Mexico’s Bruno Santamaría, Argentina’s Martín Benchimol and Turkey’s Selman Nacar proved three of the big winners among San Sebastian Industry Awards, announced Wednesday.
João Paulo Miranda, already a young star on Brazil’s film scene after “Memory House,” meanwhile won the Ikusmira Berriak Award.
A Chicago Golden Hugo winner for doc feature “Things We Dare Not Do,” Santamaría swept two awards at the fest’s Europe-Latin America Co-Production Forum, a Mecca for Latin America auteurs and their producers seeking vital co-production partners as state funding prospects have plunged across the region.
Also written by Santamaría, its heavily autobiographical story, set in the ’90s, follows 10-year-old boy Bru, whose father is diagnosed with HIV, sparking his parents break up.“I want to film the glances and conversations that my parents had in silence and which I couldn’t observe as a child and find some sense [in what happened],” Santamaría told Variety.
João Paulo Miranda, already a young star on Brazil’s film scene after “Memory House,” meanwhile won the Ikusmira Berriak Award.
A Chicago Golden Hugo winner for doc feature “Things We Dare Not Do,” Santamaría swept two awards at the fest’s Europe-Latin America Co-Production Forum, a Mecca for Latin America auteurs and their producers seeking vital co-production partners as state funding prospects have plunged across the region.
Also written by Santamaría, its heavily autobiographical story, set in the ’90s, follows 10-year-old boy Bru, whose father is diagnosed with HIV, sparking his parents break up.“I want to film the glances and conversations that my parents had in silence and which I couldn’t observe as a child and find some sense [in what happened],” Santamaría told Variety.
- 9/21/2022
- by John Hopewell
- Variety Film + TV
‘Heli’s’ Armando Espitia Set for ‘Six Months,’ from Chicago Fest Winner Bruno Santamaría (Exclusive)
Armando Espitia, who broke out as the hapless young factory worker in Amat Escalante’s Cannes winner “Heli,” is attached to star in “Six Months in the Pink and Blue Building,” a feature project being brought to San Sebastian’s Europe-Latin America Co-Production Forum by Mexico’s Bruno Santamaría Raso.
Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.”
Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son...
Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.”
Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son...
- 9/19/2022
- by John Hopewell
- Variety Film + TV
Jesús Zavala (“Club de Cuervos”) and Sofía Espinosa (“Gloria”) have been tapped to lead the Spanish-language adaptation of NBCU’s hit series “Superstore.”
Titled “Supertitlán,” it will be co-directed by showrunner César Rodríguez (“Compañeros”) and Joserra Zúñiga (“Chumel”).
The English-language original, which reached 33.7 million viewers in its final season 6, was created by Justin Spitzer (“The Office”) and produced by Universal Television, in association with Spitzer Holding Company, Miller Green Broadcasting and The District.
“Supertitlán” is Universal Studio Group’s first co-production partnership in Mexico and its first Spanish-language title.
Joining Zavala and Espinosa in the Spanish-language version are Luz Aldán (“La Casadelas Flores”), Ricardo Peralta (“Sobreviví”), Carlos Orozco (“Plan Sexenalen”), Aldo Escalante (“El Señor de los Cielos”), Erika Franco (“Margarita”), Azalia Ortíz (“Dodo”), Martín Barba (“Cuatro Lunas”), Roberta Burns (“Dibujando el Cielo”), Francisco de la Reguera (“Sr. Ávila”), Viviana Serna (“Señor de los Cielos”), Amanda Farah (“La Casa de las Flores...
Titled “Supertitlán,” it will be co-directed by showrunner César Rodríguez (“Compañeros”) and Joserra Zúñiga (“Chumel”).
The English-language original, which reached 33.7 million viewers in its final season 6, was created by Justin Spitzer (“The Office”) and produced by Universal Television, in association with Spitzer Holding Company, Miller Green Broadcasting and The District.
“Supertitlán” is Universal Studio Group’s first co-production partnership in Mexico and its first Spanish-language title.
Joining Zavala and Espinosa in the Spanish-language version are Luz Aldán (“La Casadelas Flores”), Ricardo Peralta (“Sobreviví”), Carlos Orozco (“Plan Sexenalen”), Aldo Escalante (“El Señor de los Cielos”), Erika Franco (“Margarita”), Azalia Ortíz (“Dodo”), Martín Barba (“Cuatro Lunas”), Roberta Burns (“Dibujando el Cielo”), Francisco de la Reguera (“Sr. Ávila”), Viviana Serna (“Señor de los Cielos”), Amanda Farah (“La Casa de las Flores...
