a mission and rush down to the city. Feverish nights full of violence and destruction. Their war. Against grown-ups. Against everything. Against Love.
In Her Place
Albert Shin (Canada - South Korea)
A mother and her teenaged daughter living on a rural farm in South Korea take in a mysterious woman from Seoul with the hopes of helping each other repair their damaged lives.
Cain’s Children (Káin Gyermekei)
Marcell Gerő (Hungary - France)
Three boys, they all committed murder. After discovering...
The San Sebastian Film Festival (Sept 19-27) has revealed the films that will make up its New Directors section and compete for an award worth €50,000 ($67,000).
The strand will feature 13 first or second works by new filmmakers. The titles include:
Chrieg
Simon Jaquemet (Switzerland)
On a boot camp for kids in the Swiss Alps, four delinquent teenagers have taken over. They have a mission and rush down to the city. Feverish nights full of violence and destruction. Their war. Against grown-ups. Against everything. Against Love.
In Her Place
Albert Shin (Canada - South Korea)
A mother and her teenaged daughter living on a rural farm in South Korea take in a mysterious woman from Seoul with the hopes of helping each other repair their damaged lives.
Cain’s Children (Káin Gyermekei)
Marcell Gerő (Hungary - France)
Three boys, they all committed murder. After discovering...
- 7/30/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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