- 11/1/2021
- by K.J. Yossman
- Variety Film + TV
Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Jaime Camil, Alfonso Arau, Sofía Espinosa, Edward James Olmos | Written by Adrian Molina, Matthew Aldrich | Directed by Lee Unkrich, Adrian Molina
Having explored the inner workings of human consciousness in Inside Out, the animation geniuses at Pixar turn their collective imaginations to the land of the dead in their latest offering, co-directed by Lee Unkrich (Toy Story 3) and Adrian Molina. The result is Coco, a beautifully animated piece of work that has something genuinely moving to say about death, grief, memory and family, without ever feeling too sentimental.
The hero of the story is 12 year-old Miguel (Anthony Gonzalez), a young Mexican boy who dreams of becoming a singer. There’s just one problem: his grandmother Imelda (Renée Victor) enforces a strict musical ban on his shoe-making family, because Miguel’s great-great-grandfather abandoned his wife and child – Miguel’s now ancient great grandmother,...
Having explored the inner workings of human consciousness in Inside Out, the animation geniuses at Pixar turn their collective imaginations to the land of the dead in their latest offering, co-directed by Lee Unkrich (Toy Story 3) and Adrian Molina. The result is Coco, a beautifully animated piece of work that has something genuinely moving to say about death, grief, memory and family, without ever feeling too sentimental.
The hero of the story is 12 year-old Miguel (Anthony Gonzalez), a young Mexican boy who dreams of becoming a singer. There’s just one problem: his grandmother Imelda (Renée Victor) enforces a strict musical ban on his shoe-making family, because Miguel’s great-great-grandfather abandoned his wife and child – Miguel’s now ancient great grandmother,...
- 5/21/2018
- by Matthew Turner
- Nerdly
Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Jaime Camil, Alfonso Arau, Sofía Espinosa, Edward James Olmos | Written by Adrian Molina, Matthew Aldrich | Directed by Lee Unkrich, Adrian Molina
Having explored the inner workings of human consciousness in Inside Out, the animation geniuses at Pixar turn their collective imaginations to the land of the dead in their latest offering, co-directed by Lee Unkrich (Toy Story 3) and Adrian Molina. The result is Coco, a beautifully animated piece of work that has something genuinely moving to say about death, grief, memory and family, without ever feeling too sentimental.
The hero of the story is 12 year-old Miguel (Anthony Gonzalez), a young Mexican boy who dreams of becoming a singer. There’s just one problem: his grandmother Imelda (Renée Victor) enforces a strict musical ban on his shoe-making family, because Miguel’s great-great-grandfather abandoned his wife and child – Miguel’s now ancient great grandmother,...
Having explored the inner workings of human consciousness in Inside Out, the animation geniuses at Pixar turn their collective imaginations to the land of the dead in their latest offering, co-directed by Lee Unkrich (Toy Story 3) and Adrian Molina. The result is Coco, a beautifully animated piece of work that has something genuinely moving to say about death, grief, memory and family, without ever feeling too sentimental.
The hero of the story is 12 year-old Miguel (Anthony Gonzalez), a young Mexican boy who dreams of becoming a singer. There’s just one problem: his grandmother Imelda (Renée Victor) enforces a strict musical ban on his shoe-making family, because Miguel’s great-great-grandfather abandoned his wife and child – Miguel’s now ancient great grandmother,...
- 1/19/2018
- by Matthew Turner
- Nerdly
Coco is easily going to win the box office over Thanksgiving weekend—but is it worth your family's dime? Directed by Lee Unkrich, Pixar's latest movie features the voices of Alfonso Arau, Benjamin Bratt, Jaime Camil, Sofía Espinosa, Gael García Bernal, Anthony Gonzalez, Selene Luna, Ana Ofelia Murguia, Edward James Olmos, Alanna Ubach and Renée Victor. Despite his family's generations-old ban on music, 12-year-old Miguel (Gonzalez) dreams of becoming a musician like his idol, Ernesto de la Cruz (Bratt). After being dissuaded by his grandmother, Miguel strums his ancestor's guitar and winds up in the mystical and colorful Land of the Dead. Along the way, he encounters a trickster, Hector...
- 11/23/2017
- E! Online
Disney has released the final trailer for Pixar's upcoming film Coco. This looks like it's going to be another strong animated film from the studio. Coco already opened in Mexico two weeks ago and apparently, it's been a big hit. I'm very much looking forward to seeing this movie as it looks like it will tell a wonderfully magical story about the streantgth of family.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
- 11/6/2017
- by Joey Paur
- GeekTyrant
Disney has released a new clip and featurette for Pixar's upcoming animated supernatural adventure film Coco. The clip features Miguel's grandma coming after him as he is spending time in the Mariachi Plaza. She's not happy that he is hanging round the area. The featurette offers us some insight into the creation of the story. If you're looking forward to seeing this movie, you'll want to check these out!
Pixar has enjoyed a long string of successful films and this one seems like it's very different from anything they've done before, especially with the culture. It looks like a wonderfully magical film and it looks like a movie that fans will enjoy.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel...
Pixar has enjoyed a long string of successful films and this one seems like it's very different from anything they've done before, especially with the culture. It looks like a wonderfully magical film and it looks like a movie that fans will enjoy.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel...
- 10/17/2017
- by Joey Paur
- GeekTyrant
Disney has released a new trailer for Pixar's latest film Coco and it looks stunning! Pixar knows how to tell a great story and this one focuses on a young boy who finds himself in the Land of the Dead where he will learn the true story of his family's history. It looks like a fantastically magical film that will inspire audiences.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
The...
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
The...
- 9/13/2017
- by Joey Paur
- GeekTyrant
Author: Zehra Phelan
Following on from the poster release yesterday of Pixar’s upcoming animation Coco by the film’s director Lee Unkrich via twitter as well as the full cast and character details, a new trailer for one boy’s quest to find the truth about his family history has arrived.
Related: Coco trailers
A far cry from Pixar’s Cars, Coco portrays a classic experience both visually and musically whilst dipped in a candy vat of diversity in examining a culture we very rarely see in animation form.
Newcomer Anthony Gonzalez leads the project’s all-Latino voice cast as Miguel, a young boy from a shoemaker’s family who dreams of becoming a musician like his idol, the late Ernesto de la Cruz (Benjamin Bratt), despite his family having banned music for generations. Miguel will be accompanied on his adventure by a trickster named Hector, voiced by Gael Garcia Bernal.
Following on from the poster release yesterday of Pixar’s upcoming animation Coco by the film’s director Lee Unkrich via twitter as well as the full cast and character details, a new trailer for one boy’s quest to find the truth about his family history has arrived.
Related: Coco trailers
A far cry from Pixar’s Cars, Coco portrays a classic experience both visually and musically whilst dipped in a candy vat of diversity in examining a culture we very rarely see in animation form.
Newcomer Anthony Gonzalez leads the project’s all-Latino voice cast as Miguel, a young boy from a shoemaker’s family who dreams of becoming a musician like his idol, the late Ernesto de la Cruz (Benjamin Bratt), despite his family having banned music for generations. Miguel will be accompanied on his adventure by a trickster named Hector, voiced by Gael Garcia Bernal.
- 6/8/2017
- by Zehra Phelan
- HeyUGuys.co.uk
Disney has released a new trailer for Pixar's upcoming animated feature film Coco. This looks like a fantastically made film that tells the magical story of a boy, a magic guitar, and his journey to the Land of the Dead. If you're a fan of Pixar's films, this doesn't look like a movie you'll want to miss.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Character actress Renée Victor also joins the cast as Abuelita,...
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Character actress Renée Victor also joins the cast as Abuelita,...
- 6/8/2017
- by Joey Paur
- GeekTyrant
Disney and Pixar's next venture shows the difference between the land of the living and the land of the dead leading up to Dia de los Muertos! The film, entitled Coco, includes an All-Latino voiced cast of who's-who!
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself magically transported to the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel's family history. This is the synopsis for Disney-Pixar's Coco, a beautiful adventure set around the Mexican holiday Dia de los Muertos. Today, Disney proudly unveiled the...
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself magically transported to the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel's family history. This is the synopsis for Disney-Pixar's Coco, a beautiful adventure set around the Mexican holiday Dia de los Muertos. Today, Disney proudly unveiled the...
- 6/6/2017
- by feeds@cinelinx.com (Matt Malliaros)
- Cinelinx
Diversity is kind of a hot topic nowadays. As citizens of a melting pot of a culture, it’s nice to be represented in mainstream entertainment. And if we’re being honest, it’s not just about diversity, but authenticity. It always rings a bit false when you have a white person portraying a person of color. It’s especially easy to get away with this in animation, where you don’t even see the voice actors.
Studios have gotten away with this practice for years, but in today’s world, they’re making a conscious effort to create films that respect the culture it’s portraying, and part of that has to do with the voice cast. This newer approach is expanding to Coco, the latest film from Pixar inspired by Día de Muertos, a celebration of the dearly departed.
This is obviously a story that’s steeped in Mexican culture,...
Studios have gotten away with this practice for years, but in today’s world, they’re making a conscious effort to create films that respect the culture it’s portraying, and part of that has to do with the voice cast. This newer approach is expanding to Coco, the latest film from Pixar inspired by Día de Muertos, a celebration of the dearly departed.
This is obviously a story that’s steeped in Mexican culture,...
- 6/6/2017
- by Joseph Medina
- LRMonline.com
Disney·Pixar’s “Coco,” a multi-generational story about the power of family relationships, features characters from the Land of the Living, and their loved ones who’ve moved on to the Land of the Dead.
Joining aspiring musician Miguel, voiced by Anthony Gonzalez; charming trickster Hector, voiced by Gael García Bernal; and musical icon Ernesto de la Cruz, voiced by Benjamin Bratt; are a host of colorful characters and the voice talent behind them that bring both worlds to life.
“These parallel worlds couldn’t be more different,” said Unkrich. “One is the Rivera family’s charming and hardworking hometown of Santa Cecilia, and the other is the vibrant, rich land where loved ones go when they’ve passed. ‘Coco’ introduces characters from both worlds on the eve of Día de los Muertos—one extraordinary night when a living boy named Miguel gets a glimpse of the other side.”
Added Molina,...
Joining aspiring musician Miguel, voiced by Anthony Gonzalez; charming trickster Hector, voiced by Gael García Bernal; and musical icon Ernesto de la Cruz, voiced by Benjamin Bratt; are a host of colorful characters and the voice talent behind them that bring both worlds to life.
“These parallel worlds couldn’t be more different,” said Unkrich. “One is the Rivera family’s charming and hardworking hometown of Santa Cecilia, and the other is the vibrant, rich land where loved ones go when they’ve passed. ‘Coco’ introduces characters from both worlds on the eve of Día de los Muertos—one extraordinary night when a living boy named Miguel gets a glimpse of the other side.”
Added Molina,...
- 6/6/2017
- by Melissa Thompson
- WeAreMovieGeeks.com
Exclusive: Demian Bichir’s directorial debut follows a man travelling from Mexico to New Orleans.
Mundial is launching sales here on Demian Bichir’s feature directorial debut Refugio.
The story follows a romantic dreamer whose quest for love takes him from Mexico to New Orleans, where he falls for an exotic dancer and must contend with her dangerous former lover.
Alex Garcia produces Refugio with Santiago Garcia Galvan, Bruno Bichir, Bichir himself, and Walkiria Barbosa. The film screened on Wednesday (May 11) in Cannes and will again on Saturday (May 14).
Mundial vice-president Cristina Garza feels bullish about the film’s prospects. “It’s big, commercial and is going to do extremely well with the Us and hispanic audiences.”
Garza is on the Croisette with a strong slate. Sales titles include Tomas Portella’s Rio-set action title Special Operations (Operacoes Especiais) starring Cleo Pires, Fabricio Boliveira, Marcos Caruso and Fabiula Nascimento. It screens on Monday.
Leonardo Sbaraglia stars with...
Mundial is launching sales here on Demian Bichir’s feature directorial debut Refugio.
The story follows a romantic dreamer whose quest for love takes him from Mexico to New Orleans, where he falls for an exotic dancer and must contend with her dangerous former lover.
Alex Garcia produces Refugio with Santiago Garcia Galvan, Bruno Bichir, Bichir himself, and Walkiria Barbosa. The film screened on Wednesday (May 11) in Cannes and will again on Saturday (May 14).
Mundial vice-president Cristina Garza feels bullish about the film’s prospects. “It’s big, commercial and is going to do extremely well with the Us and hispanic audiences.”
Garza is on the Croisette with a strong slate. Sales titles include Tomas Portella’s Rio-set action title Special Operations (Operacoes Especiais) starring Cleo Pires, Fabricio Boliveira, Marcos Caruso and Fabiula Nascimento. It screens on Monday.
Leonardo Sbaraglia stars with...
- 5/13/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Countries around the world have slowly begun announcing their official submissions for the Best Foreign Language Film Academy Award or shortlists of films that are being considered for the distinction. In the case of Mexico there is no clear candidate for the Mexican Academy to select this year, which leaves an open field of diverse films from the art house and commercial realms.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
- 8/20/2015
- by Carlos Aguilar
- Sydney's Buzz
South by Southwest, the multi-faceted film, music and technology festival held annually in Austin, TX will feature such upcoming films as Paul Feig’s Spy, David Gordon Green’s Manglehorn, Alex Gibney’s documentary Steve Jobs: The Man in the Machine, and Ondi Timoner’s Russell Brand profile Brand: A Second Coming as headliners in this year’s film festival lineup.
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
- 2/3/2015
- by Brian Welk
- SoundOnSight
Every year in November in Los Cabos, one of the most beautiful places in Mexico, 14,000 attendees, 450 industry professionals, and national and international media join together to celebrate film.
This year the Hurricane Odile took out Los Cabos and we feared for the festival. However, it has survived and its third edition, renamed from “Baja International Film Festival, Los Cabos” to “ Los Cabos International Film Festival ” has added three new sections.
You will find me there for this third edition November 12 – 16, where the Mexican film industry, its cultural and commercial partners in North America meet with invited guests to watch and discuss the best in cinema today.
Read more about its 2014 Official Selection program here. Nine films are in Competition from Mexico, U.S. and Canada, competing for Usd $15,000 cash, six Mexican productions – the first or second film by directors will compete for Usd $15,000 in the Mexico First Section.
The Festival’s three new sections to be presented in its Third Edition are Green Perspective, B-Side and Sunset.
Green Perspective is a section that present stories that generate awareness and force us to reflect on our responsibilities with the environment and the urgent need to create a harmonious coexistence among all the links part of this planet. The films in this new section are:
• “Just Eat It: A Food Waste Story” by Grant Baldwin. (Canada– Latin American Premiere).
• “México Pelágico” (“Deep-Sea Mexico”) by Jerónimo Prieto (Mexico, 2014).
• “ThuleTuvalu” by Matthias von Gunten (Switzerland- Latin American Premiere).
The theater chain, Cinemex will present this as part of the Festival’s Free Outdoor Screenings Program to be held at Plaza Mijares in San José del Cabo.
The Festival also launches, B Side, showcasing the best films portraying music, providing both sonorous and visual enjoyment. The three films presented this year are:
• “20,000 Days on Earth” by Iain Forsyth and Jane Pollard (U.K. – Mexican Premiere). After its Sundance 2014 premiere, Hanway picked it up for international sales and has sold it to Drafthouse Films for U.S. as well as to Benelux (Remain In Light Belgium), Brazil (Zeta Filmes), Denmark (Camera Film A/S), Norway (Tour De Force As), Poland (Gutek Film Ltd), Spain (Avalon Distribucion Audiovisual), Sweden (Nonstop Entertainment Ab), U.K. ( Picturehouse Cinemas Ltd/ Picturehouse Entertainment).
• “For Those About To Rock: The Story of Rodrigo y Gabriela” by Alejandro Franco Fernández (Mexico– Latin American Premiere).
• “God Help the Girl” by Stuart Murdoch (U.K.– Mexican Premiere).
This film also premiered at Sundance and is also repped by Hanway and has sold to Amplify (Los Angeles) for the U.S. and to So. Korea (Challan), Spain (Avalon Distribucion Audiovisual), Taiwan ( Atom Cinema).
The third new section, Sunset, intends to provoke with genres of horror, science fiction and black comedy.
“Over Your Dead Body” by Takashi Miike (Japan – Latin American Premiere) premiered at Pusan Film Festival and is being sold internationally by Celluloid Dreams and Mongrel Media. “Spring” by Justin Benson and Aaron Moorhead (U.S.A. – Mexican Premiere) presented in collaboration with Morbido Fest. Xyz both produced and is the international sales agent for this film which will debut at this year’s American Filkm Market. “What We Do in the Shadows” by Taika Waititi and Jemaine Clement (New Zealand, U.S. – Latin American Premiere) also premiered in Sundance and played in Midnight Madness at Tiff. Elle Driver picked it up at its Sundance premiere and has licensed the film to Unison Films for U.S., Australia (Madman Entertainment), Germany (Weltkino Filmverleih Gmbh), Japan (Shochiku Co., Ltd), Russia (Volgafilm), Sweden (Njutafilms), U.K. ( Metrodome Distribution). Within the framework of the second Gabriel Figueroa Film Fund, that supports Mexican filmmakers’ projects in development and in post, the Festival is honoring Gabriel Figueroa, one of the greatest filmmakers of the Golden Age of Mexican cinema. In collaboration with photographer Gabriel Figueroa Flores, keeper and film restorer of his father's legacy, the photo exhibition "Homage to Gabriel Figueroa" will be presented, highlighting the work of the cinematographer in several foreign productions filmed in Mexico, including "The Pearl" (1945), "The Fugitive" (1947) and "The Night of the Iguana" (1962).
Los Cabos Film Festival is proud to have as guests, prominent Mexican celebrities who will get together at the red carpets and the Festival events, including Guillermo Arriaga, Ilse Salas, Tenoch Huerta, Sofía Espinosa, Sophie Alexander Katz, Marimar Vega, Luis Ernesto Franco, Erick Elias, Eiza González, Dolores Heredia, Maya Zapata, Chema Yazpik, Patricia Garza, Irene Azuela, Natalia Lafourcade, Tessa Ia, among others.
Among international celebrities confirmed to date are Atom Egoyan (Canada), Denys Arcand (Quebec), Xavier Dolan (Quebec), Frank Grillo (USA), DJ Cotrona (USA), Leonor Varela (Chile), Natalia Tena (UK), Eric Bruneau (Quebec), Sarai Givaty (Israel) and Rich
The Festival will give away 7,000 tickets for Cinemex screenings and 500 tickets for the Opening Gala, 500 tickets for Xavier Dolan’s “Mommy”’s Gala and 500 tickets for “Words with God”’s Gala, and 800 tickets for the Closing Gala.
As part of its commitment to Los Cabos, the Festival will donate to the Municipal Dif (National System for Integral Family Development) 8% of total sales. To promote social support and the provision of services that contribute to the protection, care and improvement of vulnerable groups.
American actress Rosario Dawson will present the Latin American Premier of Atom Egoyan’s “ The Captive” (2014), and will have the honor to grant the Tribute Award to Mr. Egoyan. Dawson plays a detective in the film by the Canadian Director, investigating Cassandra’s case that was abruptly kidnapped; this begins a horrifying race against time where the detective herself must play her part in unraveling the mystery of her disappearance and freeing her from captivity.
Its press conference in Mexico City on October 31st, more details will be announced.
Come And See What The Neighbors Are Doing Mexico, USA and Canada showcase their best films to the world.
This year the Hurricane Odile took out Los Cabos and we feared for the festival. However, it has survived and its third edition, renamed from “Baja International Film Festival, Los Cabos” to “ Los Cabos International Film Festival ” has added three new sections.
You will find me there for this third edition November 12 – 16, where the Mexican film industry, its cultural and commercial partners in North America meet with invited guests to watch and discuss the best in cinema today.
Read more about its 2014 Official Selection program here. Nine films are in Competition from Mexico, U.S. and Canada, competing for Usd $15,000 cash, six Mexican productions – the first or second film by directors will compete for Usd $15,000 in the Mexico First Section.
The Festival’s three new sections to be presented in its Third Edition are Green Perspective, B-Side and Sunset.
Green Perspective is a section that present stories that generate awareness and force us to reflect on our responsibilities with the environment and the urgent need to create a harmonious coexistence among all the links part of this planet. The films in this new section are:
• “Just Eat It: A Food Waste Story” by Grant Baldwin. (Canada– Latin American Premiere).
• “México Pelágico” (“Deep-Sea Mexico”) by Jerónimo Prieto (Mexico, 2014).
• “ThuleTuvalu” by Matthias von Gunten (Switzerland- Latin American Premiere).
The theater chain, Cinemex will present this as part of the Festival’s Free Outdoor Screenings Program to be held at Plaza Mijares in San José del Cabo.
The Festival also launches, B Side, showcasing the best films portraying music, providing both sonorous and visual enjoyment. The three films presented this year are:
• “20,000 Days on Earth” by Iain Forsyth and Jane Pollard (U.K. – Mexican Premiere). After its Sundance 2014 premiere, Hanway picked it up for international sales and has sold it to Drafthouse Films for U.S. as well as to Benelux (Remain In Light Belgium), Brazil (Zeta Filmes), Denmark (Camera Film A/S), Norway (Tour De Force As), Poland (Gutek Film Ltd), Spain (Avalon Distribucion Audiovisual), Sweden (Nonstop Entertainment Ab), U.K. ( Picturehouse Cinemas Ltd/ Picturehouse Entertainment).
• “For Those About To Rock: The Story of Rodrigo y Gabriela” by Alejandro Franco Fernández (Mexico– Latin American Premiere).
• “God Help the Girl” by Stuart Murdoch (U.K.– Mexican Premiere).
This film also premiered at Sundance and is also repped by Hanway and has sold to Amplify (Los Angeles) for the U.S. and to So. Korea (Challan), Spain (Avalon Distribucion Audiovisual), Taiwan ( Atom Cinema).
The third new section, Sunset, intends to provoke with genres of horror, science fiction and black comedy.
“Over Your Dead Body” by Takashi Miike (Japan – Latin American Premiere) premiered at Pusan Film Festival and is being sold internationally by Celluloid Dreams and Mongrel Media. “Spring” by Justin Benson and Aaron Moorhead (U.S.A. – Mexican Premiere) presented in collaboration with Morbido Fest. Xyz both produced and is the international sales agent for this film which will debut at this year’s American Filkm Market. “What We Do in the Shadows” by Taika Waititi and Jemaine Clement (New Zealand, U.S. – Latin American Premiere) also premiered in Sundance and played in Midnight Madness at Tiff. Elle Driver picked it up at its Sundance premiere and has licensed the film to Unison Films for U.S., Australia (Madman Entertainment), Germany (Weltkino Filmverleih Gmbh), Japan (Shochiku Co., Ltd), Russia (Volgafilm), Sweden (Njutafilms), U.K. ( Metrodome Distribution). Within the framework of the second Gabriel Figueroa Film Fund, that supports Mexican filmmakers’ projects in development and in post, the Festival is honoring Gabriel Figueroa, one of the greatest filmmakers of the Golden Age of Mexican cinema. In collaboration with photographer Gabriel Figueroa Flores, keeper and film restorer of his father's legacy, the photo exhibition "Homage to Gabriel Figueroa" will be presented, highlighting the work of the cinematographer in several foreign productions filmed in Mexico, including "The Pearl" (1945), "The Fugitive" (1947) and "The Night of the Iguana" (1962).
Los Cabos Film Festival is proud to have as guests, prominent Mexican celebrities who will get together at the red carpets and the Festival events, including Guillermo Arriaga, Ilse Salas, Tenoch Huerta, Sofía Espinosa, Sophie Alexander Katz, Marimar Vega, Luis Ernesto Franco, Erick Elias, Eiza González, Dolores Heredia, Maya Zapata, Chema Yazpik, Patricia Garza, Irene Azuela, Natalia Lafourcade, Tessa Ia, among others.
Among international celebrities confirmed to date are Atom Egoyan (Canada), Denys Arcand (Quebec), Xavier Dolan (Quebec), Frank Grillo (USA), DJ Cotrona (USA), Leonor Varela (Chile), Natalia Tena (UK), Eric Bruneau (Quebec), Sarai Givaty (Israel) and Rich
The Festival will give away 7,000 tickets for Cinemex screenings and 500 tickets for the Opening Gala, 500 tickets for Xavier Dolan’s “Mommy”’s Gala and 500 tickets for “Words with God”’s Gala, and 800 tickets for the Closing Gala.
As part of its commitment to Los Cabos, the Festival will donate to the Municipal Dif (National System for Integral Family Development) 8% of total sales. To promote social support and the provision of services that contribute to the protection, care and improvement of vulnerable groups.
American actress Rosario Dawson will present the Latin American Premier of Atom Egoyan’s “ The Captive” (2014), and will have the honor to grant the Tribute Award to Mr. Egoyan. Dawson plays a detective in the film by the Canadian Director, investigating Cassandra’s case that was abruptly kidnapped; this begins a horrifying race against time where the detective herself must play her part in unraveling the mystery of her disappearance and freeing her from captivity.
Its press conference in Mexico City on October 31st, more details will be announced.
Come And See What The Neighbors Are Doing Mexico, USA and Canada showcase their best films to the world.
- 10/31/2014
- by Sydney Levine
- Sydney's Buzz
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